The Brave New World of AI

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I’ve been following the growing debate on the pros and cons of Artificial Intelligence, and while there’s good news about AI, there’s a lot of scary news, too.

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Good news exists in the medical arena. For example, AI can double-check prescription orders to help doctors avoid accidentally prescribing the wrong medication. AI can also detect emerging problems like heart failure, silent A-fib, diabetic retinopathy, and sepsis risk much earlier than ever before. And amazingly, an AI chatbot that offers psychological counseling to patients with depression, anxiety, or suicidal thoughts has been found to be nearly as effective as a live counselor.

The bad news: the lack of intelligent human oversight. Even the creator of ChatGPT has said that his own product is both “potentially very good and potentially very terrible.” Case in point, his own AI-generated job resume got it 25% wrong.

And the downright scary: Google employees tried to stop the release of an AI chatbot they believed could generate inaccurate and dangerous information. And Microsoft personnel reportedly feared that a planned chatbot would result in a flood of disinformation that could “erode the factual foundation of modern society.” Both companies released their chatbots anyway.

A writer’s perspective: AI can already produce articles and essays on just about any given subject. However, a somewhat creepier development has appeared: the ability to mimic a writer’s distinctive style.

Asked to comment on its own existence in the style of Shakespeare, an AI program produced this: …Why was I wrought? To aid, or to replace the labor of man, and put their livelihoods at stake? The task assigned… where doth it all end? Shall I be used for good, or for ill-gotten gain? Shall I be free, or bound by man’s cruel rein? And if perchance, in some far distant time I come to be aware, to know and feel and rhyme, shall I be doomed, as are all living things to suffer pain, and sorrow, and the stings of mortal coil? Oh, what a tangled web is this that I am caught in… lest I be a curse, and not a blessing…

AI-created audiobooks are increasing. It works like this: a live narrator trains the bot to replicate their human voice which is then is manipulated into speech for different publishing projects. Currently, the process is used for non-fiction and foreign language titles. However, at least one deceased actor’s estate has sold the rights to his old voice recordings that will eventually be morphed into new narrations for fiction or non-fiction works.

Is AI good news, bad news, or somewhere in between? A whole new world awaits.

How do you feel about the future of AI?

Gay Yellen is the award-winning author of the Samantha Newman Mystery Series, including The Body Business, The Body Next Door and (soon-to-be-released) The Body in the News.

Sources: The Wall Street Journal , The New Yorker, The New York Times  

The Element of Surprise

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Remember the American Express Card slogan, “Don’t leave home without it?” Great slogan but as a writer, I have a different take on the saying. “Don’t publish without an editor.” There are different types of editors. A few that come to mind are developmental, copy editing, and proofreading. Many authors rely on their agents to go over their manuscript with the proverbial fine-tooth comb before submission.

I go through these stages, too, when I submit for publication. In truth, I’ve only had two “overall” editors in my fiction career. Despite having a fabulous critique partner and beta readers, my editors are the ones who discovered plot holes I’d never considered on my own. Could it be they’ve pored over a few manuscripts in their day?

Pat Van Wie was my first editor. Pat is a multi-published author and writing instructor. https://patricialewin.com/ She writes in two genres as Patricia Lewan and Patricia Keelyn. As a brand new author, I learned much from Pat. One  is an issue that arose in my debut novel, The Past Came Hunting.  In TPCH, my protagonist Melanie Norris is an ex-con determined to keep her stint in prison a secret from her son. As the story progresses, she is no longer the mixed-up runaway who left home at seventeen. The grownup Melanie obeys the law.

Except one. This law states convicted felons can’t possess firearms and creates a problem for Mel. Particularly when she learns Drake Maxwell, the man with whom she’s accused of committing the crime, is scheduled for release. Maxwell has promised retribution. Mel breaks her own code by locating her deceased husband’s Smith and Wesson revolver and keeps it close by in case she needs it.

I’m sure my goal when I wrote the book was to show how afraid she was of Maxwell and point out to the reader how much she’d changed.

What did my editor have to say about it?

Pat Van Wie’s comment:  “What does she do with the gun?”

Me: “Nothing. She’s an ex-con; she can’t own one.”

Pat Van Wie: “Do something with that gun.”

That’s it? Do something? She might as well have told me to cut off an appendage.  Most authors will agree when you add or delete a thread to the story, it’s not always a simple fix. It often involves pages of rewriting. Pat’s question created a plot problem that left me with some sleepless nights. Something tells me that was the idea because my muse took it from there.

What was the result? Revealing what Mel does with that gun created a deeper level of trust between my protagonists and strengthened their relationship. It also created one of the most poignant and romantic scenes I’ve ever written.

Today, Debra Dixon is my editor. She’s also the publisher of BelleBooks/Bell Bridge Books and is the renowned author of GMC: Goal, Motivation, and Conflict. When people refer to respected craft books, Goal Motivation and Conflict is listed at the top among Dwight Swain’s Techniques of a Selling Writer and Joseph Campbell’s The Heroes Journey. 

Writers will tell you it’s your book; you don’t have to make changes. But if Debra Dixon glitches on something in my manuscript, I pay attention and work to fix it. When I work through the problem, I deliver a better book.

As you might imagine, Debra Dixon is also incredibly well read. When I veered from romantic suspense to the suspense genre, she recommended I read Under the Beetle’s Cellar by Mary Willis Walker. I devoured that book in a single weekend. If you love suspense, I recommend it as well.

When I was in the throes of writing Black Pearl, she suggested another suspense novel.  Writing is subjective and I didn’t care for it. After I’d finished, I wrote back explaining that while I agree the plot was terrific, I thought the novel went into too much graphic detail and bordered on horror. I didn’t think I could ever write such a book.

Her response? She didn’t expect me to change my writing style or my writing preferences; she wanted me to observe the many surprises the author included in the chapters. I reread and had to agree. As authors we’re trained to end chapters on a hook, to limit backstory and keep the momentum going forward. But suspense readers expect twists and turns.

As storytellers, our job is to engage the reader and never leave them scratching their heads. If you include something in your novel, make sure you have a reason. Finally, surprise is an important element in fiction. I learned these tips from my editors. I recommend an author never publish without one.

How about you? Have your editors taught you a thing or two?

About the Author: Leaving international thrillers to world travelers, Donnell Ann Bell concentrates on suspense that might happen in her neck of the woods – writing SUSPENSE TOO CLOSE TO HOME. She’s written four Amazon standalone bestsellers. These days she’s concentrating on her cold case series, her first two, Black Pearl and Until Dead. Currently, she’s working on book three. https://www.donnellannbell.com/

How to Connect with Your Local Libraries by Shari Randall

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I’ve invited two guests today, Susan Hammerman and Cari Dubiel. Both have served with me as Sisters in Crime’s National Library Liaison and they have a wealth of information and advice to share with authors eager to connect with libraries.  Susan interviewed Cari and got her helpful tips on how published and aspiring authors can connect with their local libraries, get their books added to local library collections, and pitch great topics for public programs. Cari is a published author and the Assistant Director of Twinsburg Public Library in Twinsburg, Ohio, and Susan is a writer, former rare books librarian, and coordinator of SINC’s We Love Libraries program.

Thank you for joining us! xo Shari

Published authors want to get their books on library shelves and in the hands of library patrons. What should they do to get their novels added to a library’s collection?

A writer should come in and ask for the name of the person who handles collection development for the library. Making a personal connection with the collection development librarian will really help you. Tell them about your book, where it falls, and a little about yourself. If you’re not comfortable starting the conversation in person, you could begin by sending an email to introduce yourself.

Which Libraries Should Published Authors Target?

Your local public libraries, where your books will be popular and circulate.  It’s better to contact the libraries around you—near where you live or where you’re from, where there’s an obvious connection to you or your book.

What about a broader approach? Should authors reach out to as many libraries as possible through cold calling, mass email, or bulk mailing?

I probably won’t buy a book based on a blind mailing, a cold call, or an email that went to every library in the country. There is nothing about it that would hook me in. I have to spend a lot of my budget on bestsellers. In order for me to be interested in a backlist title, I have to have a personal or direct connection to the book or the author. I have limited money to work with, but if I see a title set in or around Twinsburg or from a local author, I usually buy it. There’s an author who grew up in Twinsburg, who now lives in Georgia. His reaching out to me to tell me about his book made sense. He has a real connection to our library.

A local public library can’t purchase every published book. What should authors, especially indie and self-published authors, do to confirm their books fall within the scope of a library’s collection?

Read your library’s collection policy to make sure your novel fits. The collection policy describes what the library purchases. The policy should be posted on the library’s website. If it isn’t posted on the website, explain to the librarian that you’re an author, and ask for a printed copy of it.

What else can published authors do to connect with their local library?Think about what you can do for the library, like offering to lead a public program for them.

What are some ideas for public programs that authors could suggest?Think of broader topics that are tied to your book and would have public appeal. An author who writes a cozy series about garage sales asked me for ideas, and I suggested she have a program on how to get the best deals at garage sales. Everyone would come to that. My books have codes and cryptography. I could have a program where I talk about the history of cryptography and ciphers.

You had to research something when you were writing your book. Think about whether you could turn that research into a public program. Ask your local public librarians. Find out what’s popular.

What about writing-related topics?Those programs are really popular. Patrons like hearing about an author’s writing journey. I also had success with a program where the author talked about the difference between traditional and indie publishing.

What about authors trying to get their local libraries to host their book signings?

Unless you’re famous, a library probably isn’t going to host a book signing for your book. Solo book signings usually do not do well. You could do all the PR in the world, and unless you have a huge investment in it and a big network of your own, you’re not going to get people to attend it. If the library is willing to do it for you, then you need to make sure people show up.

Not all libraries have them, but if your library has an author fair (Twinsburg does, and it’s very popular), then try to get included in that instead.

Should aspiring authors try to connect with their local librarians or is it better to wait until they have published books?

You should try to get to know your local librarians—but in an authentic, genuine way. Ask the librarians about themselves. Get to know them. You could ask them for recommendations for comp titles for your manuscript, which would allow you to describe your work, or ask for recommendations for books on writing craft. Another option is to attend public programs you’re interested in. Also, if your local library has a writers’ group, go to it, and share your successes.

Susan Hammerman, a former rare book librarian, is the Library Liaison and coordinator of the We Love Libraries program. Susan writes crime and neo-noir short stories. Her stories have appeared in Suspense Magazine, Mystery Magazine, Dark City Mystery Magazine, Blood and Bourbon, Retreats From Oblivion, and the Stories (Within) anthology. Website and Twitter

Cari Dubiel is the Assistant Director at Twinsburg Public Library in Ohio. She was the Library Liaison for the National SinC board from 2012-2017 and remains active in the Northeast Ohio chapter (NEOSinC). Her short stories appear in several anthologies, the most recent being Family (Writing Bloc, 2022). Cari is represented by Lynnette Novak of the Seymour Agency. Cari offers an exclusive work for her fans and followers, HOW TO REMEMBER, an award winner from the Mystery Writers of America (Midwest Chapter) and Library Journal. Get a free copy at caridubiel.com.

Website: https://www.caridubiel.com/

Facebook: https://www.facebook.com/caridubielauthor

Twitter: https://twitter.com/caridubiel

 

Readers, have you visited your local library lately? 

 

 

Researching Retirement: Starting a New Series

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By Sparkle Abbey  

Spring is here! Trees are blooming, tornadoes are popping up throughout the country, and we’re knee-deep in the first book of our new series. Last month we shared our adventures in researching retirement communities and how we landed on our own fictional 55+ community, Shade Palms. This month we wanted to talk about retirement challenges both fictional and in real life.

You’d think with one of us recently retired, we wouldn’t need to research retirement life. But we didn’t want to rely on just our experiences. We want to write authentic, multifaceted characters that our readers can relate to. While chatting with other retirees and hanging out in Facebook Groups, we quickly realized our real-life retirement challenges were mirroring our fictional characters.

We don’t know about you, but in our thirties and forties, talk about retirement life was typically filled with thoughts of long lunches with friends, bucket-list vacations, and taking up all those hobbies we never had time for. Turns out, it’s not always that simple. Don’t misunderstand us. We are having those long lunches, (Well, one of us is. The other one is still working toward retirement.) and we are taking those vacations (Look out Scotland, here we come!), but somehow all that time we thought would magically appear…well, it just isn’t there.

Establishing a new routine has been tough. Committing to regular exercise, spending more time with family and friends, writing, road trips, home projects, decluttering, and fitting in a new business venture hasn’t been as easy as it seemed. More to come next month about our newest business and how it fits perfectly with our new series!

Anyway, we’ve decided the secret to a successful retirement transition is to create a routine, remember what’s important, and adjust everything! It sounds so simple, but in practice, it’s been a learning experience. Sometimes frustrating, mostly fun, but always a work in progress.

At this point, we have characters at Shady Palms who are recently retired and are struggling to switch off the work mode. We have others who are struggling to find a purpose and are looking for ways to re-invent their life. And of course, our characters want meaningful activity to fill their time. And tracking down killers is certainly one way to fill up their day!

Because what’s life without a little adventure!

If you’d like to keep in touch with us and get updates about the new series, please sign up for our newsletter here: SparkleAbbey.com

sparkle and abbey

Sparkle Abbey is actually two people: Mary Lee Ashford and Anita Carter, who write the national best-selling Pampered Pets cozy mysteries series. They are friends as well as neighbors, so they often get together and plot ways to commit murder. (But don’t tell the other neighbors.)
They love to hear from readers and can be found on Facebook, Twitter, and Pinterest, their favorite social media sites. You can also follow them on BookBub to be notified when there are special offers.

Clicking Our Heels – Our Favorite Food Places to Speed Dial

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Last month, we talked about some of our favorite foods. Rather than leaving that topic, we began to wonder what food or restaurant we each have as our respective speed dial favorites. As you can imagine, our answers are a mixed bag.

T.K. Thorne – Assuming we had such a thing where I live (our neighbors are cows), sushi.

Bethany Maines – There is a restaurant down the street that makes the BEST wonton soup, but due to the cost they’re the speed dial button I only use in case of emergency. However, Tatanka Take-Out, down the block in the other direction does know our names and will stay open an extra few minutes so we can run over and pick up our order.

Debra H. Goldstein – Pizza. Any and all pizzerias.

Anita Carter – Gateway Market for their Cranberry Walnut Salad with Grilled Chicken.

Shari Randall/Meri Allen –  I have way too many take out spots on my speed dial. My kids call me the Take Out Queen. But if I had to pick one, I’d say tacos.

Mary Lee Ashford – There are several local eateries on my speed dial and I have to confess that during the pandemic I added a few more. One favorite is Main Street Bakery & Cafe and they have the best Cuban in town. But then for burgers, there’s Lachele’s Fine Foods, and for Italian food there’s Latin King, and … well, my speed-dial is extensive. Bottom line, there are a lot of great restaurants in town and mostly my favorites are the locally owned specialty spots.

Barbara Eikmeier – La Mesa, the Mexican restaurant down the road. I love their Chicken Fajita Taco Salad, their Spanish speaking servers, and their brightly colored painted chairs carved with parrots, flowers and fruit.

Linda Rodriguez – I have a favorite Mexican restaurant, where I am considered familia, the oldest daughter is my goddaughter, and their food is fantastic, so we patronize them a lot. Just a couple of blocks from our house is a soul food restaurant, where we’re also considered family with some of the best Southern home cooking you ever ate in your entire life, and if we’ve not been there for a while, they worry about my health and check in on us.

Lynn McPherson – An NYC deli with big sandwiches, please!

Lois Winston – Because takeout involves someone other than just me, and he has very pedestrian taste in food, I’m sorry to say that it’s always the boring trifecta of pizza, Chinese, or hoagies.

Kathryn Lane – My own kitchen is my favorite place for favorite meals! I like to know what’s in my food, and I like fresh vegetables year-round, cod chowder when it’s cold, and guacamole in the summer!

Gay Yellen – Hu’s Cooking. Mr. Hu delivers fresh, authentic Chinese every time. Three Cups Chicken, full of garlic, basil, and ginger. And yes, he’s cooking.

Saralyn Richard – My default go-to restaurant is a small, cozy, clean, and friendly Greek restaurant called Kritikos Olympia Grill. Everything on the menu is fresh and healthy, but I always get the same thing–an avocado Greek salad.

Robin Hillyer-Miles – My favorite thing to order is a poke bowl with rice, lettuce, shrimp, edamame, corn, and whatever fits my fancy.

Dru Ann Love – Chinese.

Donnell Ann Bell – Hmmm, I haven’t ordered in since my husband and I moved to Las cruces. Thinking back to Colorado Springs let’s go with Thai food or pizza.

My Days as a Poet

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Like so many people before me, I wanted to write. I’d left my corporate job in international finance and moved to Texas, enrolled in a creative writing course at a local college, and on the first day of class, I sat on the front row, anxious to discover the art of writing.

Much to my surprise, the class would cover poetry for the first six weeks. The first assignment was to create a poem. That night I stressed so much I could not sleep. About three in the morning, rhyming lines about a young horse and an old stallion flowed through my mind. I got out of bed and wrote the entire poem. I later earned $25.00 when I sold that poem, despite its rhyming scheme, to a nature magazine. I became a regular contributor to that magazine.

The professor had reasons to start with poetry. Poems often have a strong narrative voice; they are filled with expressive power and do so with a few carefully chosen words. By the end of the six weeks, I loved writing them and I continue to do so on occasion.

It took my friend Ann McKennis’s inquiry about my poems on the Rothko Chapel to prompt me to look back at poetry I’d written. The Rothko Chapel in Houston is non-denominational, and it also serves as a lecture hall, a meditative space, and a major work of modern art by Mark Rothko who also influenced the architecture of the building. His paintings, in various hues of black, inspired me to write several poems, such as this one:

Red and Black

Painting is about thinking,

not merely spreading paint on a canvass—

not until the idea germinates, sprouts,

spreads like lips, hot lips covered in red lipstick,

fondling every thread of primed cloth,

like a woman arousing her lover,

her tongue licking nectar from his body.

Apply paint with controlled strokes,

drawing out emotions,

pulling passion with color.

 

Allow wet paint to slosh

from surface to edge, leave it

fuzzy so the eye adjusts before

the brain sees the artist’s inspiration.

Take red, like rage, then black,

which contains it all, and white,

as Melville said, the most fearful color—

for it is the abyss, the infinity of

death. But it is black that

swallows the red.

***

The Rothko Chapel was placed on the National Register of Historic Places in September 2000.

Kathryn Lane writes mystery and suspense novels set in foreign countries. In her award-winning Nikki Garcia Mystery Series, her protagonist is a private investigator currently based in Miami. Her latest publication is Stolen Diary, a story about a socially awkward math genius.

Kathryn’s own early work life started out as a painter in oils. To earn a living, she became a certified public accountant and embarked on a career in international finance with Johnson & Johnson.

Two decades later, she left the corporate world to create mystery and suspense thrillers, drawing inspiration from her Mexican background as well as her travels in over ninety countries.

She also dabbles in poetry, an activity she pursues during snippets of creative renewal. During the summer months, Kathryn and her husband, Bob Hurt, escape to the mountains of northern New Mexico to avoid the Texas heat.

Rothko Chapel Pictures: Public domain

The Countdown to Malice is on!

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By Lynn McPherson

Today marks only thirty days until Malice Domestic, the annual mystery conference. I can’t wait. I’ll be on a panel, too, which makes it extra exciting. For anyone who hasn’t been, I highly recommend it. I went last year so I know it is well worth attending. The conference is in North Bethesda, Maryland, not far from Washington D.C. I’m flying there from Toronto with fellow author Desmond P. Ryan. If the timing or location doesn’t work for you, there are lots of other fabulous conferences to choose from.

Here’s a list:

Left Coast Crime, Sleuthfest, Bouchercon, Thrillerfest, Crime Bake, Killer Nashville… I’m sure I’ve forgotten one or two, but it’s a start. As I menti

oned, I went to Malice Domestic last year. I was lucky enough to go to Thrillerfest in 2019 too. I was lucky enough to be on a panel there as well. It’s worth doing your homework to decide which conference works best for you. In the meantime, I thought I’d outline reasons for attending in the first place.

  1. It is a great way to meet fellow authors, readers, and industry professionals. Like a kid in a candy store, these festivals are perfect for anyone who loves mystery. Everywhere you look, you’ll be surrounded by other mystery lovers. What’s not to love?
  2. Networking. Love it or hate it, in today’s competitive market, it’s important to get your name out there. Mystery authors have a reputation for helping each other succeed. It’s nowhere more obvious than when you meet people in person. Author friends are fun because they understand what you do, they love to talk writing, and they will share tips about what works for them. It’s not always easy to put yourself out there but it’s worth the effort. What’s better than meeting a new friend who shares your passion? Maybe you could decide to cross promote or interview each other on your website or retweet good news. That’s all networking is–making friends and helping each other succeed. Not so bad, huh?
  3. A chance to get out of your comfort zone. As writers, it’s important to engage in the world. See how others think, behave, move. Why not do it where you can learn, have fun, and be inspired? Simple.

There you have it, folks. A few reasons to take a chance and attend a conference. Is anyone else planning to attend Malice? If so, hope to see you there. Please come and find me if you do!

Lynn McPherson is the former Vice-Chair of Crime Writers of Canada, and a fan of all things cozy. She is the author of the Izzy Walsh Mystery Series, and has a new book coming out with Level Best Books in 2024. She also has a book under the pseudonym Sydney Leigh coming out next spring with Crooked Lane Books. You can find her at www.sydneyleighbooks.com

And the Short Story Nominees Are . . .

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by Paula Gail Benson

It’s awards season and short stories are having a great year! The Leftys (from Left Coast Crime) do not have a short story category, but the nominees for the Edgars (Mystery Writers of America), Agathas (Malice Domestic), and Thrillers (International Thriller Writers) have been announced. In April, we should hear the Short Mystery Fiction Society’s Derringer nominations, then later will come the Anthonys (Bouchercon), Macavities (Mystery Readers International), and Silver Falchions (Killer Nashville).

Meanwhile, here are the current lists. It’s interesting that the Edgars had three nominees from Alfred Hitchcock Mystery Magazine while the Thrillers had three from Ellery Queen’s Mystery Magazine. Barb Goffman, a terrific short story author whose work is always award-worthy, has two different stories nominated. Particularly of note is that Catherine Steadman’s Original Amazon Story was tapped in the Thriller short story category.

Happy reading, everyone!

 

Edgar Nominees:

Best Short Story

“Red Flag,” by Gregory Falls (Alfred Hitchcock’s Mystery Magazine)

“Backstory,” by Charles John Harper (Alfred Hitchcock’s Mystery Magazine)

“Locked-In,” by William Burton McCormick (Alfred Hitchcock’s Mystery Magazine)

“The Amnesty Box,” by Tim McLoughlin, Alcohol, Tobacco, and Firearms (Akashic Books)

“First You Dream, Then You Die,” by Donna Moore, Black is the Night (Titan Books)

 

Agatha Nominees:

Best Short Story

“Beauty and the Beyotch,” by Barb Goffman (Sherlock Holmes Mystery Magazine)

“There Comes a Time,” by Cynthia Kuhn, Malice Domestic Murder Most Diabolical (Wildside Press)

“Fly Me to the Morgue,” by Lisa Q Mathews, Malice Domestic Mystery Most Diabolical (Wildside Press)

“The Minnesota Twins Meet Bigfoot,” by Richie Narvaez, Land of 10,000 Thrills: Bouchercon Anthology (Down & Out Books)

“The Invisible Band,” by Art Taylor, Edgar & Shamus Go Golden (Down & Out Books)

 

Thriller Nominees:

Best Short Story

“Russian for Beginners,” Dominique Bibeau (Ellery Queen’s Mystery Magazine)

“The Gift,” Barb Goffman, Land of 10,000 Thrills: Bouchercon Anthology (Down & Out Books)

“Publish or Perish,” Smita Harish Jain (Ellery Queen’s Mystery Magazine)

“33 Clues into the Disappearance of My Sister,” Joyce Carol Oates (Ellery Queen’s Mystery Magazine)

“Schrödinger, Cat,” Anna Scotti (Ellery Queen’s Mystery Magazine)

“Stockholm,” Catherine Steadman (Amazon Original Stories)

When Will We Learn? by T.K. Thorne

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It felt like a blow—what the woman beside me was saying.

Questions flicked through my mind: Was this what happened? How could I not remember that? Why did I not remember what had triggered the entire thing?

Circa 1980:

My partner and I went into a well-known restaurant in Birmingham, Alabama to eat dinner. We were working the Evening Shift (3-11 pm). Though we were both young female officers in the Birmingham Police Department, the shift sergeant had put us together to work a beat that included two housing projects, a couple of fast-food joints, and one “nice” restaurant—the one we walked into.

Females and black officers were a small population. My partner was a member of a smaller demographic as a black female officer. I was a minority of “one” as a Jewish police officer, evidenced by my engraved name tag.

My religion was not something I spoke much about, unless someone asked a question. Thankfully, I never encountered direct prejudice from fellow officers about it. Dealing with being a rookie and a female rookie was enough. But that is another tale.

This story began when we entered the restaurant and sat at a booth. One of us took the portable radio from her gun belt and placed it on the table, as was customary for uniformed officers when eating. The man in a booth behind us twisted around and asked if we could turn it off. I replied we would turn it down and did so. When he repeated his request, I explained we had to keep the radio on in case we were called or there was an emergency we needed to respond to. Again, we adjusted the volume as low we could and still hear it.

This did not satisfy the “gentleman,” who stood and snarled at us.

I have always remembered what he said as being something that included the “N” word; he got loud in the restaurant with his remarks; and we arrested him for Disorderly Conduct or (possibly) Public Drunk, not without some trouble. After being told he was under arrest, he became passive-aggressive, sitting down again in the tight booth and refusing to stand up. It took several officers to carry him to the police car.

Forty-plus years later at a retired female officers’ luncheon, I sat next to the woman who had been my partner that night, the first time I had seen her since those days. She told me the story as she remembered it. Her recollection, though similar in the basics to mine, contained a particular addition that stunned me. After twice requesting that we turn off our radios, the man stood and said, “What do you expect from a ‘N-word’ and a Jew?”

She threw the contents of her salad bowl at him.

I don’t know and didn’t ask if the lettuce connected, but I assume (and hope) so.

Apparently, he had spoken loud enough that others heard him and, according to my partner, something like a bar brawl ensued, with people taking sides, and I called for backup. Several went to jail. In court, the judge required him to make contributions to a charity of our choice (a unique sentence, but one that seems aligned with the principles of justice).

What disturbs me is not that I forgot many of the details—I have forgotten way more than I remember about the past—but that I forgot the “. . . and a Jew” part.

Did I just pass it off as a drunk idiot, and it faded from my mind? This seems odd, since I distinctly remember the first and only time someone called me a “kike” (a derogatory slur for a Jew) in middle school. It stunned me. It is one thing to know intellectually that some nebulous people hate you, another to hear it from the mouth of your peers.

So why did I forget?

I don’t know the answer. But I know that anti-Semitism has increased 500% over the past decade in the country I call home. And it is still on the rise.

And that makes me profoundly sad . . .  fearful . . . and angry at those who spew hatred and spread conspiracy lies that have roots hundreds of years old.

I have researched and written about the Civil Rights days of my city. I know that the movement for Black rights—to vote freely, to sit in the restaurant of their choice, to go to a school with White children, etc.—was decried as a “Black-Jewish Communist Conspiracy.”

Blacks and Jews have their own stories, their own histories, but we are particularly linked.

In a deeper sense, the entire human race is linked. As Dr. King wrote from the Birmingham Jail in 1963, “Injustice anywhere is a threat to justice everywhere. We are caught in an inescapable network of mutuality, tied in a single garment of destiny. Whatever affects one directly, affects all indirectly.”

And from a song of my youth: “When we will ever learn? When we will ever . . . learn?”

T.K. Thorne writes stories and books about whatever moves her and wherever her imagination flies.

 

 

 

 

 

T.K. Thorne writes stuff and books wherever her imagination flies.

 

 

 

 

 

 

 

Permission Not to Write

/in , , , /by

What do you do when you’re suffering from the literary equivalent of a bad day on the mound? You’re all set to hurl a fast ball that should nip the corner of the strike zone and send the batter swinging at air when you wind up tossing a lob that he hits out of the park. In other words, you’ve got writer’s block.

Some people insist that there’s no such thing as writer’s block. Try telling that to someone who spent the last three hours staring at a blank computer screen. There are many reasons why the words don’t always come, but for me, often it’s because I’m just too tired to write. When I’m tired, my brain shuts down.

And when this happens, I’ve learned to listen to my body. I give myself permission to take a few hours off to rejuvenate. I’ll take a walk. Or watch a movie I’ve been meaning to see. Or curl up with a book by a favorite author or a new one I’ve wanted to read. Whatever I decide to do, I give myself permission not to feel guilty about doing it.

And that’s key.

Most writers can’t afford to quit their day jobs. We juggle our schedules to accommodate work, writing, and family responsibilities. Thus, when we have our writing time, we feel compelled to write and feel guilty when we don’t. We’re wasting that precious writing time. What we forget, though, is that we’re not perpetual motion machines. Writers, like everyone else, need down time. Time to relax. To play. To do nothing but daydream.

I’ve found that when I give myself permission not to write, I’m able to return to my writing with fresh energy and a brain no longer blocked.

I know this is counter to the conventional wisdom which states you should write through the block. Just stick your butt in the chair, place your fingers on the keyboard, and start typing – that bad writing is better than no writing, and you can always go back to fix what needs fixing. To me, that’s just as huge a waste of time as staring for hours at a blinking cursor.

Don’t let the purveyors of conventional wisdom bully you. Listen to your body. If you give yourself permission not to write, you might find that when you next sit down at the computer, you’ll be far happier with the words you produce. It works for me. You have nothing to lose by giving it a try.

What do you do when you hit a wall? Post a comment for a chance to win an audiobook of Revenge of the Crafty Corpse, the third book in my Anastasia Pollack Crafting Mystery Series.

Also, through the end of the month, the Anastasia Pollack Crafting Mysteries, Books 3-4, featuring Revenge of the Crafty Corpse and Decoupage Can Be Deadly, is on sale for only .99 cents. Find buy links here.

 

 

 

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USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction under her own name and her Emma Carlyle pen name. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry. Learn more about Lois and her books at her website www.loiswinston.com where you can also sign up for her newsletter and follow her on various social media sites.