Photo of author Catriona McPherson

Special Guest – Catriona McPherson

by Sparkle Abbey

Today we welcome a very special guest back to the blog and she’s chatting about the latest in her Dandy Gilver series – The Witching Hour. Plus let’s talk about in-laws…

Catriona take it away!

“Two houses both alike in dignity” says Shakespeare of the Montagues and the Capulets at the start of Romeo and Juliet. (Off topic, but “Juliet Capulet” has always bugged me; I’d have swapped their names in the edit.)

And I suppose two houses can easily be alike in dignity but not in much else. When you’re wee, you think your family is normal and quite possibly all families are similar to it. But when you grow up and especially when you join families in a marriage . . . Well, I can’t be the only one who reads Carolyn Hax in the Washington Post. Second only to destination weddings – a pox on all of them, right? – her column is full of in-laws as far as the eye can see.

As THE WITCHING HOUR (Dandy Gilver No.16)  opens, Dandy and Hugh are gearing up to meet a prospective daughter-in-law. They’ve weathered one dynastic alliance (and survived the awkwardness of a corpse at the engagement-do) but now in the spring of 1939 their younger son is bringing a girl home and his track record is  . . . not unblemished.

Cover of book - The Witiching Hour

I love this jacket!

‘Cartaright?’ Hugh said. ‘Not Cartwright?’

‘Nor Carter-Wright,’ I assured him. ‘Teddy wrote it down for me to address the envelope.’

‘What address?’

‘London,’ I told him. ‘A 3F, I’m afraid. A flat. But north of the river. It’s so hard to tell these days. She could be anyone.’

‘Dolly Cartaright,’ said Hugh. ‘She sounds like a barmaid.’

‘I don’t care if she is a barmaid,’ I said. ‘Or a chorus girl, or even a . . .’ My imagination ran out.

‘An artist’s model,’ said Hugh. ‘Like What’s-her-name.’

‘I think she was a muse,’ I reminded him. ‘Although that might be the same thing, now I consider it at a distance. She was very . . . limber.’

Hugh rewarded me with a snort of laugher.

‘And I mean it. I don’t care. If she marries our son-’

‘If marriage isn’t too old-fashioned for her,’ Hugh chipped in.

‘And the call goes up for single men first-’

‘It won’t or only very briefly.’

‘-then she could pull pints of beer in the Atholl Arms for all our friends and I’d drive down to pick her up at closing time and offer a lift home.’

‘What friends of yours drink pints of beer in the Atholl Arms?’ Hugh asked me.

I rewarded him with a little snort of my own.

I remember meeting my in-laws. I was dressed all in black with a crew-cut and an attitude. They can’t have been thrilled, but Neil and I were only nineteen so they no doubt thought I’d soon be gone. Ha! How’d that work out?

Young Catriona and Neil

We were infants!

I do remember a formal meeting of in-laws in advance of one of my sisters’ weddings. My mum prepared an elegant meal then my dad came home with a punctured tyre, brought his bike into the kitchen and turned it upside down in the middle of the floor. A lively debate ensued.

I also remember sitting awkwardly in the living room at home with a set of in-laws-to-be in advance of a different wedding when a knocking noise came out of nowhere and all four of us girls stood up and left the room. There used to be a door there, see, and the wall is hollow so, when dinner was ready, my dad would knock on the hollow bit instead of shouting through the house. Seemed perfectly normal to us; looked like The Village of the Damned to strangers.

Then there was the fact that my dad didn’t drink either coffee (normal for Brits born in the 1930s) or tea (outlandish for Brits born anytime) so when visitors, including prospective in-laws, came and orders for hot drinks were taken, he was missed out and passed over. It wasn’t until someone said “Your mum looks so innocent but she rules with a rod of iron, doesn’t she?” that any of us realised the impression being given of a downtrodden and thirsty husband.

Library Offering

This was offered to me at a library once.

But that’s nothing, when it comes to food and drink and new alliances. I’ve got an American pal, Jewish, from Boston (these details are because I have no idea where her norms come from!), who married a Turkish bloke and, upon meeting her prospective family-in-law, politely cleaned her plate making yummy noises. Her mother-in-law-to-be replenished her plate. She cleared it. It was replenished. It was cleared. It was replenished. It was cleared. Only when the bloke started paying attention, which was thankfully before his mother had to send out for more food or his fiancée burst, did he say, “Oh yeah, babe? She’s gonna keep filling your plate till you leave something on it. And, anne, she’s trying to show she likes the food by eating it up.” Relief all round.

My sister’s mother-in-law is no longer with us so I can tell tales of her legendary and misguided culinary confidence without causing upset. You’ve heard the expression “a plain cook”? Well, this lady took it to soaring heights. She once opened a storage jar in my sister’s kitchen, saw muesli, pondered a while, recognised the rolled oats in the mix and made porridge with it. (I realise that this story is very British. The US equivalent would be making grits with granola.) Another time, she looked in my sister’s crisper drawer and found a head of broccoli. She thought Well that can’t be right and put it straight in the bin.

Photo of broccoli

It wasn’t even Romanescu!

All the weird and even annoying clashes of family norms become funny stories in the end, eh? I’d love to hear yours, Stiletto Gang. Can you remember meeting your in-laws? When did you realise you were in-laws? What’s the equivalent for single people? I know there’ll be one.

Here’s a little bit about The Witching Hour

It’s the spring of 1939 and Dandy Gilver, the mother of two grown-up sons, can’t think of anything except the deteriorating state of Europe and the threat of war. Detective work is the furthest thing from her mind. It takes a desperate cri de coeur from an old friend to persuade her to take on a case.

Daisy Esslemont’s husband Silas has vanished. It’s not the first time, but he has never embarrassed her with his absences before. It doesn’t take Dandy and her side-kick, Alec Osborne, long to find the wandering Silas, but when they track him down to the quaint East Lothian village of Dirleton, he is dead, lying on the village green with his head bashed in, in full view of a row of alms houses, two pubs, a manse, a school and even the watchtowers of Dirleton Castle. And yet not a single one of the villagers admits to seeing a thing.

As Dandy and Alec begin to chip away at the determined silence of the Dirletonites, they cannot imagine what unites such a motley crew: schoolmistress, minister, landlord, postmaster, park-keeper, farmworkers, schoolchildren . . . Only one person – Mither Golane, the oldest resident of the village – is loose-lipped enough to let something slip, but her quiet aside must surely be the rambling of a woman in her second childhood. Dandy and Alec know that Silas was no angel but “He’s the devil” is too outlandish a claim to help them find his killer. The detecting pair despair of ever finding answers, but are they asking the right questions?

Thanks so much, Catriona, for stopping by. We love stories set in Scotland and we love Catriona! So needless to say, we already have our copy of The Witching Hour. How about the rest of you?

Photo of author Catriona McPherson

Serial awards-botherer, Catriona McPherson (she/her) was born in Scotland and immigrated to the US in 2010. She writes: preposterous 1930s private-detective stories, including September 2024’s THE WITCHING HOUR; realistic 1940s amateur-sleuth stories about a medical social worker; and contemporary psychological standalones. These are all set in Scotland with a lot of Scottish weather. She also writes modern comedies about a Scot out of water in a “fictional” college town in Northern California. She is a proud lifetime member and former national president of Sisters in Crime.  www.catrionamcpherson.com

 

 

Check Your Rearview Mirror

I adore mysteries. As a reader, I carefully scour the page for clues and try to figure out “who done it.” Part of the fun is deciphering which are red herrings. If the ending has a surprising twist, I search out the breadcrumbs leading to the solution. If those tiny hints don’t lead me to an “A-hah” moment, I feel cheated. As a writer in this genre, I strive to balance a surprise conclusion without giving away the ending or misleading the reader. And sometimes that’s a hard thing to do.

Have you ever imagined an ingenious crime and know how the villain did it, but haven’t the foggiest idea of how to solve it? That’s where I recently found myself.

This Photo by Unknown Uthor is licensed unced CC_BY_SASo I decided to borrow an old screenwriter’s trick. In the mystery genre, the reader expects the stalwart detective to have discovered all clues and put them together by the end. So rather than driving my story engine from beginning to end, I threw it in reverse. I wrote the climax first.

Now that I knew how the mystery was solved, I could envision what must have happened immediately prior to that point and write that scene. I repeated this process. By retracing the steps that must have been taken, and only could have been taken to arrive at the ending, I dribbled out the clues in previous scenes. The middle of the story magically filled itself in.

But what is a mystery without red herrings? Just like authentic clues, the false trails can be reverse engineered and sprinkled throughout. The same goes for the B and C plots.

This technique may not work for all writers, but I found it a handy tool. First check your rearview mirrors before shifting into high gear.

Killing It at Killer Nashville

At the Killer Nashville book signing

By Lois Winston

Most writers are introverts. We spend much of our days alone with only our laptops or computers (or paper and pen for those who are still old-school) and rarely step foot into the real world. We’d rather spend our time in the world of our imagination with the characters we’ve created. However, every now and then, we venture out onto Earth One and mingle with actual humans.

One of the best places to do this is at a writers’ conference. Hanging with our peeps is our happy place in the real world because they’re the only people who truly “get” us. Because they’re just like us. Writers’ conferences are a chance to spend time with others of our special community. We renew friendships, make new friends, network, learn from some, and teach others. Conferences also occasionally give us a pat on the back, validating that this odd life we’ve chosen, with all its solitary hours of clicking away at the keyboard, is worthwhile.

Such was the case this past weekend when I attended Killer Nashville. Once upon a time, I attended three or four writers’ conferences a year. Then, life changed. I made the decision to “go indie” and no longer had a publisher willing to pick up some or all the expense of attending conferences. Between the conference fee, airfare, hotel, and meals, conferences are not cheap. I cut back drastically, only attending local conferences.

And then Covid hit.

As some of you know, in the middle of the pandemic, my husband and I made the difficult decision to pack up and move to Tennessee to be closer to family. Within days of settling into our new home in July of 2021, I discovered that after a two-year hiatus, the annual Killer Nashville writing conference was about to take place less than two miles from where I now live. Serendipity!

With few exceptions, most writers are introverts. Hence, those writer caves. But I missed my writing peeps in New Jersey. Killer Nashville gave me a chance to connect face-to-face with many other writers I only knew from online writing communities. I also made some new friends and have continued to do so each year I’ve attended since 2021.

The 2024 Killer Nashville conference was this past weekend, and it was a blast, even for this confirmed introvert. On Friday, I was on a panel discussing Writing Compelling Synopsis, Back Cover Copy, and Design. Saturday, I was on two panels, One Trait at a Time: How to Build a Character and Not Just One Book: Writing a Series. I was also one of ten authors who allowed attendees to pick our brains for four minutes each during Speed Date your Way to Author Marketing Success. On Sunday, I was on the Creating an Irresistible Hook for Your Book panel and the Writing Strong Protagonists panel.

Vertically challenged Lois and Gay during an after-dinner stop for ice cream

And then there was Saturday night. Author Gay Yellen and I, along with our husbands, went out to dinner, something we’d also done last year. Upon returning to the hotel, our husbands headed for the bar while Gay and I ducked into the awards ceremony. Not ten seconds later, Clay Stafford, MC for the evening and Killer Nashville head honcho, announced the winner of the 2024 Silver Falchion Award for Best Comedy. Much to my surprise, he called my name!

I never expected to win. With few exceptions, throughout my writing career, I’ve always been the bridesmaid, rarely the bride. I hadn’t prepared any remarks because the one time I had attended the ceremony back in 2021, no one made any remarks. Winners were handed their awards, shook Clay’s hand, and a photographer snapped a picture. Maybe it was because we were all still coming out of Covid.

This time, I was expected to say something. My mind still reeling over actually winning, I stepped up to the mic and thanked whoever it was who’d determined that A Crafty Collage of Crime, the twelfth book in my Anastasia Pollack Crafting Mystery Series, deserved the award this year. As I walked away, I heard Clay tell the audience that I was a woman of few words and there were probably plenty of people who wished that he was! (a person of few words, that is, not a woman!)

With my Best Comedy medal the next morning

Well, at least I didn’t bore anyone in the audience by droning on and on by thanking everyone, going all the way back to my kindergarten teacher!

Writers, what’s your favorite aspect of conferences? Readers, have you ever attended a readers’ convention or other book event? Post a comment for a chance to win a promo code for a free audiobook of any one of the first ten Anastasia Pollack Crafting Mystery.

~*~

USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry. Learn more about Lois and her books at her website where can also sign up for her newsletter and find links to her other social media: www.loiswinston.com

Dogs as Characters

by Saralyn Richard

 

Those of us who love dogs as much or more than we love people, understand that dogs possess all the qualities of fictional characters. They are intelligent, communicative, emotive, comforting, resourceful, energetic, hard-working, friendly, and sometimes heroic. Less often, some dogs are irritable, withdrawn, mean-spirited, selfish, and sometimes villainous.

Most of the time in fiction, dogs have positive traits, and, as characters, they help to move the story along by their actions and relationships with the other characters. We can all think of dog books that have stimulated our thoughts and tugged our heartstrings over the years. Old Yeller, Sounder, Clifford, Marley & Me, and Rin Tin Tin are examples. Other stories, like A Dog’s Purpose, promote dogs to main characters whose arcs are the focus of the plots.

Two of my favorite mystery authors with recurring canine characters are Margaret Mizushima and Laurie Bucanan.

Margaret’s Timber Creek K-9 mysteries feature a police dog named Robo, who sometimes steals the show from heroine, Mattie Cobb. The first of this series is Killing Trail, which is available at https://bookshop.org/a/65584/9781639103867 at a discounted price.*

Laurie’s Sean McPherson series is set at a writers’ retreat in the Pacific Northwest, where the owners’ dog, Hemingway, helps solve murders. The first in the series, Indelible, is also discounted at https://bookshop.org/a/65584/9781684630714 *

Both authors are avid dog owners and dog lovers, just like me. I love reading their descriptions of Robo and Hemingway. I feel like I know the dogs, even though they are fictional.

I also enjoy memorializing my dogs by including them in my fiction. While my series character, Detective Parrott, doesn’t have a dog (his cockatiel Horace serves as primary pet), all of my other protagonists do. Quinn McFarland from Bad Blood Sisters has a West Highland white terrier, Calvin. Sally Pearce in A Murder of Principal has a bichon named Archie. One of the secondary characters in Murder Outside the Box has a golden retriever named Lucy. Coincidentally or not, I have or have had the same three dogs.

Then there’s Nana, the Old English sheepdog pup, who narrates Naughty Nana, a children’s picture book. Nana’s story borders on nonfiction, with its tale of mischief and pandemonium from the puppy who just wants to have fun. (Naughty Nana is available autographed, pawtographed, and with optional literacy activities at https://palmcirclepress.com on the bookstore page.)

What is your favorite doggie character in a work of fiction?

 

*Your purchase from one of these affiliate links will result in a tiny commission for me, at no cost to you or the author. Another small commission will go to a collective account that benefits bookstores throughout the United States.