A New Anthology by the Lowcountry Romance Writers of America: Love in the Lowcountry, Volume Two

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by Paula Gail Benson

When I first became serious about writing, I joined a chapter of the Romance Writers of America, the Lowcountry Romance Writers (LRWA), based in Charleston, S.C. A friend from Columbia and I would travel back and forth on highway I-26E every month (about a 90-minute journey each way) to hear wonderful presentations about craft and marketing as well as to meet other writers and learn about their projects and goals.

My concentration has always been more on mystery and suspense fiction, but for a while the LRWA was the only local active group that provided contacts and insight on the publication industry. I learned a great deal and was very appreciative of the information I received.

A few years ago, I thought about discontinuing my LRWA membership because I had joined several Sisters in Crime chapters and had become involved with the Mystery Writers of America and its regional Southeast chapter (SEMWA). Then, LRWA offered its members the opportunity to have their short stories published in a chapter anthology. I had been writing short stories and felt like I would like to try my hand at romance, so I continued to belong to the chapter. To be accepted for the anthology, each story had to take place during the winter holidays (Thanksgiving to New Years), take place in Charleston, go through two vigorous beta readings, and meet deadlines. In addition, each author had to develop promos to be used in social media. (I have always been impressed that romance writers know how to effectively sell their fiction!) The whole process was like boot camp and it was tremendously successful. Love in the Lowcountry gave both experienced and new writers a chance for publication and the sales made money for the chapter. I felt it a true privilege to be part of the work.

This year, the chapter decided to develop Love in the Lowcountry, Volume Two. Like the first volume, it included established writers along with debut authors. It expanded the holiday season (from Halloween to Valentine’s Day) and the territory (anywhere in South Carolina). The eleven included romances feature contemporary and historical settings; time travel, magical realism, and paranormal elements; sweet to spicy storylines; and LGBTQ+ characters.

Here’s a brief summary of each story:

“A Sunrise Christmas” by Linda Joyce – In others, Lauren “sees” their heart’s desire, but Justice hopes he can open her eyes to love.

“Candlemas” by Paula Gail Benson – Can they find their way through time, and to love?

“Chase” by Suzie Webster – A Lowcountry Liaisons Short Story – He thought love wasn’t in the cards, but a second chance may change his luck.

“Edi-Snow!” by HM Thomas – After the storm, the snow won’t be the only thing melting.

“Let Me Call You Sweetheart” by J. Lynn Rowan – One disappointed in romance. The other hiding from life. A chance encounter makes them wonder – could this be true love?

“Maeve’s Welcome Home” by Addie Bealer – Friends. Lovers. Business rivals. Can they have it all?

“No Regrets” by Robin Hillyer-Miles – Neither planned to be single and sixty but a cute meet and an intense attraction could change all that.

“Second Chances” by Victoria Houseman – Second chances are often the best chances when it comes to love.

“The One That I Want” by Elaine Reed – Charleston welcomed her with open arms, but she longs for a different embrace.

“Watchman’s Remedy” by Victoria Benson – Struggling to understand her reality, Cora falls…for an 18th century pirate.

“When It’s Meant to Be” by Danielle Gadow – Relationships evolve, but how will they know “When It’s Meant to Be”?

By purchasing Love in the Lowcountry, Volume 2, you’ll be helping to support LRWA, which in turn will continue to offer authors programs to improve their craft and marketing skills. Please give it your consideration.

Mystery! Suspense! Thriller!

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When I pitched my first book to a publisher, I described it as a mystery. “Tell me about it,” said the acquisitions editor. After hearing the the storyline, she asked to see the full manuscript and gave me her card.

 Glancing at the card, I noticed that the publisher she represented specialized in romance novels. I repeated that the book I had written was a mystery.

“Sounds like romance is a substantial part of it,” she countered. “Send the manuscript and let us decide.”

Long story short, her company published The Body Business as a Romantic Suspense novel. Thus began my initiation into the wacky world of genre madness and the marketing issues that plagued the book for the duration of the publishing contract.

Fast forward to the day the contract ended. At last, I had more control over how, when, and where the book was advertised.

Thankfully, the new edition took off and led to the launch of the Samantha Newman Mystery Series. As published authors know, trying to slide your novel into the perfect preset niche that book retailers and other marketers require can be daunting. My books tend to cross genres, so picking a single category was like aiming a fistful of darts at one teeny tiny target and hoping the right dart would hit the bullseye.

Mystery? Thriller? Suspense? Which one suits the stories best?

Here’s a simple way to differentiate them according to best-selling, multi-award winning author Hank Phillippi Ryan: “I always think a mystery is ‘who-done-it?’ A thriller is ‘stop it before it happens again.’ And suspense is ‘what’s going on here?’”

These simple guidelines help me define the books in my series, even though each one fits into a different category.

Reviewers describe The Body Business as a “roller-coaster ride” and a “page-turner.” In other words, it reads like a thriller. As for The Body Next Door, some reviewers have called it a cozy. Like a cozy, there’s humor and a quirky character or two, but the absence of cats, crafts, or a charming village could risk the wrath of traditional cozy fans. It’s also been described as “full of suspense,” which is how I wrote it, straight-up.

Romance runs through the series as a subplot, due to my fiercely independent-minded main character, who continues to deflect the happy-ever-after ending romance readers crave. The romance continues into the next book, but the main plot is a true who-done-it.

To label a book as a mystery, suspense novel, or thriller is purely a marketing game. What an author really cares about is that people enjoy reading it. When our readers share a book they really like with their friends, they can describe it however they want.

Readers, do you rely on a bookseller’s categories to choose a book?

Writers, have you struggled with labels, too? Tell us about it.

Gay Yellen is the award-winning author of the Samantha Newman Mystery Series, including The Body Business, The Body Next Door, and the upcoming Body in the News.