The Poet

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By Barbara J Eikmeier

One of my writing teachers is a poet. I saw him last week in the coffee shop. He wasn’t at his usual table, near the window where the light is best. This day, his table was next to the fireplace, where it’s warmer.  Sheets of paper spilled across the table with a book of quotes opened in front of him.

I look for him every time I’m in the coffee shop. Pre-pandemic he wrote there three times a week.

Years ago, I took writing classes from him. He taught me about expansion and contraction – taking one line of free writing and expanding it to fill a whole page, then taking the full page and editing it down to one paragraph. He said, “Sometimes we don’t know what we are writing about until we uncover the core truth in our words.”

When I bought a little book of poems from him, I learned he was also an artist – his sketches graced the bottom of each page. A graduate of the Kansas City Art Institute, he taught art and poetry to inmates in the 1970s. He thought if people read more poetry there would be less crime.

There, in that little coffee shop, I began taking drawing lessons from him. Under his tutelage, I learned to draw without looking at my paper. He said, “When you don’t look you draw what is true.” They looked like scribbles to me, but he praised my pencil lines as being honest. In the beginning I paid him. Then one day he asked if I would read his poetry in exchange for drawing lessons. I admitted I didn’t know much about poetry, but I knew when I liked it. That was all he wanted, for me to read his poems and tell him what I liked. He wrote a poem every day and typed as many as he could fit on one page, arranged in columns. At each art lesson he gave me another manila envelope filled with poems. My instructions were to circle 2 favorites and 2 least favorites on each page. In exchange I learned to draw trees and leaves, human hands, and coffee shop scenes of people deep in thought.

Between my travel and his vacations, we stopped meeting. Our visits were reduced to the times I saw him in the coffee shop. Then came the pandemic and he disappeared.

Last week, he was seated with his wife whom I’d never met. I went to him, squatted down and said, “Ah there you are! What are you writing today?” He looked up, his blue eyes watery and vacant. I asked, “Do you remember me?” He said, “I think so.” I looked across the table to his wife. She smiled a tight, sad smile and said, “He’s not so well.” Turning back to him I said, “You taught me to draw in exchange for reviewing your poetry. I’m Barb.” His wife’s smile broadened as she told him, “It’s Barb. The quilter.” I chatted briefly with her – long enough to learn that she knew everything about me from those days when he gave me lessons. I went back to my table and ate my pumpkin bread, aware with each bite that he was the one who introduced me to that amazing pumpkin bread. As I prepared to leave the coffee shop I returned to his table. This time he looked up at me with recognition in his eyes. “You’re the quilter! You read my poems.”

Eight years have passed since he gave me permission to use one of his poems in my novel. I have a new motivation to finish the revisions and get it published: I wrote a scene in it where my teacher, the poet, is reading his poem on a radio show. It’s a beautiful scene. I’d like him to see it in print.  Time won’t wait. That’s the truth.

Barbara J. Eikmeier is a quilter, writer, student of quilt history, and lover of small-town America. Raised on a dairy farm in California, she enjoys placing her characters in rural communities.

Always the Season for Kindness

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By Saralyn Richard

Photo courtesy of Jasper Garratt and Unsplash Free Photos

When I was an English I teacher, I assigned my students a “Day of Kindness” paper, based on the Shirley Jackson short story, “One Ordinary Day, With Peanuts.” The resulting papers and speeches led to a powerful discussion of good and evil, and how doing good deeds made the world a better place, even for the giving party.

That same concept of good vs. evil is basic to most mystery novels, including the Detective Parrott mysteries. Parrott, like most real-life law enforcement officers I know, chose the profession because he wanted to seek truths, right wrongs, administer justice, and bring a measure of peace and closure to victims and their families.

Sometimes his is a thankless job. The person most grateful for Parrott’s solving a crime might be the deceased victim. But Parrott finds satisfaction in his role, whether he is turning up evidence to prove someone’s guilt or someone’s innocence. In either case, he is protecting the community.

Parrott can be tough when he needs to, but underneath it all, he’s a kind and caring human being. Over and over again, readers see the kindness and compassion he shows to his wife, his mother, his boss, and even his suspects.

Fortunately, we don’t have to be detectives to follow Parrott’s example. We can show kindness at this season, and in every season. Anyone who’d like some fresh ideas for acts of kindness to perform might check out this list.

If you’re inspired to do a good deed by this blogpost, I’ll ask you, as I asked my students, what did you do, whom did you help, what reaction did you receive, and how did the experience make you feel? I hope you agree—it’s always the season for kindness.

Saralyn Richard writes the Detective Parrott Mystery Series, two standalone mysteries, and a children’s book narrated by her Old English sheepdog, Nana. To learn more about her, click here.

Growing as a Writer: My Trek Down Memory Lane

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Author Donnell Ann Bell

By: Donnell Ann Bell

Years ago, when I left my newspaper job and turned to fiction, I was forced to become educated in a short amount of time. I also can assure you during that period, the self-assured nonfiction writer was humbled (Please note:  I’m already pretty humble!).

WHAT I LEARNED:

There is a huge difference between fiction and nonfiction.

In journalism we’re taught not to editorialize, even when we are outraged, the topic turns personal, or we are particularly moved. While in fiction, we’re encouraged to do the opposite. Develop interesting characters, express their points of view, and show emotion on the page. Whether you’re writing science fiction, historical, fantasy, mystery, romance, the list goes on, in fiction, if your reader can’t relate to your character (or to put it bluntly—couldn’t care less), you’ve lost your reader.

To stress my point, as a new fiction writer, I once entered a contest in which New York Times Bestselling Author Suzanne Brockmann was my judge. She scribbled on my entry the following words, and trust me, she got her point across. “You write well BUT HOW DO THEY FEEL?”

There’s this thing called genre

Quite soon after I switched to fiction, I was told I should join a local writing group. To become a member, however, I would need to join the parent organization Romance Writers of America®. Both organizations during my tenure were stellar, and I credit both with my early fiction education. During my time with Pikes Peak Romance Writers, I attended something known as Open Critique (an avenue provided to writers not in a person’s regular critique group to provide fresh insight.) Here, I discovered another anomaly about fiction.

Fiction is broken into genres. To complicate matters, subgenres are often attached to the genre, oftentimes subs attached to the subgenres! On one Sunday afternoon, I submitted my perfectly written chapters, waited for the accolades, only to be met by the confused faces of my peers. “Why is this person skulking about? Who is he, and why should we care?” the OC leader demanded.

“I’m writing a mystery,” I stammered. “I can’t tell you that yet.”

That’s when I learned I was surrounded by romance writers who didn’t read my favorite genre. Further, they obviously couldn’t relate to what I was writing. One by one, in a chorus of agreement, members of the critique group asked me to explain upfront what my character was up to. Hardly conducive to my mystery plot. Imagine in The Cask of Amontillado, if Montressor had to reveal his plans for Fortunato in Chapter One. Edgar Allan Poe’s distinguished career would have been short lived, indeed!

Fortunately, I found a romantic suspense chapter in RWA® and remained in that group for many years.

But then I learned . . . .

Genres and subgenres evolve.

Much like society, authors change their mores and preferences. Romantic Suspense, which I enjoyed writing (and still do), began heating up the pages. Readers obviously adored the added sizzle, and publishers and their marketing departments noticed. Management conveyed those statistics to their editors. Editors spoke to the agents, and naturally my agent listened closely.

She asked me to spice up my unpublished novel, which back then was winning awards. The unpublished title was Walk Away Joe, and as an aspiring author who wanted to sell, I did my best.  Unfortunately, I found I didn’t enjoy writing hot and steamy; I preferred suspense. Don’t get me wrong, if my book called for a sex scene, I was all in. I just didn’t enjoy writing copious amounts of it. Further I don’t do gratuitous anything—whether it be violence or sex.

Around this time, my agent and I parted ways. By then, my second unpublished novel, DEADLY RECALL Deadly Recall | Romantic Suspense Thriller | Author Donnell Ann Bell, finaled in a major contest, and I queried BelleBooks, who is my publisher to this day. Pat Van Wie bought the book and would become my first editor. Still, in my editorial letter she told me to get rid of so much sex. We’re buying you because of your suspense. Not very flattering about the added sex scenes I’d worked hard to include. But truth be told, I was vastly relieved.

Walk Away Joe became THE PAST CAME HUNTING. It still includes a couple of sex scenes, and the chapters are loaded with romance and sexual tension. In my opinion, though, I left the critical scenes that belong in the book.

Years have passed since my debut book was published, but it remains one of my most popular books. And . . .  as it turns out my publisher has put it on sale for .99, but the sale ends tomorrow, November 15! So, if you’re interested, grab yours quick!

These days I belong to Sisters in Crime, Mystery Writers of America, and International Thriller Writers. My editor is Debra Dixon, one very smart woman and the touted expert on Goal, Motivation, and Conflict. I write task force suspense and single title romantic suspense and my learning trek continues every day.  https://www.donnellannbell.com

As I close out this blog, I’m curious about my fellow Stiletto Gang authors and others who may be weighing in. Was your journey anywhere close to mine? What early lesson(s) did you take away that led to what you write today? In other words, how have you grown as a writer?

Till next time!

 

Creating (and Eliminating) Secondary Characters by Judy Penz Sheluk

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Delighted to welcome Judy Penz Sheluk as my guest this month. The characters in her books are always so realistic and fun that I was thrilled she picked them to talk about. Enjoy! – Debra

Creating (and Eliminating) Secondary Characters by Judy Penz Sheluk

Several years back I had the pleasure of attending an event that featured Giles Blunt, author of the much-lauded Detective John Cardinal mystery series (if you haven’t read him, or watched the TV series, Cardinal, based on his novels, you must). At one point in the evening, an audience member asked Blunt why he’d killed off Cardinal’s wife, Catherine, in By the Time You Read This, the fourth book in the series. Blunt had laughed and then said, “Truthfully, I got tired of writing about her.”

Maybe it’s “fourth book syndrome,” but I felt the same way about the cast of secondary characters I’d created for my Marketville Mystery protagonist, Calamity (Callie) Barnstable as I started to write Before There Were Skeletons.

If you’re not familiar with them, they included: Misty Rivers, a self-proclaimed psychic; Chantelle Marchand, Callie’s best friend, also a personal trainer and budding genealogist; and Shirley Harrington, an archives librarian. All three of them served important roles (with varying degrees of involvement) in the first three books, but with the last book (A Fool’s Journey) released in 2019, it just seemed to me that by 2022 their lives would have changed.

Of course, I didn’t ditch them without a mention—that would be unfair to the characters, as well as to followers of the series—and unlike Blunt, I wasn’t ready to kill them off. After all, I might want to bring one or more of them back some day. And so, I gave Misty a very small, but important role, allowed a glimpse into Chantelle’s new life, and retired Shirley (literally), sending her to winter in Florida (hey, she’s Canadian and snowbirds love Florida).

Dispatching those characters felt liberating, but it also left me with a hole to be filled. Enter a tech-savvy twenty-four-year-old woman currently employed as a waitress at her stepbrother’s diner, Eggstravaganza, and, thanks to an ex-boyfriend who drained their joint bank account, is also living in an apartment above the diner.

What this new character lacks in investigative experience will be made up for in her enthusiasm to learn from Callie while doing boring grunt work, like digging through newspaper archives. This works well in two ways: it frees Callie up to tackle more interesting avenues, and since the story is told from Callie’s point of view, I can also spare readers the tedium of the archival research.

In addition to creating a past and a present for my new character, however, I also needed to come up with a name. I had the last name, Hopkins (in homage to a late friend), but hadn’t quite come up with a first name. And then, while reading the closing credits of Yellowstone, I spotted the name Denim Richards (a fabulous actor who portrays ranch hand Colby Mayfield).

Denim Hopkins, I thought. No reason Denim couldn’t be female. In fact, it was perfect. And her half-brother, the one who owns the diner? Levi, of course. As Denim explains to Callie, “I guess you could say my mama liked the blues.”

Early readers of Before There Were Skeletons seem to like Denim, and as an author, I can envision several directions to expand on her role in the future. What those directions are, only time, and my imagination, will tell.

 

About Before There Were Skeletons: The last time anyone saw Veronica Goodman was the night of February 14, 1995, the only clue to her disappearance a silver heart-shaped pendant, found in the parking lot behind the bar where she worked. Twenty-seven years later, Veronica’s daughter, Kate, just a year old when her mother vanished, hires Past & Present Investigations to find out what happened that fateful night.

Calamity (Callie) Barnstable is drawn to the case, the similarities to her own mother’s disappearance on Valentine’s Day 1986 hauntingly familiar. A disappearance she thought she’d come to terms with. Until Veronica’s case, and five high school yearbooks, take her back in time…a time before there were skeletons. Universal Book Link: https://books2read.com/u/mqXVze.

 

About the Author

A former journalist and magazine editor, Judy Penz Sheluk is the bestselling author of two mystery series: The Glass Dolphin Mysteries and the Marketville Mysteries. Her short crime fiction appears in several collections, including the Superior Shores Anthologies, which she also edited.

Judy is a member of Sisters in Crime, International Thriller Writers, the Short Mystery Fiction Society, and Crime Writers of Canada, where she served as Chair on the Board of Directors. She lives in Northern Ontario on the shores of Lake Superior.

 

Photo (if you choose to use it) is of Denim Richards, the inspiration behind the name of Denim Hopkins.

No Regrets

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Cover of Love in the Lowcountry A Winter Holiday Collection Volume 2

Lowcountry Romance Writers of America (LRWA) has published its second volume of short stories in a new anthology. Love in the Lowcountry Winter Holiday Collection Volume 2 has eleven stories that all take place in South Carolina between Halloween and Valentine’s Day.

LRWA strives to give authors the tools they need to get published. In going through the process of writing, editing, marketing, and selling an anthology, all levels of authors gain experience and knowledge. We appreciate all the hard work that goes into publishing a book. We thank all those involved. We have members from as far away as Idaho. We meet online seven times a year to allow our members to gather without traveling.

My story, “No Regrets,” is a seasoned romance. I first met Cantley and Alston in a dream. They gave me their story, though it has changed a bit after editing, of course.

Here’s the blurb:

Cantley, a widow in her sixties, moved back to her small village to start anew because she’s gone through a rough patch, but she’s unsure how to let go of the past.

Alston, the single silver fox, wants to meet people and explore the area because he’s ready to settle down, but his time is taken up working from home and caring for his elderly parents.

Will he be the distraction she needs? Will she let him in the door? Visit the Lowcountry in this seasoned romance to discover the answers.

And here’s a short snippet:

She began rationalizing with herself. He was new to town. She should show the famous southern hospitality, right? Taking care of a sick husband, the ensuing widowhood, and menopause had taken away her libido and her desire to be nice. Her children kept hounding her to get out of the house more, find new friends, meet up with old classmates, and visit old haunts. She’d just started feeling like herself again after taking a friend’s recommendation to try bioidentical hormone therapy. She’d have been more likely to say no, but he looked like a model from one of those underwear ads she kept seeing on social media. The doctor had said she’d start getting horny as her body adjusted to the hormones. They seemed to be kicking in.

—

Robin is a native South Carolinian, born in the Upstate and raised in the Lowcountry. She happily lives in a small town on the outskirts of Charleston with her husband, son, and dog. This is her second published short story. She writes contemporary romance with a hint of magic

realism.

Find her on Facebook at https://www.facebook.com/RobinHillyerMilesAuthorTourGuideYoga

Follow her on Instagram at https://www.instagram.com/rhillyer_miles/

Follow her Amazon author page at https://www.amazon.com/~/e/B07YN9P3T6

NaNoWriMo 2022

Let’s All NaNoWriMo… or Not

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by Bethany “NaNoWriMo” Maines

NaNoWriMo Wha?

I don’t really believe in NaNoWriMo AKA National Novel Writing Month.  Partially just because I object strenuously to the clunky abbreviation.  But also because the goal of writing fifty thousand words in a month reduces novel writing to a very basic component—words. Writing fifty-thousand words is an accomplishment of a sort, but having the right fifty-thousand requires a bit more of a skill.  However, the NaNoWriMo community supplies great camaraderie and inspiration to a multitude of writers, and if an artificial deadline and contest get some people to put fingers to keyboard then I raise my glass in cheers.  And usually that’s it.

Soooo why am I doing this?

This year the fates have conspired to arrange my projects to have a novel that needs to be written this month.  I would really like to put out the next trilogy in my Supernatural paranormal romance world next summer.  The Rejects Pack is a fun, Indiana Jones / The Mummy inspired series featuring more wolves, warlocks, romance, and an ancient Egyptian artifact or two.  Also maybe a mummy that comes back from the dead.  (Shhh.  Don’t tell anyone.)  And with Book 1 out to my beta readers already, you would think I wouldn’t feel the need to rush book 2 and 3.  Butttt…. I keep eyeballing the amount of plot I’m intending to shove into book 3 and I’m just a little bit worried that my trilogy is going to become a tetralogy.

Tetralogy means a four book series. In case you don’t want to have to google it like I did.

And then…

And then there’s the fact the holidays are almost here (YAY!!!) and I have a new novella coming out this month!  I’m busy is what I’m saying.  So I’m trying to hedge my bets and leave myself time for a book 4 by cramming book 2 into November.  And of course it will be fun to watch the NaNoWriMo communities progress.  You can keep up with my progress and learn about Killian and Moira and their hunt for the long lost Library of Alexandria on Facebook and Instagram.

But Speaking of Christmas

If you’ve got a hankering for a Christmas mystery rom-com check out Winter Wonderland!

ORDER (all retailers):  books2read.com/Winter-Wonderland

WINTER WONDERLAND: When Marcus Winters, a photographer with a bah humbug take on the holidays, meets Larissa Frost, a set designer who loves all things Christmas, sparks are destined to fly. But when a famous diamond goes missing from the shoot they’re working on Larissa finds that Marcus may be the only one who can keep her from being framed for a crime she didn’t commit.

 

**

Bethany Maines is the award-winning author of action-adventure and fantasy tales that focus on women who know when to apply lipstick and when to apply a foot to someone’s hind end. She can usually be found chasing after her daughter, or glued to the computer working on her next novel (or screenplay).  You can also catch up with her on Twitter, Facebook, Instagram, and BookBub.

 

Mystery! Suspense! Thriller!

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When I pitched my first book to a publisher, I described it as a mystery. “Tell me about it,” said the acquisitions editor. After hearing the the storyline, she asked to see the full manuscript and gave me her card.

 Glancing at the card, I noticed that the publisher she represented specialized in romance novels. I repeated that the book I had written was a mystery.

“Sounds like romance is a substantial part of it,” she countered. “Send the manuscript and let us decide.”

Long story short, her company published The Body Business as a Romantic Suspense novel. Thus began my initiation into the wacky world of genre madness and the marketing issues that plagued the book for the duration of the publishing contract.

Fast forward to the day the contract ended. At last, I had more control over how, when, and where the book was advertised.

Thankfully, the new edition took off and led to the launch of the Samantha Newman Mystery Series. As published authors know, trying to slide your novel into the perfect preset niche that book retailers and other marketers require can be daunting. My books tend to cross genres, so picking a single category was like aiming a fistful of darts at one teeny tiny target and hoping the right dart would hit the bullseye.

Mystery? Thriller? Suspense? Which one suits the stories best?

Here’s a simple way to differentiate them according to best-selling, multi-award winning author Hank Phillippi Ryan: “I always think a mystery is ‘who-done-it?’ A thriller is ‘stop it before it happens again.’ And suspense is ‘what’s going on here?’”

These simple guidelines help me define the books in my series, even though each one fits into a different category.

Reviewers describe The Body Business as a “roller-coaster ride” and a “page-turner.” In other words, it reads like a thriller. As for The Body Next Door, some reviewers have called it a cozy. Like a cozy, there’s humor and a quirky character or two, but the absence of cats, crafts, or a charming village could risk the wrath of traditional cozy fans. It’s also been described as “full of suspense,” which is how I wrote it, straight-up.

Romance runs through the series as a subplot, due to my fiercely independent-minded main character, who continues to deflect the happy-ever-after ending romance readers crave. The romance continues into the next book, but the main plot is a true who-done-it.

To label a book as a mystery, suspense novel, or thriller is purely a marketing game. What an author really cares about is that people enjoy reading it. When our readers share a book they really like with their friends, they can describe it however they want.

Readers, do you rely on a bookseller’s categories to choose a book?

Writers, have you struggled with labels, too? Tell us about it.

Gay Yellen is the award-winning author of the Samantha Newman Mystery Series, including The Body Business, The Body Next Door, and the upcoming Body in the News.

 

What Crow Says

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For Native American Heritage Month

by Linda Rodriguez

I have a strong propensity for crows. They’re birds that don’t get the love and respect that other
birds do because they’re not as flashy in appearance and their voices are harsher, even though
they are classified as songbirds.

Crows are intelligent, can make tools and remember the faces of those humans who have been
a threat to them or their community, even have rituals to mourn their dead. They often bring us
messages of wisdom from the Creator and show us the way when we need guidance.

This poem is the first in a sequence of mine called “First Cousins Speak.” In these poems, some
of our relatives in the larger world discuss humans, those troubled, puzzling late-come additions
to Creation.

WHAT CROW SAYS

This is how gods are made.
The land is wild and free,
soil just beginning to cover the warm rock.
One day, the stone lights up
with the dreams of animals.
Out of the shining,
something other awakens.
These things happen so easily.
Nature is crowded—
everything intent on being warm.
Who knew what damage dreams could wreak?
This furless, clawless thing created
from whatever’s wasted or not wanted in us,
we watched it arise
walking on two feet like Bear
but so weak and slow.
Bear can outrun a horse,
kill a deer with one blow.
It should have died but didn’t.
Some tenacity kept it alive
and breeding and changing
the very world around it
We all spoke the same language

until that changed, too.
Now we’re left with consequences.
Now we are the other,
everything other to this being.
We are the constant target in the crosshairs.
Now we live with the burden of being seen,
living into our observed death.
Great plans never work out.
Chaos is forever seeping in.
All it takes is a crack in creation
like this to ruin everything.
Here is a wound no spell can heal.
We’ve tried them all.
Not even Spider can weave us whole again.
Spoilage creeps over the whole land.
Cherish your wildness.
It’s all we have left.
Live close to the edge.

 

**

Linda Rodriguez’s fourth Skeet Bannion mystery, Every Family Doubt, the follow-up to Plotting the Character-Driven Novel, Revising the Character-Driven Novel, and her co-edited anthology, Unpapered: Writers Consider Native American Identity and Cultural Belonging, will publish in 2023. Her novels—Every Hidden Fear, Every Broken Trust, Every Last Secret—and books of poetry— Dark Sister, Heart’s Migration, and Skin Hunger—have received critical recognition and awards, such as St. Martin’s Press/Malice Domestic Best First Novel, International Latino Book Award, Latina Book Club Best Book, Midwest Voices & Visions, and Ragdale and Macondo fellowships.

Rodriguez is past chair of AWP Indigenous Writer’s Caucus and Border Crimes chapter of Sisters in Crime, founding board member of Latino Writers Collective and The Writers Place, and member of Native Writers Circle of the Americas, Wordcraft Circle of Native American Writers and Storytellers, and Kansas City Cherokee Community. http://lindarodriguezwrites.blogspot.com.

So You Want to Write a Book – Part 7

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By Sparkle Abbey

We’re back this month for another chapter of So You Want to Write a Book!

Saying on stone Edit without mercy

If you’ve followed along on this journey so far, you know that we’ve covered how to get started, getting to know your genre, brainstorming, and revision. This month we’d like to talk a bit about editing.

Step 1 – Self-Editing

The first step is self-editing. That means reading through all those words you’ve written with a critical eye and fixing issues. Even if you’re a very polished writer with few grammatical errors, perfect punctuation, and clean and lean sentences there are things to fix.  Here are some ideas that might help:

Read Out of Order: We find it helpful to do this self-editing out of order. In other words, don’t read your manuscript from beginning to end. It’s far to easy to get caught up in the story and miss things. Maybe start with the last chapter and work backwards.

Use a Checklist: If there are particular words you tend of overuse or punctuation that often trips you up put those on your checklist and keep a lookout for them as you edit.

Learn from the Pros: There are different approaches to the editing process and you have to find the one that works best for you. Some resources we’ve found helpful are:  Self-Editing for Fiction Writers by Renni Browne and Dave King. Reedsy’s Book Editing Checklist, and Revision and Self-Editing by James Scott Bell.

Look at Your Story Differently: At this stage you’ve read this story SO many times. It can be great to do something different. Read it aloud, print it out, download it to your Kindle. You’ll be surprised at the things you catch that you’ve overlooked on previous passes.

Step 2 – Get Help

Mostly the writing life is a solitary pursuit, but if you’re writing for publication, you need outside help at this point in the process. Having new critical eyes on your work is absolutely essential. You may decide to use multiple methods to accomplish this, but here are some ways that many authors use to make sure their story is ready for prime time.

Critique Groups: If you have a critique group that’s wonderful. Depending on how your group works they may have seen all or perhaps just pieces of your book. Ask them if they’d be willing to do a read-through and mark problems they see.

Beta-Readers: Beta readers are not editors or proofreaders but they are your test audience. A beta reader may be a friend,  an acquaintance or a reader who you’ve connected with. The important thing is that it should be someone who reads in your genre. They need to love to read the types of books that you write. This may also be a good time to ask a subject matter expert to read through for potential errors.  Many authors find that their beta readers catch things that have gone unnoticed by other writers. It’s also important to communicate to your beta readers what you’re looking for in terms of feedback.

Professional Editing: None of the above can take the place of a professional edit. If you’re under contract and working with a publishing house you will go through several rounds of edits there. If you’re not yet under contract or are choosing the indie publishing route, you will need to find a freelance editor. A word of caution here – do your research. Ask others in your writing groups/organizations for suggestions, check out the editor’s credentials, and above all make sure you understand how the editor works and what they will provide. Most all professional freelance editors will ask for a sample of your work, provide you with a quote, and give you a timeline for your edits.

Well, that’s it for this month.  As always, if you have questions don’t hesitate to reach out. Happy writing!

Sparkle Abbey books

Sparkle Abbey Mysteries

Sparkle Abbey is actually two people, Mary Lee Ashford and Anita Carter, who write the national best-selling Pampered Pets cozy mystery series. They are friends as well as neighbors so they often get together and plot ways to commit murder. (But don’t tell the other neighbors.)

They love to hear from readers and can be found on Facebook, Twitter, and Pinterest, their favorite social media sites. Also, if you want to make sure you get updates, sign up for their newsletter via the SparkleAbbey.com website

 

Clicking Our Heels: Thanksgiving – Our Special Memories

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Clicking Our Heels: Thanksgiving – Our Special Memories

Thanksgiving holds special memories for each member of The Stiletto Gang. Some are personal memories of family, some of food, and some … well you be the judge.

 Donnell Ann Bell – Sweet potatoes. It’s the only time I make them because my husband doesn’t like them.

Lynn McPherson – Mashed potatoes. And butter. That’s all.

Saralyn Richard – My husband’s Uncle Hank was a master turkey-carver. He could get every speck of turkey from the bone without hacking the meat into shreds. He also prepared sweet potato casserole that was heavenly. Many have tried, but failed to replicate his Thanksgiving gifts.
Debra Sennefelder – I love Thanksgiving side dishes. Stuffing is my favorite!

Barbara J. Eikmeier – My mother-in-law always made a fresh cranberry salad with grapes, grated cranberries, marshmallows, and dream whip. It’s sour and sweet and oh so dreamy.

Linda Rodriguez – I am not a huge fan of the United States Thanksgiving holiday, since it originated in Pilgrims celebrating a massacre of a Native tribe that had helped them, but I just consider my Thanksgiving Day a continuation of the Cherokee traditional New Year which takes place normally in late September/early October.

Debra H. Goldstein – The only Jell-O mold I like. Between the nuts, cream cheese (?), candied fruit, cranberries, and other goodies stuffed into it, the texture and the color changed so I never remembered I was eating Jell-O.

Lois Winston – I’m a sucker for great turkey stuffing with gravy, but the stuffing has to cook inside the bird for optimal taste.

Dru Ann Love – When we were younger, we would go to my aunt’s house for T-day, but the best day was having Thanksgiving on the next day with my immediate family.

Shari Randall/Meri Allen – My mother’s family is Italian so the holiday feast has always included an antipasti platter and lasagna in addition to turkey and all the fixings. I remember the first time my husband had Thanksgiving with my family – the surprise on his face when he saw the lasagna! He quickly became a convert and all these years later, I wouldn’t dream of a holiday without lasagna, too.

Mary Lee Ashford – In our family, Thanksgiving is the big family get-together with all of the immediate family. My brothers and their wives, their children, and grandchildren. When I was younger, I was the only one still at home as my brothers were much older than me. Because of that, I was much involved in the preparations for Thanksgiving and I have great memories of time spent with my mom making the pumpkin pies, mashing the potatoes, and stuffing the turkey. Because there are so many of us, we now do more of a buffet style Thanksgiving dinner with everyone bringing a dish to share.

Kathryn Lane – I’m a little non-traditional about Thanksgiving food – lamb roast is my favorite.

T.K. Thorne – A childhood memory—Tasked with bringing the Thanksgiving dessert from the downstairs refrigerator at Thanksgiving, I ended up with two chocolate pies flipped upside down on the floor. In tears, I told my mother I had ruined Thanksgiving. I will never forget her response. She plucked up a spatula like an Amazon grabbing her spear, marched downstairs and carefully scooped up the chocolate pies, (leaving the layer that touched the floor to clean later).  Upstairs, she arranged the pie mess into rough wedges on separate plates and covered each generously with whipped cream.  Nobody knew the difference.  So now, when a crisis threatens to overwhelm me, I try to channel Mom’s “warrior” mode.