The Letter I’ll Never Forget

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Here it is again, a new year. A fresh start, and yet, a hint of gloom still permeates the air. We’ve all had to navigate through and adjust to new realities. How are you managing?

Whenever I’m struggling, I lean on the philosophy of someone I fell in love with years ago:

Vincent Van Gogh.

I was in my twenties and slightly adrift when I picked up Dear Theo, a compilation of Vincent’s letters to his brother. A few years earlier, I had visited the museum in Amsterdam dedicated to him. Though he wasn’t my favorite painter at the time, his spirit spoke to me through his art and grabbed onto something deep inside.

Van Gogh’s letters are an almost-daily account of his struggles. They vividly detail his miserable existence. Yet through it all, he kept working to be better.

The one I’ll never forget

A letter he wrote in 1884 has kept me going through rough moments in my personal and my writing life. Here’s a bit of it, lightly paraphrased and edited for brevity:

One mustn’t be afraid to do something wrong sometimes… You don’t know how paralyzing it is, the idiotic stare from a blank canvas that says you can’t do anything. Many painters are afraid of the blank canvas. But the blank canvas is afraid of the truly passionate painter who dares…

Life itself likewise turns toward us an infinitely idiotic and meaningless blank side. But however meaningless life appears, the person of faith, of energy, of warmth, doesn’t get discouraged. He steps in and builds up…

Substitute an author’s blank page for the painter’s canvas, and this is my daily inspiration.

Did you know that Vincent was also a book lover? Here’s this: It is with the reading of books the same as with looking at art. One should, with assurance, admire what is beautiful.

And this: So often, a visit to a bookshop has cheered me and reminded me that there are good things in the world.

And on another subject, this: A woman is not old so long as she loves and is loved.

Yes, he led a tragic, troubled life. Worse than most of us can imagine. But he never stopped wanting to capture truth and beauty in his art and his life.

Perhaps we all could take a lesson from Vincent, dare to face the blank canvas that is 2023, and choose to make this year into our own work of art.

Wishing you a year full of love and good health. And good books!

 

Gay Yellen writes the award-winning

Samantha Newman Mystery Series:

The Body Business, The Body Next Door,

and coming soon in 2023: Body in the News!

 

They Can’t All Be Red Herrings, Right?

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By Lois Winston

I’m currently writing my 12th Anastasia Pollack Crafting Mystery. This one is tentatively titled A Crafty Collage of Crime. As some of you may remember, I moved from New Jersey to Tennessee a year and a half ago. Since then, many people have asked if Anastasia will eventually make the move south. My answer is an emphatic, “No!” Anastasia is a diehard Jersey Girl and will remain firmly planted in the Garden State.

However, I have decided that in this book, Anastasia and Zack will take a trip to Middle Tennessee wine country. Yes, there are wineries in Tennessee. Who knew? Certainly not me until I moved here, but it turns out that there were quite a few wineries in the area before Prohibition, and after Prohibition ended, the wine industry slowly began to revitalize. It’s now once again thriving.

Anastasia and Zack find themselves in Tennessee because Zack has accepted an assignment to photograph the local wineries for a spread in a national wine publication. Anastasia travels to Tennessee with him. Of course, she immediately discovers a dead body. (Doesn’t she always?)

Now, here’s my dilemma: I have a basic plot and characters fleshed out, but I have so many potential suspects, that I’m finding it difficult to choose which will be the killer. Any one of them would work. I’m thinking I may have to write the book several ways, with a different killer for each version, before I settle on the real killer. That’s a lot of extra work. So I’m hoping that as I continue to work on chapters, the killer will eventually reveal himself to me.

If you’re a reader, have you ever read a mystery where you thought one of the other characters should have been the killer? If you’re an author, do you always know right away who your killer will be, or does the killer sometimes change as you write the book?

Death by Killer Mop Doll, the second book in my Anastasia Pollack Crafting Mysteries, is now available as an audiobook through Audible, iTunes, and Amazon. If you’d like a chance to win a promo code for a free download, post a comment.

~*~

USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction under her own name and her Emma Carlyle pen name. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry. Learn more about Lois and her books at her website www.loiswinston.com where you can also sign up for her newsletter and follow her on various social media sites.

Bethany Maines drinks from an arsenic mug

Battery Life

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My battery life be like…

Whew! I rolled into November like I thought I was Rocky and I’m hitting mid-December like I’m Rocky after going the distance with Apollo Creed.  I caught the flu over Thanksgiving weekend and that took me down right when I wanted to be hard charging into Christmas decorating! Combined with my efforts to wrap up my NaNoWriMo manuscript and a couple of work projects cropping up with some deadlines and I’m now a few bars short of a full battery.  Is it possible for a human to get some sort of extended battery life?  Because that would be great.

Plug-in and Recharge

So what do I plan on doing about this flat feeling?  Well, you know what they say… It’s not Christmas until Hans Gruber falls off the Nakatomi Towers.  So I’ll be putting on my Nakatomi Towers Christmas Party shirt and watching a few Christmas classics like Die Hard and White Christmas and then maybe eating a bunch of chocolate.  And oh yeah, doing all my last minute shopping online.  I want to shop local, but you know what else I want?  More time on the couch.

Prop Me Up Beside the Jukebox

In case you don’t know that heading refers to a country song about a gentleman’s instructions about what to do with his dead body – you can view the Weekend at Bernie’s hijinks here.  But I may have to take a similar approach to my computer.  Or at least invest in some sort of carpal tunnel wrist braces because I’ve got a fat stack of edits on a Christmas Mystery script (see the novella version below) and book three of the Rejects Trilogy that both need to be done by January.  Hee hee.  I’m sure this will end well.

What to Read

While you’re waiting to see if I crash and burn or wait breathlessly to see what the mummies and werewolves get up to in the Rejects Pack, please consider picking up Winter Wonderland.

WINTER WONDERLAND

A Holiday Adventure

When a Marcus Winter, a photographer with a bah humbug take on the holidays, meets Larissa Frost, a set designer who loves all things Christmas, sparks are destined to fly, but when a famous diamond goes missing from the shoot they’re working on Larissa finds that Marcus may be the only one who can keep her from being framed for a crime she didn’t commit.

BUY NOW

***

Bethany Maines is the award-winning author of action-adventure and fantasy tales that focus on women who know when to apply lipstick and when to apply a foot to someone’s hind end. She can usually be found chasing after her daughter, or glued to the computer working on her next novel (or screenplay).  You can also catch up with her on Twitter, Facebook, Instagram, and BookBub.

Creating Colorful Characters

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For novelists, creating a memorable character that jumps off the page and into a reader’s imagination is darn hard to do. Which is why I frequently envy the person working at his desk in the other room, who always seems to be having fun.

Critters by Don

When my husband retired, people who knew him speculated on how he would spend his time once he left the company he’d founded. Write a book about his ground-breaking career? Open a restaurant? Learn to sail?

Nobody expected him to become a trash collector, but that’s exactly what he did. And then he created colorful characters from what he found.

The first creations came from a long-neglected “junk” drawer. Once he had repurposed most of that supply into a few funny faces, he expanded his search for more bits and pieces outdoors, where he struck it rich.

Don’s Doo-dads

We live near a big city park with hundreds and sometimes thousands of visitors daily: runners, joggers, walkers, golfers, picnickers, folks pushing strollers and herding children. They come to ride the zoo train, see the animals, meditate in the Japanese garden, steer the paddle boats, or simply sit under a 100-year oak and feed the squirrels.

After a day of family fun, there’s always stuff left behind: a random baby shoe or sock, an odd earring, a broken barrette, the cap from a juice drink, the innards of a smashed calculator or mobile phone. If he comes across an interesting piece of detritus, he’ll bring it home and turn it into a piece of whimsy.

Besides the stand-alone Critters, he’s made magnetic Doo-dads that can be worn on clothing or stuck on the fridge. These funny-faced eye-catchers tend to be conversation starters, which encourages him to make more. Neighbors have donated their own odds and ends, eager to contribute to the process.

DELETE, Ms. Elegant, and Bad Hair Day

With each face, a unique personality emerges. A character you might want to meet, or avoid. A face that reminds you of someone you know, or would rather forget. Sometimes I grab a magnet pin to wear, depending to my mood. Feeling spiffy? Bad hair day? Or, if the writing’s not going well, I may sport the one with the DELETE button for a mouth. Enough said.

From time to time, someone asks to buy a piece, but the creator is not keen on selling. For now, his Critters & Doodads reside on shelves and inside cabinets, and only come out on request.

Yet every time a new Critter or Doo-dad emerges from a box of junk, it’s guaranteed to bring smiles. And these days, we all can use more of those. Including novelists.

Is there a silly something that brings you joy?

Gay Yellen is the award-winning author of the Samantha Newman Mystery Series, including The Body Business, The Body Next Door, and the upcoming Body in the News.

 

Best Advice: Do You Know or Do You Think You Know?

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By: Donnell Ann Bell

Years ago, I belonged to an online mystery critique group in which I met my good friends Annette Dashofy, Rosemarie Szotak, as well as various critique partners in Australia, Canada, and beyond. There was one individual in our group who was a terrific writer and well versed in geography and military affairs. His protagonist was a military officer, and he and his sidekick went everywhere to complete their missions.  In fact, his first working title was, “To the Ends of the Earth.”

I confess I’m not a world traveler. The most international travel I’ve done has been as far as Canada and Mexico. So, I was rather intimidated when he wrote about places like East Timor, Somalia, and Egypt.

The reason I mention my writing colleague is he often challenged me when reading my work by saying, “Is this true?”  “Do you know, or do you think you know?”

That always gave me pause and made an impression. Perhaps that’s why when I research, I double check and often triple check facts from alternate sources to get my story as correct as humanly possible.

Which sadly can be a challenge. I don’t think it’s any secret that the world is a v-e-r-y opinionated place. Thanks to social media, twenty-four-hour news cycles, and provocative information designed as clickbait, it’s so easy to read a headline (that often has little to do with the article), peruse said article, and believe we’re coming away with the truth.

I watch The Good Fight (admitted fictional entertainment), and on a couple of episodes it showed how easy it was to post videos on the internet that appeared well-documented and authentic. It’s astounding how much data comes at us daily. Time is money, sensationalism sells, and media outlets have more competition than ever—professionals and amateurs alike—are writing, filming, and posting. Breaking news attracts viewers and boosts algorithms. Readers copy links. Others forward to their friends and family, and so on, and so on . . . .

I believe my first job as a storyteller is to check my research. I may be writing fiction, but I’m not writing fantasy. What I publish should believable fiction. Often, if I’m unsure, I’ll abandon articles and seek out experts.

Back to that long-ago critique partner, when emailing our chapters back and forth, I admitted how little I knew about world geography. He responded with, “Go get your globe.” I did, then via email, he said, “Now using your finger, follow my lead.” That method was better than any geography class I could have taken. To this day, when reading international articles where I’m unsure of the location, I enlist my globe.

My critique partner’s advice, “Do you know? Or do you think you know? influences my writing to this day. Have you received a  piece of advice that has stayed with you for years?

About the Author: Donnell Ann Bell is an award-winning author, her latest work, a series, includes Until Dead: a Cold Case Suspense, released in 2022, Black Pearl, a Cold Case Suspense  2020 Colorado Book Award finalist. Donnell’s single title books include, Buried Agendas, Betrayed, Deadly Recall and the Past Came Hunting, all of which have been Amazon bestsellers. Currently she’s writing book three of her cold case series.  www.donnellannbell.com

 

 

 

 

A New Anthology by the Lowcountry Romance Writers of America: Love in the Lowcountry, Volume Two

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by Paula Gail Benson

When I first became serious about writing, I joined a chapter of the Romance Writers of America, the Lowcountry Romance Writers (LRWA), based in Charleston, S.C. A friend from Columbia and I would travel back and forth on highway I-26E every month (about a 90-minute journey each way) to hear wonderful presentations about craft and marketing as well as to meet other writers and learn about their projects and goals.

My concentration has always been more on mystery and suspense fiction, but for a while the LRWA was the only local active group that provided contacts and insight on the publication industry. I learned a great deal and was very appreciative of the information I received.

A few years ago, I thought about discontinuing my LRWA membership because I had joined several Sisters in Crime chapters and had become involved with the Mystery Writers of America and its regional Southeast chapter (SEMWA). Then, LRWA offered its members the opportunity to have their short stories published in a chapter anthology. I had been writing short stories and felt like I would like to try my hand at romance, so I continued to belong to the chapter. To be accepted for the anthology, each story had to take place during the winter holidays (Thanksgiving to New Years), take place in Charleston, go through two vigorous beta readings, and meet deadlines. In addition, each author had to develop promos to be used in social media. (I have always been impressed that romance writers know how to effectively sell their fiction!) The whole process was like boot camp and it was tremendously successful. Love in the Lowcountry gave both experienced and new writers a chance for publication and the sales made money for the chapter. I felt it a true privilege to be part of the work.

This year, the chapter decided to develop Love in the Lowcountry, Volume Two. Like the first volume, it included established writers along with debut authors. It expanded the holiday season (from Halloween to Valentine’s Day) and the territory (anywhere in South Carolina). The eleven included romances feature contemporary and historical settings; time travel, magical realism, and paranormal elements; sweet to spicy storylines; and LGBTQ+ characters.

Here’s a brief summary of each story:

“A Sunrise Christmas” by Linda Joyce – In others, Lauren “sees” their heart’s desire, but Justice hopes he can open her eyes to love.

“Candlemas” by Paula Gail Benson – Can they find their way through time, and to love?

“Chase” by Suzie Webster – A Lowcountry Liaisons Short Story – He thought love wasn’t in the cards, but a second chance may change his luck.

“Edi-Snow!” by HM Thomas – After the storm, the snow won’t be the only thing melting.

“Let Me Call You Sweetheart” by J. Lynn Rowan – One disappointed in romance. The other hiding from life. A chance encounter makes them wonder – could this be true love?

“Maeve’s Welcome Home” by Addie Bealer – Friends. Lovers. Business rivals. Can they have it all?

“No Regrets” by Robin Hillyer-Miles – Neither planned to be single and sixty but a cute meet and an intense attraction could change all that.

“Second Chances” by Victoria Houseman – Second chances are often the best chances when it comes to love.

“The One That I Want” by Elaine Reed – Charleston welcomed her with open arms, but she longs for a different embrace.

“Watchman’s Remedy” by Victoria Benson – Struggling to understand her reality, Cora falls…for an 18th century pirate.

“When It’s Meant to Be” by Danielle Gadow – Relationships evolve, but how will they know “When It’s Meant to Be”?

By purchasing Love in the Lowcountry, Volume 2, you’ll be helping to support LRWA, which in turn will continue to offer authors programs to improve their craft and marketing skills. Please give it your consideration.

Hello? Is anyone out there?

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With a blogging rotation that assigns me the fourth Wednesday of every month, I’m always stuck blogging the day before Thanksgiving. Hello? Is anybody out there? Probably not. I imagine you’re all either busy prepping in the kitchen or spending the day traveling over the river and through the woods or in the air on the way to grandma’s (or some other relative’s) house.

Not me. Our older son and his family have established their own Thanksgiving tradition on the other side of the country, and our younger son and his family rotate every year between spending Thanksgiving with us and his wife’s family in upstate New York. It’s the New York contingent’s turn this year.

My husband and I are hosting another couple without family in the area, and the four of us have decided to split the cost of a catered meal from one of the local supermarkets. No stress, no slaving in the kitchen, and enough leftovers for at least one additional meal for both couples. My kind of Thanksgiving.

Many people will tell you that Thanksgiving is their favorite holiday. For me, over the course of my life most Thanksgivings have been anything but Norman Rockwell pleasant. Thanks to my father, Thanksgiving tensions ran high when I was a child. To say he was disliked (and rightfully so) by other members of the family, would be an understatement.

When I married, my mother-in-law insisted on hosting Thanksgiving every year, forcing us to suffer through undercooked turkey and raw piecrust. It’s a wonder no one ever got food poisoning. One year we accepted an invitation from friends. I figured at some point our ptomaine-free luck was going to run out because her cooking was growing worse with each passing year.

My mother-in-law hit the roof and refused to speak to us for months. No great punishment, as far as I was concerned. That may sound harsh until you realize she’s the inspiration behind my sleuth’s communist mother-in-law in my Anastasia Pollack Crafting Mysteries. Lucille Pollack is the character my readers love to hate.

Once my mother-in-law passed on to the great communist commune in the sky, I began hosting Thanksgiving. We had some very enjoyable ones with other family members and friends, and for the first time in my life, I began to look forward to Thanksgiving. But then we moved from New Jersey to Tennessee a year and a half ago, and the only family nearby are the ones currently enjoying Thanksgiving in the snows of upstate New York.

 

But on the bright side, Christmas is right around the corner. As an early holiday gift, if you are reading this post, I’m giving away one audiobook (US or UK residents only) of Assault with a Deadly Glue Gun, the first book in my Anastasia Pollack Crafting Mysteries. To enter, post a comment about one of your own memorable (or not so memorable) Thanksgiving experiences.

~*~

USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction under her own name and her Emma Carlyle pen name. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry. Learn more about Lois and her books at her website www.loiswinston.com where you can also sign up for her newsletter and follow her on various social media sites.

The Poet

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By Barbara J Eikmeier

One of my writing teachers is a poet. I saw him last week in the coffee shop. He wasn’t at his usual table, near the window where the light is best. This day, his table was next to the fireplace, where it’s warmer.  Sheets of paper spilled across the table with a book of quotes opened in front of him.

I look for him every time I’m in the coffee shop. Pre-pandemic he wrote there three times a week.

Years ago, I took writing classes from him. He taught me about expansion and contraction – taking one line of free writing and expanding it to fill a whole page, then taking the full page and editing it down to one paragraph. He said, “Sometimes we don’t know what we are writing about until we uncover the core truth in our words.”

When I bought a little book of poems from him, I learned he was also an artist – his sketches graced the bottom of each page. A graduate of the Kansas City Art Institute, he taught art and poetry to inmates in the 1970s. He thought if people read more poetry there would be less crime.

There, in that little coffee shop, I began taking drawing lessons from him. Under his tutelage, I learned to draw without looking at my paper. He said, “When you don’t look you draw what is true.” They looked like scribbles to me, but he praised my pencil lines as being honest. In the beginning I paid him. Then one day he asked if I would read his poetry in exchange for drawing lessons. I admitted I didn’t know much about poetry, but I knew when I liked it. That was all he wanted, for me to read his poems and tell him what I liked. He wrote a poem every day and typed as many as he could fit on one page, arranged in columns. At each art lesson he gave me another manila envelope filled with poems. My instructions were to circle 2 favorites and 2 least favorites on each page. In exchange I learned to draw trees and leaves, human hands, and coffee shop scenes of people deep in thought.

Between my travel and his vacations, we stopped meeting. Our visits were reduced to the times I saw him in the coffee shop. Then came the pandemic and he disappeared.

Last week, he was seated with his wife whom I’d never met. I went to him, squatted down and said, “Ah there you are! What are you writing today?” He looked up, his blue eyes watery and vacant. I asked, “Do you remember me?” He said, “I think so.” I looked across the table to his wife. She smiled a tight, sad smile and said, “He’s not so well.” Turning back to him I said, “You taught me to draw in exchange for reviewing your poetry. I’m Barb.” His wife’s smile broadened as she told him, “It’s Barb. The quilter.” I chatted briefly with her – long enough to learn that she knew everything about me from those days when he gave me lessons. I went back to my table and ate my pumpkin bread, aware with each bite that he was the one who introduced me to that amazing pumpkin bread. As I prepared to leave the coffee shop I returned to his table. This time he looked up at me with recognition in his eyes. “You’re the quilter! You read my poems.”

Eight years have passed since he gave me permission to use one of his poems in my novel. I have a new motivation to finish the revisions and get it published: I wrote a scene in it where my teacher, the poet, is reading his poem on a radio show. It’s a beautiful scene. I’d like him to see it in print.  Time won’t wait. That’s the truth.

Barbara J. Eikmeier is a quilter, writer, student of quilt history, and lover of small-town America. Raised on a dairy farm in California, she enjoys placing her characters in rural communities.

Growing as a Writer: My Trek Down Memory Lane

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Author Donnell Ann Bell

By: Donnell Ann Bell

Years ago, when I left my newspaper job and turned to fiction, I was forced to become educated in a short amount of time. I also can assure you during that period, the self-assured nonfiction writer was humbled (Please note:  I’m already pretty humble!).

WHAT I LEARNED:

There is a huge difference between fiction and nonfiction.

In journalism we’re taught not to editorialize, even when we are outraged, the topic turns personal, or we are particularly moved. While in fiction, we’re encouraged to do the opposite. Develop interesting characters, express their points of view, and show emotion on the page. Whether you’re writing science fiction, historical, fantasy, mystery, romance, the list goes on, in fiction, if your reader can’t relate to your character (or to put it bluntly—couldn’t care less), you’ve lost your reader.

To stress my point, as a new fiction writer, I once entered a contest in which New York Times Bestselling Author Suzanne Brockmann was my judge. She scribbled on my entry the following words, and trust me, she got her point across. “You write well BUT HOW DO THEY FEEL?”

There’s this thing called genre

Quite soon after I switched to fiction, I was told I should join a local writing group. To become a member, however, I would need to join the parent organization Romance Writers of America®. Both organizations during my tenure were stellar, and I credit both with my early fiction education. During my time with Pikes Peak Romance Writers, I attended something known as Open Critique (an avenue provided to writers not in a person’s regular critique group to provide fresh insight.) Here, I discovered another anomaly about fiction.

Fiction is broken into genres. To complicate matters, subgenres are often attached to the genre, oftentimes subs attached to the subgenres! On one Sunday afternoon, I submitted my perfectly written chapters, waited for the accolades, only to be met by the confused faces of my peers. “Why is this person skulking about? Who is he, and why should we care?” the OC leader demanded.

“I’m writing a mystery,” I stammered. “I can’t tell you that yet.”

That’s when I learned I was surrounded by romance writers who didn’t read my favorite genre. Further, they obviously couldn’t relate to what I was writing. One by one, in a chorus of agreement, members of the critique group asked me to explain upfront what my character was up to. Hardly conducive to my mystery plot. Imagine in The Cask of Amontillado, if Montressor had to reveal his plans for Fortunato in Chapter One. Edgar Allan Poe’s distinguished career would have been short lived, indeed!

Fortunately, I found a romantic suspense chapter in RWA® and remained in that group for many years.

But then I learned . . . .

Genres and subgenres evolve.

Much like society, authors change their mores and preferences. Romantic Suspense, which I enjoyed writing (and still do), began heating up the pages. Readers obviously adored the added sizzle, and publishers and their marketing departments noticed. Management conveyed those statistics to their editors. Editors spoke to the agents, and naturally my agent listened closely.

She asked me to spice up my unpublished novel, which back then was winning awards. The unpublished title was Walk Away Joe, and as an aspiring author who wanted to sell, I did my best.  Unfortunately, I found I didn’t enjoy writing hot and steamy; I preferred suspense. Don’t get me wrong, if my book called for a sex scene, I was all in. I just didn’t enjoy writing copious amounts of it. Further I don’t do gratuitous anything—whether it be violence or sex.

Around this time, my agent and I parted ways. By then, my second unpublished novel, DEADLY RECALL Deadly Recall | Romantic Suspense Thriller | Author Donnell Ann Bell, finaled in a major contest, and I queried BelleBooks, who is my publisher to this day. Pat Van Wie bought the book and would become my first editor. Still, in my editorial letter she told me to get rid of so much sex. We’re buying you because of your suspense. Not very flattering about the added sex scenes I’d worked hard to include. But truth be told, I was vastly relieved.

Walk Away Joe became THE PAST CAME HUNTING. It still includes a couple of sex scenes, and the chapters are loaded with romance and sexual tension. In my opinion, though, I left the critical scenes that belong in the book.

Years have passed since my debut book was published, but it remains one of my most popular books. And . . .  as it turns out my publisher has put it on sale for .99, but the sale ends tomorrow, November 15! So, if you’re interested, grab yours quick!

These days I belong to Sisters in Crime, Mystery Writers of America, and International Thriller Writers. My editor is Debra Dixon, one very smart woman and the touted expert on Goal, Motivation, and Conflict. I write task force suspense and single title romantic suspense and my learning trek continues every day.  https://www.donnellannbell.com

As I close out this blog, I’m curious about my fellow Stiletto Gang authors and others who may be weighing in. Was your journey anywhere close to mine? What early lesson(s) did you take away that led to what you write today? In other words, how have you grown as a writer?

Till next time!

 

Mystery! Suspense! Thriller!

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When I pitched my first book to a publisher, I described it as a mystery. “Tell me about it,” said the acquisitions editor. After hearing the the storyline, she asked to see the full manuscript and gave me her card.

 Glancing at the card, I noticed that the publisher she represented specialized in romance novels. I repeated that the book I had written was a mystery.

“Sounds like romance is a substantial part of it,” she countered. “Send the manuscript and let us decide.”

Long story short, her company published The Body Business as a Romantic Suspense novel. Thus began my initiation into the wacky world of genre madness and the marketing issues that plagued the book for the duration of the publishing contract.

Fast forward to the day the contract ended. At last, I had more control over how, when, and where the book was advertised.

Thankfully, the new edition took off and led to the launch of the Samantha Newman Mystery Series. As published authors know, trying to slide your novel into the perfect preset niche that book retailers and other marketers require can be daunting. My books tend to cross genres, so picking a single category was like aiming a fistful of darts at one teeny tiny target and hoping the right dart would hit the bullseye.

Mystery? Thriller? Suspense? Which one suits the stories best?

Here’s a simple way to differentiate them according to best-selling, multi-award winning author Hank Phillippi Ryan: “I always think a mystery is ‘who-done-it?’ A thriller is ‘stop it before it happens again.’ And suspense is ‘what’s going on here?’”

These simple guidelines help me define the books in my series, even though each one fits into a different category.

Reviewers describe The Body Business as a “roller-coaster ride” and a “page-turner.” In other words, it reads like a thriller. As for The Body Next Door, some reviewers have called it a cozy. Like a cozy, there’s humor and a quirky character or two, but the absence of cats, crafts, or a charming village could risk the wrath of traditional cozy fans. It’s also been described as “full of suspense,” which is how I wrote it, straight-up.

Romance runs through the series as a subplot, due to my fiercely independent-minded main character, who continues to deflect the happy-ever-after ending romance readers crave. The romance continues into the next book, but the main plot is a true who-done-it.

To label a book as a mystery, suspense novel, or thriller is purely a marketing game. What an author really cares about is that people enjoy reading it. When our readers share a book they really like with their friends, they can describe it however they want.

Readers, do you rely on a bookseller’s categories to choose a book?

Writers, have you struggled with labels, too? Tell us about it.

Gay Yellen is the award-winning author of the Samantha Newman Mystery Series, including The Body Business, The Body Next Door, and the upcoming Body in the News.