The Craft of being a Wordsmith by Juliana Aragon Fatula

These are some of my favorite quotes on writing by Ernest Hemmingway:

“When people talk listen completely. Don’t be thinking what you’re going to say. Most people never listen. Nor do they observe. You should be able to go into a room and when you come out know everything that you saw there and not only that. If that room gave you any feeling you should know exactly what it was that gave you that feeling. Try that for practice. When you’re in town stand outside the theatre and see how the people differ in the way they get out of taxis and motor cars. There are a thousand ways to practice. And always think of other people.”
       
“I haven’t seen Gertrude Stein since last fall. Her Making of Americans is one of the very greatest books I’ve ever read.”

“Am very ashamed not to have written. Was over-run by journalists, photographers and plain and fancy crazies. Was in the middle of writing a book and it is a little like being interrupted in fornication.”

“You see I’m trying in all my stories to get the feeling of the actual life across–not to just depict life–or criticize it–but to actually make it alive. So that when you have read something by me you actually experience the thing. You can’t do this without putting in the bad and the ugly as well as what is beautiful. Because if it is all beautiful you can’t believe in it. Things aren’t that way. It is only by showing both sides–3 dimensions and if possible 4 that you can write the way I want to.”

“I believe that basically you write for two people; yourself to try to make it absolutely perfect; or if not that then wonderful. Then you write for who you love whether she can read or write or not and whether she is alive or dead.”

“Then there is the other secret There isn’t any symbolysm. (mis-spelled). The sea is the sea. The old man is an old man. The boy is a boy and the fish is a fish. The shark are all sharks no better and no worse. All the symbolism that people say is shit. What goes beyond is what you see beyond when you know.”

Dear Reader,

This post will be about the craft of writing a novel. I’ve
been writing poetry for decades but I’m working on my first novel, a romance
mystery about two private investigator sisters named L.A. and Eva Mondragon.

I
enjoy reading mysteries but to tell you the truth, I never imagined I’d write
one, yet here I am 54979 words and 202 pages into my first novel, The
Colorado Sisters.  My characters are
Chicanas from Colorado and have a unique perspective on life in the Chicano
community. I have spent years crafting this first novel and reading about the
craft of writing by master writers. I’ve read a variety of authors from
this genre and especially enjoy writers of color who write mysteries.

I’ve
learned valuable skills from other writers by reading their novels, but books
on writing give precise tools needed for the specific genre. My favorite is Stephen
King on Writing because he’s one of my favorite authors but also because he
is an excellent teacher with an incredible sense of humor.

I value the expertise in Linda
Rodriguez’ book, Plotting the Character Driven Novel. I go to her book
often for the gems that make her books so interesting. Her book helped me more than any other because it is a short handbook that you can carry with you everywhere and whip it out and study when you have a spare minute to read. Her list of books by writers on writing is the list I used to research and study. 

I highly recommend both of these books for
the novice writer who wants to learn from the master writers. Both Stephen King
and Linda Rodriguez list several other books about writing and I have listed
those here for you. I’ve read all of them and I’ve singled out my favorites.: Carolyn See, Making a Literary Life, Dorothea Brande, Becoming a Writer, Natalie Goldberg, Writing Down the Bones, Annie Dillard, The Writing Life.

I majored in English and minored in
creative writing. I studied with professors from Colorado State University
of Pueblo and became part of the writers crowd on campus. I added dates to
my calendar to attend coffee houses, bars, and bookstores for literary events. I
attended readings by guest writers and workshopped with several of these and
joined a circle of writers that have mentored me along my journey. I learned
from each of them and networked with them on social media and by email.

I became a published poet because
my independent study professor asked me to write and submit my manuscript to a
publisher. He suggested a small press in Denver, Ghost Road Press and
encouraged me to send them my work. If not for that push, I might not have ever
been published. I had no confidence in getting a contract, but to my surprise
the publishers wanted my poems.

I graduated in 2008 and by 2009 I had my first
book of poetry, Crazy Chicana in Catholic City. With this bit of confidence, I began working on my second book
of poetry. This next book was published because one of the editors from Ghost
Road Press moved to another press, Conundrum Press. She asked
me to join her and a few other writers and move to the new press. I met the new
publisher, Caleb Seeling, for dinner, and he asked if I had any more
poetry and I told him, “I happen to have a manuscript with me.” I whipped it
out of my bag and handed it to him. He published my second book, Red Canyon Falling on Churches, as well.

The confidence of being published
gave me the nerve to write my second book of poetry, Red Canyon Falling on
Churches and being published by a second press, Conundrum Press, gave me
the guts to hand him my second manuscript. I had never been given a rejection,
but I have since received several. It’s part of the process. Not every press
will want to publish your writing but if you don’t submit, you will never know.

My chapbook, The Road I Ride
Bleeds, was published by a writer that I workshopped with after being
published. It was a short-lived experiment of the Sexy Bitches, Women Who
Write Whatever the Fuck They Want, Writers Workshop. Out of that
collaboration one of the writers asked me to submit my poems to her Casa de
Cinco Hermanas Press in Pueblo, CO.  And my first
chapbook of poems was printed. It’s beautiful in its simplicity. The artwork and
cover are one of my favorites. I owe these writers, editors, publishers, professors,
a debt of gratitude. That is why I help new writers get started. I know it
takes a village.

I asked master writers I networked
with in college lots of questions. I interviewed them for my blog and became
acquainted with their story.  I attended writing
workshops to learn more about the craft of writing.

I met Sandra Cisneros,
author of House on Mango Street, at a fund raiser at Rawlings Library in
Pueblo. I handed her a copy of my book, Crazy Chicana in Catholic City,
the first edition. She asked me to sign it. I did. The next day at her reading
at the Rawlings Library in Pueblo, Colorado she saw me in the front row and
asked me about my book. She told the audience she had read it that night at the
motel and she was going to buy copies for her friends for gifts. She asked if I
had any books with me. I told her I had a box of books in my car in the parking
lot. My dear friend and librarian, Leslie Fitzgerald, at the Pueblo School
of Arts and Sciences ran downstairs and hauled the books up for me to sell next
to Sandra Cisneros at her book signing. Sandra changed my life that day
as my professors, fellow students, and the community watched in awe as she
praised my little book of poems. The Pueblo Chieftain ran an article on
the event and mentioned my name and book.

Afterward, she asked me to apply to
her writing workshop, Macondo. She told me to keep trying if I didn’t
get accepted the first year because they only selected a few writers each year.
I was accepted on my second application and became a Macondista along
with hundreds of master writers in the U.S.

I remember the book blurb Sandra generously gave me and told me to use on my book. “Your writing makes me want
to write poetry.” When my first book was republished as a second edition, I
added her blurb to the cover. She gifted me a valuable review of my book in
just a few words and her name.

I attended the Associations of Writers
and Publishers, AWP, in Denver, Colorado and met several writers. Mi
comadre, Linda Rodriguez, took me under her wing and I’ve never forgotten her
generosity and encouragement. We only met once but have kept in touch and now
I’m part of her group of mystery writers, the Stiletto Gang. She
introduced me to a great community of women mystery writers, and they keep me
informed about writing competitions and workshops.

I’ve been blessed with
opportunities to meet and work with master writers in several genres but the
writer who influence me the most is the Chicana Icon and activist, Denise
Chavez. She critiqued my first draft and made me take a good look at my
style. She offered me invaluable advice and helped me smooth the rough edges.
But most importantly she taught me how to critique other aspiring writers, with
honesty, and no non-sense feedback. There is no better way to learn how to
write, than to ask a master writer to read your novel and give you feedback. They
know their craft and you can learn from them if you listen to their advice.

This is how I became a writer. I
read books by authors I loved and by authors suggested to me by other writers.
I read books on writing by master writers. I attended writing workshops with
master writers, but also with student writers, and local authors. I took
seriously the craft of writing and gave myself self-imposed deadlines to finish
projects. I revised, edited, and asked other writers to critique my work and I
learned every time I rewrote my work.

One piece of advice from Sandra
Cisneros, don’t write a good book, write a great one. I hear that quote in
my head and ask myself, is this book great, or just good? And then I set out to
make it great.

I remember Denise Chavez telling me in a writing
workshop, that’s bullshit, now tell the real story. And I rewrite the story and
tell the truth.


Stephen King has great advice on writing. I studied his
book, wrote in the margins, highlighted, tabbed pages, and reread his book
three times. I did the same with Linda Rodriquez’ book on writing. I
keep them nearby so I can go to them whenever I need a refresher course.

In conclusion, I’ll add that one of
my favorite writers, Ernest Hemmingway, has a great book on writing
filled with quotes from letters he wrote to other writers. Stephen King gave the same advice as Hemmingway, say it with as few words as
possible. I try.

The last thing I will tell you is
this, I teach writing workshops and I workshop with other writers because that
is part of the philosophy of the Macondo Foundation, to help other
writers who are marginalized. I read their unpublished poems and manuscripts
and offer suggestions and give feedback because I support and encourage other
writers who are struggling as I did in the beginning. This is the way I keep my
skills honed, by helping others, and in turn, I learn from each writer I help.

The opportunities to participate in Book Festivals, Writing Workshops, and Book Signing Events with other writers has to be the best part of being a writer. For me, the socializing with people who understand what being a writer takes, dedication, isolation, passion, goal-oriented, competitive, energetic, and thick-skinned.

I’ve only won a couple of writing awards but having people give you money, an award, and applause while praising your work has to be the second best part of the job. But being invited to speak, or teach, or workshop with students and fans makes me feel complete and satisfied to have chosen the life of being a writer and giving to the community of writers. But to be honest, as a performance artist, I live for the stage and the mic and the audience laughter and tears. Reading a poem or telling a story to a live audience is medicine to my soul.

Think about the ideas I’ve presented and write me a comment if you have questions or feedback. I delight in chatting with my readers. It helps me to grow as a blogger to hear your questions. Thank you for taking time to read my post and let’s all just give peace a chance. One World. One Love.