Location, location, location

Where your characters live, work, and solve mysteries can be central to the story. Or not. I’ve discovered that location is not a requirement or an irrelevancy. It is a spectrum.


At one end of the spectrum, location is essential.

As a result, you spend time bringing that location to life, making it real, and of real interest to readers. This requires knowing whereof you write or researching whereof you write. Or both. My latest book, a historical mystery entitled Conflagration!, is based on the real-life story of Marie-Joseph Angélique, an enslaved Black woman accused of burning the lower town of Montreal to the ground in 1734. Montreal as a place and as a community is intertwined with the plot and the characters, fictional and otherwise. As a result, I had to immerse myself in a time and place that no longer exist.

Move further along the location spectrum and you’ll arrive here: the location could be anywhere.

The town, island, futuristic community where your characters go about their daily lives is woven into the story but not predetermined. It’s up to you. You may choose a place that is familiar, that fits within the theme of the book, or simply resonates with you.

My first mystery book Hung Out to Die introduces Riel Brava to readers. Riel is originally from Santa Barbara but now living in Nova Scotia, which is where I live. Fact is, Riel could have been uprooted to almost any location where cannabis production is legal. (Riel is CEO of the Canadian Cannabis Corporation. He’s also a psychopath (not the nasty kind), but we’ll save that for another blog.) I chose Nova Scotia because I know this location. Less research would be required, but I also have a deeper connection to this place because it is my place. Many readers have told me how the book feels so much like Nova Scotia. That was not intentional, but it reflects a knowledge of place that goes beyond street maps, tourist locations, and Yelp reviews.

Finally, we reach the other end of the spectrum: place is irrelevant.

Indeed, a specific geographical location may not be necessary. I wrote a short story called “Moist,” that for the most part takes place in the main character’s home. Where that home is situated doesn’t matter.

After the story was published, there was a call for stories for a new anthology Santa Cruz Ghost Stories. I reached out to the editor to explain that my story wasn’t really set anywhere so it could be set in Santa Cruz. She agreed. Minor changes were made (like changing Canadian spelling to American (“savour” became “savor”) and using the name of a dollar store Santa Cruz residents would easily recognize.)

Ultimately, location is about character. The two go hand in hand.

donalee Moultondonalee Moulton is the author of Conflagration! — a historical mystery that won the 2024 Daphne du Maurier Award for Excellence in Mystery/Suspense (Historical Fiction). Her other books include a mystery novel based in Nova Scotia, Hung Out To Die,  and a non-fiction book about effective communication, The Thong Principle: Saying What You Mean and Meaning What You Say. As a freelance journalist, donalee has written for over 100 publications across North America. You can catch up with her on XFacebookInstagram, and LinkedIn.

Packing books, Packing rescue supplies

By Barbara J. Eikmeier

It was a few anxiety-filled days, in the aftermath of Hurricane Helene, waiting to hear from our daughter, who had just moved to a small mountain community in western North Carolina. Her community was spared the massive flooding and power outages, losing only cell service and internet for a few days.

Once service was restored, we talked nearly every day. She talked about the people who lived in the mountains who were completely cut off due to washed out roads. I’m not from the mountains of North Carolina or the Appalachians, but I know about those remote areas from books I’ve read.

Several years ago, within a short period of time, I read two unrelated books about the Pack Horse Librarians of Appalachia, who delivered books to mountain homes. The Book Woman of Troublesome Creek, by  Kim Michele Richardson, 2019, while fiction, included historical photos from the WPA project. Until reading The Book Woman of Troublesome Creek, I had never heard of the WPA’s Pack Horse Librarians project and after studying the photos and reading every single caption was intrigued enough to research the topic more.

Soon after finishing the book I recommended it to a friend who said she was already reading it. But she wasn’t. She was reading a totally different book, also fiction, also about the Pack Horse Librarians. We swapped books and I read, The Giver of Stars, by JoJo Moyes, 2021.

wikimedia image

The stories of the Pack Horse Librarians have stayed with me these past years, so naturally, when I saw Pack Mules being used to haul supplies to remote locations cut off from civilization by Hurricane Helene’s flood waters, I began to follow their stories. The Mountain Mule Packer Ranch has posted regular social media updates with many pictures showing the mules packing into the mountains, off trail, because the trails were washed away. Initially they packed in food, water, blankets and flashlights. Later they brought fencing materials and feed for livestock. The posts often include the mules’ names and bits about their personalities, stories of how volunteers prepare their loads and manage ground operations, and they describe how people, trapped in their homes for 6-8 days on their own, were just as happy to see the mules as they were to get supplies.

As temporary road repairs are completed and the formerly inaccessible areas reopen to ATVs and other motorized vehicles, the pack mules move on to locations still in need of their services.

Of course the pack mules’ story is one of many recovery operations taking place in areas affected by Hurricane Helene. It resonated with me because of those books I read about the Pack Horse Librarians.

If you’re interested in learning more about the Pack Horse Librarians of Applalachia, libromaniacs has compiled a list of ten books on the topic, including the two mentioned in this post. Here is a link. https://libromaniacs.com/books-about-librarians-on-horseback/

Barbara J. Eikmeier is a quilter, writer, student of quilt history, and lover of small-town America. Raised on a dairy farm in California, she enjoys placing her characters in rural communities.

Distractions

Distractions

by Saralyn Richard

 

I’ve never been diagnosed with ADD or hyperactivity. In fact, my whole life I’ve been able to focus and concentrate whenever needed. I can read for long periods without becoming antsy, and I’m equally good at listening.

All of these stand me well in writing novels, because long sessions at the computer would be dreadful otherwise. But lately, I find myself ready to jump up in mid-chapter, mid-paragraph, or mid-sentence.

I’m distracted by the internet. Let me just search for a certain outfit for my character to wear to a luncheon. How close is the hurricane to people I worry about? What quasi-newsy item is trending?

Maybe I should check on my brother, who is recovering from major surgery. Oops—I forgot to take out something to cook for dinner tonight. And heaven help me if I have a phone call, even if it’s from a robot.

What are the latest polls saying? And what is going on in the Middle East, or with the British royalty? The dishes need washing, the dogs need walking, the plants need watering, and on and on.

Back to the chapter—I crawl back into Quinn’s point of view and detail what happens to her. I share her fears and angst, and I feel good about moving her story forward, but no matter how involved I am, I can’t stay there as long as I want or need to.

I have too many distractions.

The same thing happens to me with reading. Or watching a movie. Or even watching the news, as riveting as it can be these days.

I’m hoping this is a passing phase. Maybe after the election and after hurricane season, things will settle down into a more peaceful routine. In the meantime, I’ll plod along, hoping that, despite distractions, I’m writing a captivating and touching mystery.

Are you similarly distracted? How do you manage?

 

Saralyn Richard is the author of the Detective Parrott mystery series, Naughty Nana, A Murder of Principal, and Bad Blood Sisters. Her work in progress is the sequel to Bad Blood Sisters.

Quinn’s family always joked about death, but this summer death stopped being funny.

The Research Text

By Donnell Ann Bell

Years ago, when I worked at the Colorado Springs Business Journal as assistant editor, spotlight writer, proofreader, dishwasher, you get the idea, I shared the print room with my delightful editor and a few crazy people. Delightful and crazy are just two adjectives that come to mind. The word I reserve first and foremost for them all is talented.

Kris Oppermann Stern was the CSBJ’s editor. Over the years, I’ve been fortunate to keep in contact with her, whether we toured the Brown Palace Hotel in Denver so I could research Betrayed, stood in the crowded Tattered Cover bookstore waiting to hear New York Times Bestselling Author Daniel Silva, or just hung out at her house binge-watching Twilight. To this day, she remains one of my favorite humans.

Sadly, since I moved away, we don’t do many outings but thank goodness for technology. Our last text was so ridiculous and so much fun, and since it was getting close to my blog date, I asked if I could share. (Please forgive the blurry images I pulled from the text).

Some background. I’m in full research mode for my third book in my series, working title, Irredeemable.  Naturally, I was frustrated. Here’s where our texts begin.

Donnell:  Are you familiar with Morrison Colorado?

Kris: Red Rocks is about the limit of my knowledge. Why?

DENVER COLORADO: July 21 2012: Red Rocks Amphitheater.Famous Historic Red Rocks Amphitheater near Denver Colorado on July 21, 2012.

Denver, Colorado, USA downtown skyline viewed from Red Rocks at dawn.

 

 

 

 

 

 

 

 

 

Donnell: I have an escaped mental patient that needs to get there.

Kris: Excellent … can’t wait to read.

Donnell: I was hoping you might want to take a nice walk 😊

Kris: Love to—sans the escapee.

Donnell: I would take that as a no.

Kris:  ??

Me:  My sister lives close by. We drove the area I planned to write about. I can’t believe how built up it’s become. There’s nothing but residences around there. Hence, I want him to travel to Morrison because I need him to be in harsher terrain.  P.S. I hate writing.

Kris: You do not.

Me:  All right. I hate having to get a character from point A to point B when I’m ten hours away!!

Kris: That’s a different story 😊 Will he take a concert goer hostage?

Me:  LOL

Kris: Where is the hospital?

Me: It’s fictitious so I’m placing it near 423 on this map. I’ll talk to Audra Bell [my daughter]. She may be able to help me.

 

Kris: Ah. I suspect (get it) she can.

Me:  You’re just a scream today. Okay. Gotta run. Must focus.

End of Text

As I mentioned above, I asked to share. Here are two pictures along with Kris’s impressive bio, along with one silly addition, which is another reason she remains one of my favorite humans. Happy writing!

 

Bio of Kris Oppermann Stern:

    • Editor of Colorado Real Estate Journal, December 1996 – present
    • Publisher of Building Dialogue, September 2013 – present
    • Passionate wildlife conservationist, April 2018 – in perpetuity
    • Reader of Donnell Ann Bell, always

Luckless Love epub & print editions from co-writer team Bethany Maines & Juel Lugo.

Can I be a Co-Writer?

A Co-Writer Spills the Beans

Co-writer team Bethany Maines & Juel Lugo present Luckless Love.In my upcoming release, Luckless Love, my heroine is returning from a year long road trip and searching for someplace to belong.  Wanting to belong to a community is a universal theme that I think appeals to readers, but when I started to write the book, I didn’t immediately leap to that theme.  I had to explain my reasoning for using it to my co-writer—Juel Lugo.

Luckless Love started out during COVID when Juel who is my business partner in real life and I took a script writing seminar on how to write a Hallmark movie.  We both felt that we could write one, and with too much time on our hands and since we were in each other’s COVID pods, we gathered around a computer and took notes on how to write a Hallmark movie.

What Are Your Co-Writer Goals?

Juel is not particularly interested in being an author.  She doesn’t want to do the work of putting words on a page, but she is endlessly interested in stories and structure.  As a life-long reader, and marketing expert, she knows that stories are what move the human psyche.  So our deal was that she would do the bulk lifting on inventing the plot. I would walk her through how to outline and then I would do the actual writing.  But that meant that we had endless discussions on our characters, their motivations and how to get them to fulfill their plot obligations.

I don’t know how other co-authors work together, but with over ten years of experience in working with each other, we managed to make it through the outline with very little disagreement.  Having both taken the seminar we both could recognize when we were deviating from the Hallmark pattern.  And then we could also agree when we were fine with leaving that path.  Hallmark has a lot of constraints about how serious or realistic things can be (don’t mention divorce or cancer!), which is understandable for their brand, but for writing a novel it can feel like the characters are lacking in depth.

Did We Make it the End?

So did we make it through the writing process with our friendship and partnership intact?  Absolutely. It was a fantastically distracting project during a time when we very much needed one.  It was also fun to take on a challenge that neither of us had done before.  The script version achieved a PNWA Literary Contest Finalist ranking and we are quite proud of our little romance novel.  We’re looking forward to it’s upcoming release on November 18.  Check out the links below if you’re also interested in a sweet romance, all about wine, second chances and finding some place to call home.

AMAZON: https://amzn.to/4dfmAO6

GOODREADS: https://www.goodreads.com/book/show/216958888-luckless-love

***

Bethany Maines is the award-winning author of action-adventure and fantasy tales that focus on women who know when to apply lipstick and when to apply a foot to someone’s hind end. She participates in many activities including swearing, karate, art, and yelling at the news. She can usually be found chasing after her daughter, or glued to the computer working on her next novel (or screenplay). You can also catch up with her on TwitterFacebookInstagram, and BookBub.

 

Remember to check out all of the Stiletto Gang’s catalog on our book page!  www.thestilettogang.com/books/

Killing it Together

Today, I bring a double treat to the Gang, with S. Lee (Sandy) Manning and J.B. (Jim) Manning, award-winning writers who bill themselves as “A Killing Couple” for a couple of good reasons. One, they’re married. And two, the award-winning books they write include a few murder victims along the way.

Jim’s books are chock-full of entertaining craziness, while Sandy’s tales are chilling and thrilling.

I am delighted that they agreed to tell us more, in their own words:

We are a couple, but we only kill in our books – hopefully in both senses of the word.

We write thrillers. Not together, at least not so far, because we have very different sensibilities.

Jim writes hilarious action adventures, wild romps with wacky over-the-top characters. His latest, The Kingdom of Hatch, features a disillusioned attorney who flees the craziness of Manhattan for the peace of the Northeast Kingdom of Vermont only to find trouble in paradise. Hilarity ensues.

Sandy writes serious thrillers with troubled characters. Her Kolya Petrov spy series explores themes of betrayal and difficult moral choices, and her latest, Deadly Choice, involves a mother seeking revenge for her daughter’s death.

Though we write separately and in different parts of the house, we share many components of the writing world. We attend conferences together. We do appearances and book talks together. Neither would think of sending a novel out without the other reading it. We bounce ideas off each other; we read and comment on each other’s work.

Writing has brought us closer together, even as we maintain our distinct styles and spaces.

The emotional component is even more important. Writing can be a lonely and sometimes frustrating pursuit. Since we both experience the ups and the downs, we can understand what the other is going through. We encourage each other when writing or the writing world gets difficult.

Is there jealousy or competition?

Maybe a little. But we’ll live with it. We’ve cheered for each other’s awards—Jim’s debut novel, Richter the Mighty, won the 2023 Silver Falchion for Best Comic Action Novel, and Sandy’s Bloody Soil won the 2023 best genre novel from Independent Publishers of New England—even when both of us were up for an award but didn’t win.

We’ve recently embarked on a new joint venture together.

It’s a YouTube channel called “A Killing Couple on the Prowl,” where we explore interesting, intriguing, or weird people, places, and things, using our backgrounds in journalism. So far, we’ve interviewed sixteen authors at Killer Nashville and at Bouchercon, to get the inside scoop on their different views of the writing experiences. We visited a town in Quebec, Canada and a library that straddles two countries. At a taco restaurant, we enjoyed great food and threw axes. (Actually, Jim threw an axe; Sandy kind of just dropped hers.)

We haven’t gone viral. Yet. Hopefully, we’ll continue to expand our audiences, for our books AND for our videos. In the meantime, we’re having fun together. In the scheme of things, maybe that’s what matters.

So, readers, there you have it: two accomplished writers offering laughs and thrills. Thanks guys, for sitting in on The Stiletto Gang today!

J.B. Manning’s debut novel, Richter The Mighty, won the Killer Nashville Silver Falchion Award for Best Comic Action Novel of 2023. His second novel, The Kingdom of Hatch, launched on September 25, 2024 from Encircle Publications. In prior lives, he was an attorney in New Jersey and New York, a college professor teaching English literature, and a newspaper reporter in Tampa, St. Petersburg, and New Orleans.

S. Lee Manning is the author of the Kolya Petrov international thriller series: Trojan Horse, Nerve Attack, and Bloody Soil. All three were finalists for Silver Falchions. Bloody Soil won best genre novel of 2023 from Independent Publishers of New England. Her stand alone, Deadly Choice, launched in September from Encircle Publications. Formerly, she was an attorney, a high school English teacher, and a magazine editor.

S. Lee and J.B. live in Vermont with their very talky cats, Dmitri and Xiao.

Gay Yellen is the award-winning author of The Samantha Newman Mystery Series: The Body Business, The Body Next Door, and The Body in the News.

 

Author photo of Barbara Barrett

Special Guest – Barbara Barrett

by Sparkle Abbey

Today we welcome long-time friend and fellow mystery author, Barbara Barrett to the blog. She is chatting about her latest release, Murder on the Court, which is the second book in her Unscripted Detective series. But first she shares a bit about the television series Parenthood and why she found it to be a great study in character development.  Take it away, Barbara…

Author photo of Barbara BarrettComments on Parenthood

I watch a lot of television. Even while I’m writing. Bad habit I developed as a teen doing homework. I don’t apologize. I learn a lot from the medium. Recently, I binged Parenthood, which originally aired from 2010-2015. I’m hooked on the Braverman family: the Baby Boomer parents, their four kids and significant others and their offspring. They spoke their minds, sometimes on top of each other; they meddled in each other’s lives; and their love for each other got them through the worst life had to offer.

Fortunately, I was by myself when I watched the finale in the sixth season. It tore me up.

Each character was well-defined and different from the others. Some were likeable. A couple (the father and one of the daughters) I wanted to shake some sense into when they inserted their opinions into the others’ lives. One experienced breast cancer, and her story took me back twenty-two years to my own experience, especially the part about losing her hair.

I’ve been justifying the time spent with this family by telling myself it was an incredible study in character development, which a writer can always use

What have I learned that I can share with you?

  1. Even the characters I considered most likeable had their down days, their weak points.

This is probably the most powerful lesson learned because it challenges the reader to revise the opinion they’ve already formed about a character. It can be jolting, because we all like our heroes. We don’t like to see them do or say anything negative, but these are the actions and qualities that make them human. And that is the bottom line in character development.

  1. Conflict occurs when a character assumes.

Some characters didn’t even realize they were stepping out of bounds when they assumed they knew best what another character should do. Assumptions were further ramped up when the character doesn’t even realize they were interfering. For the writer, though, situations like this are ripe for exploiting human problems dealing with each other.

  1. Conflict occurs when a character acts unilaterally.

Sometimes a character not only assumed they knew best, they acted on that opinion without asking permission or checking with those affected. In these instances, as the reader we know trouble is on the horizon. These situations raise the suspense as we wait for the next shoe to fall.

  1. Even the less likeable characters had their good points, and when those emerged, the story became all the more compelling.

Just as I was ready to write off a character that didn’t appeal to me, they did something nice, something I didn’t expect. That surprise forced me to reevaluate how I felt about that character. Readers like to pigeonhole characters because that helps understand those characters, and positive actions we weren’t expecting for us to reconsider those pigeonholes.

  1. The most everyday, innocuous event or condition generates different responses.

The husband came home from work early because he wanted to surprise his wife recovering from breast cancer with a gift. But all he succeeded in doing was to throw her off her routine, catching her in her most vulnerable moment when she thought she was alone. So she took offense at the gift and he didn’t understand. He came home early. She wasn’t ready to see him. And out of the best of intentions came conflict. And conflict builds interesting, memorable characters.

Great character insights! And here’s a little bit about Barbara’s background and an overview of Murder on the Court, Barbara’s latest book. 

Barbara Barrett writes the Unscripted Detective Mystery series. Murder on the Court, which is out now, is the second book in the series. She has previously written the Nailed It Home Reno Mysteries series (seven books) and the Mah Jongg Mystery series (nine books). She has also published eleven contemporary romance novels and two novellas. Degrees include a BA from the University of Iowa and an MA from Drake University. She previously worked for the State of Iowa HR system. She resides in Iowa and Minnesota. Married, she has two adult children, eight grandchildren and two great grandchildren.

Cover for Murder on the CourtMurder on the Court

No good deed goes unpunished, as television star Marla Dane learns the hard way. The recently fired TV detective, trying to figure out her next move at her sister’s Minnesota condo, reluctantly agrees to sub as Water Girl at a weekend pickleball match. Which makes her the first suspect of many when the team captain turns up dead.

Eloise Wallace, owner of a local PR company, will never receive the title Boss of the Year. She’s dragged her staff, her old college roommate, and even her ex-husband and ex-employees onto her pickleball team. No wonder their success on the court is so sad. They all have reasons for wanting her dead, and Marla and former cop Rex Alcorn are enlisted to figure out who poisoned her.

As Marla’s sister Kitty distracts them with a new obsession, pie baking, Marla and Rex find their suspects crusty and evasive. The victim excelled at making everyone around her miserable, so what did the killer have to gain by staying in her life — or ensuring her death? The answer may be more toxic than either of them bargained for.

Murder on the Court is available at

Amazon

Kindle

BN

Kobo

Google Play

Apple Books

Thanks for joining us today, Barbara. We loved Murder on the Court and we look forward to reading the next installment and finding out what Marla is up to next! 

Clicking Our Heels – Challenges Being a Female Writer

Clicking Our Heels – Challenges Being a Female Writer

Sisters in Crime was founded when Sara Paretsky and other female mystery writers saw a lack of parity between male and female authors. A later advertising slogan claims: “You’ve Come a Long Way Baby.” But let’s look at reality. What has been one of your challenges in being a female mystery writer, and how have you dealt with it?

Donalee Moulton – Ironically, perhaps, the challenge I find we face as female mystery writers is convincing agents and publishers we are not all the same. As writers, we bring our own voice to the conversation and that voice is singular regardless of our gender, our age, our place of residence.

Mary Lee Ashford – One of the challenges with being a female mystery writer (and especially an older female) is that you are constantly dealing with assumptions. I have to say that I think it’s gotten better and organizations like Sisters in Crime have helped. But it’s often still a challenge to be taken seriously.

Anita Carter – Balancing the day job, family, marriage and writing. There are many times I feel pulled in all directions. I’m sure that’s not only indicative of female mystery writers, but probably just writers in general.

Debra Sennefelder – Honestly, I’ve dealt with challenges so many other authors have dealt with like getting an agent, getting an editor to fall in love with my book idea. I kept working hard. I don’t recall a situation where being a female was an added challenge to my pursuit of writing. Thanks to all those who have come before me for that.

Donnell Ann Bell – Because I’m a woman I have a tendency to put other people’s needs before my own. If I am to grow this career, I need to develop a bit of selfishness. Not rudeness or lack of consideration, you understand, but an ability to know my own limits and to realize I can’t help everybody as much as I want to.

Gay Yellen – When my first book was published, a few acquaintances confessed they wouldn’t be reading it because they were only interested in reading non-fiction or “literary” fiction. Their genre prejudice was a shock I soon got over. As for being female, I’m aware of the historic bias of mainstream publishers which made it difficult for women writers to achieve contract parity. Change is slow, but it’s happening, I hope. The antidote is to write the best book I can and, hopefully, earn validation that my work is worthy.

Debra H. Goldstein – Breaking out of being stereotyped in my work.

Lois Winston – Trust me, it was worse being a female romance author, especially when my husband’s male coworkers would ask how I research my sex scenes. (This occurred every year at the company holiday party after they’d downed one too many egg nogs!) Now I worry the FBI will come knocking because I’m researching different ways to kill people. I employed sarcasm to deal with the former, and I keep my fingers crossed to deal with the latter.

T.K. Thorne – Women writers in the genre struggle to get equal recognition, reviews, etc. as documented by groups like Sisters in Crime. When I started writing (several decades ago) I was keenly aware of this, and I think it fed into my decision to write under my initials (T.K).

Dru Ann Love – So far I have not experienced any challenges.

Bethany Maines – I think there are loads of female mystery writers and in general no one even blinks. I think it’s when the genre starts to skew more toward thriller or crime and away from cozy that readers might start to think “those are masculine!” But I think that the rise of indie publishing has sort of stomped down a lot of the genre/gender barriers. It’s one of the great benefits of indie publishing that I don’t think enough people are looking at.

Barbara J. Eikmeier – I’m still working full time so always my biggest challenge is carving out time. Not just for the writing but also the agent search, finding first readers and follow up on so many little things.

Saralyn Richard – Ironically, I detest violence of any sort and faint at the sight of blood, yet I love mysteries. Sometimes my characters put me in uncomfortable situations, and I have to write my way through.

 

 

 

 

 

Writers Without Borders

Of the many reasons I love living in Colorado, the Jaipur Literature Festival is one of them. Wait a minute. Jaipur? Isn’t that in India? And they have a literature festival? Yes, they do. Known simply as JLF, it’s the world’s largest, un-ticketed event free to all, no matter how rich or poor.

 

The motto of the festival is “Stories Unite Us.” Geographically, Boulder, Colorado is 7,825 miles from Jaipur, but each year JLF brings the city a wealth of international writers, humanitarians, business people, artists, and philosophers. Boulder is one of five locations in the U.S. to host the event, much more convenient for me to participate in this feast of ideas.

This year, JLF Colorado in Boulder was awash in brightly colored banners and saris. Vibrant music and tantalizing smells of Indian food filled the air along with animated discourse. Among the speakers were local authors David Heska Wanbli Weiden and Margaret Coel discussing the crossroads of crime—a topic near and dear to my writing.

 

 

I was fortunate to attend a talk by the famed writer and JLF founder Namita Gokhale. A journalist and award-winning author, she recalled growing up in the mountains in India with her grandmother, who believed a tablespoon of brandy was the cure to all illness. Many of her works dealt with how a culture’s mythology defines behavior. When asked what was a writer’s responsibility, she replied, “A writer’s responsibility is to be irresponsible.”

A simple statement, which at first, struck me as an oxymoron. However, the more I consider her viewpoint, the more I agree. As writers, we need to challenge our strongly held cultural myths, to take risks, to shake our own convictions. That is the true power that all art wields.

For more information on JLF, please see https://jlflitfest.org.

A Virus Changed Us—T.K. Thorne

Covid-19 changed us.

 Our grandchildren, or those who were very young during it, might forget all about it by the time they are grown, as most of my generation has little knowledge of the 1918 flu pandemic and the fact that President Woodrow Wilson tried to suppress news of that devastating because he thought it might lower moral during war time (WWI). Spain, being neutral in the war, reported their cases, hence, the pandemic was misleadingly dubbed the “Spanish” flu.

We, who lived (and are living) through Covid, have memories of the terrible stress of those early months—watching freezer trucks lined up in NYC to hold bodies, disinfecting our groceries, not being able to see or touch a newborn grandchild or elderly loved ones, and dealing with the seclusion of our home santuaries/prisons. Grocery stores had a strict limit on how many people could be in the store at a time. We tried to stay six feet away from other humans. Those who worked from home had to learn new technology and simultaneously deal with children who would normally be at day care or in school. People were dying by the thousands; jobs and housing were often hanging by a thread. It felt like the end of the world.

Screenshot

I dealt with the stress by learning to swing a mattock (a pick/hoe combo tool) and attacking the wisteria invasion in my back yard, then pulling tiny plants from the moss along my brick walkway, rescuing two horses, and creating a small pond in my yard. I learned Tai Chi from Internet videos, started watercolor painting, and growing vegetables with my flowers. Fortunately, I was working on a non-fiction writing project (Behind the Magic Curtain: Secrets, Spies, and Unsung White Allies of Birmingham’s Civil Rights Days) and had a lot of research and editing to do—because my creative writing muse was on ice.

During the hay days of Covid, people relished the opportunity to get outside, to breath the healing air exhaled by forest or gardens. Passing someone on a path or sidewalk (even at a distance), we felt an instant connection, happy to see a person of any sort, perhaps the same way those who lived in isolated villages throughout the world have always eagerly welcomed visitors.

Friends who live on their boat in the Caribbean during non-hurricane months told us that during Covid, they were “stuck” near a small island with five other boaters with whom they developed close relationships. The island was closed, but the owner of a small restaurant on land snuck them groceries and took in laundry.

My cousins in the suburbs north of Atlanta began gathering weekly in someone’s yard with their neighbors for a drink and conversation, a ritual they continue.

Today, tending my garden (and two fish—meet “Blue” and “Golda Meir”) and horses, practicing martial arts, and painting give me joy and peace. I look at the land around us with a different eye, thinking about whether and how we could supplement our food if needed. My writing Muse woke up after throwing water in her face and shaking her, and I finished a new novel.

 

The changes are internal and external. The downtown of our nearest major city has transmuted. More people live there; less people work there. Working from home has left commercial buildings across the country empty but given millions of people options about where they live and how they work. We are still adjusting. I hope we are also remembering.

  • Remembering that people are precious, regardless of their politics.
  • Remembering that nature is precious and powerful.
  • Remembering that we can adjust; we can change; we can meet challenges.

Today, despite all the scary stuff going on, I have more faith that people will adjust. What a strange gift from a pandemic. If you think about it, nature regularly reminds us what we are capable of.

“Dear Autumn . . .

[you are] a Master of self-preservation.

Entering this world to teach us

not to fear change.

It is necessary.

Inevitable.

Trust

That growth will follow. . . .”

—Amanda Davis

I write about what moves me, following a flight path of curiosity, reflection, and imagination.
Check out my (fiction and nonfiction) books at TKThorne.com