Mystery Short Story Nominations

by Paula Gail Benson

It’s that time of year when nominations are announced. Mystery short stories have categories in the Mystery Writers of America’s Edgars (for best short story and the Robert L. Fish award for best first short story), the Agathas given at Malice Domestic, and the Thrillers presented at Thrillerfest. Following are the nominees. The Agathas have links so you can read the stories–just click on the link. Notice how many nominations are for Amazon original stories. Congratulations to all those nominated!

Mystery Writers of America Edgar Nominations for:

BEST SHORT STORY

“CUT AND THIRST,” Amazon Original Stories by Margaret Atwood (Amazon Publishing)
“EVERYWHERE YOU LOOK,” Amazon Original Stories by Liv Constantine (Amazon Publishing)
“EAT MY MOOSE,” Conjunctions: 82, Works & Days by Erika Krouse (Bard College)
“BARRIERS TO ENTRY,” Amazon Original Stories by Ariel Lawhon (Amazon Publishing)
“THE ART OF CRUEL EMBROIDERY,” Alfred Hitchcock Mystery Magazine – July-August 2024 by Steven Sheil (Dell Magazine)

ROBERT L. FISH MEMORIAL AWARD – Endowed by the family of Robert L. Fish.

“THE LEGEND OF PENNY AND THE LUCK OF THE DRAW CASINO,” Ellery Queen Mystery Magazine, May-June 2024 by Pat Gaudet (Dell Magazines)
“HEAD START,” Ellery Queen Mystery Magazine, September-October 2024 by Kai Lovelace (Dell Magazines)
“MURDER UNDER SEDATION,” Ellery Queen Mystery Magazine, March-April 2024 by Lawrence Ong (Dell Magazines)
“THE JEWS ON ELM STREET,” Ellery Queen Mystery Magazine, September-October 2024 by Anna Stolley Persky (Dell Magazines)
“SPARROW MAKER,” Ellery Queen Mystery Magazine, November-December 2024 by Jake Stein (Dell Magazines)

 

Malice Domestic Agatha Nominations:

BEST SHORT STORY

“A MATTER OF TRUST” by Barb Goffman, Three Strikes–You’re Dead

“REYNISFJARA” by Kristopher Zgorski, Mystery Most International

“SATAN’S SPIT” by Gabriel Valjan, Tales of Music, Murder and Mayhem: Bouchercon 2024

“SINS OF THE FATHER” by Kerry Hammond, Mystery Most International

“THE POSTMAN ALWAYS FLIRTS TWICE” by Barb Goffman, Agatha and Derringer Get Cozy

 

Thrillerfest Thriller Nominations:

BEST SHORT STORY

NOT A DINNER PARTY PERSON by Stefanie Leder (Soho Crime)

DOUBLE PARKED by Twist Phelan (Ellery Queen Mystery Magazine)

JACKRABBIT SKIN by Ivy Pochoda (Amazon Original Stories)

THE DOLL’S HOUSE by Lisa Unger (Amazon Original Stories)

AND NOW, AN INSPIRING STORY OF TRAGEDY OVERCOME by Joseph S. Walker (Wildside Press)

Interiority by Saralyn Richard

Interiority by Saralyn Richard

I recently attended a virtual meeting at which the author, Mark Stevens, spoke. He claimed the main reason a reader likes a fiction book is interiority. Since all writers aim for readers who like our books, I paid attention.

Mark did an excellent job of explaining what interiority is—masterful, in fact, because interiority, like voice, is difficult to nail down. Basically, interiority is the multi-dimensional way in which an author provides the internal thoughts, feelings, and attitudes of a character, so that the character comes alive on the page.

Mary Kole gives another thorough explanation of interiority in fiction here.

When I’m writing, the chief vehicle for character interiority is point of view. Each time I write another book, I learn more about point of view and how critical it is for giving readers the best story.

Here are some of the things I’ve learned:

  1. The perfect POV to serve the story is like the batter’s sweet spot. It can make the difference between a foul ball or a home run.
  2. Having too many POV characters in one book can cause “head-hopping” for the author and the reader. There are ways to accomplish multiple POVs gracefully, but they require a lot of writing finesse.
  3. The problem with having only one POV character is that character has to be “on stage” in every scene. Everything in the story is seen through that character’s interiority, or it isn’t seen.
  4. There used to be only two types of third person POV—omniscient and limited. Now there is a third person deep POV that allows access to the POV character’s thoughts and feelings.

Mark Stevens said readers, especially mystery readers, care less about plot points and more about the people who are living within those plots. I’m sure he’s right, because when I think of all the Agatha Christie books I’ve read—with multi-varied plots and settings—what do I recall most? Hercule Poirot, Miss Jane Marple, Tommy and Tuppence Beresford. And Connelly’s Harry Bosch and Renee Ballard. And Patterson’s Alex Cross.

My own writing experience bears this out. When MURDER IN THE ONE PERCENT came out, the most consistent feedback I received was about Detective Parrott. Not the wealthy and powerful partygoers who had occupied my thoughts when plotting out motivation, weapon, and opportunity. Detective Parrott, the Everyman protagonist, captured readers’ attention and hearts way more.

When Quinn McFarland appeared in BAD BLOOD SISTERS, she was the only POV character. Everything in the book was filtered through her eyes and ears, and she shared a lot of her thoughts and feelings with readers. Throughout the writing process, I identified so closely with Quinn that certain chapters caused me physical discomfort. Readers have told me they felt the same thing.

I’ve read many books where a character’s interiority left an indelible imprint on me. One example is Kya Clark, the Marsh Girl in WHERE THE CRAWDADS SING.

What examples can you think of where POV characters have stayed with you long after you finished the book?

Saralyn Richard is the award-winning author of seven mystery novels, including the Detective Parrott mystery series, and the children’s book, Naughty Nana. Her newest book, Mrs. Oliver’s Twist, is the sequel to Bad Blood Sisters. Look for it soon.

 

It’s No Secret by Saralyn Richard

     

 

 

It’s no secret that I worked in urban high schools as a teacher, administrator, and consultant before becoming an author of fiction. So, when I wrote A MURDER OF PRINCIPAL, all of my close friends and colleagues couldn’t wait to see whether they would make an appearance in the book as a character.

The problem was, I had worked in lots of schools, so which one had I chosen for the setting of Lincoln High School? Which principal was the inspiration for R.J. Stoker? More intriguingly, who was the killer?

When people asked me, I gave my most enigmatic smile and said, “The book is purely fictional. Any resemblance to people, living or dead, is pure coincidence.”

Truthfully, when the story was just a glimmer in my mind’s eye, I called one of the principals I had worked with. I told him about the book’s premise. “People who know us may think that the principal is based on you. Are you okay with that?”

He said he’d be honored to be thought of as a character in my novel, even if said character were to be killed. I dedicated the book to him as a thank-you for being such a good sport.

Of course, the dedication fueled rumors that the book was not, after all, fiction, but a memoir of my time at that particular high school. When asked if character A was real-live teacher X, and character B was real-live administrator Y, I smiled enigmatically and said, “The book is purely fictional….”

And it is. Yes, there are scenarios in the book that occur in high schools, issues related to scheduling, discipline, curriculum, and instruction. That life is hard-wired into my brain after so many years.

Something amazing happened, however, when A MURDER OF PRINCIPAL was published. Readers began commenting that Lincoln High School was exactly like the school where they went, taught, worked. They could name real people for each of the characters in the book. And these readers hailed from all over the United States.

That spoke volumes about the universality of experience in high schools, something I had taken for granted and hadn’t considered.

Susan Van Kirk, another former English teacher and the author of Death in a Ghostly Hue, had this to say about the book:

“Ms. Richard was a school administrator in a large urban high school, so her story rings true at every turn. When Lincoln High School gets a new principal named RJ Stoker, it                                 also gets a new agenda designed to shake things up a bit. He creates a student/parent-oriented plan to change the atmosphere of the school and chooses Sally Pearce as his                                         assistant principal. Sally is like so many teachers I’ve known who are dedicated to the welfare of “their kids” and try to help them with far more than their English homework.

A fire in the school and the murder of Stoker starts this story off with multiple subjects of gangs, racial tensions, community grievances, and teacher-union politics. The kids are                               caught in the middle, especially the quarterback of the football team who’s resisting gang pressure and trying to protect his girlfriend. A second murder occurs, throwing Sally                                   Pearce into the uncomfortable position of next in line…as administrator and possible murder victim.

Ms. Richard has masterfully created a gritty urban school atmosphere with pressures in every direction. The assistant principal’s intentions are clear, the stakes are high, and her                             fears are real. The school community is also a huge part of the conflict. By the time a few murders occur, you suspect everyone. Beautifully written and filled with realistic                                           portrayals of urban school life.”

What book have you read that seemed more like true narratives than fiction? Did the parallels with real life increase your enjoyment of the novel?

Photo of author Catriona McPherson

Special Guest – Catriona McPherson, The Bride Saw Red

by Sparkle Abbey

Today we welcome a very special guest back to the blog and she’s chatting about the latest in her A Last Ditch mystery series – Scotzilla.

Catriona take it away!

 

SCOTZILLA opens at a wedding and we find Lexy Campbell, protagonist of six previous novels about the Last Ditch Motel, whom readers know to be a pretty laidback sort of a person, in full bridezilla mode, breathing fire and turning the air blue because her daisy-style flower fairylights don’t have five petals, which would have been acceptable, or even four petals which would have been an outrage, but three. Three! Like that last-minute, I-don’t-really-care, sales-point gift-flower the orchid. Or like irises. Pond flowers. As if Lexy is supposed to get married under a web of stinking fish lights!

Chapter one was a lot of fun to write. Even more fun was going back to six months earlier at the start of chapter two and slowly charting the gestation of the monster and the rise of her friends’ dismay at what they’re witnessing, alongside the seeds of the murder plot.

I don’t even think I’ve made her over-the-top. Anyone who reads Carolyn Hax has seen brides this uncorked and I heard of a real life example where my niece offered to pass on her wedding reception fairylights to a friend, in a spirit of generosity and in recognition of how expensive weddings are. The friend burst into tears at the news that someone else was having fairylights at their wedding before she did. Ummmmmm.

Not every bride, mind you. Another niece of mine got married this summer and arrived at the venue only to discover she’d forgotten her veil. Enh, she got married without a veil. And yet another niece (I’ve got a fair few) proudly wore white shoes that cost a tenner because, and I quote, “They’re going to get wrecked and I’ll never wear them again.” That’s my girl.

I never wanted a wedding of my own, and I don’t regret not having one, but that’s not to say I don’t sometimes enjoy them. At a good wedding, I love the ceremony, the speeches, the catch-up with family, sitting out “All the Single Ladies” and getting up for “Solid as a Rock”, the cup of tea that’s served after a couple of hours of dancing, along with savoury and sweet pastries, the tiny wee baby boys in kilts, the post-mortem on the way home . . . (Who was it who said that in a happy marriage you never tear each other down; you tear other people down together? Not me.)

What don’t I love about weddings? Or – to put in another way – what makes for a bad wedding? Well, when you think one of the couple is making a mistake. That’ll do it. (I’d love to be at a wedding where someone objects, soap-opera style. Does it ever happen in real life?)  A terrible DJ who wants to look cool and won’t fill the floor is a bit of a drag (see above: Beyonce/Ashford and Simpson). If there are enough Scots to warrant ceilidh dances but not enough to form a critical mass of people who know what they’re doing; that’s frustrating. Getting stuck with really hard-work people who make no effort to have fun but won’t stop hanging around you. (Same reason I’d never go on a cruise. I would be in the next cabin to and the same table as a crashing bore with no boundaries. And they’d live in the next town when we all got home again.)

What don’t I love about weddings that I probably shouldn’t admit to? Home-made vows. Love the speeches for the toasts, but oh my God the throbbing emotion of a home-made vow makes my toes curl so much I could snap my dancing slippers. (Although, I immediately start to remember exceptions to this rule. A wedding last summer had the sweetest and funniest vows anyone ever spoke – things like “I will always drive you anywhere you want to go because you hate to drive”.) But, usually, home-made vows. Also – the photographer. The time it takes, the hanging about for everyone, the knowledge that no one is ever going to look at 99% of these pictures. Ever. And if there’s a videographer too? Guess.

So my nightmare wedding would be an ill-suited couple of Instagram influencers, who wrote rhyming vows, blew most of their budget on the photographer and videographer and are determined to get their money’s worth, saved a few pennies by letting a relative – huge fan of modern jazz – be the DJ, banned all children, didn’t allow speeches, and one last thing. Where is this hellacious event taking place? Where else? At a “destination”.

Unless anyone wants to convince me that destination weddings are a great idea. No? Tell you what then: let’s really get going on this calamitous event I’ve started designing. What else does it need?  I haven’t touched on the menu . . .

 

Here’s a little bit about SCOTZILLA

Lexy Campbell is getting married! But in the six months of planning it took to arrive at the big day, she has become . . . a challenge. Friendships are strained to breaking point, Lexy’s parents are tiptoeing around her, and even Taylor, her intended, must be having second thoughts.

Turns out it’s moot. Before the happy couple can exchange vows, Sister Sunshine, the wedding celebrant, is discovered dead behind the cake, strangled with the fairy lights.

Lexy’s dream wedding is now not just a nightmare: it’s a crime scene. She vows not to get drawn into the case, but the rest of the Last Ditch crew are investigating a bizarre series of goings-on in Cuento’s cemetery and every clue about the graveyard pranks seems to link them back to Lexy’s wedding day. Will the Ditchers solve the case? Will Sister Sunshine’s killer be found? Will Lexy ever get her happy-ever-after? Not even Bridezilla deserves this.

Thanks so much, Catriona, for stopping by. We love stories set in Scotland and we love Catriona! So needless to say, we already have our copy of Scotzilla!

Photo of author Catriona McPherson

Serial awards-botherer, Catriona McPherson (she/her) was born in Scotland and immigrated to the US in 2010. She writes: preposterous 1930s private-detective stories; realistic 1940s amateur-sleuth stories about a medical social worker; and contemporary psychological standalones. These are all set in Scotland with a lot of Scottish weather. She also writes modern comedies about a Scot out of water in a “fictional” college town in Northern California. SCOTZILLA is book number seven of what was supposed to be a trilogy. She is a proud lifetime member and former national president of Sisters in Crime.  www.catrionamcpherson.com

 

Clicking Our Heels – Challenges Being a Female Writer

Clicking Our Heels – Challenges Being a Female Writer

Sisters in Crime was founded when Sara Paretsky and other female mystery writers saw a lack of parity between male and female authors. A later advertising slogan claims: “You’ve Come a Long Way Baby.” But let’s look at reality. What has been one of your challenges in being a female mystery writer, and how have you dealt with it?

Donalee Moulton – Ironically, perhaps, the challenge I find we face as female mystery writers is convincing agents and publishers we are not all the same. As writers, we bring our own voice to the conversation and that voice is singular regardless of our gender, our age, our place of residence.

Mary Lee Ashford – One of the challenges with being a female mystery writer (and especially an older female) is that you are constantly dealing with assumptions. I have to say that I think it’s gotten better and organizations like Sisters in Crime have helped. But it’s often still a challenge to be taken seriously.

Anita Carter – Balancing the day job, family, marriage and writing. There are many times I feel pulled in all directions. I’m sure that’s not only indicative of female mystery writers, but probably just writers in general.

Debra Sennefelder – Honestly, I’ve dealt with challenges so many other authors have dealt with like getting an agent, getting an editor to fall in love with my book idea. I kept working hard. I don’t recall a situation where being a female was an added challenge to my pursuit of writing. Thanks to all those who have come before me for that.

Donnell Ann Bell – Because I’m a woman I have a tendency to put other people’s needs before my own. If I am to grow this career, I need to develop a bit of selfishness. Not rudeness or lack of consideration, you understand, but an ability to know my own limits and to realize I can’t help everybody as much as I want to.

Gay Yellen – When my first book was published, a few acquaintances confessed they wouldn’t be reading it because they were only interested in reading non-fiction or “literary” fiction. Their genre prejudice was a shock I soon got over. As for being female, I’m aware of the historic bias of mainstream publishers which made it difficult for women writers to achieve contract parity. Change is slow, but it’s happening, I hope. The antidote is to write the best book I can and, hopefully, earn validation that my work is worthy.

Debra H. Goldstein – Breaking out of being stereotyped in my work.

Lois Winston – Trust me, it was worse being a female romance author, especially when my husband’s male coworkers would ask how I research my sex scenes. (This occurred every year at the company holiday party after they’d downed one too many egg nogs!) Now I worry the FBI will come knocking because I’m researching different ways to kill people. I employed sarcasm to deal with the former, and I keep my fingers crossed to deal with the latter.

T.K. Thorne – Women writers in the genre struggle to get equal recognition, reviews, etc. as documented by groups like Sisters in Crime. When I started writing (several decades ago) I was keenly aware of this, and I think it fed into my decision to write under my initials (T.K).

Dru Ann Love – So far I have not experienced any challenges.

Bethany Maines – I think there are loads of female mystery writers and in general no one even blinks. I think it’s when the genre starts to skew more toward thriller or crime and away from cozy that readers might start to think “those are masculine!” But I think that the rise of indie publishing has sort of stomped down a lot of the genre/gender barriers. It’s one of the great benefits of indie publishing that I don’t think enough people are looking at.

Barbara J. Eikmeier – I’m still working full time so always my biggest challenge is carving out time. Not just for the writing but also the agent search, finding first readers and follow up on so many little things.

Saralyn Richard – Ironically, I detest violence of any sort and faint at the sight of blood, yet I love mysteries. Sometimes my characters put me in uncomfortable situations, and I have to write my way through.

 

 

 

 

 

Writers Without Borders

Of the many reasons I love living in Colorado, the Jaipur Literature Festival is one of them. Wait a minute. Jaipur? Isn’t that in India? And they have a literature festival? Yes, they do. Known simply as JLF, it’s the world’s largest, un-ticketed event free to all, no matter how rich or poor.

 

The motto of the festival is “Stories Unite Us.” Geographically, Boulder, Colorado is 7,825 miles from Jaipur, but each year JLF brings the city a wealth of international writers, humanitarians, business people, artists, and philosophers. Boulder is one of five locations in the U.S. to host the event, much more convenient for me to participate in this feast of ideas.

This year, JLF Colorado in Boulder was awash in brightly colored banners and saris. Vibrant music and tantalizing smells of Indian food filled the air along with animated discourse. Among the speakers were local authors David Heska Wanbli Weiden and Margaret Coel discussing the crossroads of crime—a topic near and dear to my writing.

 

 

I was fortunate to attend a talk by the famed writer and JLF founder Namita Gokhale. A journalist and award-winning author, she recalled growing up in the mountains in India with her grandmother, who believed a tablespoon of brandy was the cure to all illness. Many of her works dealt with how a culture’s mythology defines behavior. When asked what was a writer’s responsibility, she replied, “A writer’s responsibility is to be irresponsible.”

A simple statement, which at first, struck me as an oxymoron. However, the more I consider her viewpoint, the more I agree. As writers, we need to challenge our strongly held cultural myths, to take risks, to shake our own convictions. That is the true power that all art wields.

For more information on JLF, please see https://jlflitfest.org.

What’s on Your Nightstand?

By Lois Winston

I’m an extremely eclectic reader. There are a few genres I don’t read because they turn me off. My apologies to the vampire and werewolf fans out there, but I just don’t get the allure of falling for someone who wants to drain me of my blood or sup on my entire body.

I used to read a wide range of science fiction and fantasy, everything from The Lord of the Rings Trilogy to Arthur C. Clark’s Space Odyssey series to the Harry Potter books. At one point in my life, I devoured books by Leon Uris and James Mitchener, then Michael Crichton.

These days, though, besides reading books by other cozy authors, I find myself drawn to novels featuring historical people, women’s fiction, literary fiction, and books that cross genres. For my post today, I thought I’d tell you about some of my recent reads, all in different genres, and what I enjoyed about them.

The Unexpected Mrs. Polifax by Dorothy Gilman

I don’t know how I didn’t know about this series of books, but I’m so happy I stumbled upon them. Mrs. Polifax is a New Jersey widow who walks into the CIA one day and offers her services as a spy. Surprisingly, they take her up on it! And that’s the start of a very entertaining book featuring an extremely endearing character. The author wrote fourteen books in the Mrs. Polifax series before her death at the age of eighty-eight in 2012. I’ve already started the second one.

 

 

 

The Dutch House by Ann Patchett

If a book doesn’t draw me in by the third chapter, I won’t waste any more time on it. There are too many books to read and not enough leisure hours in my day. Even so, there are books I finish but soon forget. Then there’s The Dutch House. I first picked this book up because it takes place in a town where I went to college and later lived for several decades. But I kept reading because the author is so adept at crafting both characters and plot.

 

 

 

11/22/63 by Stephen King

I bought this book several years ago but just got around to reading it this summer. At 880 pages, it’s quite intimidating and requires a huge commitment of time. Because I don’t care for horror stories, I’d never read anything by King other than his book on writing. However, I’m old enough to remember the day Kennedy was shot, and the concept about a man who goes back in time to prevent the assassination fascinated me. I flew through it, unable to put the book down until my eyelids grew heavy each night.

 

 

The Colony Club by Shelley Noble

Disclaimer: the author is a dear friend, and I was lucky enough to read this book prior to publication. Daisy Harriman, one of the main characters in the book, was a real person. When she requested a room for the night at the Waldorf Hotel, she was turned away because she wasn’t accompanied by her husband. Appalled by her treatment, she set out to change history, creating The Colony Club, the first woman’s club of its kind in not only New York but the world. The novel also incorporates other historical people of the Gilded Age, including Stanford White, who designed the building, and actress-turned-interior designer Elsie de Wolfe, who decorated the Colony Club’s rooms. The author is a meticulous historian who creates a richly accurate depiction of the times, especially in the treated of women, making the book extremely au courant for today’s readers.

What’s on your nightstand? Post a comment for a chance to win a promo code for a free download of any one of the first ten audiobooks in my Anastasia Pollack Crafting Mystery Series.

~*~

USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry. Learn more about Lois and her books at her website www.loiswinston.com where you can also sign up for her newsletter and follow her on various social media sites.

FROM HUNG OUT TO DIE

I’ve been doing a lot of book readings recently from Hung Out to Die, my first mystery book. I thought I’d share the scene where the main character, Riel Brava, finds a dead body — and finds himself a suspect.

COVER of Hung Out To Die I’m reaching for the hallway switch when I notice a light three doors down. That’s Norm Bedwell’s office. And that’s unusual. Our comptroller is typically among the last to arrive. Only a fresh honey cruller from Tim Hortons has ever changed his timeline.

I’m running to Norm’s office now, tirade at the ready. The only thing that can prevent the outside security system from working, aside from someone hacking into our server, is if the door doesn’t latch firmly behind the entering employee. A loud audible click lets you know the system is armed, and then you can move forward. Employees are trained to wait for the click; if they don’t, an alarm will sound for two minutes, albeit relatively soft as alarms go. But at this time of day, no one is around to hear it.

It must be Norm’s fault, which may mean the system has only been down for minutes if he just arrived. It’s a question I’m tossing at our comptroller even before I’ve stepped inside his office.

Norm doesn’t answer.

He can’t because he’s swinging from a rope tossed over an open beam (the designer’s brilliant idea), a noose tight around his neck. He’s blue, but not as blue as I believe a dead man should look. This poses a dilemma. I need a few moments to assess my options and identify the safest and most effective course of action. However, I am aware I don’t have the luxury of time. I’ve seen enough Law and Order episodes to know if you don’t call the cops immediately, the delay in time will get noticed, and you’re more likely to find yourself on the suspect list.

Dammit. I’m a suspect.

This realization hits at the same time I’m dialing 911. The perky young woman on the other end asks how she can help.

“I’m in the administrative office of the Canadian Cannabis Corp., and my comptroller appears to have hanged himself. He is dangling from a noose and turning blue.”

“Sir, I have radioed for police; they are on their way,” she says, inhaling to continue with her script.

I cut her off. “Look, I know I shouldn’t disturb anything, but Norm may be alive. I’m going to grab his legs, so the noose doesn’t cut into his windpipe.”

Great, now she knows I understand how hanging kills someone.


It doesn’t matter. I’m going to reduce the pressure around Norm’s neck. His feet are tucked into the crease in my left arm, his testicles on par with my bottom lip. I’m not a small man, 6’2”, and I work out regularly, so I can maintain this, albeit a distasteful posture, for quite some time.

I hear sirens, and it hits me. The police won’t gain access to the building without destroying expensive technology. I explain this to the 911 operator. She is not that interested in the cost of our tech.

“I’m going to get someone to open the gate for the police,” I tell her. “That means I’ll have to hang up. I’m on the third floor of the admin building, inside the only office with a light on. My name is Riel Brava. I’m the CEO.”

donalee Moultondonalee Moulton is the award-winning author of Conflagration! — a historical mystery that won the 2024 Daphne du Maurier Award for Excellence in Mystery/Suspense (Historical Fiction). Her other books include a mystery novel based in Nova Scotia, Hung Out To Die,  and a non-fiction book about effective communication, The Thong Principle: Saying What You Mean and Meaning What You Say. As a freelance journalist, donalee has written for over 100 publications across North America. You can catch up with her on XFacebookInstagram, and LinkedIn.

Surviving the Storm

Ever heard of a derecho?

I hadn’t, until recently. It’s related to a tornado, and can be just as deadly. Instead of twisting up everything in its path and tossing it around, a derecho’s furious winds wreak devastation in a straight line, like a giant hundred-mile-an-hour freight train.

Last May, one barreled through two hundred miles of Texas, including our neighborhood. It tore through swaths of open landscape and mowed down houses and other buildings, leaving hundreds of thousands electricity customers in the dark.

People died from falling trees. If you want to know what our derecho was like, these videos from the Houston Chronicle pretty much gives you a taste. Yes, it was scary.

In our neighborhood, it was mostly the trees, those majestic century-old oaks in our urban forest that suffered the greatest damage.

And then in July…

Hurricane Beryl hit us with howling winds and high water. Thousands of homes were ravaged. Thousands of businesses lost power—many, for weeks. People lost their lives from the sweltering heat.

After two previous summers of drought, the May derecho, and July’s hurricane, many more stately trees succumbed. Some, still standing, are leaning at ominous angles over homes and streets and sidewalks. Others are stripped down to mere skeletons of their former lushness. So many sad sights where once there was beauty and abundance.

We’re used to summer storms around here. The Body in the News, Book 3 in my Samantha Newman Mystery series, revolves around the aftermath of one of the worst hurricanes to hit these parts in recent history.

Clean-up and repairs from the May derecho weren’t completed when the July hurricane hit. We’re now two months beyond Beryl, yet a walk around the neighborhood still bears sad reminders of the destructive forces of nature. And now…

Here comes another one!

As I write this, the weather service is serving us updates on Francine, the tropical storm in the Gulf of Mexico that’s expected to become a hurricane today. It, too, is headed our way, or somewhere between us and New Orleans. In case it arrives ahead of schedule, and we lose power again, I’ll wrap this up and get it posted. But before I sign off, there’s one more thing… 

I’ve come to understand the therapeutic benefit of immersing oneself in a leafy retreat, which is why I mourn losing so much of the neighborhood greenery. However, in the larger scheme of things, life can hit us with more serious hardships at any time, so, it’s important to keep this in mind:

Trees can be replanted. Lives lost are irreplaceable.

Instead of wringing our hands over what is lost, or what may happen next, let’s celebrate the people and things that bring beauty to our lives today.

Let’s appreciate what we have with with renewed attention and open affection.

And, if the mood strikes, while you’re hugging those dear to you, it might also help to hug a tree. Turns out, they can be as fragile as people.

Have you ever weathered a scary natural disaster?

Please leave your comments below…

Gay Yellen is the award-winning author of the of the Samantha Newman Mystery SeriesThe Body Business, The Body Next Door, and The Body in the News.

 

 

 

Photo of author Catriona McPherson

Special Guest – Catriona McPherson

by Sparkle Abbey

Today we welcome a very special guest back to the blog and she’s chatting about the latest in her Dandy Gilver series – The Witching Hour. Plus let’s talk about in-laws…

Catriona take it away!

“Two houses both alike in dignity” says Shakespeare of the Montagues and the Capulets at the start of Romeo and Juliet. (Off topic, but “Juliet Capulet” has always bugged me; I’d have swapped their names in the edit.)

And I suppose two houses can easily be alike in dignity but not in much else. When you’re wee, you think your family is normal and quite possibly all families are similar to it. But when you grow up and especially when you join families in a marriage . . . Well, I can’t be the only one who reads Carolyn Hax in the Washington Post. Second only to destination weddings – a pox on all of them, right? – her column is full of in-laws as far as the eye can see.

As THE WITCHING HOUR (Dandy Gilver No.16)  opens, Dandy and Hugh are gearing up to meet a prospective daughter-in-law. They’ve weathered one dynastic alliance (and survived the awkwardness of a corpse at the engagement-do) but now in the spring of 1939 their younger son is bringing a girl home and his track record is  . . . not unblemished.

Cover of book - The Witiching Hour

I love this jacket!

‘Cartaright?’ Hugh said. ‘Not Cartwright?’

‘Nor Carter-Wright,’ I assured him. ‘Teddy wrote it down for me to address the envelope.’

‘What address?’

‘London,’ I told him. ‘A 3F, I’m afraid. A flat. But north of the river. It’s so hard to tell these days. She could be anyone.’

‘Dolly Cartaright,’ said Hugh. ‘She sounds like a barmaid.’

‘I don’t care if she is a barmaid,’ I said. ‘Or a chorus girl, or even a . . .’ My imagination ran out.

‘An artist’s model,’ said Hugh. ‘Like What’s-her-name.’

‘I think she was a muse,’ I reminded him. ‘Although that might be the same thing, now I consider it at a distance. She was very . . . limber.’

Hugh rewarded me with a snort of laugher.

‘And I mean it. I don’t care. If she marries our son-’

‘If marriage isn’t too old-fashioned for her,’ Hugh chipped in.

‘And the call goes up for single men first-’

‘It won’t or only very briefly.’

‘-then she could pull pints of beer in the Atholl Arms for all our friends and I’d drive down to pick her up at closing time and offer a lift home.’

‘What friends of yours drink pints of beer in the Atholl Arms?’ Hugh asked me.

I rewarded him with a little snort of my own.

I remember meeting my in-laws. I was dressed all in black with a crew-cut and an attitude. They can’t have been thrilled, but Neil and I were only nineteen so they no doubt thought I’d soon be gone. Ha! How’d that work out?

Young Catriona and Neil

We were infants!

I do remember a formal meeting of in-laws in advance of one of my sisters’ weddings. My mum prepared an elegant meal then my dad came home with a punctured tyre, brought his bike into the kitchen and turned it upside down in the middle of the floor. A lively debate ensued.

I also remember sitting awkwardly in the living room at home with a set of in-laws-to-be in advance of a different wedding when a knocking noise came out of nowhere and all four of us girls stood up and left the room. There used to be a door there, see, and the wall is hollow so, when dinner was ready, my dad would knock on the hollow bit instead of shouting through the house. Seemed perfectly normal to us; looked like The Village of the Damned to strangers.

Then there was the fact that my dad didn’t drink either coffee (normal for Brits born in the 1930s) or tea (outlandish for Brits born anytime) so when visitors, including prospective in-laws, came and orders for hot drinks were taken, he was missed out and passed over. It wasn’t until someone said “Your mum looks so innocent but she rules with a rod of iron, doesn’t she?” that any of us realised the impression being given of a downtrodden and thirsty husband.

Library Offering

This was offered to me at a library once.

But that’s nothing, when it comes to food and drink and new alliances. I’ve got an American pal, Jewish, from Boston (these details are because I have no idea where her norms come from!), who married a Turkish bloke and, upon meeting her prospective family-in-law, politely cleaned her plate making yummy noises. Her mother-in-law-to-be replenished her plate. She cleared it. It was replenished. It was cleared. It was replenished. It was cleared. Only when the bloke started paying attention, which was thankfully before his mother had to send out for more food or his fiancée burst, did he say, “Oh yeah, babe? She’s gonna keep filling your plate till you leave something on it. And, anne, she’s trying to show she likes the food by eating it up.” Relief all round.

My sister’s mother-in-law is no longer with us so I can tell tales of her legendary and misguided culinary confidence without causing upset. You’ve heard the expression “a plain cook”? Well, this lady took it to soaring heights. She once opened a storage jar in my sister’s kitchen, saw muesli, pondered a while, recognised the rolled oats in the mix and made porridge with it. (I realise that this story is very British. The US equivalent would be making grits with granola.) Another time, she looked in my sister’s crisper drawer and found a head of broccoli. She thought Well that can’t be right and put it straight in the bin.

Photo of broccoli

It wasn’t even Romanescu!

All the weird and even annoying clashes of family norms become funny stories in the end, eh? I’d love to hear yours, Stiletto Gang. Can you remember meeting your in-laws? When did you realise you were in-laws? What’s the equivalent for single people? I know there’ll be one.

Here’s a little bit about The Witching Hour

It’s the spring of 1939 and Dandy Gilver, the mother of two grown-up sons, can’t think of anything except the deteriorating state of Europe and the threat of war. Detective work is the furthest thing from her mind. It takes a desperate cri de coeur from an old friend to persuade her to take on a case.

Daisy Esslemont’s husband Silas has vanished. It’s not the first time, but he has never embarrassed her with his absences before. It doesn’t take Dandy and her side-kick, Alec Osborne, long to find the wandering Silas, but when they track him down to the quaint East Lothian village of Dirleton, he is dead, lying on the village green with his head bashed in, in full view of a row of alms houses, two pubs, a manse, a school and even the watchtowers of Dirleton Castle. And yet not a single one of the villagers admits to seeing a thing.

As Dandy and Alec begin to chip away at the determined silence of the Dirletonites, they cannot imagine what unites such a motley crew: schoolmistress, minister, landlord, postmaster, park-keeper, farmworkers, schoolchildren . . . Only one person – Mither Golane, the oldest resident of the village – is loose-lipped enough to let something slip, but her quiet aside must surely be the rambling of a woman in her second childhood. Dandy and Alec know that Silas was no angel but “He’s the devil” is too outlandish a claim to help them find his killer. The detecting pair despair of ever finding answers, but are they asking the right questions?

Thanks so much, Catriona, for stopping by. We love stories set in Scotland and we love Catriona! So needless to say, we already have our copy of The Witching Hour. How about the rest of you?

Photo of author Catriona McPherson

Serial awards-botherer, Catriona McPherson (she/her) was born in Scotland and immigrated to the US in 2010. She writes: preposterous 1930s private-detective stories, including September 2024’s THE WITCHING HOUR; realistic 1940s amateur-sleuth stories about a medical social worker; and contemporary psychological standalones. These are all set in Scotland with a lot of Scottish weather. She also writes modern comedies about a Scot out of water in a “fictional” college town in Northern California. She is a proud lifetime member and former national president of Sisters in Crime.  www.catrionamcpherson.com