A Spark that Inspires a Novel

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A miniscule thought that crosses my mind or an article I’ve read in a newspaper can light up like a distant sparkling star and inspire a story. If the spark grows and gains momentum, the concept might become a novel.

The spark in Revenge in Barcelona (my Nikki Garcia Mystery #3), was the city itself, its unique architecture, colorful history, rich culture, physical beauty, and its independent-minded people. The spark grew in my mind until I knew that Nikki should experience action, mystery, and danger in Barcelona.

The process of following a spark of inspiration is similar for many writers. Hemingway’s novel, The Sun Also Rises, was inspired by a trip to Pamplona, Spain, to witness the running of the bulls and bullfights at the week-long San Fermín festival. He’d intended to write a non-fiction book about bullfighting, which had become a passion for him. Instead, the book became fiction based on Hemingway and his friends. In it, he explored the themes of love and death, a total reversal of what he’d originally intended.

This reversal of original intention happens to many authors of fiction, me included. The spark starts out with one concept, and it morphs into a totally different one. Yet the original spark, such as Hemingway’s bullfights, are often woven into the novel either as a theme or subplot, while the full storyline becomes much broader, richer, more scintillating.

Last week, I started my 5th Nikki Garcia mystery. The spark that lit up my imagination was a belt buckle that a man was wearing. It featured a mule.

I knew at that moment that I had to weave a mule or two into Nikki’s next novel. And where can I put a few mules? In a wilderness adventure, of course!

***

What sparks your imagination?

 

All photos are used in an editorial or educational manner.

Photo credits:

Sagrada Familia Steeples – Kathryn Lane

The Belt Buckle with a Mule – Pinterest

How to Keep a Longstanding Cozy Mystery Series Fresh

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By Lois Winston

Have you ever fallen in love with a series only to discover that the author stopped writing it? Some writers get tired of writing about the same characters and move on to writing other books. Others fall victim to the fickleness of the publishing industry. Authors are dropped if their sales don’t continue to increase or increase enough, others because the editor who championed the series changes jobs or is laid off. Lines folds. Publishing houses merge or goes bankrupt. The reasons are myriad.

Those of us who have walked away from traditional publishing to “go indie” no longer have to worry about holding our breaths, waiting to hear if our current contract will be extended or a new one offered. We’re free to keep alive the characters we love for as long as we want to write about them. The challenge that confronts us is how to keep a longstanding series from getting stale.

Guilty as Framed, my eleventh Anastasia Pollack Crafting Mystery, will release in less than two weeks on September 6th. Keeping a series fresh after that many books (plus three novellas), is a challenge. After all, there are only so many ways the victim can die, especially in a cozy mystery where you need to keep the gruesome stuff off the page. There are also just so many ways an amateur sleuth can insert herself into a crime without readers becoming incapable of suspending disbelief.

To keep my series fresh, I decided early on that I’d periodically introduce new characters into Anastasia’s world. I began in Revenge of the Crafty Corpse, Book 3, where I introduced Ira Pollack, Anastasia’s deceased husband’s previously unknown half-brother, and his brood of spoiled kids. Also, in that book readers first meet Lawrence Tuttnauer, Anastasia’s future stepfather. In the following book, Decoupage Can Be Deadly, I introduced ex-Special Forces, IT expert, and bodyguard Tino Martinelli. All three men have had recurring roles in subsequent books.

In Drop Dead Ornaments, Book 7, I gave Anastasia’s son Alex a girlfriend. She and her father also play pivotal roles in Handmade Ho-Ho Homicide and A Sew Deadly Cruise, books 8 and 9.

Not every character makes an appearance in every book, though. Sometimes only a passing reference is made to them, sometimes not even that. Other times they once again become major secondary characters in the story. It depends on the book. But these additional characters I’ve created throughout the series enable me to come up with interesting character arcs and fresh plots.

I also didn’t want my series to succumb to Cabot Cove Syndrome, something the writers of Murder She Wrotebegan to become aware of as the popular series continued. Given the size of the town and the rate of murders, eventually Jessica Fletcher would wind up the only citizen left in the tiny hamlet. So the writers wisely decided to send Jessica off on various adventures. Of course, the dead bodies kept piling up no matter where Jessica went, but at least the murders were no longer all occurring in Cabot Cove.

I’ve done the same with Anastasia. Some of the books in the series center around her workplace, others around her home. In Death by Killer Mop Doll, Book 2, the setting is a television studio in New York City. A Sew Deadly Cruise is a “locked room” mystery with the murders taking place when Anastasia and her family are on vacation. Stitch, Bake, Die! is another “locked room” mystery, taking place at a conference center during a storm.

In Guilty as Framed, the story once again centers around Anastasia’s home, but in this book, the plot involves an actual unsolved crime that took place in Boston in 1990. Not only do I need to keep my stories fresh for my readers, I need to challenge myself with each new book. As much as I enjoy spending time with my characters, I need a creative challenge to keep from falling into the same old/same old abyss.

Guilty as Framed was quite the challenge! Not only does the plot center around a thirty-two-year-old cold case, but the crime occurred more than 250 miles from where Anastasia lives, and most of the persons of interest and suspects have long since died, from either natural or unnatural causes.

Mysteries provide a challenge to the reader to figure out whodunit before the end of the book. Guilty as Framed proved a huge challenge to me as the writer. I hope readers find it as satisfying to read as I did to write.

Guilty as Framed

An Anastasia Pollack Crafting Mystery, Book 11

When an elderly man shows up at the home of reluctant amateur sleuth Anastasia Pollack, she’s drawn into the unsolved mystery of the greatest art heist in history.

Boston mob boss Cormac Murphy has recently been released from prison. He doesn’t believe Anastasia’s assertion that the man he’s looking for doesn’t live at her address and attempts to muscle his way into her home. His efforts are thwarted by Anastasia’s fiancé Zack Barnes.

A week later, a stolen SUV containing a dead body appears in Anastasia’s driveway. Anastasia believes Murphy is sending her a message. It’s only the first in a series of alarming incidents, including a mugging, a break-in, another murder, and the discovery of a cache of jewelry and an etching from the largest museum burglary in history.

But will Anastasia solve the mystery behind these shocking events before she falls victim to a couple of desperate thugs who will stop at nothing to get what they want?

Buy Links

Amazon

Kobo

Apple Books

Nook

~*~

USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction under her own name and her Emma Carlyle pen name. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry. Learn more about Lois and her books at her website www.loiswinston.com where you can also sign up for her newsletter and follow her on various social media sites.

Holiday Novella

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by Bethany Maines

A New Holiday Novella

Oh my goodness!  COVID down time actually came through for me this year and I have finished, yes that’s right actually finished, the holiday novella I’ve been planning on getting around to for last THREE years.  Way back in 2017 I completed what I would consider a long short story called Oh Holy Night about a graphic designer and a bank robbery that goes badly.  And then I followed that up with the award-winning Blue Christmas the following year.  Blue was about a college student, an adorable French Bulldog and a whole lot of smuggled diamonds. As you can guess from the descriptions, these aren’t the traditional Hallmark Christmas stories.  But they are romantic funny adventures about people who learn to love the Christmas season.

What Christmas Carol is Next?

Winter Wonderland completes the trilogy with a story about Bah-Humbug photographer Marcus Winters and a set designer Larissa “I love Christmas” Frost who find themselves involved in a robbery gone wrong and must solve the mystery of “whodunnit” before Larissa ends up in jail for a crime she didn’t commit.  The fun part about the novella is that it let’s me get back in the mystery writing zone.  And jeez, now I remember why that was hard! The clues, the suspects, the timeline!  Every time I write a mystery, I respect other mystery writer’s even more.

What is the question?

Every book has a question in it that the protagonists are trying to answer. Whether that question is philosophical to themselves and their world or whether it’s something literal like “where’s the money” the question has to be answered in a satisfactory way order to deliver on the promise of the book.  But with a mystery, not only are the protagonists trying to answer the question of “who committed the crime” the reader is too.  And staying a step ahead of the reader and the characters in the story is hard work for a writer. Authors can fall back on several tricks to make the mystery work–choosing when to reveal information, letting information exist on the page without drawing attention to it, deliberately calling out false clues (red herrings!)–but in the end, a mystery only works if the crime is solvable and for that a writer cannot whimsically wave their hand at the end.  An author has to know how, who, where, and why and then, if your me, also toss in a romance, some character development, and hopefully a decent turn of phrase.

It has been fun to venture into the mystery world once again and I’m more than pleased to complete the story that’s been on my to-do list for three years.  I hope that readers will enjoy it too.  Look for Winter Wonderland in November of 2022.

Want to know more about Winter Wonderland?

Click Here: https://bethanymaines.com/romanticsuspense/

PreOrder Here: https://books2read.com/winter-wonderland/

**

Bethany MainesBethany Maines drinks from an arsenic mug the award-winning author of romantic action-adventure and mystery novels that focus on women who know when to apply lipstick and when to apply a foot to someone’s hind-end.  When she’s not traveling to exotic lands, or kicking some serious butt with her black belt in karate, she can be found chasing her daughter or glued to the computer working on her next novel. You can also catch up with her on Twitter, Facebook, Instagram, and BookBub.

 

 

 

 

Hokey Pokey Shakespeare

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  by Gay Yellen

I was a shy child who spent a lot of time reading. At twelve, I fell in love with Shakespeare. I dove deep into the leather-bound tomes that lived on a bookshelf in our den. Comedies, tragedies, history plays. They fascinated me.

My favorite was Romeo and Juliet. I read Juliet’s balcony speech so many times, I had it memorized. Alone in my room, I would act it out over and over again.

O Romeo, Romeo, wherefore art thou Romeo?
Deny thy father and refuse thy name
Or, if thou wilt not, be but sworn my love
And I’ll no longer be a Capulet.

Fast forward to college, when I needed one more requirement to graduate: a semester of Shakespeare. Rather than take it during the school year at my alma mater, I opted for a summer course offered by a university in my home town.

That decision almost ruined Shakespeare for me forever.

Instead of teaching us about Shakespeare’s gift with language, or the political tenor of the times, or the nature of tragedy, etc., the professor went on for hours interpreting his characters through an extreme Freudian lens. In every play, he’d point out that a dagger or sword represented the male sexual apparatus, poison stood for the biological exchange of body fluids, and so on. (Please don’t ask me about Desdemona’s handkerchief.)

Of course, Shakespeare plays can be bawdy, sensual, and full of innuendo. But that professor made everything icky. A summer (and tuition) was wasted. At least I got the credit, and I’ve learned a lot more since then, like this:

Shakespeare never meant for Juliet’s “balcony” speech to be delivered from a balcony.

According to a recent article in The Atlantic, that particular architectural construct did not exist in England when the play was written. Nor did the word “balcony” exist in the English language at the time.

Well over a decade after the play was first performed, a British diarist in Italy marveled at something he’d never seen in England: “a very pleasant little tarrasse, that jutteth or butteth out from the maine building, the edge whereof is decked with many prety litle turned pillers, either of marble or free stone to leane over… that people may from that place… view the parts of the City.”

If my old professor had known his history, I’m almost sure he wouldn’t have missed the chance to mention the thing that “jutteth” and “butteth.”

It’s okay to reinvent Shakespeare’s works with spoofs and spinoffs. Many writers have done it, and still do. Shakespeare borrowed from other writers, too.

The other day, I accidentally came across Shakespearean Hokey Pokey, in which punsters attempt to set their own Elizabethan-style lyrics to the tune of the popular children’s dance.

Hokey Pokey Shakespeare could also describe my bizarre Midsummer Night’s Dream experience in that weird professor’s classroom. But if you love The Bard, that’s not what it’s all about.

How do you feel about Shakespeare?

 

Gay Yellen writes the award-winning Samantha Newman Mystery Series: The Body Business, The Body Next Door. Coming soon, The Body in the News.

 

Crazy About Socks?

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Recently I read that during the pandemic online shopping spree, socks became a hot item. Socks? Really? Must have taken some pretty bored people to shop for socks!

I wondered if socks had ever been written up in literature. As a mystery writer, I immediately thought of possible book titles: Murder by Socks, The Sock Strangler, or Forensic Socks.

Next, I researched books with “socks” in the title and found the expected “how to” category teaching you to knit socks. Children’s stories have a surprising number of titles with socks, starting with Dr. Seuss’s famous Fox in Socks.

In Battle of Hogwarts, the Harry Potter book/movie, Harry tricks Lucius Malfoy into freeing the house servant Dobby. Harry uses one of his socks to gift-wrap Tom Riddle’s Diary before giving it to Lucius. When Lucius throws away the unneeded sock, Dobby catches it, thus freeing himself from Lucius.

My personal experience with socks was during my corporate days when I racked up millions of airline miles flying all over the globe. At that time, business and first class gave an amenity kit that included a cheap pair of socks that were supposed to be used once and discarded. Well, I collected and used those socks. For over twenty years I never bought a pair—I had all those airline ones. And they never wear out! Though my husband disagrees; he’s thrown away the ones with the comfortable holes in the toes.

My stream of consciousness led me to research the sock market. Every theme you can think of can be printed on a pair of cotton, stretchy, or wool socks. The most expensive, so expensive in fact that the price was not listed, are those made from Cervelt, a fiber from New Zealand’s Red Deer. Only 20 grams of fiber can be collected per deer per year making it one of the most exclusive fabrics in the world.

In my search I discovered an organization in the Netherlands, Sock by Sock, whose mission is to keep overproduced socks from ending up as waste. After seeing the availability of socks on the Net, I can assure you that organization has plenty of work to accomplish.

Do you have a sock story? If so, sock it to me!

***

Kathryn Lane is the author of the award-winning Nikki Garcia Mystery Series. Nikki Garcia, the protagonist, is a private investigator based in Miami. She does work in foreign countries, including countries where private investigators are forbidden by law.

Kathryn’s early work life started out as a painter in oils. To earn a living, she became a certified public accountant and embarked on a career in international finance with a major multinational corporation.

Two decades later, she left the corporate world to create mystery and suspense thrillers, drawing inspiration from her Mexican background as well as her travels in over ninety countries.

***

Photos are taken from the public domain. They are used in either an editorial or educational manner.

An Interview with Saul Golubcow

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by Paula Gail Benson

Last Monday, I introduced you to Saul Golubcow, whose Frank Wolf and Joel Gordon mysteries have just been compiled in The Cost of Living and Other Mysteries, available through Amazon and the publisher Wildside Press. As I mentioned in last week’s post, I’ve enjoyed reading each new story and been bold enough to ask Saul for more! I think you’ll find his characters and situations so intriguing it’s difficult to put a story down until the end. Saul’s been gracious enough to answer some questions about his life and how he found his way to writing fiction.

Thank you, Saul, for agreeing to be with us.

If you haven’t already been reading his work, now is a great time to start!

(1)        What made you decide to write fiction? 

Hard question as it suggests a definable or rational causality. But here goes. I think when I was much younger, feeling inside a pulse and rhythm of the English language and resonating viscerally to so much of what I read, I thought perhaps I could bring forth life through a fictional rendering. And perhaps I thought if others can do it, why can’t I? But in the same way I try to present Joel in my stories, I was immature not so much from an impulsive or know-it-all perspective, but rather as Joni Mitchell may have put it, I couldn’t see “both sides now.” It took decades of growing up to feel comfortable with myself writing fiction. Writing non-fiction opinion pieces demands much less in its two-dimensional approach to a subject. But I realized if I wanted to really depict Holocaust survivors, I had to devise a multi-dimensional way which could only be done through a fictional world of relationships, tensions, nobility, hypocrisy, loss, and vindication. I thought I was finally ready to create lives.

(2)        How did you create the characters of Frank Wolf and his grandson Joel Gordon? 

An easier question. As I mention in the “Acknowledgments” section, for one of my drawer-kept projected stories, I thought about the life and personality of my father-in-law. He had lost his first family during the Holocaust, and he arrived in the United States in later middle age following the Hungarian Revolution. He was well versed in religious practice, history, arts, the sciences, and the technologies of his time. I was also struck by his various observations of the human condition. Although he never attempted private detective work, he often spoke of “critical analyses” as an imperative for reining in impulsive and rash decision-making, the core skill of a good detective. I back then wondered, might I create a Holocaust survivor character who becomes a private detective in Brooklyn?

But also, Frank Wolf represents that spirit of Holocaust survivors that has insisted that while they suffered horrible victimization, they would not succumb to victimhood. Even before I met my father-in-law, this response to suffering was bred in my bones. I also saw it in my own family. My parents also lost whole families in the Holocaust. Grateful for the opportunity to make a living as poultry farmers in South Jersey even though they knew nothing of farming, nor later of being hotel managers in Atlantic City, they demonstrated a resilience in the midst of enduring pain, building a new life in which my sister and I were protected and a path into our future developed. My father often insisted, “I can’t give up.” These traits are infused into my Holocaust survivors’ characters, regardless of their individual and differing personalities.

As for Joel, I think my wife and I are the models for his character. Young, sometimes over-confident, sometimes self-doubting, sometimes respectful, sometimes imperious, we wrestled with our “Frank Wolf” and learned a good deal about love, trust, and respect as we did so.

(3)        Tell us a little about Frank’s background, which is unique. How did you develop it? 

As mentioned above, I took my father-in-law’s real-life background as the blueprint for Frank Wolf’s character. Before the War, though not a university professor, he was well educated in both secular and religious studies. He may have become a professor or a Rabbi or both had he, as the eldest male in the family, not been forced to take over the family business after the early death of his father. Frank Wolf before the Holocaust was the easiest task for me. The challenge was conceptualizing his life after, and seeing him as a private detective the way I present it in the stories seemed the right way to go.

(4)      How do you determine the length of a story? What length do you feel most comfortable writing? 

Intriguing question. When I am in short story conceptualization mode, I must deal with the constraints of forums accepting just so many words. So I go into “less is more” mode, and that’s ok for that particular genre. But as it occurred for me with “The Cost of Living” which was originally published as a short story, I wanted to say so much more about Frank’s background and life story that turned it into novella length. I gave myself the same leeway with the other stories (especially “The Dorm Murder”) because I wanted the reader to understand so much more about psyche, feeling, and crime solving method that I couldn’t advance in a word limited short story. I am comfortable novella length, but it’s possible my next mystery will be even longer.

Saul Golubcow

Saul’s Bio:

When he is not immersed in the New York of the 1970s with his detective Frank Wolf, Saul Golubcow lives in Potomac, Maryland with his wife, Hedy Teglasi. His Jewish themed fiction centers on the complexity of and challenges Holocaust survivors in the United States have faced. His stories have appeared in Mystery Magazine, Black Cat Weekly, and Jewish Fiction.Net. The Cost of Living and Other Mysteries is his first book-length publication featuring Frank Wolf, a Holocaust survivor. In addition, his commentary on American Jewish culture and politics appear in various publications.  

Is There Such a Thing as a Perfect Wedding? by Debra H. Goldstein

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Summer is wedding time, and when my friend Debra H. Goldstein’s newest book arrived with a wedding theme, I couldn’t wait to dive in and ask her Just One Question: Is there such a thing as a perfect wedding? Debra’s answer is below, along with a chance to win her latest terrific mystery, Five Belles Too Many! Take it away, Debra! — Shari Randall/Meri Allen

When I think about a “perfect wedding,” I think about a beaming beautiful bride and a thrilled groom. They only have eyes for each other as they happily share their vows, oblivious to everything else at the moment their union is sanctified. It is a wonderful illusion.

Wedding reality differs – none are ever perfect.

From the moment a couple decides to get married, tension ensues. One may want a large wedding, the other a small wedding and the parents may have a third idea as to what they can afford. There may be religious differences that impact who the chosen officiant will be or the venue that can be used. Are there allergies that prevent the use of flowers? Is there a venue rule that prohibits animals which makes it difficult to have the couple’s dog be the ring bearer? Do the parents like the groom or bride? Is there a bridezilla or Mamazilla involved?

Even if all of the pre-ceremony issues can be resolved, things can go wrong during the ceremony. Someone may faint. Rain may disrupt the planned outdoor wedding. Bees may beset a fruit display used as the centerpiece for food being served on the lawn. The rings may be lost or, as happened during my wedding, instead of being tied to the pillow with a slip knot, the six-year-old ringer bearer may re-tie them with double knots so he won’t drop them going down the aisle. To this day, I remember the best man, when asked for the rings twice, saying, “Dammit, Rabbi, I’m trying!” as he feverishly unknotted them.

In the newly released fifth Sarah Blair mystery, Five Belles Too Many, I incorporate the concept of the “perfect Southern wedding” with what happens behind the scenes of reality TV shows. In Five Belles, a New York TV show comes to Wheaton, Alabama to tape five finalist couples vying to win that “perfect Southern wedding.” Four couples are in their twenties, but the fifth couple is Sarah Blair’s sixty-plus-year-old mother, Maybelle, and her friend, George. They entered the contest on a lark, although Maybelle was sure they had a good shot at being finalists because of the demographic need for an older couple.

The show requires the five competing Southern Belles to each have a chaperone. Because Sarah’s twin, Chef Emily, works at night and Mother Maybelle doesn’t want to inconvenience any of her friends, Sarah is forced into the role. Not only does Sarah have mandatory chaperone duties, but she also must juggle her law firm day job and caring for her furry pets, RahRah and Fluffy. What makes it even worse is that the show contracted with Sarah’s greatest nemesis, Jane Clark, to have the contestants and chaperones stay at Jane’s bed and breakfast. Mother Maybelle assures Sarah it won’t be a big deal because she’ll be sleeping most of the time she’s at Jane’s Place, but, unfortunately, on the first night the TV show’s producer is murdered and Jane is found kneeling over his body with blood on her hands. When it is decided that the show must go on, Sarah must find the true killer before any more of the contestants or crew are permanently eliminated.

For a chance to win a copy of Five Belles Too Many (U.S. only), tell me, do you have any “perfect wedding” stories like what happened with the rings at mine?

 

New Website

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Welcome to the brand new website for the Stiletto Gang!

The Stiletto Gang is excited to announce our new website. We think you’re going to love it!

In fact, you are the reason we moved from Blogger to WordPress and created our new website. Readers were frustrated that they couldn’t get digest emails (sign up in the upper right corner!) And with more features, easier navigation, more info about each Gang member and our books, the new website is a breath of fresh air for our writers and readers alike.

We’ve moved the majority of our old posts over, so you can still find (and search) the old content and comment on the new posts.  In fact you check out all our posts in the Archives, read more about our author Gang, and check out our fabulous Books.

The gang is excited to be moving into this more technologically advanced era and we hope you are too!  Thank you to all of our past readers and welcome to any new ones.  We value your support and hope that we can provide entertaining and informative content.

Happy reading!

Evacuating from a Wildfire

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By Kathryn Lane

I love the mountains in northern New Mexico. Nature in this
area constantly surprises me with beautiful vistas, wildflowers, and above all,
the wild animals. We have elk, deer, coyotes, wild turkeys, several varieties
of birds, Cooper hawks, and bears. Occasional wild cats and mountain lions also
roam the area. I’m mesmerized by the herds of elk and their calves. 

For some writers, the beach inspires them. For me, the
mountains clear my brain and let my creativity flow. This year our normally
peaceful mountain hideaway proved that nature can also be terrifying. A
horrific wildfire started when controlled burns in the Gallinas Canyon in the
Santa Fe National Forest near Las Vegas, NM, got out of hand and turned into
the most destructive wildfire in the state’s recorded history.

In May, evacuations began very close to where we live. We
could see the flames beyond the mountains in front of our cabin and the smoke
was so thick, we decided to pack up and leave. What to take with us became an
issue. Essential articles that we need for any trip is a given. Emergency items
came next. After that, it’s a conflict between sentimental items, such as
paintings, and what we could fit into our vehicle.

Two years ago, I’d given my husband, Bob, a bathrobe for the
cabin. He lost it after forgetting it on a trip last year. He’d spent at least
two months searching online for a replacement. For two months he grumbled about
the bad selection, grim colors, wrong fabric, incorrect length, and lack of
styling.  He finally ordered one and it
arrived two days before we evacuated. A thick, heavy terrycloth robe, I put it
in the car.

He immediately asked why we needed to take it.

“We’ll survive the evacuation,” I said, “but I can’t get
through two more months of you hunting for another bathrobe.”

Thankfully, we are back in our beloved mountains and our
cabin survived just fine.

I’d decided, before the wildfire started, to place my next
Nikki Garcia mystery in New Mexico.

Now I’m wondering if I should include a wildfire in the mix to
complicate the plot. One thing is for sure, Bob’s bathrobe will not be a
part of the story! Or maybe a bear will eat the robe!

***

Postscript: The fire is no longer a threat, but for many
families who lost their homes, their struggle is far from over.

***

Kathryn’s Nikki Garcia Mystery
Series – on Amazon

Amazon Paperback – https://www.amazon.com/dp/173328270X/

Amazon
eBook – https://www.amazon.com/gp/product/B084GSGSRX/

ABOUT KATHRYN

Kathryn Lane started out as a painter in oils and quickly became a starving artist. To earn a living, she became a certified public accountant and embarked on a career in international finance with a major multinational corporation. After two decades, she left the corporate world to plunge into writing mystery and suspense thrillers. In her stories, Kathryn draws deeply from her Mexican background as well as her travels in over ninety countries.

Visit my website at https://www.Kathryn-Lane.com

Sign up for my monthly newsletter on my website

Photo credits:

All photographs are used in an editorial and/or
educational manner

Elk and their Calves by Kathryn Lane

Firefighter – Taos News

Brown Bear by Kathryn Lane

Covers for the Nikki Garcia Mystery Series –
Heidi Dorey designs for Tortuga Publishing, LLC

Photo of Kathryn Lane by Bob Hurt

A Nod to Writers and Artists

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By Kathryn Lane

In every novel of my Nikki Garcia mystery series, I’ve
mentioned a writer or a visual artist whose work I admire. Since my mysteries
are set in foreign countries, this detail adds a touch of that country’s culture.

Waking Up in Medellin takes place in Colombia and I
wove in the works of Gabriel Garcia Marquez, Nobel Laurette in Literature for One
Hundred Years of Solitude, and the sculptures of Fernando Botero into the
story.

Research on Fernando Botero’s sculpture

Danger in the Coyote Zone takes place in Mexico and I
mentioned Leonora Carrington, a British woman who lived and worked among the
surrealists in Paris and moved to Mexico to escape the ravishes of World War
II. She remained in Mexico, married the
Hungarian-born photographer Emerico Weisz, and lived in Mexico City for
the rest of her life. Leonora infused her surrealist paintings and sculptures
with a feminine perspective, and she played an important role in the women’s
rights movement in Mexico. In my novel, I only mention that Nikki notices one
of her surreal sculptures on a street in San Miguel de Allende. To my amazement,
I received an email from Wendy Weisz, Leonora’s daughter-in-law. Wendy had read
my first novel in the series and had purchased the second one too. She was
pleasantly surprised to find the mention of her late mother-in-law’s sculpture.
Hearing from her was thrilling to me, especially since I’ve never met anyone in
the Weisz family though I’ve always admired Leonora’s art and sculpture.

Leonora Carrington’s Self-Portrait in New York’s Metropolitan Museum

Revenge in Barcelona includes action scenes that
occur at Gaudi’s architectural sites, such as the world famous Sagrada Familia
Basilica. Not only did I research Gaudi’s work, but also I made two trips to
Barcelona to make certain I had the facts right. (That Barcelona is my favorite
city in the world did not influence my decision to travel there to fact check!)

Author and her husband. She was researching Sagrada Familia in Barcelona, Spain. 

While writing Missing in Miami, I took a slightly
different approach. I’d read Klara and the Sun by Ishiguro. Josie,
Ishiguro’s character, suffers from an illness that is never fully defined. My
character Andrea, the missing girl in my novel, also has an illness. I mentioned
Ishiguro’s novel despite his lack of ties to Cuba to subliminally correlate his
Josie to my Andrea. I never mention Ishiguro’s character or her illness so I
don’t expect many readers to catch the comparison unless they’ve read both
novels.

The author loves Ishiguro’s novels!
I’m currently writing a novel about a math prodigy. In it I’ve
mentioned Miguel de Cervantes and his picaresque novel, Don Quixote de la
Mancha. It’s prompted me to reread the adventures of Don Quixote and Sancho
Panza, a novel I love despite the fact it was written in the early 1700s.

Don Quixote and Sancho Panza on their steeds.

***

Do you incorporate allusions, a nod, or direct references in
your novels to either writers or their work?

***

Kathryn’s Nikki Garcia Thriller Series – on Amazon

About Kathryn

Kathryn Lane started out painting in oils and quickly became a
starving artist. To earn a living, she became a certified public accountant and
embarked on a career in international finance with a major multinational
corporation. After two decades, she left the corporate world to plunge into
writing mystery and suspense thrillers. In her stories, Kathryn draws deeply
from her Mexican background as well as her travels in over ninety
countries.

Visit my website
at https://www.Kathryn-Lane.com

Photo credits:

All photographs are used
in an editorial and/or educational manner

Botero Sculpture – by Kathryn Lane

Leonora Carrington’s Self-Portrait – Pinterest

Sagrada Familia – by Kathryn Lane

Klara and the Sun – Amazon

Don Quijote de la Mancha – Amazon