By Lois Winston
Most mystery writers and readers are fascinated by true crimes. Even if our reading doesn’t branch out beyond cozy mysteries, many of us watch everything from Murder, She Wrote reruns to each iteration of the Law & Order franchise. Some of us have even become hooked on true crime podcasts.
Me? I’m a news junkie. All my books have been inspired in some way by actual events, or human-interest stories. Inspired is the key word, though. For instance, in A Stitch to Die for, the fifth book in my Anastasia Pollack Crafting Mystery Series, I wove in a thread about Munchausen by Proxy Disorder after reading about several high-profile cases.
However, I’ve never incorporated an actual crime into one of my plots—until now. For Guilty as Framed, the eleventh book in my Anastasia Pollack Crafting Mystery Series, I’ve centered the plot around a yet unsolved crime that took place in 1990.
For years I’ve been fascinated with the burglary at the Isabella Stewart Gardner Museum in Boston. It’s still considered the largest art heist in history, and to this day, not only haven’t the perpetrators been caught, but none of the artworks have ever been recovered. Worst of all, many of the suspects have since died.
But how do you incorporate a true crime cold case into a cozy mystery, especially when that crime might one day be solved, no matter how the likelihood diminishes with each passing year? I certainly couldn’t have my sleuth find the paintings or unmask the actual perpetrators. I don’t write alternate-reality fiction. In addition, the crime was committed in Boston, and my amateur sleuth resides in New Jersey. Besides, Anastasia is in her mid-forties. She would have been an adolescent at the time of the theft.
This was the puzzle I set for myself. Like my sleuth, I can be extremely stubborn when I set my mind to something. I may fail at a task, but I rarely give up and walk away. It helps that I’m a pantser and not a plotter. So I started out by reading everything I could get my hands on about the theft, watched a few documentaries, then just started writing, allowing my brain free rein. After writing myself into a few corners, backtracking, and beginning again…and again…and again, I came up with a story that uses various events from the actual crime, making them plausible within the pages of my story. Of course, I had to take authorial liberties along the way, but hey, I’m writing fiction. I can do that.
I invented several characters for the purpose of advancing my plot. I’ve also changed the names of suspects and their relatives, whether they’re still alive or not, to protect the innocent, the not-so-innocent, and yours truly. But in the end, I stayed true to the major events of the crime but found a way to involve my sleuth.
It’s just too bad that Anastasia couldn’t solve the mystery of what happened to all those missing artworks. There’s still a huge reward outstanding for any information leading to their recovery, and anyone who knows anything about Anastasia knows she could really use the money.
Guilty as Framed
An Anastasia Pollack Crafting Mystery, Book 11
When an elderly man shows up at the home of reluctant amateur sleuth Anastasia Pollack, she’s drawn into the unsolved mystery of the greatest art heist in history.
Boston mob boss Cormac Murphy has recently been released from prison. He doesn’t believe Anastasia’s assertion that the man he’s looking for doesn’t live at her address and attempts to muscle his way into her home. His efforts are thwarted by Anastasia’s fiancé Zack Barnes.
A week later, a stolen SUV containing a dead body appears in Anastasia’s driveway. Anastasia believes Murphy is sending her a message. It’s only the first in a series of alarming incidents, including a mugging, a break-in, another murder, and the discovery of a cache of jewelry and an etching from the largest museum burglary in history.
But will Anastasia solve the mystery behind these shocking events before she falls victim to a couple of desperate thugs who will stop at nothing to get what they want?
Guilty as Framed is currently available for pre-order and will be released September 6th. Find links here.
~*~
USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction under her own name and her Emma Carlyle pen name. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry. Learn more about Lois and her books at her website www.loiswinston.com where you can also sign up for her newsletter and follow her on various social media sites.
Anastasia is Back, and This Time the Crime is Real!
/in Uncategorized/by Lois WinstonBy Lois Winston
Most mystery writers and readers are fascinated by true crimes. Even if our reading doesn’t branch out beyond cozy mysteries, many of us watch everything from Murder, She Wrote reruns to each iteration of the Law & Order franchise. Some of us have even become hooked on true crime podcasts.
Me? I’m a news junkie. All my books have been inspired in some way by actual events, or human-interest stories. Inspired is the key word, though. For instance, in A Stitch to Die for, the fifth book in my Anastasia Pollack Crafting Mystery Series, I wove in a thread about Munchausen by Proxy Disorder after reading about several high-profile cases.
However, I’ve never incorporated an actual crime into one of my plots—until now. For Guilty as Framed, the eleventh book in my Anastasia Pollack Crafting Mystery Series, I’ve centered the plot around a yet unsolved crime that took place in 1990.
For years I’ve been fascinated with the burglary at the Isabella Stewart Gardner Museum in Boston. It’s still considered the largest art heist in history, and to this day, not only haven’t the perpetrators been caught, but none of the artworks have ever been recovered. Worst of all, many of the suspects have since died.
But how do you incorporate a true crime cold case into a cozy mystery, especially when that crime might one day be solved, no matter how the likelihood diminishes with each passing year? I certainly couldn’t have my sleuth find the paintings or unmask the actual perpetrators. I don’t write alternate-reality fiction. In addition, the crime was committed in Boston, and my amateur sleuth resides in New Jersey. Besides, Anastasia is in her mid-forties. She would have been an adolescent at the time of the theft.
This was the puzzle I set for myself. Like my sleuth, I can be extremely stubborn when I set my mind to something. I may fail at a task, but I rarely give up and walk away. It helps that I’m a pantser and not a plotter. So I started out by reading everything I could get my hands on about the theft, watched a few documentaries, then just started writing, allowing my brain free rein. After writing myself into a few corners, backtracking, and beginning again…and again…and again, I came up with a story that uses various events from the actual crime, making them plausible within the pages of my story. Of course, I had to take authorial liberties along the way, but hey, I’m writing fiction. I can do that.
I invented several characters for the purpose of advancing my plot. I’ve also changed the names of suspects and their relatives, whether they’re still alive or not, to protect the innocent, the not-so-innocent, and yours truly. But in the end, I stayed true to the major events of the crime but found a way to involve my sleuth.
It’s just too bad that Anastasia couldn’t solve the mystery of what happened to all those missing artworks. There’s still a huge reward outstanding for any information leading to their recovery, and anyone who knows anything about Anastasia knows she could really use the money.
Guilty as Framed
An Anastasia Pollack Crafting Mystery, Book 11
When an elderly man shows up at the home of reluctant amateur sleuth Anastasia Pollack, she’s drawn into the unsolved mystery of the greatest art heist in history.
Boston mob boss Cormac Murphy has recently been released from prison. He doesn’t believe Anastasia’s assertion that the man he’s looking for doesn’t live at her address and attempts to muscle his way into her home. His efforts are thwarted by Anastasia’s fiancé Zack Barnes.
A week later, a stolen SUV containing a dead body appears in Anastasia’s driveway. Anastasia believes Murphy is sending her a message. It’s only the first in a series of alarming incidents, including a mugging, a break-in, another murder, and the discovery of a cache of jewelry and an etching from the largest museum burglary in history.
But will Anastasia solve the mystery behind these shocking events before she falls victim to a couple of desperate thugs who will stop at nothing to get what they want?
Guilty as Framed is currently available for pre-order and will be released September 6th. Find links here.
~*~
USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction under her own name and her Emma Carlyle pen name. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry. Learn more about Lois and her books at her website www.loiswinston.com where you can also sign up for her newsletter and follow her on various social media sites.
Untitled Post
/in Author Life/by Saralyn RichardOne of my most memorable activities from childhood was being
a part of the Girl Scouts. My Girl Scout troop was phenomenal. Our leaders,
Mrs. Taylor and Mrs. Martin, made sure every meeting was a learning experience
and a social experience worth our time and effort. We went on several trips,
including one to the Alamo in San Antonio, the State Capitol in Austin, and to
a dude ranch in New Braunfels. Many of the girls in our troop are still among
my close friends today.
The scout program encouraged each girl to select an area to “specialize”
in, with the goal of earning a badge in that field. I earned many badges in my
time, but my favorite was—no surprise here—the reading badge. The reading badge
didn’t require me to go out into scorching hot, mosquito-infested campgrounds.
I didn’t have to prove proficiency at knot-tying (although I recall doing
something like that anyway), sharp-tool-wielding, or fire-starting. All I had
to do was chill with a book in the comfort of my house, which was my favorite
activity anyway.
The reading badge turned out not to be that easily obtained,
however. If memory serves me correctly, I had to read a hundred books, most of
them required. Lots of these books were Newbery Award winners. Many of them
were classics. Most were long. Some of the titles I remember were Hittie: Her First Hundred Years, Desiree, King of the
Wind, Johnny Tremain, Adam of the Road, Caddie Woodlawn, Little Women, Black
Beauty, Rebecca of Sunnybrook Farm, Pippi Longstocking, Robinson Crusoe. I
remember sitting in the elementary school library, reading every chance I could.
Even though I was an avid reading before I decided to work
on the badge, I benefitted in numerous ways from reading so many excellent books. My vocabulary increased, as did my understanding of diverse cultures and
themes. Most of all, my love of reading grew exponentially. The more I read,
the more I craved clever story lines, exquisite descriptions, fascinating
characters.
I’m sure the reading badge contributed to my choosing to
major in English and to teach high school English. More than likely, it inspired
me to try my hand at writing, too.
I decided to see what the requirements are for the reading
badge today, and here’s what I found out. Girl Scouts has modernized its “curriculum.”
The options for badges, awards, and pins include more practical topics, like
saving the environment, becoming financially literate, becoming a space science
researcher, and leading in the digital world. See
here for a complete list. A scout can earn a reading diva patch (see here),
but so little is required that one could earn that in a week’s time.
At the risk of sounding like an anachronism, I’m sad that
the opportunities afforded by the rigorous reading badge no longer exist for
young girls. At the same time, I’m extremely grateful that I earned mine when I
could.
Were you a big reader when you were younger? What were some
of your most memorable books read?
Saralyn
Richard’s award-winning humor- and romance-tinged mysteries and children’s book
pull back the curtain on people in settings as diverse as elite country manor
houses and disadvantaged urban high schools. Saralyn’s most recent release is Bad Blood Sisters. A
member of International Thriller Writers and Mystery Writers of America,
Saralyn teaches creative writing and literature at the Osher Lifelong Learning
Institute, and continues to write mysteries. Her favorite thing about being an
author is interacting with readers like you. Visit
Saralyn