Following a Character into a Book

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Following a Character into a Book by Linda Rodriguez

Lately, I’ve been intensely writing a new book. That’s a fairly common thing around here. Several times a year I follow a character into a short story or book. After the first draft is finished, I still refer to the much more I know about that character from writing that first draft as I revise and edit and edit, still following those characters as I chip away whatever doesn’t matter to them or what doesn’t fit. In a way, you could say that I spend most of my professional time chasing after characters, and you’d be correct.

Some people have the idea that plot is the be-all and end-all of the mystery writer, but I see it as story. I can write a book based on a clever plot with all kinds of surprises and twists, but if the reader doesn’t care about the characters or if the actions taking place don’t ring true for the characters, it’s no good. And yes, I know there are books like this that are published and sometimes very successful, but I still think it’s really story we need in the mystery, a story where the actions rise organically out of the characters and their motivations, where we care about the characters and what they’re trying to do because we know why it’s so important to them to succeed in their attempts.

When I’m looking for story, I start with character. As I start to know that character better, she or he leads me directly into story. A nice complex, twisty narrative with surprises and suspense comes from following all the major characters as they lead me on their path toward their goals in the story and come into conflict with each other or help each other or, sometimes, both.

When I run into problems with story as I’m writing a book, I go back to the characters involved with the aspect of the story that’s giving me a hard time. I sit down and have them write their situation, feelings, and problems with the story’s direction in first person as if they were writing diary entries or letters to me to tell me why they won’t do what I think they should do. Always I find that there’s something I’ve overlooked with that (those) character(s). I’ve been trying to steer the plot in a direction that’s false to the character(s), and I have to learn more about each character in order to find out the direction the story needs to go.

I’ve always been glad I take the time to do this, even as I whine about taking that time in the middle of a book with a deadline facing me. Often it leads to big changes—once I even had to change the villain into a possible love interest—but it always makes for a stronger, more vital story. And that’s what I’m after.

Right now, I’m chasing another set of characters into a book that I’ve tentatively set up to go one way, but I know that, as I get deeper into this story following these characters, I may find we’ve gone a different way into a whole different and much richer story. It’s the ultimate adventure, following a character into a book.

 

A Ten-Year Journey to a Golden Ticket

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By Lois Winston

Many authors mention in their bios that they always wanted to be a writer. Not me. I wanted to be an astronaut. That dream died a quick death due to a right brain that quakes at the sight of anything requiring math skills and a body prone to motion sickness. Some dreams just aren’t meant to be.

I got the urge to write well into my adulthood. While on a business trip, I was attacked by a rabid dream. After a ten-year publishing journey, that dream became Love, Lies and a Double Shot of Deception, which was published nearly seventeen years ago.

The story is a romantic suspense about secrets and revenge and the steps some people will go to protect the former and achieve the latter. I’ve always been fascinated by both secrets and revenge. Who among us doesn’t have secrets? Who among us hasn’t harbored revenge fantasies? Is it possible to get through junior high school without a hefty dose of both?

Years ago, I knew a woman who went to great lengths to project the ideal marriage. She constantly bragged about how much her husband loved her and what a perfect marriage they had. Then I learned the secrets behind the lies. She was carrying on an affair that her husband discovered when he tapped his own phone. Mr. and Mrs. Perfect Marriage were anything but. Although Love, Lies and a Double Shot of Deception isn’t about that marriage, it got me thinking about public persona versus private reality.

So there I was on a business trip back in 1995, and I guess I was subconsciously thinking about Mr. and Mrs. Perfect Marriage when I had this dream. And what was even spookier was that each night for the next couple of weeks I dreamed another “chapter” of the dream. Eventually, I was dreaming up chapters during the day as well as at night. Finally, I decided to commit the dream to paper. Fast forward a few weeks and I’m the proud author of a 50,000-word romance that spanned thirty-five years.

Talk about clueless!

Of course, I didn’t know I was clueless. I thought I’d just written the greatest romance of all time. But when I pushed my baby out of the nest into the world of publishing, she flew right back with her beak stuffed full of rejection letters.

I’d been bitten by the writing bug, though, and I’d already started a second novel. I’ve also got a stubborn streak as long as the island of Manhattan. I wasn’t about to be deterred by rejection letters or lack of knowledge. Undaunted, I handed over my VISA card to a friendly salesperson at Barnes & Noble and walked out with an armload of how-to-write-a-novel books.

Those books introduced me to several national writing organizations where I met some generous people willing to offer advice and share their publishing experiences. Some have remained good friends to this day.

Ten years after I first had that dream, after attending countless monthly writers’ meetings and numerous workshops and conferences, I eventually got enough of a clue to sell my first book. Talk Gertie to Me, a chick lit novel, debuted the following year in 2006.

I never forgot about that first clueless effort, though. I liked the characters I’d created, even if the story needed major surgery. I didn’t think the characters deserved to spend eternity under the bed with nobody but the dust bunnies and me ever getting to know them. I went back and rewrote that book. Many, many times. Eventually that 50,000-word romance spanning thirty-five years transformed into a 90,000-word romantic suspense that takes place over several months.

My publishing journey continued and eventually segued into the world of humorous cozy mysteries, but along the way, I continued to write more romance, romantic suspense, and chick lit. I’ve now published twenty-one novels, five novellas, several short stories, one middle-grade book, and a nonfiction book on writing.

There are many paths to publication. Some people are lucky enough to find the straightest, most direct one. They write a book, send it off, and eventually receive a contract offer. For most of us, it takes years of honing our craft before we’re offered that golden ticket. For me, the journey was certainly worth taking.

What about you? If you’re a published author, how long did it take you to see your first book in print? If you’re in the middle of your own  journey toward publication, how long have you been working at your dream? Does it often seem like you’ll never succeed? Don’t give up! Perseverance is everything.

~*~

USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction under her own name and her Emma Carlyle pen name. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery Series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry. Learn more about Lois and her books at her website www.loiswinston.com where you can also sign up for her newsletter and follow her on various social media sites.

Ridding the World of Word Clutter, One Description at a Time

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By Lois Winston

I’ve recently had several requests from authors and publishers to write blurbs for soon-to-be-published books. In addition, I’m currently judging a writing contest for recently published novels. Although all mysteries, these books run the gamut of various sub-genres within mystery, everything from cozies to suspense. Disturbingly, I’m seeing one issue that crops up in many of them: over-writing.

Many years ago, the agent who owned the agency that represented me gave me the best writing advise I’ve ever received. He said that every scene and all dialog in a book must do one of two things—either advance the plot or tell the reader something she needs to know about the POV character AT THAT MOMENT. If the scene or dialog does neither, it’s filler and doesn’t belong in your book.

Filler usually manifests in dialog as chit-chat. In narrative, the culprit is often description. Excessive description is the downfall of many of the books I’m reading. Description done well enhances a story. It gives the reader a deeper understanding of the character and the world she inhabits. However, when not done well, description pulls the reader from the story and drags down pacing. No one wants to read a mystery, suspense, or thriller with pacing that induces sleep, but that’s what I’m finding in too many of these books.

Some authors are of the misguided notion that they need to describe all characters from head to toe every time they appear in a scene. They also believe they need to describe every aspect of the setting, from the color of the curtains on the windows to the knickknacks on the shelves. A well-written book only describes that which is pertinent to the character and the scene.

Adjusting your thinking to view filler as word clutter, enables you to adopt a Marie Kondo attitude toward your writing. Doing so will not only aid your pacing but will allow the words that remain to have greater impact.

Here’s an example I’ve used when giving writing workshops. The following is a paragraph describing a fictitious character:

Joe wore a threadbare navy blue and forest green plaid flannel shirt. Two of the buttons were missing, and one was hanging from a loose thread. His legs were encased in bleach-stained black jeans, torn in some places, patched in others. I glanced down at his feet. The cuffs of his jeans were frayed, and his big toe peeked out from a hole in the top of his scuffed and dirt-caked tan work boots. A ratty, stained camouflage ball cap sat sideways on a head.

And this is a one-sentence description of that character that says the same thing in only five words:

Joe wore Salvation Army rejects.

There is no reason to use eighty-two words to describe something that can be described in five—not to mention, described better. Unless there is something about Joe’s clothing that will have an impact on the plot or one of the other characters, the reader doesn’t need to be pulled from the story by having to focus on such minute details. Less is more.

Do you have a pet peeve about books you’ve been reading lately? Post a comment for a chance to win a promo code for a free audiobook of Handmade Ho-Ho Homicide, the eighth book in my Anastasia Pollack Crafting Mysteries.

~*~

USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction under her own name and her Emma Carlyle pen name. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry. Learn more about Lois and her books at her website www.loiswinston.com where you can also sign up for her newsletter and follow her on various social media sites.

Process Delayed Can Still be Progress…of a Sort

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By Lois Winston

I’m not someone who immediately jumps into the next book as soon as I finish writing the previous one. My latest Anastasia Pollack Crafting Mystery, A Crafty Collage of Crime, released on June 6th. Other than promotional blog posts, I haven’t written anything Anastasia-related since then. Haven’t even given much thought to the next book beyond the fact that I know I’ll be picking up Anastasia’s story shortly after the recent book ended.

It’s not that I’m tired of writing about my reluctant sleuth or have no ideas. It’s more about a process I’ve found that works best for me. After a book goes off into the world, I devote the next month or so to promotion. Once the flurry of promotion wanes, I give myself permission to clear my head before once again hitting the keyboard in earnest. We all have our process, and I’ve discovered over the years that this keeps me from burning out or developing terminal writer’s block. We all need the occasional vacay, even if it’s only a vacay from the keyboard.

With that in mind, I had set a schedule to start in on serious pondering, mulling, and research the week of August 21st, the day after the Killer Nashville writers’ conference ended. I’d plant butt in chair and fingers on keyboard in earnest September 5th, the day after Labor Day.

Of course, I didn’t factor into testing positive for Covid shortly after Killer Nashville ended. And I certainly didn’t factor in the far from mild case of Covid that broadsided me and still continues haunting me with lingering symptoms. I haven’t felt this tired since suffering through mono when I was nineteen or dealing with an infant who exited the womb never needing to sleep—ever!

About the only things I’ve been able to accomplish when not napping are watching TV and reading, more of the latter than the former, thanks to the writers’ strike and the absence of many of my favorite shows. For someone who has never been a napper, I’m beginning to suspect I harbor some cat DNA. Don’t they sleep about seventeen hours a day?

At least during my daily seven hours of wakefulness, I was able to make a decent dent in my overflowing Kindle virtual TBR pile. For someone used to juggling multiple balls, if nothing else, I’ve achieved a small sense of accomplishment during my illness and recovery.

Not every book I read is worth mentioning. Several fell way short of expectations. However, there were two books that I thoroughly enjoyed: The Book Woman’s Daughter, the follow-up to Kim Michele Rchardson’s The Book Woman of Troublesome Creek, and Kopp Sisters on the March, book 5 in Amy Stewart’s Kopp Sisters series. However, if you’ve enjoyed the other Kopp Sisters books, be forewarned that this book is a bit of a departure from the previous books in the series. Although labeled as a mystery, the mystery element is a minor subplot.

One of the perks of being a published author is getting to read some books before they hit bookstore shelves. I had the absolute pleasure of losing myself in advance reading copies of two books that I highly recommend. If you enjoy women’s fiction, you won’t want to miss the recently released Picture Perfect Autumn by Shelley Noble. It truly is a picture-perfect novel.

If romantic amateur sleuth mysteries are more your speed, you’ll want to read The Body in the News, the third installment in the Samantha Newman Mysteries by The Stiletto Gang’s own Gay Yellen. I was hooked on this series after reading the first book. When I finished this newest addition, I wanted to pick up the fourth book right away. I hope Gay is a fast writer!

What about you? Read any good books lately? Post a comment for a chance to win a promo code for a free download of the audiobook version of Scrapbook of Mystery, the sixth Anastasia Pollack Crafting Mystery.

~*~

USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction under her own name and her Emma Carlyle pen name. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry. Learn more about Lois and her books at her website www.loiswinston.com where you can also sign up for her newsletter and follow her on various social media sites.

Movie Making

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Movie Poster for Suzy Makes CupcakesLet’s Make a Movie!

I’ve have often been told that I write “cinematically”.  I don’t know what that means exactly, but like most writers I’d love to have a movie made of one of my books. And for the past few years, I’ve been experimenting with writing scripts. I took a seminar on how to flip novels into scripts, bought a few books and worked on what are known as “spec” scripts.  Scripts that no one has commissioned, but you feel like writing anyway. I find that concept hilarious.  No one calls a writer’s unpublished novel a “spec” novel.  Although, I suppose that it is. I find the script writing process interesting, the format challenging, and the idea that I could see my work on the big screen exciting.

What I’ve Learned

Along the way I’ve found out some interesting things.  I’ve also found that a novella is about the perfect length to make a TV length movie.  A full novel is… a lot.  Which makes me even MORE impressed with those adaptations that managed to be something great or even come close to capturing the flare of the original novel.  For instance, I believe Brian Helgeland and Curtis Hanson who adapted LA Confidential  has earned a place in screenwriting heaven–James Ellroy’s novel was massive, sprawling and noir to the bone.  The movie managed to condense it down and make it acceptably noir to audiences (which is to say we had characters that we actually liked).  If you haven’t seen–go watch it.  If you haven’t read it… meh.  Only read if you like (well-written) dark heart of humanity stuff where no one is an actually good person.

I’ve also begun to question whether anyone in Hollywood actually reads.  With novels, an author finds a beta reader(s) to critique the book and then we polish it up.  After that we send off a synopsis and blurb and maybe a few pages to an agent or publisher, who probably has the intern vet the submissions (completely reasonable).  If it ticks their boxes they ask for the complete manuscript and read it.  With movies… You pitch something to someone (if you know the someone) based on a logline.  And if they like it you send in a one sheet with the blurb or synopsis and pitch it MORE.  But to get someone to actually reads the full script and give a critique or edits?  For that you have to submit to a contest or pay someone.  So novels have a more clear cut path forward and movies are a bit… scrap it out and hope you get lucky.

Successes so Far

But… I did get lucky! Through the help of a random friend on Twitter (or whatever it’s being called this week) I sold a script based on my short story Suzy Makes Cupcakes.  It is currently making the festival circuit and picking awards and nominations as it goes.  And now I have a credit on IMDB (Internet Movie Database).  How crazy is that? Suzy won’t be available to watch by the general public until next year, but if you want to read the story it was based on, you can check it out in Shotgun Honey: Recoil.

Have I learned anything else?

I’ve learned that movies are far more collaborative than I even pictured.  I’ve learned that an actor can make something I wrote absolutely sing.  And I’ve learned that watching having something I wrote exist outside my head is a little bit trippy.  And I can’t wait to do it again.

**

Bethany Maines is the award-winning author of action-adventure and fantasy tales that focus on women who know when to apply lipstick and when to apply a foot to someone’s hind end. She participates in many activities including swearing, karate, art, and yelling at the news. She can usually be found chasing after her daughter, or glued to the computer working on her next novel (or screenplay). You can also catch up with her on Twitter, Facebook, Instagram, and BookBub.

 

How I Spent the Summer of 2023

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I could sum up the Summer of 2023 in two words: blistering hot! That’s been the headline for so many of us this year.

Humans make plans, and the gods laugh.

Back in June, when the Stiletto Gang posted our plans for the summer, mine included book events, taking a vacation with my sweetie, and promoting my new book.
Hah!
By mid-summer, I was behind deadline (again) with Book #3 in the Samantha Newman series, and pretty much glued to my desk as I pushed through to the finish line. At least the sturdy air-conditioning kept any outdoor temptations at bay for the duration.
The book is finally done, and early reader remarks are leaving me hopeful for its debut. Fingers crossed!
(More on that below.)

Where did August go?

By mid-August, it was time to get on with the world. We set out on a road trip. First stop, Little Rock, Arkansas, home of an old friend, and as it happens, a great place for an overnight on the road to Killer Nashville, the international writers’ conference where seasoned authors, new writers, and book lovers convene over our shared passion.
The Body Next Door, Book #2 in the Samantha Newman series, was a KN Silver Falchion finalist a few years ago, so this year, it was all about sharing what I’ve learned in my writing career.
I was a panelist on the subjects of Writing Believable Amateur Sleuths, Using Emotion to Appeal to Your Readers, and Adding Romance to Your Story, in addition to moderating two more panels on Writing Suspense.
Whew! Teasing out my thoughts on what makes for good writing was strenuous exercise, but fun, too.
Most fun was making new friends and reconnecting in person with colleagues from around the country.
After the conference we drove east to visit my brother and sister-in-law. Had a great time with them, their darling grandkids, and their remarkable dog, Venus. Then we headed home. All in all, we passed through ten states in two weeks.

Happy September!

Now, finally, I am pre-promoting Book #3, The Body in the News! Huzzah and hooray, it is almost ready to hatch by the end of the month.
Here is a sliver of the new the cover. Stay tuned, there is much more to come in the next few days and weeks!

In the meantime… how was your summer? 

Gay Yellen is the award-winning author of the Samantha Newman Mystery Series, including The Body Business, The Body Next Door, and soon, The Body in the News!

Clicking Our Heels – Killing Our Darlings

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At some time, every writer has to kill his/her darlings. Here’s how different members of The Stiletto Gang deal with this onerous task.

Dru Ann Love – Luckily, I don’t have to deal with that, but as a reader, I’m not a happy camper when a main protagonist or favorite secondary character is killed. I’ve been known to stop reading a series because of that.

Debra H. Goldstein – Moaning, groaning, cursing, and almost crying, I kill my darlings. The only good thing is that the end they meet is swift.

Saralyn Richard – Killing my darlings (as in characters) is one of the biggest challenges I have in writing. Most of the time, my victims are characters I love dearly. (After all, I’ve created them to be exactly the way I want them.) One of my books, written in third person close POV, takes the POV character through some exceptionally rough times. I identified so closely with her that I felt every slap and sting. I kept telling myself that she would get through this–and so would I.

Donnell Ann Bell – I  don’t ever throw anything completely out. Call me a pacifist, but I have a draft file, where I simply imprison unused material. You never know when my muse might say, “Remember a certain passage? It might fit here.”

Robin Hillyer-Miles – Years of working as a civilian graphic designer for the US Navy helped me kill darlings left and right without a care in the world. (Though I do save them in a separate file, just in case.)

Gay Yellen – Sadly, I’ve had to toss two entire subplots in the upcoming book after I realized they weren’t serving the main story.

Barbara Eikmeier – I put them in a document file labeled “cut scenes” so I can visit them whenever I want.

Kathryn Lane – It’s still painful to kill scenes, characters, etc. but I’m getting better about it. I try to think about moving the story forward and that makes me realize (sometimes) when a favorite scene/topic/dialogue/character is not needed.

Anita Carter –

Lois Winston – I’m ruthless. If something isn’t working and can’t be fixed—whether a plot point, a character, dialog, or a scene—I cut it. If I think it might have potential in another book at some point, I’ll save it to a folder of orphaned words. Often, though, I simply hit the DELETE key. I’ve killed many a darling over the years and will probably kill many more in the years to come.

Lynn McPherson – That’s a toughie. I remind myself the goal is to have the best story I can write, so if that means someone has to go, I try to remember they served their purpose and got the story to where it is now.

Linda Rodriguez – I have a file on my computer that’s just called CUTS. I toss any cut paragraphs or scenes or chapters into this file, so they’re saved for later if I need them. I’ve never needed them for that same work, although I have sometimes rescued scenes or characters from the CUTS file to use in a different project.

Mary Lee Ashford – In general, I don’t have a problem with killing my darlings. If it’s not working, it’s got to go. However, there have been scenes that I’ve saved to an “Outtakes” folder on my computer because I knew they needed to be cut, but I really like them and thought they might have a use later on in the story. Or I thought that they could perhaps be reworked and be used in a later book. Over the years, I’ve found that those “darlings” are seldom useable, but it still makes me feel better to set them aside in a folder than kill them off completely.

T.K. Thorne – I deal with it by saving what I have and starting another version. That way, I can always go back to that “darling” and use it or pull from it.  I never do, but it’s there with gives me a sense of security. 🙂  In every case, so far, I have liked the fresh version better.

Anita Carter – I’m brutal. I don’t struggle with the delete button. LOL But when I throw out a scene or a fun sentence, I paste it into a “deleted stuff” Word document.

Bethany Maines – That is so hard!  I do save my deleted scenes in separate documents.  Sometimes I can work them in later, but sometimes that’s just what I tell myself so that I’ll actually delete them. But sometimes, the story changes and I have to pursue what is best for my story.  I do think that the more I write, the more callous I become to this problem. I think partially because I’ve become more of a plotter so that I write fewer scenes that require deletion.

Shari Randall/Meri Allen – Killing my darlings kills me! I work with an excellent editor, and time and again, I’ve seen that her suggestions to kill those darlings have made the story better. I’m philosophical about it now, but still, it hurts.

Clicking Our Heels – When We Know Our Writing is Good

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Lynn McPherson – If it makes me laugh, I like to think it could make someone else laugh, too.

Gay Yellen – If it makes me laugh, or feel sad, or touches me in the way I want it to touch readers, I’m guessing it will work.

Lois Winston – Having previously spent more than a decade working for a literary agency, I will be the first to admit that not only does it take a lot to impress me, but that I’m my own harshest critic. It’s obvious to me when I’m coasting in my writing, whether it’s a sentence, a scene, or an entire chapter, and I’ll work on it until I consider it fixed. That which can’t be fixed gets ditched.

Kathryn Lane – I write, edit, re-edit. Then I leave it for a month or so and read it again. That’s when I know whether it’s good or not, but the ultimate proof is when readers like my work.

Dru Ann Love – If something I read is good, I shout it out on social media.

Donnell Ann Bell – If it moves me and propels me further in the story. If I keep tweaking it, the words probably aren’t the best fit.

Anita Carter – If I still find it interesting after setting it aside for a few weeks and rereading it with fresh eyes.

T.K. Thorne – I don’t like the word “good.” I focus on whether it “works.” That is happening if it moves me in some way, makes me laugh, cry, reveals character, moves the plot ahead, etc.,  and if the writing itself enhances these things or at least doesn’t get in the way

Shari Randall/Meri Allen – I ask myself, does it elicit emotion? Laughter? Surprise?  If it does, even after several readings, then I’m satisfied.

Mary Lee Ashford –  don’t think I’m a very good judge of whether something I write is good. It’s so difficult to have perspective on your own work. If it’s making sense to me and I think it’s moving along, I’ll keep going. Then if it still makes sense or the scene/chapter seems to work when reread a day or two later, I decide that it’s good enough for my critique group and beta readers to read. After that it’s ready for the editor and off on its journey on to readers. Then when I hear from readers: that they enjoyed the book, that it made them laugh (or cry), or that something in the story resonated with them. I guess, it’s then that I decide maybe that the writing was okay.

Debra H. Goldstein – If the text writes smoothly from the zone rather than me struggling for a concept, I know the piece should be good, but I won’t know for sure until I get reader feedback.

Linda Rodriguez – Every once in a while, I’ll be immersed in writing something, and when I emerge, I’ll read it over and feel this little zing inside that tells me I’ve struck pay dirt. Doesn’t mean I won’t wind up doing a good bit of editing and polishing, but I know the heart of it is good. Usually, however, I don’t know until I’ve set it aside for a little while and come back to it with that cold editor’s eye.

Bethany Maines – I think there are two different kinds of good.  Is the writing itself—sentence structure, word choice, etc—of a high quality? For that, I can usually tell by how many junk words I have or haven’t used (very, really, just) and whether or not it makes me have an emotional reaction every time I read it. The second kind of good is whether or not the story itself is good. I have had ideas that are wonderful, but I don’t always have the skill to execute them to their fullest. Sometimes I have to wait until I feel confident to tackle those. I usually feel like those ideas are the ones that make me excited. But at the end of the day, I always feel like my writing probably could have been better, so maybe this isn’t my best question.

Barbara Eikmeier – My husband is often my first reader. He’s a tough critic so if he tells me he thinks it’s good I feel like it must be good.

Saralyn Richard – I need to have a vague sense that I have accomplished what I set out to do in each chapter that I write, but I don’t really know that it’s good until a reader tells me so.

Robin Hillyer-Miles – I think something is good if, after having it rest a bit and reading it, I feel emotional.

Where do ideas come from?

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WHERE DO IDEAS COME FROM?

by Joyce Woollcott

I wonder, I really do, where ideas come from. Not just ideas for books and short stories and magazine articles, but ideas in all creative fields. Artists, painters, sculptors, potters, movie makers, song writers––anyone at all who creates original content. Of course I do wonder more about my fellow writers. Getting the idea is only the first part, what do you do with it when you get it and how do you put it together as a terrific book?

I struggle to flesh out my novels. For me at least, the initial concept, that what if? moment is the easiest. What if a detective sergeant arrives at a crime scene only to discover he knew the victim? What if a well-respected retired detective chief inspector is brutally murdered in his bed and his past comes into question? I bet this is the stage most writers enjoy most, the idea. How wonderful it is to get that first storyline, that initial spark, the potential it holds, the possibilities.

Then the work begins.

I think after that first initial thought, the book unfolds in a series of ideas. It does depend on how you write, are you a plotter or a panster? I’m a little of both. I generally know what the beginning, middle and end will be, in a vague way, it’s filling in the bits between that present a challenge, and probably not just for me. I think about my story in progress most of the time. Certainly when I have a free moment, just before I sleep and when I wake up. Sometimes I’m watching television or chatting to friends something will come up out of nowhere and I’ll think, oh–that might work.

My husband came up with a great analogy the other day as we were discussing how ideas come together to form a book. He said it sounds like you have many pieces of a jigsaw puzzle and you’re slowly putting them together in your head. Each puzzle piece is an idea. Most writing advice I’m hearing these days is to get that first set of ideas down. Get that plot on paper and make it to the finish line. Then you can take a breather and reread it. Start to see which ideas work and which ones don’t.

So, maybe all the pieces don’t quite fit first time, you can’t see where that blue bit goes, or that funny squiggly piece fits, but eventually, after you try putting it here and there, the final piece drops into place and you have the whole picture.

Writing a book isn’t that easy, it’s an exercise in pulling all these ideas together, tidying them up, and arranging them into some sort of order that makes sense.

Now if I could just figure out how to do that, each time I sit down to write a book…

Funny thing is that there’s a… ‘The World of Ian Rankin’ Jigsaw puzzle out now, a day in the life of Rebus in Edinburgh, what a great idea. If only I could buy a complete jigsaw puzzle of my next novel before I wrote it, I would put it together, and voila!

Which incidentally brings me to my next book which is due out in August. Unfortunately I wasn’t able to get the jigsaw puzzle of it, but at least it did come together, the final piece clicked into place. Hopefully, if you get a chance, you can see if it all fits together nicely. Blood Relations – available next month on most platforms, audio book to follow.

The Force Behind Words

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By Donnell Ann Bell

When I was growing up, I heard often—particularly on the playground–the children’s rhyme, “Sticks and stones can break my bones, but words can never hurt me.” I looked up its origin, which appears to have been around since the 1830s. I suspect whoever coined the phrase meant well, probably devised the rhyme to target bullying. I also believe many an adult used that phrase to assuage a child’s hurt feelings.

Still, the idea that words cannot hurt is a gross misnomer. Spoken or read, words have power. They can infuriate and incite. They can also deter, persuade, motivate, impress, and sadly even bore.

People write to communicate. People read to learn and/or to be entertained. I certainly write books for these reasons. I’m not overt in my opinions. I couch my words and thoughts in fiction. I create characters who may or may not share my views, and while doing so, enlist an arsenal of words.

Many authors have been recognized for the following quote, so I won’t attempt to give credit. But I love the expression, “I write to know what I think.” For me, writing clarifies. As a member of Toastmasters, an organization that focuses on public speaking, I reached the level of Competent Communicator. Other than Table Topics, which concentrated on our ability to ad-lib (at which I was ghastly), I wrote my speeches so I wouldn’t wander into a rambling abyss.

As a reader and a writer, I’m a fan of tight writing. Here’s another quote I appreciate. “Don’t fall in love with your words.” It’s no fun when your critique partner or editor says your research is showing or, this is filler and unnecessary. In effect, editors call the term overwriting. I have a DRAFT/CUT file for every book. Just as a book that lacks critical layering and reads like a draft in which something seems missing, by overwriting you chance your reader saying, “Get to the point,” and putting the book down.

Words may not have the power to influence us physically, but long after those sticks and stones leave bruising, the words tucked inside our mind’s eye lay dormant ready to encourage or diminish. Words are part of a writer’s craft, the writer’s tool chest.  There is a force behind words. I’m not always successful, but I do my best to choose mine carefully.

About the Author:  Donnell Ann Bell writes both romantic suspense and multi-jurisdictional task force plots, keeping close tabs on her theme SUSPENSE TOO CLOSE TO HOME. Her single-title romantic suspense novels, The Past Came Hunting, Deadly Recall, Betrayed, and Buried Agendas, have all been Amazon e-book best sellers.

Traditionally published with Belle Books/Bell Bridge Books, Black Pearl, a Cold Case Suspense was her first mainstream suspense and book one of a series. Her second book in the series, Until Dead, A Cold Case Suspense, released in May of 2022.  Follow her on social media, sign up for her newsletter or follow her blog at https://www.donnellannbell.com