The Meet Cute

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by Paula Gail Benson

Cover from First LRWA Anthology

Currently, I’m working on an up-to-10,000 word short story for the third Lowcountry Romance Writers’ (LRWA) anthology. The story must somehow involve South Carolina and a vacation.

I’m basing mine on characters I developed in my story that appeared in the first LRWA anthology. It’s been fun to give this couple its own romance since they were the antagonists in the original story. Figuring out how two basically disagreeable folks become likable and get together has been both challenging and delightful!

During a brainstorming session with some of the other anthology contributors, I described the female protagonist’s situation, background, and desires. She was focused on finding a way to connect with her 10-year-old daughter, who seemed more in sync with the ex-husband and his fiancée. I was interrupted from describing my character’s angst with the question: what’s her love interest and where’s the “meet cute”?

I’d heard the term “meet cute” and recognized the concept. Wikipedia, referencing Merriam-Webster, describes it as: “a scene in media, in which two people meet for the first time, typically under unusual, humorous, or cute circumstances, and go on to form a future romantic couple.” Wikipedia illustrated the entry with a depiction of Romeo and Juliet’s first meeting.

Image that appears in Wikipedia

Romeo and Juliet opens with a “meet cute”? I had to reread the play.

So, Romeo is pining after Rosalind, who is a Capulet niece. The Capulets are trying to fix Juliet up with Paris. Then, Romeo sneaks into the Capulets’ banquet at their home. Tybalt protests his presence, but Mr. Capulet says, don’t call attention to him. Meanwhile, Romeo sees and zeroes in on Juliet. After some fancy talk about pilgrims’ hands meeting in prayer resembling kissing, they trade a few smooches.

Okay. I understand the setup as a “meet cute.” Romeo goes to romance the girl he’s fascinated by and instead falls in love with the daughter of his family’s worst enemy. It’s the story’s tragic overtones (not to mention all the pilgrims’ hands speeches) that obscure the humor of that scene.

I thought about some of my favorite Rom-Coms: Legally Blonde, where Elle meets Emmett at Harvard, or Shakespeare in Love, where the bard first sees his muse dressed in male attire and auditioning for a role. One of my favorite romances is Lisa Kleypas’ The Devil in Winter, one of her wallflower series. The couple are acquainted but have their actual first face-to-face meeting after the male has kidnapped the female’s friend in a previous book. Evangeline Jenner is the shy, stuttering daughter of a wealthy gambling house owner who approaches Sebastian, Lord Vincent, one of London’s best-known rakes to save her from her relatives’ manipulations. That initial scene sizzles with sexual tension.

Could I do that with my characters? I’ve tried by having them reconnect at a restaurant where the female does not at first recognize the male, who is her server. I asked for some feedback from another writing group and was fascinated to hear their reactions to this couple. The group had a lot of good suggestions and questions. I always find questions encouraging because it means readers want to know more.

What’s your favorite “meet cute” scene and has it ever involved unlikable characters?

Cover of LRWA Anthology Volume 2

Pens

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Pens by Debra H. Goldstein

There was a time that I wrote everything in longhand. Being left-handed, I had to be careful not to use a pen that allowed me to smear the ink with my pinky. In addition, because I have small hands (I can still wear a child’s sized glove or mitten), the pen couldn’t be too thick or too fat. Consequently, many of the popular thin Bic pens or other retractable ones didn’t feel right when I held them.

After many years of trial and error, I discovered Uniball Vision Elite pens. Like Goldilocks felt after trying Papa Bear, Mama Bear and Baby Bear’s chair, food, and beds, this pen for me is “just right.” It fits my hand, glides across the page, and usually doesn’t smear. What more could I ask?

The irony is that now that I’ve found the perfect pen, I rarely use it. Although I write thank you notes in ink, I compose my books and stories on the computer, make most of my payments electronically, and have traded letters for emails.

What about you? Do you still use a pen (and which one is perfect for you)?

With a Little Help from my Friends

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artwork from Pixabay and Depositphotos

By Lois Winston

As authors, we spend much of our days in our writer caves. Sometimes, we rarely leave the house for days as we peck away at the keyboard, increasing our word count. Living life in a vacuum is hard, though. Sometimes we need to bounce ideas off someone, and let’s face it, kids and spouses are rarely helpful when it comes to figuring out the perfect murder or choosing whodunit from several possibly suspects. That’s why critique partners, as well as writing communities, are so important. Often, they’re the only people who truly “get” us.

My latest book, Sorry, Knot Sorry, the thirteenth in my Anastasia Pollack Crafting Mysteries, released earlier this month. In-between a month-long virtual book tour, I’ve been mulling over possible plots for the next book in the series.

I’ve always had a weird fascination with unusual personalities and often put them in my books. Anastasia’s communist mother-in-law is a perfect example. She’s based on my own communist mother-in-law, minus the French bulldog.

Years ago, we had some very strange neighbors living across the street from us. They’ve been parked in a recess of my brain for two-and-a-half decades, waiting to spring forth as characters in a book. I wondered, though, were they too over-the-top?

I decided this was a question, not for my critique partner nor my fellow writers. I needed to hear from my readers. So, in my May newsletter, I introduced them to the couple I had dubbed The Stoop Sitters. After relating the story, I asked if they thought The Stoop Sitters should become characters in my next book.

Everyone who responded loved the idea. I don’t know yet who these characters will be, but based on the overwhelmingly favorable responses I received, they will show up in some way in the next book.

I had already set up the possibility of The Stoop Sitters back in A Stitch to Die For, the fifth book in the series. Circumstances which occurred in that book resulted in the house across the street from Anastasia being torn down and replaced with a McMansion. Since Anastasia has yet to meet her new neighbors, they could be The Stoop Sitters.

Have I piqued your curiosity? Are you dying to know more about The Stoop Sitters?

When my husband and I purchased a home in an upscale New Jersey suburb, the house across the street stood out for all the wrong reasons. It was a dilapidated mess in need of major repairs. We suspected the resident or residents were elderly with a limited income. Much to our surprise, we discovered the owners were a couple in their late thirties or early forties. They had two school-aged kids.

The parents didn’t seem to have jobs. They’d camp out on the top step of their small concrete landing for hours at a time, either together or individually. Just sitting and smoking and often drinking beer, but never conversing with each other. Often the husband would remove his shirt and lie back on the landing, his massive stomach pointing heavenward. He’d remain that way for hours, apparently napping.

When Mr. Stoop Sitter wasn’t sprawled bare-chested on the landing, he’d spend hours mowing his lawn, an extremely small barren patch of packed dirt and weeds. For hours, he’d walk behind his mower, trimming the nonexistent grass, until the mower ran out of gas. The next day, after refilling the mower, the scene would repeat. It continued each day throughout the year, except during rain and snowstorms.

I need to stop here to mention that I’m not a voyeur. My home office was situated at the front of the house with my desk positioned under the front window. It was impossible not to notice The Stoop Sitters.

One day, my concentration was broken by a cat fight between two women. I glanced up from my computer screen to find Mrs. Stoop Sitter standing on the sidewalk, accusing another woman of trying to steal her husband. The scene was right out of Real Housewives of New Jersey, minus the camera crew. Eventually, Mrs. Stoop Sitter hurled one last warning, stormed up the steps, and entered her house, slamming the door behind her. The other woman turned and walked down the street. I never saw her again.

Now, Mr. Stoop Sitter was no one’s idea of a catch, but the scene I’d witnessed proved otherwise. Obviously, there’s someone for everyone. At least in Mrs. Stoop Sitter’s mind.

Eventually, the Stoop Sitters sold their house to a developer who tore it down and built a McMansion. There’s a story to be told about the people who moved into the McMansion, but I’ll save that for another time.

So what do you think? If my readers can suspend their disbelief enough to accept a communist mother-in-law and a Shakespeare-quoting parrot (not to mention a reluctant amateur sleuth who stumbles across more dead bodies than the average big city homicide cop in an entire career,) will they buy into the Stoop Sitters?

Would you? Post a comment for a chance to win a promo code for a free audiobook download of any of the currently available Anastasia Pollack Crafting Mysteries.

~*~

USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry. Learn more about Lois and her books at her website where can also sign up for her newsletter and find links to her other social media: www.loiswinston.com

June is Here – And I’m Excited!

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June is Here – And I’m Excited! by Debra H Goldstein

In the musical, Carousel, the character, Nettie Fowler sings the song, “June is Bustin’ Out All Over,” while preparing for a clambake. The lyrics address the excitement that the month of June, in contrast to March, April, and May, offers in terms of summer, nature, and love.

On a personal note, which I don’t normally address except in my monthly newsletter, post two back surgeries, March, April, and May, for me were like the song: storms, simply passing by, and then tentative promises. June, though, is offering me new opportunities.

In terms of writing, there are new short stories being published – including “You Can’t Kill the Cat” in Love Comes First, Then Comes Murder; new experiences (finally seeing the grandson who just celebrated his first month of life); continued physical therapy (but the walker and cane are gone); a return to social circulation (lunch, dinner,and whatever); and, finally, once again, embracing my love of writing.

It’s nice to be back. Can’t wait to announce some of the wonderful things that are going to happen in June. Stay tuned!

If you want to get a head start knowing what’s going on, sign up for my newsletter via my website (https://www.DebraHGoldstein.com). If you like, while you are on the website, you can even get a free copy of the cookbook that Kensington created for the Sarah Blair series: Simple Recipes for the Sometimes Sleuth.

Echo words anyone?

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Echo words anyone? (And other hiccups)

Every time I reach what I hope is the last version of my manuscript before I publish it, I read it aloud to find anything that I’ve missed that needs correction. The little devil on one shoulder says, “Don’t waste time reading it aloud. It’s fine. It’s a pretty cool book.” The little angel on the other shoulder says, “Even though you don’t want to spend the time reading it aloud, you know you’ll find so many things that need to be fixed. Fix it, and then it will actually be really cool, and you’ll be pretty happy.” So, actually, whether or not I want to spend the time, I always read it aloud. And actually, I find so many things that need to be fixed that I’m pretty happy that I’ve read it aloud. Other writers say to let it sit awhile before you do that. I know I should wait awhile, but, actually, I don’t always wait awhile to read it. Whether or not you read your manuscript aloud, or print it out like we did in the old days, let it sit awhile, and then read it, I urge you to do one or the other, so you’ll be pretty happy, too.

 

 

Susan P. Baker’s 6th Mavis Davis mystery, The Underground Murders, will be released in July.

The Times They Are a’Changing

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By Lois Winston

I don’t like change. I much prefer the security and comfort of habit. I’m not the kind of person who climbs a mountain just because it’s there. I need a reason to step out of my comfort zone, lace up my hiking boots, and ascend into the unknown. When I’m confronted with the need to change, I first spend time soul-searching and deliberating.

Unfortunately, the publishing industry has been fraught with change for quite some time now. Gone are the days when an author had a home for life, and the people she worked with at the publishing house became like a second family to her. These days there’s a lot of divorce going on in publishing. More and more authors are being dropped because their sales aren’t strong enough. Or authors decide for various reasons that they need to leave their publishers. Both situations are very scary for the author. No matter which party institutes the divorce proceedings, fear of the unknown can overwhelm an author.

Twelve years ago, I realized I needed to institute a change in my life. I didn’t want to, but after several long months of soul-searching, I knew it was time to climb the mountain. I laced up those hiking boots and walked away from two new publishing contracts—one for additional books in my Anastasia Pollack Crafting Mystery series and one for a new series, the Empty Nest Mysteries.

Was I terrified? You bet! Being published by a traditional publishing house is the Holy Grail to all aspiring authors. Or it used to be. Times have changed. Self-publishing, now often referred to as indie publishing, no longer has the stigma it once did because authors are in control, not questionable vanity presses.

Rather than sign with one of the small publishers interested in continuing my series, I went indie. I continued writing the Anastasia Pollack Crafting Mysteries, adding a series of three connected mini-mysteries. I also published the Empty Nest Mysteries and several standalone mystery novellas. I reissued my backlist and published some unsold romances and romantic suspense novels.

Would I regret my decision? After all, not only had I given up the “legitimacy” of traditional publishing, but I’d also given up some decent advance money. There were nights I tossed and turned, wondering if I’d made the biggest mistake of my life by going indie, especially when I didn’t see the huge numbers of sales that other indie authors claimed to have.

Was it because I didn’t write super-sexy books with shirtless studs? Or was there some other reason? My traditionally published books had received stellar reviews, including starred reviews from Publishers Weeklyand Booklist for my mystery series. I’d also won quite a few awards for my fiction. Why weren’t my indie books selling better?

One mantra I kept repeating was something I’d heard from other authors: It’s not a sprint; it’s a marathon. It was hard to convince myself since I seemed to be limping along, not sprinting. But eventually I saw that they were right. It took some time, but since publishing my first indie book, I’ve seen steady growth in sales. Can I support myself on what I’m making? Heck, no! But then again, I couldn’t support myself on what I made from traditional publishing.

However, as time has passed, I’ve become more comfortable with my decision. There’s much to be said about having total control over your writing career. What I’ve also discovered is that readers don’t really care who publishes you. Authors might constantly ask other authors, “Who’s your publisher?” but readers are only interested in good books. They don’t know PRH from Level Best. Mention “the Big Five,” and they’ll most likely think you’re talking about a college basketball conference.

Meanwhile, Sorry, Knot Sorry, the thirteenth book in my Anastasia Pollack Crafting Mystery Series, is currently on preorder and releases June 4th. For those of you familiar with Anastasia, I hope you enjoy her latest adventure. For those of you who haven’t gotten to know her yet, I hope you will.

Sorry, Knot Sorry

An Anastasia Pollack Crafting Mystery, Book 13

Magazine crafts editor Anastasia Pollack may finally be able to pay off the remaining debt she found herself saddled with when her duplicitous first husband dropped dead in a Las Vegas casino. But as Anastasia has discovered, nothing in her life is ever straightforward. Strings are always attached. Thanks to the success of an unauthorized true crime podcast, a television production company wants to option her life—warts and all—as a reluctant amateur sleuth.

Is such exposure worth a clean financial slate? Anastasia isn’t sure, but at the same time, rumors are flying about layoffs at the office. Whether she wants national exposure or not, Anastasia may be forced to sign on the dotted line to keep from standing in the unemployment line. But the dead bodies keep coming, and they’re not in the script.

Craft tips included.

Buy Links (preorder now. Available June 4th)

Amazon

Kobo

Nook

Apple Books

Paperback and Hardcover editions available after June 4th.

~*~

USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry. Learn more about Lois and her books at her website where can also sign up for her newsletter and find links to her other social media: www.loiswinston.com

Figures of Speech

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Figures of Speech

by Saralyn Richard

An English major in college, I was required to take courses in Chaucer/medieval lit, Shakespeare, Milton, 18th and 19th century literature, and American literature, among others. Of these, the dreaded subject was Milton, mainly because the brilliant poet and author of Paradise Lost took full advantage of the vast body of history, philosophy, religion, politics, and literary criticism of the day, and analyzing and interpreting even a few lines of his work could send a person down a rabbit hole for eons.

I had read excerpts from Milton’s works in high school, and I’d found them dry and uninteresting, but when I arrived in my Milton class junior year in college, I had a whole different experience. Call it an awakening, a challenge, a puzzle—whatever—I delighted in the intrigue and purpose of Milton’s language, and I couldn’t get enough.

After the semester, I decided to continue studying Milton by undertaking two semesters of work, researching and writing an honor’s thesis. My focus of study was figures of speech.

Most people understand the function of figurative language and can identify and explain similes, metaphors, personifications, and analogies. Few, however, realize that these represented only a miniscule number of the figures of speech available for Milton and other writers of the Elizabethan and Puritan eras.

I could write treatises—or an honors thesis—about what I learned from books, such as George Puttenham’s The Arte of English Poesie, or Henry Peacham’s The Compleat Gentleman, but for this blogpost, I’ll say that I was astounded by the more than 456 figures of speech used by Renaissance writers of poetry and prose.

The literary devices included repetitions, inversions, comparisons, and rhetorical devices to tickle the ear and tempt the mind. Some of the more obscure, but popular, figures of speech were anastrophe, litotes, and anadiplosis.

Once I learned about them, I had fun hunting for them in Milton’s verse. Each find unlocked a bit of the magic that made Milton’s writing so memorable.

Fast forward to the 21st century, and I was teaching creative writing to students aged 55 and older at the Osher Lifelong Learning Institute. I introduced a unit in figures of speech, and we dug into definitions and examples of a variety of the lesser-used devices. I challenged learners to use some, like synecdoche and metonymy in their writing, and the results were amazing.

Also, when I read a work of fiction by an author like Poe, Tartt, Kingsolver, or Irving, and I find a turn of phrase that is particularly appealing, I love to deconstruct the language. Do you do the same? What is your favorite figure of speech, and which author do you think is especially adept at using figurative language?

Saralyn Richard writes award-winning humor- and romance-tinged mysteries that pull back the curtain on people in settings as diverse as elite country manor houses and disadvantaged urban high schools. Her works include the Detective Parrott mystery series, two standalone mysteries, a children’s book, and various short stories published in anthologies. She also edited the nonfiction book, Burn Survivors. An active member of International Thriller Writers and Mystery Writers of America, Saralyn teaches creative writing and literature. Her favorite thing about being an author is interacting with readers like you. If you would like to subscribe to Saralyn’s monthly newsletter and receive information, giveaways, opportunities, surveys, freebies, and more, sign up at https://saralynrichard.com.

 

On Naming Names

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In my first stint as a magazine editor, I looked up from my desk one afternoon to see a young deliveryman at my office door, carrying a flower arrangement. He looked lost. “Can I help you?” I offered.

“Are you Gay?” he asked.

“Yes,” I said.

He grinned broadly and proudly declared, “So am I!”

We shared a laugh for a good minute before he set the flowers on my desk, wished me a great day, and disappeared down the hall.

In my twenty-four years on earth at that point, it was the first time I realized that, as a name, mine had become an anachronism. When I told my mother about the humorous encounter, she revealed that she and my Dad had debated among three names for me—Joy, Merry, or Gay—before they settled on the one I have.

Ever since the flower guy’s visit, I’ve always tried to avoid startling any new person I’m about to meet with what might sound like a sexual identity announcement. So, instead of the usual “Hi, I’m Gay,” I say, slowly and distinctly, “Hello, my name is Gay.”

“Gay?” one might repeat.

I nod. “That’s my name.

Naming a fictional character

Choosing names for fictional characters is tricky, too, because the name has to fit. What might it communicate about them and their story?

I first pondered this when I helped write the thriller Five Minutes to Midnight. The author was an international expert on terrorism, and not a native English speaker. To start with, he asked for help in naming the main character, who plied the same profession as he did. The hero was bold and dangerous. After playing with possibilities, I came up with Sartain. To my ears, it sounded like a good cross between the word “certain” and the ultimate tough guy, Satan. The author loved it.

In my own Samantha Newman Mystery Series, I chose Sam’s last name because it reflected her unlucky habit of having to reinvent herself in each book. Now, after the first three books, she’s  in a good place. But given her history, who knows how long it will last?

Do you have a favorite fictional character name? Please share it in the comments below.

Gay Yellen writes the award-winning Samantha Newman Mystery Series, including: The Body Business, The Body Next Door, and The Body in the News.

Fearless Creating: AKA Develop a Stubborn Streak

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By Donnell Ann Bell

It never fails. I can be talking to friend Lois Winston via phone, topics ranging from world events to some mundane ailment we’re experiencing. Then always. . . always before we hang up, the next 15 minutes segue into critique partner Lois Winston.  This is the point in which we discuss writing and what we’ve learned or experienced over twenty-plus years.

Let’s face it, publishing has exploded since the early 2000s from the statement that e-publishing isn’t a legitimate form of publishing to printing and mailing off our synopses and manuscripts, then waiting and waiting and hoping for “The Call.”

In this morning’s phone conversation, Lois and I discussed my hack (more on that in upcoming posts – the saga is interesting and educational, I promise you) and why Lois, a traditionally published author turned indy author and marketing guru will likely never be on social media or hire a personal assistant.  As I listened to her very valid points not to enter this realm, I thought why should she? She does everything from writing, to hiring a narrator for her audio books, to designing and selling Anastasia Pollack merchandise herself! The woman is a machine!

Today’s phone call had us laughing, and somehow morphed into the importance of trusting our instincts. These instincts often lay dormant in the beginning of our careers because we haven’t yet learned or challenged the craft of writing. Further, so many experts (and many who think they are) stand ready to expound on how they do it.

One of the things I believe in is Fearless Creating. Am I suggesting never to take advice? Absolutely not. But what’s the point of writing if we don’t stay true to our vision, enjoy the process while we’re creating, and see what our imaginations and brains can come up with first?

I’ve witnessed authors taking a fine piece of writing, albeit a draft, in which the whole room applauded. An agent in the room requested a full. Later, when I saw  the piece again, I hardly recognized it.  Why did you change it, I asked. Oh, X had a problem with this. Y said it was too long, too short, the characters flat. Z suggested I write it this way.

This way is another person’s vision that usurps the creator. Doubt has a terrible way of worming into an author’s psyche from the moment we open a blank page. Further, there are so many outside forces these days willing to help us with our writing.

Author Sylvia Rochester

I had a dear friend who painted as well as wrote books.  Author and Artist Sylvia Rochester, who passed in 2022, had a wonderful saying. It’s one I think about when I’m writing, tweak my work, screw it up, and can’t get it back again. “The First Stroke is the Freshest.”

If you think you have something brilliant but can make it better, I suggest keeping a draft file. That way you can compare the two later. How often do you write something in the evening, think this is garbage and delete it? Putting the text in a draft file, come morning, you may see things differently.  I know I have. 

I call myself an experienced writer who still has much to learn. I enjoy critiquing with Lois and often do beta reads for other writers. Rarely do I suggest an author change an entire plot, or worse, try to “rewrite” it for them. It’s their story, their voice. I believe there should be a Hippocratic oath for Authors – Help but “Do no Harm.”

When I read, I focus on pacing, goal, motivation, and conflict. Do I like the author’s voice, and can I relate to the characters? I believe in critique partners and the oh-so-valuable-editor. Through it all, though, I’m grateful my muse is a formidable force. I’m also blessed with a stubborn streak.

What about you? Agree/disagree?

About the Author:  Donnell Ann Bell writes both romantic suspense and multi-jurisdictional task force plots, keeping close tabs on her theme SUSPENSE TOO CLOSE TO HOME. Her single-title romantic suspense novels, The Past Came Hunting, Deadly Recall, Betrayed, and Buried Agendas, have all been Amazon e-book best sellers.

Traditionally published with Belle Books/Bell Bridge Books, Black Pearl, a Cold Case Suspense was her first mainstream suspense and book one of a series, and a Colorado Book Award finalist. Her second book in the series, Until Dead, A Cold Case Suspense, released in May of 2022 was voted best thriller in 2023 at the Imaginarium Celebration Conference in Louisville, Kentucky.  Follow her on social media, sign up for her newsletter or follow her blog at https://www.donnellannbell.com

 

 

 

 

 

 

 

The Whack-a-Mole Method of Writing

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By Lois Winston

Every author has her own process. What works for one of us doesn’t work for all of us. Some authors are diehard plotters who create extensive outlines before ever committing that first sentence to paper (or in most cases, to keyboard.) Some are known as “pantsers,” authors who write by the seat of their pants, having no more than a vague idea before they place butt in chair and begin pounding out the words.

Some authors set a deadline for each day, whether it’s the amount of time they’ll spend writing or the number of words they’ll write each day. I’ve read about some bestselling, household names who often stop mid-sentence when they reach their day’s word count, or the timer goes off. Other authors will keep writing each day until either their fingers cramp up, their eyes start watering, or their family demands dinner. Often all three.

I’m none of the above. I’m a hybrid—half “pantser” and half whack-a-mole writer. I write in fits and starts. I suppose you could call it the bipolar method of writing. I’m not bipolar, but my writing method certainly is.

The “pantser” part of me comes up with a vague idea for a story. I’ll jot a few sentences or maybe a paragraph or two, which often becomes the basis for back cover copy. But then I give my muse free rein. And that’s where the whack-a-mole writing comes in. Sometimes my muse is extremely cooperative, and my fingers fly across the keyboard for days and days. My word count grows at a frenetic pace. Then, for no apparent reason, the muse deserts me, and I reach a part in the story where I can’t figure out what comes next.

I wrack my brain. I lie awake at night, brainstorming with myself. One night becomes two, then three, then a week. I’m exhausted from lack of sleep, which only makes the situation worse. I spend hours at a time staring at a blinking cursor, waiting for my brain to send a signal to my fingers. I wait and wait and wait.

I check in with my critique partner who offers various suggestions, some with possibilities but none that feel exactly right. I go back and read what I’ve previously written, hoping inspiration will strike, but all I do is wind up tweaking here and there, choosing a more descriptive word, rearranging the sentences in a paragraph. Wasting time.

And then suddenly, my muse returns with a fully formed idea for what happens next. Once again, my fingers fly across the keyboard, my word count soaring.

Until the next time when the pattern repeats itself. Wack-a-mole writing. Love it or hate it, it’s my process, and I’m stuck with it.

~*~

USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction under her own name and her Emma Carlyle pen name. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry. Learn more about Lois and her books at her website www.loiswinston.com where you can also sign up for her newsletter and follow her on various social media sites.