Bouchercon Update!
I missed the blog last month due to a technical error on my part … so here are two blogs in one! Might be fun actually, as I have now just returned from Bouchercon and can give a report. The expectation and the realization!
It was terrific—and my panel was fun, I made it through and enjoyed it.
The Debut authors’ breakfast was a blast. And may I say, the breakfast was delicious, although I was too nervous to eat much.
A Nice Place to Die was available at the bookstore and sold out. That was worth the trip right there.
But really, one of the most fun things is meeting and sometimes becoming friends with fellow authors. I met Ann Cleeves briefly and she was very gracious. I got a picture with her. That’s it, but I now consider her one of my very best friends.
I did spend some time with the fabulous Iona Whishaw, Canadian readers know her well…
And the charming S.M. Freedman, we enjoyed the Awards banquet together. And Caro Ramsey, a Scottish writer of mysteries and suspense, she was terrific and we plan to keep in touch. I was able to reconnect with good friends I’d met before; Judy L. Murray, Lane Stone, Sharon Lynn, just to name a few.
And Shawn Reilly Simmons, my editor, and award-winning author herself.
AUGUST BLOG IN SEPTEMBER
I leave for Bouchercon in a week or so and it’s an exciting prospect. I attended once before In Tampa. I was already in Florida at the time with my husband and decided it was worth the extra expense. As we climbed the steps to the host hotel to register, Ian Rankin walked by reading a guide book. And that about sums the experience up for me. You get to meet your author favourites, listen to wonderful educational sessions on writing, and oh yes, meet people at the bar!
That first time I knew no one. I had the name of an author through a friend and I contacted her, not expecting much. But Marcia Talley was astonishing and friendly and welcoming. I met Sujata Massey, Deborah Crombie and countless others over coffee and at events.
I sat one table over from Lee Child, and extricated the wonderful Lisa Scottoline from an ardent fan. It really was a fabulous experience.
This year I’m going again, this time to San Diego as a published author!
I’m a fairly new writer, compared with my terrific colleagues on the Stiletto Gang, who are all well known and have published many wonderful books across all genres. This time I applied to be on a panel. I don’t know the ins and outs of how to get chosen, but in my request I tried to be flexible to different panel ideas but clear that I needed to know something about the subject.
And so, what was that, my subject? What did I know something about? Murder? Well that might not set me apart and help me get a spot on a panel—what with it being a murder/mystery convention and all. I had to dig deeper.
What did I love writing about—apart from murder? What could I bring to a conversation that might make an interesting panel for readers and other writers?
One of the things I realized from talking to readers who bought and enjoyed my book was their interest in the setting, Belfast––and there you have it. Ireland, north and south.
I was surprised at the number of people who expressed a desire to visit Belfast. Once the death knell for a book or writer, famously and forever connected to ‘The Troubles,’ now miraculously rising from the ashes to become, dare I say it, a favourite tourist destination. We even have cruise ships stopping by with tourists dandering around a city they once watched on the news, with reports of explosions and gunfire all over the place.
But The Troubles are not the focus of my books, because that’s not what my stories are about. They’re about people who are caught in difficult circumstances. About love and hate and jealousy and finally, murder. All in that wonderful setting. Gloomy and sunbright in turn. Rain and wind, blue skies and gorgeous deserted beaches. And that’s what I asked for. I wanted to talk about writing a story set in a country I was born in and love, but no longer live in. How memory and longing play into shaping a book and the characters who populate it. And miraculously I got the word! Yes, a panel. Scary but exciting.
TRAVEL BY THE BOOK: MYSTERIES SET IN OTHER COUNTRIES. Saturday Sept 2 at 8:55am. Please come and listen if you’re at the convention. Should be fun.
Now let me tell you all about the Bouchercon Debut Authors’ Breakfast… Kidding, I’m kidding.
Blood Relations Cover
And a note about the launch of my second book. BLOOD RELATIONS. It’s due out in The US in August. Here’s a link to Amazon, but you can look for both books, #1: A NICE PLACE TO DIE and #2: BLOOD RELATIONS, at most fine on-line retailers too.
A Nice Place to Die and Blood Relations.
Blood Relations, A DS Ryan McBride Mystery Book #2
Twitter: @JoyceWoollcott
Buy the book.
The Forgiveness of Whales—T.K. Thorne
/in T.K. Thorne/by TK ThorneUntil recently, scientists thought humans were the only species with the specialty brain neurons responsible for higher cognitive functions like self-awareness, a sense of compassion, and language.
They were wrong.
Fifteen million years before humans, whales began evolving these special glial cells, and now a strange phenomenon is occurring off the Baja coast of Mexico.
Humans have been slaughtering Pacific whales there for a long time, first with harpoons, now with sonar from Navy ships. Whales live a long time, up to a hundred years. Some whales alive today still bear the scars of harpoons. Many scientists believe that it is implausible to think the whales do not remember this or associate humans with death and anguish.
Yet, in the same area where humans hunted them nearly to extinction, then tortured them with sonar, whales are approaching humans and initiating contact. A N.Y. Times article detailed the experiences of the reporter and the stories of locals who tell about mother whales approaching their boats, sometimes swimming under it and lifting it, then setting it gently down. Almost all the stories involve the whale surfacing, rolling onto its side to watch the humans–reminiscent of the surreal moment in the movie, Cast Away, when a whale rises from the night sea to regard Tom Hanks with an eye cupped with starlight, an eerie intelligence, and a gentleness that moves us, for we know the massive creature could kill the castaway with a nudge or a flick of a tail fluke.
These real grey whales off Baja swim close enough that people invariably reach out to touch them, and they allow it. One person, reflecting on the experience said, “I have never felt more beheld.” It seems reasonable—given the position the whales place themselves in—that they seek the contact. In many cases, a mother whale will allow her calf to do the same. There is no food involved in these exchanges, only a brief interlude of inter-species contact and rudimentary communication: I come as friend.
Why?
Where will humans be in another hundred years? I suspect we will be technologically advanced, but emotionally pretty much the same, even in a thousand years or ten thousand.
But what about a million years? Ten million? Can we evolve (if we survive) to a more sane, more rational, more loving species with a broader sense of our place in the universe and in life itself? Is it possible that these creatures with 15 million years of intelligent evolution on us, might regard us as a young species, children who don’t really know better, and grant us leeway for our mistakes? Grant us . . . forgiveness?
We have a need for that forgiveness, not only from our treatment of whales, but of each other. We have enslaved, tortured, raped, and slaughtered each other. We have recklessly used the resources of our planet.
Yet I read about humans risking their lives to free whales trapped in nets.
People offering aid to neighbors. . . to strangers.
Teachers, nurses, and soldiers whose daily life is one of giving.
We have much need for forgiveness, yes, but we are capable of great acts of cooperation, of kindness, love, and sacrifice. Perhaps that is what the whales see in us when they watch us use our clever hands to free them from heavy rope nets, nets that we have left carelessly in their domain, as children leave their toys strewn across the floor.
Even whales have enemies, and they do not hesitate to defend themselves when attacked and even take the battle to the enemy. Humpbacks have been observed defending not only their own against attacks of orcas, but other mammals, other whales, sea lions, fur seals or walruses. Interestingly, they only attack mammal-eating killer whales, not orcas that primarily feed on fish.
Perhaps they understand that—like the orcas—all humans are not the same.
Perhaps they are waiting for us to become our best selves, believing, or hoping we will evolve into worthy fellow creatures on this blue-and-cream jewel that is our world.
Our survival may depend on it.
T.K. Thorne writes about what moves her, following a flight path of curiosity, reflection, and imagination.
My Rare Pink Rocks
/in Barbara J Eikmeier, life, Uncategorized/by Barbara EikmeierBy Barbara J. Eikmeier
For many years I collected sea glass. I filled a small jar with pieces from beaches in Hawaii and California. It took a long time to fill my jar. Imagine my surprise when my sister took me to Glass Beach in Fort Bragg, California. I felt like there was more glass than sand on that beach. It made my humble collection look, well, humble.
In my yard in Eastern Kansas sit two pink boulders and several lesser boulders. They were excavated when the house was built in 1992. They are probably rose quartz although I hear people call them pink granite (mine don’t look like granite.) They are unique to my area of Kansas, and I see them in neighbors’ yards too. I’m not a native Kansan but have been told these pink rocks were a gift from Minnesota, brought down during the ice age. When the ice receded, the big rocks were left behind.
Visitors from out of the area have been known to covet my pink rocks, in fact at least two visitors collected smaller samples from my property to take home with them.
When the utility company trenched across our yard to replace a gas line, they unearthed more pink rocks. The evening before the trench was to be filled in, I claimed those pink rocks. With my husband’s help we rolled the biggest and pinkest of them down the hill, laughing all the way, to the spot where the driveway leveled out. Then we got our piano mover, which is not really a piano mover, but it works like one, (I bought it at an estate sale for fifty cents!) We rolled those big rocks onto that platform and wheeled them to select locations in the gardens. The new rocks are a fraction the size of my big pink boulders, but they still weighed a ton!
I’ve been basking in the glory of owning such rare and special rocks for years.
I’m writing this post while on a road trip with my husband. We spent two days in South Dakota where pink rocks are everywhere. Apparently, my pink rocks may have been a gift from South Dakota instead of Minnesota.
Near Sioux Falls, South Dakota there is a huge quarry with a giant heap of pink rocks.
Further west I noticed them used for landscaping at rest stops along Interstate 90. Heck, in some sections, Interstate 90 itself glows pink because it’s made of crushed pink stone mixed with the asphalt. When we stopped, I checked. I could see the bits of pink rock.
The driveway in the campground we stayed at was made of crushed pink rock. I picked up two heart shaped stones for my granddaughter. I stopped at two, but I could have found 100, all pink, all heart shaped!
And the greatest shock of all, to me anyway, was pink rocks on the edges of the train tracks.
It feels like Glass Beach all over again!
Have you ever discovered that your rare collection isn’t so rare after all?
Barbara J. Eikmeier is a quilter, writer, student of quilt history, and lover of small-town America. Raised on a dairy farm in California, she enjoys placing her characters in rural communities.
Woman of the Year
/in Author Life/by Saralyn RichardWoman of the Year
By Saralyn Richard
I found out in April that the Galveston Regional Chamber of Commerce would be celebrating me as a Woman of the Year for 2023. The announcement, broadcast live on social media, came as a total surprise—overwhelming to this day. The honor entails participating in an all-day video production, inviting family and friends to accompany you to the Women’s Conference (held on September 15), going up on the stage in front of 1500 people to receive the award, and lots more.
As an educator, I always considered myself a star-maker, rather than a star. I revel when my students receive accolades or limelight, but I’m not all that comfortable receiving them, myself. I’ve struggled with the idea of whether I’m worthy of all this attention.
Over the past four months I’ve given a lot of thought to this and similar issues, and I’ll tell you what I’ve concluded. But first, some background. I was born and raised in Galveston. After college and marriage, I moved to St. Louis and Chicago, where I practiced my profession and learned a lot about life. One of the things I always preached to my students was to give back to the communities that they came from. I poured a lot of time and effort and care into the communities where I worked, but, in the back of my mind, I thought, what about Galveston?
When my husband and I were exploring possible places to live in the future, Galveston called to me. I wanted to be part of the community where I grew up. I wanted to volunteer in ways that would make a difference. Fortunately, everything aligned to make that happen, and we moved here in 2005. Since then, I’ve had interesting jobs, met fascinating people, and volunteered here and there in places that stole my heart. I never expected to be recognized—I was happy contributing to my community.
So that brings me to the Woman of the Year award, for which I am eternally grateful and a little uncomfortable accepting. My ruminations, though, have led me to believe that the award creates a valuable opportunity for reflection and evaluation. It has caused me to embrace all that is precious in the way I spend my time, and it’s given me motivation to recommit to my goals and mission, to live up to the standard of those who were honored before me, and to set an example for those who follow.
I also believe there aren’t enough awards given to worthy women. There are so many wonderful angels who give freely of their time and energy to help others. If you are reading this, you are probably one of them. So I want to share my award with you, Woman of the Year. If we all set our sights on making a difference, we can really change the world.
Award-winning mystery and children’s book author, and BOI (born on island), Saralyn Richard, is also an educator whose journey has taken her to schools in St. Louis, Chicago, and all over the country. Her books, Naughty Nana, Murder in the One Percent, A Palette for Love and Murder, Crystal Blue Murder, Bad Blood Sisters, and A Murder of Principal, have garnered many awards, reviews, and fans.
Saralyn and her husband Ed moved back to Galveston in 2005 with the express intent of serving the community by working and volunteering with various meaningful organizations. Saralyn worked for the Galveston Independent School District, the Southern Regional Education Board, the Osher Lifelong Learning Institute, The Friends of the Rosenberg Library, The Grand 1894 Opera House, and others.
Years ago, Saralyn was a founding member of the Book Nook committee of the Galveston Regional Chamber of Commerce Women’s Conference. The Book Nook is a group of authors who are strategically selected each year to provide mentorship and support for other women who aspire to write and publish books.
A New Story
/in Anthologies, Author Life, Mystery, Paula Gail Benson/by Paula Bensonby Paula Gail Benson
As I celebrate my birthday this week, I’m also partying about a new story being published in A DEATH IN THE NIGHT by Dragon Soul Press. The anthology, released on August 30, 2023, contains eleven tales of assassins, which, as described on Amazon, may be about persons who are well paid, who are paying a debt, or who are being blackmailed. Each hired gun faces a unique journey. Some need to be wary of becoming too close to their marks.
The following authors’ stories are featured in the anthology: Victoria Azzi, L.N. Hunter, Charles Kyffhausen, Barend Nieuwstraten III, Fulvio Gatti, Edgar Mahaffey, Gray Stanback, Hennifer Strassel, Douglas Allen Gohl, Frank Sawielijew, and myself.
My story, “Crossfire in the Crosshairs,” occurs in the pandemic and involves a single mother working as an assassin to support her pre-school aged, precocious daughter. As mentioned in the narrative, “Assassinations remain essential services during Covid.” Chelsea Lebouef, the mom, is tasked to slay a famous cellist, hopefully managing to spill some blood on his instrument to heighten its value. She learns there will be multiple shooters to handle the job, but not until she makes arrangements for her daughter’s care and arrives on the job does she realize her competitor is her ex-husband.
I hope you’ll check out my story and the others. Dragon Soul Press has been a great company to work with and has supplied a lot of beneficial materials for promotion. (Notice the great banner above!)
Here’s a link to purchase on Amazon. Happy my birthday, everyone!
BOOK LAUNCH NUMBER TWO AND THE TERRIFYING SPECTRE OF SPEAKING ON A PANEL AT BOUCHERCON/23––and that’s not all…
/in Author Life, author promotion, Book events, Writing and the Arts/by Joyce WoollcottBouchercon Update!
I missed the blog last month due to a technical error on my part … so here are two blogs in one! Might be fun actually, as I have now just returned from Bouchercon and can give a report. The expectation and the realization!
It was terrific—and my panel was fun, I made it through and enjoyed it.
The Debut authors’ breakfast was a blast. And may I say, the breakfast was delicious, although I was too nervous to eat much.
A Nice Place to Die was available at the bookstore and sold out. That was worth the trip right there.
But really, one of the most fun things is meeting and sometimes becoming friends with fellow authors. I met Ann Cleeves briefly and she was very gracious. I got a picture with her. That’s it, but I now consider her one of my very best friends.
I did spend some time with the fabulous Iona Whishaw, Canadian readers know her well…
And the charming S.M. Freedman, we enjoyed the Awards banquet together. And Caro Ramsey, a Scottish writer of mysteries and suspense, she was terrific and we plan to keep in touch. I was able to reconnect with good friends I’d met before; Judy L. Murray, Lane Stone, Sharon Lynn, just to name a few.
And Shawn Reilly Simmons, my editor, and award-winning author herself.
AUGUST BLOG IN SEPTEMBER
I leave for Bouchercon in a week or so and it’s an exciting prospect. I attended once before In Tampa. I was already in Florida at the time with my husband and decided it was worth the extra expense. As we climbed the steps to the host hotel to register, Ian Rankin walked by reading a guide book. And that about sums the experience up for me. You get to meet your author favourites, listen to wonderful educational sessions on writing, and oh yes, meet people at the bar!
That first time I knew no one. I had the name of an author through a friend and I contacted her, not expecting much. But Marcia Talley was astonishing and friendly and welcoming. I met Sujata Massey, Deborah Crombie and countless others over coffee and at events.
I sat one table over from Lee Child, and extricated the wonderful Lisa Scottoline from an ardent fan. It really was a fabulous experience.
This year I’m going again, this time to San Diego as a published author!
I’m a fairly new writer, compared with my terrific colleagues on the Stiletto Gang, who are all well known and have published many wonderful books across all genres. This time I applied to be on a panel. I don’t know the ins and outs of how to get chosen, but in my request I tried to be flexible to different panel ideas but clear that I needed to know something about the subject.
And so, what was that, my subject? What did I know something about? Murder? Well that might not set me apart and help me get a spot on a panel—what with it being a murder/mystery convention and all. I had to dig deeper.
What did I love writing about—apart from murder? What could I bring to a conversation that might make an interesting panel for readers and other writers?
One of the things I realized from talking to readers who bought and enjoyed my book was their interest in the setting, Belfast––and there you have it. Ireland, north and south.
I was surprised at the number of people who expressed a desire to visit Belfast. Once the death knell for a book or writer, famously and forever connected to ‘The Troubles,’ now miraculously rising from the ashes to become, dare I say it, a favourite tourist destination. We even have cruise ships stopping by with tourists dandering around a city they once watched on the news, with reports of explosions and gunfire all over the place.
But The Troubles are not the focus of my books, because that’s not what my stories are about. They’re about people who are caught in difficult circumstances. About love and hate and jealousy and finally, murder. All in that wonderful setting. Gloomy and sunbright in turn. Rain and wind, blue skies and gorgeous deserted beaches. And that’s what I asked for. I wanted to talk about writing a story set in a country I was born in and love, but no longer live in. How memory and longing play into shaping a book and the characters who populate it. And miraculously I got the word! Yes, a panel. Scary but exciting.
TRAVEL BY THE BOOK: MYSTERIES SET IN OTHER COUNTRIES. Saturday Sept 2 at 8:55am. Please come and listen if you’re at the convention. Should be fun.
Now let me tell you all about the Bouchercon Debut Authors’ Breakfast… Kidding, I’m kidding.
Blood Relations Cover
And a note about the launch of my second book. BLOOD RELATIONS. It’s due out in The US in August. Here’s a link to Amazon, but you can look for both books, #1: A NICE PLACE TO DIE and #2: BLOOD RELATIONS, at most fine on-line retailers too.
A Nice Place to Die and Blood Relations.
Blood Relations, A DS Ryan McBride Mystery Book #2
Twitter: @JoyceWoollcott
Buy the book.
Movie Making
/in Author Life, author promotion, How to Write, Movies/by Bethany MainesLet’s Make a Movie!
I’ve have often been told that I write “cinematically”. I don’t know what that means exactly, but like most writers I’d love to have a movie made of one of my books. And for the past few years, I’ve been experimenting with writing scripts. I took a seminar on how to flip novels into scripts, bought a few books and worked on what are known as “spec” scripts. Scripts that no one has commissioned, but you feel like writing anyway. I find that concept hilarious. No one calls a writer’s unpublished novel a “spec” novel. Although, I suppose that it is. I find the script writing process interesting, the format challenging, and the idea that I could see my work on the big screen exciting.
What I’ve Learned
Along the way I’ve found out some interesting things. I’ve also found that a novella is about the perfect length to make a TV length movie. A full novel is… a lot. Which makes me even MORE impressed with those adaptations that managed to be something great or even come close to capturing the flare of the original novel. For instance, I believe Brian Helgeland and Curtis Hanson who adapted LA Confidential has earned a place in screenwriting heaven–James Ellroy’s novel was massive, sprawling and noir to the bone. The movie managed to condense it down and make it acceptably noir to audiences (which is to say we had characters that we actually liked). If you haven’t seen–go watch it. If you haven’t read it… meh. Only read if you like (well-written) dark heart of humanity stuff where no one is an actually good person.
I’ve also begun to question whether anyone in Hollywood actually reads. With novels, an author finds a beta reader(s) to critique the book and then we polish it up. After that we send off a synopsis and blurb and maybe a few pages to an agent or publisher, who probably has the intern vet the submissions (completely reasonable). If it ticks their boxes they ask for the complete manuscript and read it. With movies… You pitch something to someone (if you know the someone) based on a logline. And if they like it you send in a one sheet with the blurb or synopsis and pitch it MORE. But to get someone to actually reads the full script and give a critique or edits? For that you have to submit to a contest or pay someone. So novels have a more clear cut path forward and movies are a bit… scrap it out and hope you get lucky.
Successes so Far
But… I did get lucky! Through the help of a random friend on Twitter (or whatever it’s being called this week) I sold a script based on my short story Suzy Makes Cupcakes. It is currently making the festival circuit and picking awards and nominations as it goes. And now I have a credit on IMDB (Internet Movie Database). How crazy is that? Suzy won’t be available to watch by the general public until next year, but if you want to read the story it was based on, you can check it out in Shotgun Honey: Recoil.
Have I learned anything else?
I’ve learned that movies are far more collaborative than I even pictured. I’ve learned that an actor can make something I wrote absolutely sing. And I’ve learned that watching having something I wrote exist outside my head is a little bit trippy. And I can’t wait to do it again.
**
Bethany Maines is the award-winning author of action-adventure and fantasy tales that focus on women who know when to apply lipstick and when to apply a foot to someone’s hind end. She participates in many activities including swearing, karate, art, and yelling at the news. She can usually be found chasing after her daughter, or glued to the computer working on her next novel (or screenplay). You can also catch up with her on Twitter, Facebook, Instagram, and BookBub.
How I Spent the Summer of 2023
/in Author Life, Book Clubs, Book events, Convention, Cozy Mysteries, How to Write, Mystery, Romantic Suspense, Samantha Newman Romantic Mystery series, Suspense/by Gay YellenHumans make plans, and the gods laugh.
Where did August go?
Happy September!
In the meantime… how was your summer?
Reviews that Sink Authors
/in Author Life, Writing and the Arts/by DebraReviews that Sink Authors by Debra H. Goldstein
Traditionally, authors are told to ignore their reviews. Maybe some can, but most can’t. In fact, many writers can’t help focusing on anything except the bad ones.
I read reviews. Sometimes I totally agree and learn from the point being made, but more often, I’d love to respond (authors are also told not to respond). For example, when Maze in Blue was published, the reviews and ratings were all favorable – mostly 5’s and an occasional 4. And then, someone posted a one star on Amazon. The rationale was that I had gotten a main road in Ann Arbor wrong. The reviewer went on and on about how the road didn’t go straight and that if the character had really driven the route, they’d have run into a building.
The reviewer was right for the way the road presently runs, but the book was set in the 1970’s. The road and building mentioned were neither moved nor built until a year after the story occurred. I desperately wanted to respond with a choice comment, but happily, the next review, which was a five-star, pointed out that fact and noted what great and exact memories Maze brought back because the reviewer was a professor’s daughter who had lived on campus at that time. I was thrilled.
Talking to other authors, I’ve discovered they also have received one-star reviews that were a little out-to-lunch. One reviewer didn’t like the cover, another stated she didn’t read the book upon learning the name on the book was a pseudonym for an author whose last novel she didn’t like, and a third said the book, while enjoyable, wasn’t anything to write home about.
If you are an author, tell me about your “worst” review. A reader, have you ever left one you realized was an oops?
By the way, when it comes to being a writer or any profession, I think a sign I recently saw, says it all:
Cozy Mysteries and Friendship
/in Author Life, Cozy Mysteries/by Sparkle AbbeyBy Sparkle Abby
How is it possible that summer is over, kids are back in school, and the snowbirds are already flocking to Florida?
As the summer whizzed by, we’ve continued to faithfully work on our new series set in the fictional 55+ community, Shade Palms. We’re absolutely falling in love with our new cast of characters as they’re living their best lives, sleuthing out killers and cheaters, and figuring out what reinvention means to them.
One theme we’ve found to be true in our series as well as real life is the importance of friendship. Lately, it seems there have been many conversations about the challenges presented by retirement isolation and loneliness, particularly if friends and family are scattered or preoccupied with their own lives.
The value of friendship is so important! Friends offer emotional support, help in maintaining a healthy lifestyle, and even improve cognitive functions. Mark Twain famously said, “Good friends, good books, and a sleepy conscience: this is the ideal life.”
Whether you’re retired like our characters, or just find yourself lonely or feeling isolated, we encourage you to take action! Here are five things you can do to begin creating meaningful friendships.
Remember, forming deep friendships takes time and effort, so be patient and persistent. Don’t be afraid to initiate a conversation and to be the friend you’re looking for.
In case you haven’t heard, we’ve also started a YouTube channel to talk all things retirement!
If you’re interested in checking out our YouTube channel, you can find us at www.youtube.com/@yoursilvercircle Our most popular video, You’re Kids Don’t Want That, already has almost SIX THOUSAND views! Who knew a convo about decluttering would be so popular?!
Sparkle Abbey is actually two people, Mary Lee Ashford and Anita Carter, who write the national best-selling Pampered Pets cozy mystery series. They are friends as well as neighbors so they often get together and plot ways to commit murder. (But don’t tell the other neighbors.)
They love to hear from readers and can be found on Facebook, Twitter, and Pinterest, their favorite social media sites. Also, if you want to make sure you get updates, sign up for their newsletter via the SparkleAbbey.com website
Clicking Our Heels – Killing Our Darlings
/in Clicking Our Heels, How to Write, The Stiletto Gang/by DebraAt some time, every writer has to kill his/her darlings. Here’s how different members of The Stiletto Gang deal with this onerous task.
Dru Ann Love – Luckily, I don’t have to deal with that, but as a reader, I’m not a happy camper when a main protagonist or favorite secondary character is killed. I’ve been known to stop reading a series because of that.
Debra H. Goldstein – Moaning, groaning, cursing, and almost crying, I kill my darlings. The only good thing is that the end they meet is swift.
Saralyn Richard – Killing my darlings (as in characters) is one of the biggest challenges I have in writing. Most of the time, my victims are characters I love dearly. (After all, I’ve created them to be exactly the way I want them.) One of my books, written in third person close POV, takes the POV character through some exceptionally rough times. I identified so closely with her that I felt every slap and sting. I kept telling myself that she would get through this–and so would I.
Donnell Ann Bell – I don’t ever throw anything completely out. Call me a pacifist, but I have a draft file, where I simply imprison unused material. You never know when my muse might say, “Remember a certain passage? It might fit here.”
Robin Hillyer-Miles – Years of working as a civilian graphic designer for the US Navy helped me kill darlings left and right without a care in the world. (Though I do save them in a separate file, just in case.)
Gay Yellen – Sadly, I’ve had to toss two entire subplots in the upcoming book after I realized they weren’t serving the main story.
Barbara Eikmeier – I put them in a document file labeled “cut scenes” so I can visit them whenever I want.
Kathryn Lane – It’s still painful to kill scenes, characters, etc. but I’m getting better about it. I try to think about moving the story forward and that makes me realize (sometimes) when a favorite scene/topic/dialogue/character is not needed.
Anita Carter –
Lois Winston – I’m ruthless. If something isn’t working and can’t be fixed—whether a plot point, a character, dialog, or a scene—I cut it. If I think it might have potential in another book at some point, I’ll save it to a folder of orphaned words. Often, though, I simply hit the DELETE key. I’ve killed many a darling over the years and will probably kill many more in the years to come.
Lynn McPherson – That’s a toughie. I remind myself the goal is to have the best story I can write, so if that means someone has to go, I try to remember they served their purpose and got the story to where it is now.
Linda Rodriguez – I have a file on my computer that’s just called CUTS. I toss any cut paragraphs or scenes or chapters into this file, so they’re saved for later if I need them. I’ve never needed them for that same work, although I have sometimes rescued scenes or characters from the CUTS file to use in a different project.
Mary Lee Ashford – In general, I don’t have a problem with killing my darlings. If it’s not working, it’s got to go. However, there have been scenes that I’ve saved to an “Outtakes” folder on my computer because I knew they needed to be cut, but I really like them and thought they might have a use later on in the story. Or I thought that they could perhaps be reworked and be used in a later book. Over the years, I’ve found that those “darlings” are seldom useable, but it still makes me feel better to set them aside in a folder than kill them off completely.
T.K. Thorne – I deal with it by saving what I have and starting another version. That way, I can always go back to that “darling” and use it or pull from it. I never do, but it’s there with gives me a sense of security. 🙂 In every case, so far, I have liked the fresh version better.
Anita Carter – I’m brutal. I don’t struggle with the delete button. LOL But when I throw out a scene or a fun sentence, I paste it into a “deleted stuff” Word document.
Bethany Maines – That is so hard! I do save my deleted scenes in separate documents. Sometimes I can work them in later, but sometimes that’s just what I tell myself so that I’ll actually delete them. But sometimes, the story changes and I have to pursue what is best for my story. I do think that the more I write, the more callous I become to this problem. I think partially because I’ve become more of a plotter so that I write fewer scenes that require deletion.
Shari Randall/Meri Allen – Killing my darlings kills me! I work with an excellent editor, and time and again, I’ve seen that her suggestions to kill those darlings have made the story better. I’m philosophical about it now, but still, it hurts.