donalee Moulton

In summary

/in , , , /by

When I completed my first mystery novel, Hung Out to Die, I quickly discovered that the novel would not stand alone. A synopsis was required.

As a freelance journalist and communications specialist, I’ve put together a lifetime of pitches and proposals. Still, I spent some time reading up on what makes a successful synopsis. Then I wrote my own.

My synopsis does not follow the traditional pattern, but most of the required elements are there. I wondered if this would pass muster. Overall, the people I shared the synopsis with liked it. One person didn’t like it at all and said it would never pass muster with publishers. I took a long hard look and, respectfully, disagreed.

This was nerve-wracking. I knew it would be easier to simply follow the path well taken, but I felt I needed to branch out. I entered a shorter version of my synopsis in the Synopsis Skirmish contest – and won. The judge (one of my favorite people) had this to say: The author’s handling of voice in this synopsis is so powerful, it made me want to read the novel right away. The synopsis is unusual and intriguing—a winning combination.

When the acquisitions editor at BWL (another of my favorite people) reached out to me requesting a full copy of my manuscript, she noted, “We were quite taken with your synopsis.”

The synopsis issue has driven home to me the need to listen to yourself, that inner voice that knows you better than anyone. At the same time, it has taught me more about flexibility and being open to feedback. There is nothing as helpful as constructive criticism (whether accepted or not) and editors are worth their weight in gold.

I thought I’d share my synopsis – my very first – with you. I’d love to know what you think.

Synopsis

Hung Out to Die: A Riel Brava Mystery
By donalee Moulton

Hung Out To Die Book CoverLet’s start with the obvious.

Meet Riel Brava. Attractive. Razor-sharp. Ambitious.

Riel, born and bred in Santa Barbara, California, has been transplanted to Nova Scotia where he is CEO of the Canadian Cannabis Corporation (CCC). It’s business as usual until Riel finds the company’s comptroller hanging by a thread. Actually, several threads. It doesn’t take the police long to determine all is not as it appears.

Let’s dive beneath the surface.

Meet Riel Brava. Observant. Cautious. Psychopathic.

Not the Dexter-Hannibal Lecter-Norman Bates kind of psychopath. The kind who live and work among us, mostly unnoticed, often successful, always on full alert their differences will be uncovered. Riel is personable, even charming. He’s keen to understand how the human mind works, so he’ll blend in. After all, his goal is to be president of the United States. (An aspiration that will feature in future books.)

Let’s talk plot.

So Norm Bedwell has apparently hanged himself in his office at CCC. Emphasis on apparently. It takes Detective Lin Raynes mere minutes to suspect the obvious is deceiving and what appears to be death by suicide is actually a murder. Over the course of 13 chapters (there is also an introductory chapter), he works to uncover and discover who would want Bedwell dead and how they could have pulled the murder off.

He’s not alone. In an unusual pairing, Raynes and Riel work together to chase down leads – the bully who tortured Bedwell’s son at school, the mysterious orange truck that belongs to no CCC employee but was parked in the company lot the night Bedwell was murdered, the employee, who despite stringent security measures, has managed to steal weed from CCC and start a healthy little illegal business.

Raynes manages to engage Riel, albeit reluctantly, in the hunt for Bedwell’s killer, and in the process, the seeds of an unexpected and unusual friendship are sown. (These seeds will blossom in subsequent books.)

Various motives are explored through a number of suspects – revenge, fear, greed – but ultimately, it’s love that becomes the reason Norm Bedwell no longer lives. Unfortunately, the evidence is circumstantial. Raynes and Riel concoct a scheme to draw a confession out of the killer, but that plan is never put into place. Instead, Riel finds himself on the receiving end of a rifle in the ribs and a long drive to the middle of Nowhere, Nova Scotia.

Let’s look at the core cast of returning characters. You’ll like them all.

Tiffany Brava. Riel’s wife and loyal supporter. Somewhere in the recesses of her mind, Tiffany knows Riel is not quite like everyone else – and why. For now, that door is closed. What’s openly obvious is her affection for her husband, her loyalty, and her acumen. Don’t count Tiffany out as the dumb blonde. Oh yes, she’s vegan.

Franklin Raynes. The Halifax Police Department’s lead detective on this case is Black, quintessentially Nova Scotian, and a consummate charmer. He can read the room and respond accordingly. He takes a shine to Riel, and also realizes how helpful the psychopath can be in solving this case. (Yes, Lin Raynes is privy to Riel’s deepest secret, but he doesn’t admit it to his new friend – just yet.) Oh yeah, Raynes also does this thing with his left eyebrow.

Senator John Williams. Tiffany’s dad | Riel’s father-in-law is the Democratic Senator for District 19. A seasoned and senior politician, Williams is a co-owner of CCC, although it’s not an asset he talks about with constituents. He’s brusque, except where his daughter is concerned, and well connected, even in Canada.

Zahra Bashir. A practising Muslim and savvy TV reporter who’s always on the lookout for the inside scoop. Bashir makes many of the other characters very nervous despite her friendly demeanor.

David Clements. The recreational cannabis sector in Canada is heavily regulated. Clements is the federal DOJ’s contact for Riel. Their relationship is one of power and powerful expectations. Clements holds that power. A minor character, Clements plays an important role. He’s the first person to use a special word.

There are other characters introduced in this book who will also return but play a smaller role in this mystery.

Let’s look at the cast of characters in the book. You won’t like them all.

–  Faye Bedwell, distraught and disrespected wife of Norm Bedwell.
–  Bran Bedwell, the Bedwell’s 12-year-old son who takes a liking to Riel. Good grief.
–  Thorne, media consultant and very protective of Riel.
–  The bully and his parents.
–  The poor sod who owns the orange truck.
–  The killer.

What’s familiar about Hung Out to Die to make mystery fans feel at home.

–  It’s fast-paced.
–  It lays out a path of breadcrumbs that lead, ultimately, to the killer. First, of course, the path branches off in several misdirections.
–  It creates suspense.
–  It builds understanding and affection for key characters.
–  It leaves readers wanting more.

What’s novel about the book to make the mystery stand apart and readers turning pages.

–  It introduces a unique character that, ironically, we empathize with
–  It’s funny as hell
–   It’s written by an award-winning journalist who knows both how to tell a story and how to use words to maximum effect

Riel Brava: Vital Statistics.

Height: 6’1
Weight: 165 pounds
Waist: 35 inches
Age: 37
Spouse: Tiffany, the vegan
Job: CEO, Canadian Cannabis Corp.
Location: Elmsdale, Nova Scotia, Canada
Ambition: President of the United States of America
Favorite food: Donairs (definitely not vegan)
Top personality trait:  Psychopath
Burning question: What the hell’s a chunderf**k

 

Synopsis Workshop

If you’d like to learn how to craft a successful synopsis, sign up for donalee’s online workshop on February 11 & 18, 2025.

This workshop will explore:
* what should go in a synopsis and why
* why and how to break the rules with care (and flair)

https://donaleemoulton.com/crafting-a-synopsis 

About donalee

donalee is a professional writer from Halifax, Nova Scotia. Her byline has appeared in over 100 publications across North America. Her most recent book Conflagration!  won the 2024 Daphne du Maurier Award for Excellence in Historical Mystery Suspense. Her other books include a murder mystery based in Nova Scotia and a non-fiction book about effective communications, and she has more coming out this year. She is a longtime educator and currently offers a variety of editorial services and workshops to help authors hone their writing and get it published. 

You can catch up with her on Bluesky, Facebook, Instagram, and LinkedIn.

Writing good – and evil

/in , /by

Heroes and villains lurk in mysterious places. I realized this more fully than ever before when I was asked about my own leading lights and their nemeses. Here’s some of what I learned about my characters and breathing life (and sometimes death) into them.


Heroes, Heroines, Villains. Which are your favorite to write?

I like it when good wins out over evil, so I tend to embrace heroes and heroines. I can sympathize with the villains, even understand their impulses, but in the end, I want the victory to go those with purer hearts.

That said, I am not a fan of what I call the hero at all costs. The person who disobeys the rules because they are morally above them, the champion who charges in because they know best, the defender who goes to the ends of the earth to solve an injustice to the detriment of their friends and family. Excess does not appeal to me.

How do you find your heroes? Do pictures, real life or plain imagination create the person you want every reader to love?

Do they come before the plot or after you have the idea for the story?

For me, heroes (and in the case of a few short stories anti-heroes) do not have the same origin story.

Riel Brava, the main character in Hung Out to Die, started with a bath. I’m a big believer in bubbles, candles, exfoliating scrubs, essential oils, and music with birds chirping in the background. One night immersed in a lavender cloud I realized it was time to begin writing my mystery. Get off the pot kind of thing. That led me to a litany of possible characters and crimes. Through the mist Riel emerged. Not fully formed but outlined enough that I wrote down my ideas before I even moisturized.

My second book, Conflagration!, was a different book and a different process. The book is a historical mystery and follows the trial of an enslaved Black woman accused of arson in Montreal in 1734. I discovered the level of detail in court transcripts and the timelines set by the trial process meant I had a detailed blueprint for the book before I even began. My fictional character, court reporter Philippe Archambeau, had to fit into this world.

Heroines. How do you find them?

I have just finished the second of two new books that feature three main characters, all women – my first heroines. They meet at a yoga studio and the crime unravels mid-downward dog. Like all my characters, these women started as ideas and blurry images. They became more well-defined – and more real – as the stories unfolded. I am always amazed at the unexpected direction characters take me in. I am acutely aware at times that I am not in control of the writing.
Villains or villainesses or an antagonist, since they don’t always have to be the bad guy or girl. They can be a person opposed to the hero’s or heroine’s obtaining their goal.

How do you choose one? How do you make them human?

Three-dimensional characters are important. They’re more challenging to write, but they are also more realistic. I usually start with motive. If I can understand why someone would commit this crime or act in this way, then I can begin to understand the person I want the character to be.

 

donalee Moulton is the author of Conflagration! — a historical mystery that won the 2024 Daphne du Maurier Award for Excellence in Mystery/Suspense (Historical Fiction). Her other books include a mystery novel based in Nova Scotia, Hung Out To Die,  and a non-fiction book about effective communication, The Thong Principle: Saying What You Mean and Meaning What You Say. As a freelance journalist, donalee has written for over 100 publications across North America. You can catch up with her on X, Facebook, Instagram, and LinkedIn.

Trolls: Character vs. Caricature When Writing Suspects and Antagonists in Mysteries

/in , , , , , , , , , , , /by

What do trolls have to do with writing suspects and antagonists in mysteries?

Trolls?

 

Trolls: Nasty creatures who live under bridges.

Trolls: Nasty people who bully others on social media.

Trolls: Weird looking collectibles from the 1960s (now the stars of animated movies.)

Trolls: Kristoff’s fun-loving adoptive family in Frozen

Trolls: Amazing works of art from recycled materials by Thomas Dambo.

I first learned of Thomas Dambo’s work when I saw a news story about him and his art installations made of recycled materials. He’s considered the world’s leading recycling artist with his work appearing throughout the United States, Europe, and Asia. His more than 125 larger-than-life trolls were created to share his environmental message throughout the world in outdoor installations that use trash to create art within nature.

The trolls have noticed that “small people” (us humans) are harming the planet. The goal of these giant trolls is to educate humans, whereby they’ll rediscover nature and become thoughtful, caring stewards of our planet. A more positive message than those other trolls who frequent social media, right?

Six of Dambo’s trolls took up residence within the gardens, trees, and wooded areas of the Cheekwood Estate & Gardens in Nashville during this past spring and summer. I was lucky enough to have the chance to visit with them. They’ve since moved on to spend time at the Virginia Aquarium & Marine Science Center in Virginia Beach, VA through Jan 20, 2025. If you have a chance to visit with them, tell them I said hi.

So what do these trolls have to do with writing mysteries? Actually, quite a lot. When we think of trolls, most of us think of ugly, nasty creatures, either real or fictional. But both Thomas Dambo’s recycled trolls, Kristoff’s adopted family, and those weird bygone mini collectables showed us that not all trolls are nasty and that ugly is subjective.

Also, the best villains or antagonists are multi-layered. If they weren’t, they’d be caricatures rather than characters, and no author should be writing Snidely Whiplash-type cardboard villains. That’s why it’s so important to spend as much time developing the goals, motivations, and conflicts of our suspects in our mysteries as we do our protagonists.

We’re often asked who is our favorite fictional sleuth, but who is your favorite fictional suspect or antagonist? Post a comment for a chance to win a promo code for a free download of any one of the first eleven audiobooks in my Anastasia Pollack Crafting Mystery Series.

~*~

USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry. Learn more about Lois and her books at her website www.loiswinston.com where you can also sign up for her newsletter and follow her on various social media sites.

Luckless Love epub & print editions from co-writer team Bethany Maines & Juel Lugo.

Can I be a Co-Writer?

/in , , , , , , , /by

A Co-Writer Spills the Beans

Co-writer team Bethany Maines & Juel Lugo present Luckless Love.In my upcoming release, Luckless Love, my heroine is returning from a year long road trip and searching for someplace to belong.  Wanting to belong to a community is a universal theme that I think appeals to readers, but when I started to write the book, I didn’t immediately leap to that theme.  I had to explain my reasoning for using it to my co-writer—Juel Lugo.

Luckless Love started out during COVID when Juel who is my business partner in real life and I took a script writing seminar on how to write a Hallmark movie.  We both felt that we could write one, and with too much time on our hands and since we were in each other’s COVID pods, we gathered around a computer and took notes on how to write a Hallmark movie.

What Are Your Co-Writer Goals?

Juel is not particularly interested in being an author.  She doesn’t want to do the work of putting words on a page, but she is endlessly interested in stories and structure.  As a life-long reader, and marketing expert, she knows that stories are what move the human psyche.  So our deal was that she would do the bulk lifting on inventing the plot. I would walk her through how to outline and then I would do the actual writing.  But that meant that we had endless discussions on our characters, their motivations and how to get them to fulfill their plot obligations.

I don’t know how other co-authors work together, but with over ten years of experience in working with each other, we managed to make it through the outline with very little disagreement.  Having both taken the seminar we both could recognize when we were deviating from the Hallmark pattern.  And then we could also agree when we were fine with leaving that path.  Hallmark has a lot of constraints about how serious or realistic things can be (don’t mention divorce or cancer!), which is understandable for their brand, but for writing a novel it can feel like the characters are lacking in depth.

Did We Make it the End?

So did we make it through the writing process with our friendship and partnership intact?  Absolutely. It was a fantastically distracting project during a time when we very much needed one.  It was also fun to take on a challenge that neither of us had done before.  The script version achieved a PNWA Literary Contest Finalist ranking and we are quite proud of our little romance novel.  We’re looking forward to it’s upcoming release on November 18.  Check out the links below if you’re also interested in a sweet romance, all about wine, second chances and finding some place to call home.

AMAZON: https://amzn.to/4dfmAO6

GOODREADS: https://www.goodreads.com/book/show/216958888-luckless-love

***

Bethany Maines is the award-winning author of action-adventure and fantasy tales that focus on women who know when to apply lipstick and when to apply a foot to someone’s hind end. She participates in many activities including swearing, karate, art, and yelling at the news. She can usually be found chasing after her daughter, or glued to the computer working on her next novel (or screenplay). You can also catch up with her on Twitter, Facebook, Instagram, and BookBub.

 

Remember to check out all of the Stiletto Gang’s catalog on our book page!  www.thestilettogang.com/books/

Benefits of Contributing to an Anthology

/in , , , , , /by

by Paula Gail Benson

Robin Hillyer-Miles and I, two blogging partners here at The Stiletto Gang, also are members of the Lowcountry Romance Writers (LRWA), a chapter of Romance Writers of America based in Charleston, South Carolina. Since 2019, LRWA has organized and published two anthologies, titled Love in the Lowcountry: A Winter Holiday Collection and Love in the Lowcountry, Volume Two: A Winter Holiday Collection Book 2. Both are available through Amazon.

LRWA is now in the process of creating its third anthology, which again requires that stories take place in South Carolina. For this anthology, they also must involve a vacation. Contributors must participate in two rounds of beta reading, work with a professional editor, and develop and circulate promotional materials. Learning and using these skills is invaluable experience for both debut and seasoned authors. We continue to have a lot of fun putting these anthologies together.

Robin and I have both written several messages about how these anthologies benefited us as writers: from Robin, “Musings on a Tuesday” and “No Regrets,” and from me “Love in the Air,” “A New Anthology,” and “The Meet Cute.”

These anthologies also provide some virtual vacations and insightful information for readers who visit in person and/or virtually. Bookstores in Charleston, South Carolina, often have customers seeking fiction about the city. Most of our anthologies’ romances describe historical or cultural backgrounds in a very engaging format, meeting the bookstores’ customers’ requests. Robin Hillyer-Miles, a certified tourism professional, has assisted all the participating writers in confirming the accuracy of the details in their work.

In addition to giving authors a writing credit, contributing to the anthology allows the opportunity for learning new writing skills, trying out new genres, and developing different characters. Not all writers enjoy crafting short stories, but the attempts demonstrate how to be more economical with word usage and narrative. Except for hints at relationships, I had not written romances prior to my stories in the anthologies. They also represent my first efforts at exploring time travel, which allow me to involve modern day characters with historical figures and events, something I find fascinating.

One author in the first anthology used her story as part of a trilogy. She offered the prequel in her newsletter to entice readers to try her work. That gave me the idea to consider how two characters I developed for my story in the first anthology (the two rejected by the main love interests) might appear subsequently. (Note: it continues to be a challenge to find those two less desirable characters’ more likable qualities.)

In the second anthology, my story had three potential romantic couples, one that became predominant. Determining how to resolve the characters’ interacting plotlines became a fascinating puzzle that led me to contemplate writing a more expansive account, featuring each couple independently.

Even if you don’t ordinarily read or write short stories, try dipping into an anthology or two. They offer some great examples of craft and compiling material by theme, not to mention some excellent reading.

A New Beginning that Feels Like Groundhog Day

/in , , /by

A New Beginning that Feels Like Groundhog Day by Debra H. Goldstein

I’ve started a new work in progress. I’m only nineteen pages into it, but I’ve rewritten those same nineteen pages at least five times. My initial goal was to write 1000 words a day while I was at the beach. For the most part, I think I was close to making that goal. The only problem was that each day, I tended to delete six hundred to seven hundred when I revised what I had written.

A friend, another author, said “Stop it! Simply write the first draft and then go back and fix it.” That sounded like a great idea, but my brain doesn’t work that way. I’ve often said that I only write when the muse strikes me. That’s true for me staying stuck in the chair, but not for the way my mind works on what I’m trying to write. Quite a bit of my writing process is subliminal. The ideas work their way through me until they come to a point where they can’t be contained. That’s the moment of the muse taking control.

But then, I need to revise the paragraph, chapter, or complete manuscript that was created. I’m back to the bogged down aspect of my writing. In the end, what I produce, I hope, is the best work product that I can achieve. But, who knows?

What process do you use?

Confessions of a dormant writer

/in , , , , , /by

By Donnell Ann Bell

I have three problems when it comes to writing fiction. Simplicity bores me, I have a perfectionist problem, and I write above my pay grade.  Don’t get me wrong. I’m far from perfect. But I work hard to make sure my research is accurate. I also carry “What if?” and minutia to the extreme.

Combine this with life events over the last three years and writing has been a struggle. My Stiletto blog partner Debra Goldstein offered me sage advice when I expressed this problem. Familiar with my situation, she empathized and let me know my writing pause might take some time. Was she ever right!

I’m here to announce, “Times up.”

One of the things that brought me out of my funk was writing a short story. The excitement that comes with creating, plotting and follow through from beginning to end was in a word, “Thrilling.”

Somewhere buried inside me, yet dormant, was the writer I used to be.

And so I’m back to writing, which I consider progress. However, I’m still a perfectionist and still interested in topics I don’t fully understand. But to write something that doesn’t interest me would bore me silly.

Thought I would share some of the things I’ve been researching in case you’re interested.  In my work in progress, the month is October
2019.  My antagonist has escaped and he’s traveling on foot at night. Several issues crossed my mind while writing this scene, including: How will he get from Point A to his temporary objective of Point B when he faces all kinds of dangerous impediments?  Namely, he doesn’t know the area or the terrain, all he’s wearing are the clothes on his back, law enforcement is in pursuit, he’s being tracked by a fellow escapee, and it’s dark!

Which led me to research:

How to hike at night – crazy as that sounds, avid outdoorsmen (and women) do this. But they hike aided by night vision tools, GPS and compasses, walking sticks, appropriate clothing, and the ability to slow their pace, if necessary (which my antagonist mustn’t do at the risk of apprehension.) There are several videos and articles dedicated to night hiking.  I found this one particularly interesting and useful.  https://greatmindsthinkhike.com/hiking-at-night/

The phases of the moon. (Remember when I said I carry minutia to an extreme?) Here’s an example. It occurred to me that October is known for Hunter’s Moons and Harvest Moons, which I could use to my antagonist’s advantage. Then again, what fun would that be? I’m writing a suspense. Another complication occurred to me because the year is 2019. I can’t remember that far back; can you?

There are times I love the internet. There is a site called MoonGiant, which allowed me to narrow down the exact days of my WIP. It also pointed out that the days I referenced were in the Waxing Gibbous phase, which I will reluctantly leave out because my antagonist probably wouldn’t know that. 😊 Want to learn more about MoonGiant. Check out https://www.moongiant.com/

Thank you for allowing me to confess my writing sins–the others you don’t need to know. While I’m trying to break this useless perfectionist quality, I am setting goals and word count challenges.  How about you? Do you have any writing confessions you’d like to share?

 

 

 

 

 

 

 

 

Killing It at Killer Nashville

/in , , , , , , , , , , , , , /by

At the Killer Nashville book signing

By Lois Winston

Most writers are introverts. We spend much of our days alone with only our laptops or computers (or paper and pen for those who are still old-school) and rarely step foot into the real world. We’d rather spend our time in the world of our imagination with the characters we’ve created. However, every now and then, we venture out onto Earth One and mingle with actual humans.

One of the best places to do this is at a writers’ conference. Hanging with our peeps is our happy place in the real world because they’re the only people who truly “get” us. Because they’re just like us. Writers’ conferences are a chance to spend time with others of our special community. We renew friendships, make new friends, network, learn from some, and teach others. Conferences also occasionally give us a pat on the back, validating that this odd life we’ve chosen, with all its solitary hours of clicking away at the keyboard, is worthwhile.

Such was the case this past weekend when I attended Killer Nashville. Once upon a time, I attended three or four writers’ conferences a year. Then, life changed. I made the decision to “go indie” and no longer had a publisher willing to pick up some or all the expense of attending conferences. Between the conference fee, airfare, hotel, and meals, conferences are not cheap. I cut back drastically, only attending local conferences.

And then Covid hit.

As some of you know, in the middle of the pandemic, my husband and I made the difficult decision to pack up and move to Tennessee to be closer to family. Within days of settling into our new home in July of 2021, I discovered that after a two-year hiatus, the annual Killer Nashville writing conference was about to take place less than two miles from where I now live. Serendipity!

With few exceptions, most writers are introverts. Hence, those writer caves. But I missed my writing peeps in New Jersey. Killer Nashville gave me a chance to connect face-to-face with many other writers I only knew from online writing communities. I also made some new friends and have continued to do so each year I’ve attended since 2021.

The 2024 Killer Nashville conference was this past weekend, and it was a blast, even for this confirmed introvert. On Friday, I was on a panel discussing Writing Compelling Synopsis, Back Cover Copy, and Design. Saturday, I was on two panels, One Trait at a Time: How to Build a Character and Not Just One Book: Writing a Series. I was also one of ten authors who allowed attendees to pick our brains for four minutes each during Speed Date your Way to Author Marketing Success. On Sunday, I was on the Creating an Irresistible Hook for Your Book panel and the Writing Strong Protagonists panel.

Vertically challenged Lois and Gay during an after-dinner stop for ice cream

And then there was Saturday night. Author Gay Yellen and I, along with our husbands, went out to dinner, something we’d also done last year. Upon returning to the hotel, our husbands headed for the bar while Gay and I ducked into the awards ceremony. Not ten seconds later, Clay Stafford, MC for the evening and Killer Nashville head honcho, announced the winner of the 2024 Silver Falchion Award for Best Comedy. Much to my surprise, he called my name!

I never expected to win. With few exceptions, throughout my writing career, I’ve always been the bridesmaid, rarely the bride. I hadn’t prepared any remarks because the one time I had attended the ceremony back in 2021, no one made any remarks. Winners were handed their awards, shook Clay’s hand, and a photographer snapped a picture. Maybe it was because we were all still coming out of Covid.

This time, I was expected to say something. My mind still reeling over actually winning, I stepped up to the mic and thanked whoever it was who’d determined that A Crafty Collage of Crime, the twelfth book in my Anastasia Pollack Crafting Mystery Series, deserved the award this year. As I walked away, I heard Clay tell the audience that I was a woman of few words and there were probably plenty of people who wished that he was! (a person of few words, that is, not a woman!)

With my Best Comedy medal the next morning

Well, at least I didn’t bore anyone in the audience by droning on and on by thanking everyone, going all the way back to my kindergarten teacher!

Writers, what’s your favorite aspect of conferences? Readers, have you ever attended a readers’ convention or other book event? Post a comment for a chance to win a promo code for a free audiobook of any one of the first ten Anastasia Pollack Crafting Mystery.

~*~

USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry. Learn more about Lois and her books at her website where can also sign up for her newsletter and find links to her other social media: www.loiswinston.com

The Meet Cute

/in , , , , , , , , /by

by Paula Gail Benson

Cover from First LRWA Anthology

Currently, I’m working on an up-to-10,000 word short story for the third Lowcountry Romance Writers’ (LRWA) anthology. The story must somehow involve South Carolina and a vacation.

I’m basing mine on characters I developed in my story that appeared in the first LRWA anthology. It’s been fun to give this couple its own romance since they were the antagonists in the original story. Figuring out how two basically disagreeable folks become likable and get together has been both challenging and delightful!

During a brainstorming session with some of the other anthology contributors, I described the female protagonist’s situation, background, and desires. She was focused on finding a way to connect with her 10-year-old daughter, who seemed more in sync with the ex-husband and his fiancée. I was interrupted from describing my character’s angst with the question: what’s her love interest and where’s the “meet cute”?

I’d heard the term “meet cute” and recognized the concept. Wikipedia, referencing Merriam-Webster, describes it as: “a scene in media, in which two people meet for the first time, typically under unusual, humorous, or cute circumstances, and go on to form a future romantic couple.” Wikipedia illustrated the entry with a depiction of Romeo and Juliet’s first meeting.

Image that appears in Wikipedia

Romeo and Juliet opens with a “meet cute”? I had to reread the play.

So, Romeo is pining after Rosalind, who is a Capulet niece. The Capulets are trying to fix Juliet up with Paris. Then, Romeo sneaks into the Capulets’ banquet at their home. Tybalt protests his presence, but Mr. Capulet says, don’t call attention to him. Meanwhile, Romeo sees and zeroes in on Juliet. After some fancy talk about pilgrims’ hands meeting in prayer resembling kissing, they trade a few smooches.

Okay. I understand the setup as a “meet cute.” Romeo goes to romance the girl he’s fascinated by and instead falls in love with the daughter of his family’s worst enemy. It’s the story’s tragic overtones (not to mention all the pilgrims’ hands speeches) that obscure the humor of that scene.

I thought about some of my favorite Rom-Coms: Legally Blonde, where Elle meets Emmett at Harvard, or Shakespeare in Love, where the bard first sees his muse dressed in male attire and auditioning for a role. One of my favorite romances is Lisa Kleypas’ The Devil in Winter, one of her wallflower series. The couple are acquainted but have their actual first face-to-face meeting after the male has kidnapped the female’s friend in a previous book. Evangeline Jenner is the shy, stuttering daughter of a wealthy gambling house owner who approaches Sebastian, Lord Vincent, one of London’s best-known rakes to save her from her relatives’ manipulations. That initial scene sizzles with sexual tension.

Could I do that with my characters? I’ve tried by having them reconnect at a restaurant where the female does not at first recognize the male, who is her server. I asked for some feedback from another writing group and was fascinated to hear their reactions to this couple. The group had a lot of good suggestions and questions. I always find questions encouraging because it means readers want to know more.

What’s your favorite “meet cute” scene and has it ever involved unlikable characters?

Cover of LRWA Anthology Volume 2