Marketing for Authors

Can an Author Really Do Marketing Too?

Example of a common marketing graphics.

For traditionally published authors the marketing happens without much input.  Whatever ads are placed are done by the publisher who can adjust the price point at their discretion. This can be frustrating or blissful for an author depending on their viewpoint.  I swing between the two. I love not doing the work, but I hate it when I don’t think enough marketing is being done.

However, for independent author things are a bit different. While can we run ads and control the price point (yay!) I must also keep track of ad vendors, types of ads, marketing copy, all the things that a traditional publisher pays another human being to do. It can be overwhelming and impossible if an author doesn’t have the skillset to do these tasks.

What’s New from Amazon Marketing?

So recently, when I got a message from Amazon saying they wouldn’t be showing several of my ads due to policy changes, I groaned. What did the ‘Zon want now?  Well, it turns out that they want custom graphics on series ads.  But–and here’s the challenge–there is no text allowed and the images can’t be too sexy or too violent.

The problem is that for most other marketing vehicles—social media, newsletters, BookBub—text is always paired with a graphic. So when looking at my collection of already created marketing images, finding one with no text is impossible.  So now we’re making compelling custom graphics that tell the story—without words—and oh, yeah, it has to also crop to a square.

What did I do?

I figured for a few hours of work I could create some images and see if the ads really did make an impact.

For my San Juan Islands Mystery series I tried to pull imagery to match my heading: Deceit, deception, death… and a dog. The series is about Tish Yearly, her grandfather Tobias Yearly, and his Chocolate Lab Coats solving mysteries in the San Juan Islands. So I tried to select images that support the premise.

Interested? Buy at any online book retailer: https://books2read.com/AnUnseenCurrent

For my Shark Santoyo Crime Series with the heading, “An anything but typical new adult thriller” I used imagery that had already been created for Facebook.  The series features an unusual mobster who is faced with finding the bosses money or ending up in cement. His solution is creative and relies on a mysterious teenager who is fast with her mouth and even faster with a knife.

Interested? Buy or read on Kindle Unlimited: https://amzn.to/3NgCX2h

What were the results?

Surprisingly, I’ve seen a sharp uptick in people reading the Shark Santoyo series.  This delights me because I love the series. It was written during a phase that I wasn’t particularly interested in writing “to market” (crafting a book to meet specific genre expectations).  I wanted to write something gritty, action-packed, violent, AND funny.  All of those vibes combine to make something that’s a little hard to place genre-wise, so I love that people are enjoying it.

While I’m fortunate in that I do have the skillset to create graphics I’m not sure how Amazon expects most indie authors to fulfill these requirements.  Or perhaps, as per usual with the Zon, they don’t care—they have selected the course that’s best for them.  However, it does make me wonder what the future of indie publishing looks like.  As more indie writers become outclassed by the marketing environment, what will we need to do to adapt?

**

Bethany Maines is the award-winning author of action-adventure and fantasy tales that focus on women who know when to apply lipstick and when to apply a foot to someone’s hind end. She can usually be found chasing after her daughter, or glued to the computer working on her next novel (or screenplay). You can also catch up with her on TwitterFacebookInstagram, and BookBub.

 

New Lessons from High School

Hard to believe that the public school year opened here yesterday, especially when we’re still inside the blast furnace that is August. I remember sweating through those first days. It was pretty brutal.

My own high school reunion happened just this past weekend, which made me wonder what the children returning to class will be learning, and what they’ll need to figure out on their own after they graduate.

As grown-ups, we know it’s impossible to escape high school as fully-formed adults. There are too many new lessons to be learned as years go by. Matter of fact, I caught up with a few new ones at the reunion.

If you plan to attend such a gathering, it’s common to question whether or not you have measured up to expectations. Maybe we feel we haven’t aged well, or weren’t successful enough, or didn’t meet our own hopes in some other way. Mercifully, most of my classmates at the party seemed to overcome those useless notions and decided to be there just for the fun of it.

The Good, the Bad, and the Ugly

Right off the bat, I ran into a couple of people I’d long remembered for having been cruel to me. The first was the grown-up version of a girl who had very publicly humiliated me my freshman year.

We managed to have a cordial conversation, but as I walked away, I couldn’t help noting that she would make a good villain in a mystery some day. Come to think of it, that long-ago betrayal may have fed my subconscious as I created E.B. Odom, the villain in The Body Business. So, here’s a thank-you to her!

Also at the party was a person who, in elementary school, had a nasty habit of kicking my shins until they bled.

I remembered him as a little devil. But at the reunion, he went out of his way to talk to me, and spoke so kindly about my mother that I instantly changed my opinion. As mystery readers know, sometimes an apparent villain in a story turns out to be a hero. Something like that occurs in the third book in the The Samantha Newman Mystery Series.

Recaptured Memories

The absolute highlight of the evening was being able to reconnect with old friends, many of whom I hadn’t seen since graduation. Remembering with them what we were like back then and sharing our life journeys since those sweet days was a priceless gift. It left me longing to connect with others who hadn’t made the trip.

There’s something deeply satisfying about sharing memories with people who knew us when. Most special was excavating the hidden treasures of experiences we’d long ago forgotten. And feeling so very grateful for the new lessons, too.

Have you ever attended a class reunion? How did it go?

Please leave a comment below…

Gay Yellen is the award-winning author of the  Samantha Newman Mysteries include The Body Business, The Body Next Door, and The Body in the News!  Now available on Amazon.

Contact her at GayYellen.com

 

The Case of the Pink Tattered Coat

By Donnell Ann Bell

Look down. What are you wearing? Don’t worry; this isn’t going to be a pornographic blog. I’m just curious if you’re like me.

I don’t stay in my pajamas when I start my day, but I do slip into my most comfortable “grungies.”  It’s hot where I am and as I write this, I’m wearing a sleeveless top and my once-favorite capris, which sadly I ruined by spilling Clorox on them. My point, it would take an emergency for me to leave the house in my current attire.

Which brings me to one of my favorite stories about my daughter-in-law. Well, this story takes place before she was my DIL. She and my son attended the same university, and on winter break, he asked if he could bring home a friend. This was his first year of college, mind you, which caused my husband and me to raise an eyebrow or two, especially when the friend in question turned out to be an attractive young woman.

I recall reacting in a way any reasonable mother might. “Who is this girl? Is it serious and you do intend to finish college, right?”

“She’s a friend, Mom.”

Uh-huh.

As kids tend to do at that age, they were coming and going, catching up with their peers. I was busy writing and didn’t pry too much, even though I was intensely curious. I did learn the basics. She was studying to be an R.N. and at the top of her class. Okay, neither she nor my son appeared to be on the verge of becoming college dropouts.

Source: Pixabay

But because I had so little to go on, I formed the wrong impression. Because my son was so adamant that they were just friends, I built it up in my over-imaginative brain that she’d come home with him because she was poor and had nowhere else to go. I mean the first time I met her; she entered our home wearing a pink coat that was so ripped in the armpit, the tear revealed the facing. Moreover, when she came for a visit a second time, she wore it again!

That was it. It was Christmastime and the mystery writer/amateur sleuth in me was no longer buying the “We’re just friends,” angle.  I said to my daughter, “We should buy Dave’s girlfriend a new coat for Christmas. My daughter thought it was a stellar idea and the two of us went to work searching online.

Still, we didn’t know much about her, just that she might be partial to pink.  Log on to the internet, enter pink + coat, and you’ll be smothered by an avalanche of that color. We wanted to get her a new coat but were at a loss to choose a style she might like.

“I know,” my daughter said, “Let’s ask her mom.”

“You know her mom?” I asked.

“Sure,” my daughter said.

Obviously, my son had confided in his sister, or unlike my daughter, I had medaled in not prying.

So, when we called my future DIL’s mother to ask her opinion, she was horrified. Not at us for wanting to buy her daughter a new coat; she thought that was sweet. But the conversation went something like, “I can’t believe she’s still wearing that thing!”

Needless to say, I learned something about making assumptions that day. My DIL could afford a new coat; she simply loved the one she wore.

In fiction, authors enjoy creating characters in which we sometimes share (and sometimes don’t) personality traits, odd quirks and deep dark secrets. Often, we let the reader know about these perceptions, while our protagonists or secondary characters are left stymied.

The case of the tattered pink coat stymied me.

P.S. These two married two years after they graduated and are the proud parents of three beautiful children. At least I got one perception right. I didn’t buy for an instant they were just friends.

How about you? Do you have something in your wardrobe you refuse to give up? Have you ever had to walk back a mistaken impression?

 

 

 

 

 

 

Pens

Pens by Debra H. Goldstein

There was a time that I wrote everything in longhand. Being left-handed, I had to be careful not to use a pen that allowed me to smear the ink with my pinky. In addition, because I have small hands (I can still wear a child’s sized glove or mitten), the pen couldn’t be too thick or too fat. Consequently, many of the popular thin Bic pens or other retractable ones didn’t feel right when I held them.

After many years of trial and error, I discovered Uniball Vision Elite pens. Like Goldilocks felt after trying Papa Bear, Mama Bear and Baby Bear’s chair, food, and beds, this pen for me is “just right.” It fits my hand, glides across the page, and usually doesn’t smear. What more could I ask?

The irony is that now that I’ve found the perfect pen, I rarely use it. Although I write thank you notes in ink, I compose my books and stories on the computer, make most of my payments electronically, and have traded letters for emails.

What about you? Do you still use a pen (and which one is perfect for you)?

Clicking Our Heels – If We Could Be Any of Our Characters

If We Could Be Any of Our Characters

When you read a book, do you ever imagine what it would be like if you could be one of the characters, even for a day? We thought it would be interesting to see, if given the opportunity, which of our characters we would each switch with.

Bethany Maines – Uh… eeek. My heroines have a lot of adventures. I’m not sure I’m cut out for some of that. This is a bit of a deep cut, but I’ll go with Ariana Grace from my short story anthology “Tales from the City of Destiny.” Ariana is a half-fae antique dealer who lives in Tacoma who also solves a few problems and mysteries. That way I would still be a small business owner and still live in Tacoma, but I would have a bit of magic and mystery.

Barbara J. Eikmeier – Julia. She’s so confident and fun.

Saralyn Richard – Nana, the sheepdog pup, who just wants to have fun!

Dru Ann Love – Lizzie.

T.K. Thorne – That’s a difficult question because they have all had really tough times that I would not want to go through! Perhaps Adira from my second historical novel, Angels at the Gate, the story of Lot’s wife. I love the romance between her and one of the “angels” and her bond with her desert dog, Nami.

Debra H. Goldstein – Mama Maybelle so I could say “Bless Your Heart” to people with a straight face and get away with it.

Lois Winston – This is a loaded question. My characters all deal with problems I’d never want—like constant dead bodies. However, if I could switch places without the dead bodies and other baggage I’ve dumped on her, I’d opt for Anastasia Pollack, my reluctant amateur sleuth, because of her strength, courage, and resilience.

Gay Yellen – It wouldn’t be Samantha, because she finds herself in trouble much too often. I’d choose her friend, Gertie, who has waited a long time for happiness and has finally found it.

Donnell Ann Bell – I’d switch places with any of my female protagonists AFTER the case was solved. 😊

Debra Sennefelder – Kelly Quinn from my Resale Boutique Mystery series. I’m so jealous she’s surrounded by clothes all day.

Anita Carter – Honestly, probably not a single one. They’re all very flawed, find too many dead bodies, and have more issues than I do. Ha!

Mary Lee Ashford – Oh, it would definitely be Caro Lamont from the Pampered Pets series. Who wouldn’t want to live in Laguna Beach and spend their days with cute cats and dogs?

Donalee Moulton – Riel Brava, the main character in my book Hung Out to Die, is a psychopath. Not the Hannibal Lecter kind of psychopath, the other kind — those who live and work among us without violence or animus. I’d like to step into Riel’s world for a few days.

 

 

 

photo of umbrella and sun

Nancy J. Parra and the Dog Days of Summer

with Sparkle Abbey

Today we’re thrilled to welcome longtime friend and fellow author Nancy J. Parra aka Nancy Coco aka Nell Hampton to the blog.  She’s a USA Today Bestselling Author and has over thrity-five published novels including five mystery series. And she’s also party to many of our conference adventures.  Nancy take it away…

Photo of Bichon FriseHi, ya’ll, thank you for letting me visit. I can’t believe how quickly summer has flown by this year. We’re in the dog days of summer now, which are technically July 3rd until August 11th, although that date has changed with the changing of the calendars. It’s still the hottest time of the year for the northern hemisphere. Are you feeling it? It’s hot and muggy here and it’s so easy to get heat stroke if you’re not careful.

I’ve been wondering for a long time why we call the hottest days the dog days. I mean, doggies are cute and sweet and silly. Then why name the hottest days after them? So, I looked it up.

It’s a very old idea whose history tells the tale of cultural minds. The whole thing began when we looked up in the sky and observed the dog star rising. People associated it with drought, storms, heat, human ailments, and mood changes. One culture said the dog days “made women wanton and the men feeble.”

But for us, it’s simply the hottest time of our year.

Still, it would make for an interesting twist in a mystery, wouldn’t it? Book cover for Three Fudges and a Baby

Allie McMurphy from Three Fudges and a Baby doesn’t think so. She has enough twists on her hands. Especially with handling her best friend, Jenn Christensen’s erratic moods. In her last few weeks of pregnancy where all she wants to do is get the baby out, Jenn’s doula is arrested for the murder of her fiancé.  Jenn has a meltdown. She’s tired of waddling, being unable to see her own feet and struggling to get up out of chairs. But she won’t have the baby without her doula and demands Allie as her best friend and the baby’s godmother to find the real killer. Perhaps the “dog days” could explain Jenn’s moods but nobody would dare tell her that. Besides it’s early May.

It’s a good thing Allie has her own cute pup who helps sniff out a killer before they all end up in the doghouse.

Tell me, how do you feel about the hottest days of the year? Are you someone who lives for them? Or are you ready to collect Halloween décor or start Christmas shopping?

Let me know your thoughts below and one lucky commenter will win a signed copy of Three Fudges and a Baby!

Nancy J Parra Photo

 

USA Today Bestselling Author, Nancy Coco AKA Nell Hampton AKA Nancy Parra is the author of over 35 published novels which include five mystery series: The Oregon Honey-comb Mystery Series (Kensington), The Candy-Coated Mysteries (Kensington), The Kensington Palace Mystery Series (Crooked Lane), The Wine Country Tours Mystery Series (Crooked Lane) The Gluten-free Baker’s Treat Mysteries (Berkley Prime Crime), and The Perfect Proposal Mysteries (Berkley Prime Crime).  Her writing has been called witty and her protagonists plucky by reviewers around the world.  Nancy is a member of Sisters in Crime and loves to hear from readers.

You can find her at:

Website

Facebook

Bookbub

 

Thanks for hanging out with The Stiletto Gang today, Nancy! We’ll be interested in everyone’s thoughts on the hottest days of the year. We’d have to say that we’ve had some challenging weather here lately and we’re definitely ready for some cooler days.

Wishing you and the rest of the gang a great rest of the summer!

Sparkle Abbey 

A Master Class in Comedy

Artwork from Pixabay with LOL! added.

By Lois Winston

Someone recently asked me which author would I most want to take a master class from? Hmm…here’s the thing: I don’t get much out of long workshops. I find that an hour is my limit. Maybe I have too short an attention span, but I find that after an hour, my mind begins to wander, and my eyelids grow heavy. Maybe it has something to do with the fact that most of the time, these workshops are held in exceedingly warm conference rooms. If there’s a PowerPoint presentation, it’s worse because the lights are dimmed to perfect nodding-off conditions. And if the presenter isn’t all that great a public speaker, no matter how fabulous a writer, that’s the Trifecta of Snooze.

So chances of me ever taking a master class from someone are slim to never-gonna-happen. I’d learn more by reading their books and any books and articles they may have written on the craft of writing.

That doesn’t mean there aren’t authors I’d love to hear speak. Just not for more than an hour at a time.

I write the humorous Anastasia Pollack Mysteries. Writing any humorous genre is hard, but adding humor to something as serious as murder is a real challenge. I’ve sat through talks by various humorous mystery authors, many of whom I greatly admire, but their talks are generally more about their journey to publication and less about the art of writing the humorous mystery.

I think I’d gain more knowledge from attending a workshop given by someone who makes a living writing humor as opposed to humorous mysteries. Years ago I watched Mo Rocca interview Kathy Griffin on CBS Sunday Morning. I learned more about humor from that interview than I’d ever learned listening to my favorite humorous mystery authors.

I’d love to have the chance to sit down with Tina Fey for an hour. Just me and Tina. No cameras. No audience. What I wouldn’t give to pick her brain about writing humor. Not to mention, I’d also like to convince her to option my series. Wouldn’t Tina be the perfect actress to play Anastasia? Still…if anyone reading this happens to know Tina…Hey, a girl can dream, can’t she?

But the person I’d most like to spend time with is Alan Alda. Disclaimer: I think M*A*S*H is the best sitcom ever shown on TV. I own the complete eleven season DVD set. Every few months I’ll watch a season. I’ve watched each episode so many times, that I have all the dialogue memorized.

The episodes that Alan Alda wrote are my favorites. The man had an incredible knack for taking something as serious as war and adding humor while still maintaining the seriousness of the subject. He showed how humor can help get people through difficult situations. And he did it brilliantly. That’s what I try to do in writing my humorous mysteries.

If Alan Alda were to give a master class on writing humor, there’s no way I’d start nodding off, no matter how hot the room.

Breaking News! I’m thrilled to announce that A Crafty Collage of Crime, the 12th book in my Anastasia Pollack Crafting Mysteries, is a Killer Nashville Silver Falchion finalist for best Comedy.

Who are your favorite comedy writers/actors? Post a comment for a chance to win a promo code for a free audiobook of any one of the first ten Anastasia Pollack Crafting Mystery.

~*~

USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry. Learn more about Lois and her books at her website where can also sign up for her newsletter and find links to her other social media: www.loiswinston.com

And the Short Story Award Goes To . . .

by Paula Gail Benson

It’s awards season again. Here are short story and anthology categories for Macavity, Anthony, and Silver Falchion awards. I’ll also note that the Short Mystery Fiction Society is currently polling its membership concerning a new anthology category to be added to the Derringers.

Many events on the horizon!

Mystery Readers Internation Macavity Awards Finalists

Best Mystery Short Story:

  • Barb Goffman:“Real Courage” (Black Cat Mystery Magazine #14, Oct. 2023)
  • Curtis Ippolito:“Green and California Bound” (Ellery Queen’s Mystery Magazine, Sept/Oct 2023)
  • Dru Ann Love & Kristopher Zgorski:“Ticket to Ride” (Happiness is a Warm Gun: Crime Fiction Inspired by the Songs of The Beatles, ed. Josh Pachter, Down & Out Books)
  • Lisa Scottoline:“Pigeon Tony’s Last Stand” (Amazon Original Stories)
  • Stacy Woodson:“One Night in 1965” (More Groovy Gumshoes: Private Eyes in the Psychedelic Sixties, ed. Michael Bracken, Down & Out Books)

Anthony Award Finalists (to be given at Bouchercon)

BEST ANTHOLOGY/COLLECTION

  • School of Hard Knox, edited by Donna Andrews, Greg Herren, and Art Taylor
  • Here in the Dark: Stories by Meagan Luca
  • Happiness Is a Warm Gun: Crime Fiction Inspired by the Songs of The Beatles, edited by Josh Pachter
  • The Adventure of the Castle Thief and Other Expeditions and Indiscretions by Art Taylor
  • Killin’ Time in San Diego: Bouchercon Anthology 2023, edited by Holly West

BEST SHORT STORY

  • “Real Courage” by Barb Goffman
  • “Knock” by James D.F. Hannah
  • “Green and California Bound” by Curtis Ippolito
  • “Ticket to Ride” by Dru Ann Love and Kristopher Zgorski
  • “Tell Me No Lies” by Holly West

Silver Falchion Award Finalists (to be given at Killer Nashville)

BEST ANTHOLOGY (AWARDED TO INDIVIDUAL AUTHOR OR COLLECTION EDITOR)

  • The Black Hole of Pastrami by Jeffrey Feingold
  • There Is No death in Finding Nemo by Jeffrey Feingold
  • Paper Walls/Glass Houses by Richard Helms
  • Blues City Clues edited by Carolyn McSparren, Angelyn Sherrod, and James Paavola
  • Obsession by Multiple Authors
  • Hook, Line, and Sinker: The Seventh Guppy Anthology edited by Emily Murphy

Entitled 2: Giving your book a title to remember

Last month we talked about giving your story a title.

Unlike article titles, book titles are usually the domain of the writer. This may be because the writer has a closer connection to the topic, the editor wants the writer to do the work, the writer and editor see it as the author’s prerogative. But just because the book writer usually develops the title doesn’t mean the editor will accept it. They will tell you if they don’t like it – and why. They will tell you if it won’t work – and why.

Let’s look at what constitutes – usually – a good book title, and then I will use my recent BWL book as an example.

Because book titles are one of the first things a potential reader sees, they need to hook that reader. It’s recommended the title give away a little something about the plot and the nature of your book. It is going to be action-packed, romantic, whimsical.

There are three main ingredients in a strong title.


INGREDIENT #1

Length. Shorter is better. Shorter needs to be more memorable, more powerful. Some experts advocate for the one-word title, but one-word titles are more limiting for search engines. Fewer examples are found. The recommendation: three or four words.

INGREDIENT  #2

Impact.  The title should draw the reader in because it is evocative, it speaks to what lies within the pages of the book. It sets the stage for what they can expect.

INGREDIENT #3

Uniqueness. Titles that we can remember, titles that stand out from the crowd are winners. This may be a play on words, a pun, a jab, a literary reference, a phrase that speaks to mind, heart and spirit.

Titles are essential to the sale of a book.

And they are not easy. Let’s look at one title I’m very familiar with.

My first mystery novel is Hung Out to Die.  The main character is CEO of a cannabis-production company in Elmsdale, Nova Scotia. As I was writing this book, a funny aside started to take place involving a word the main character had never heard before: Chunderfuck. In my mind, that became the title of the book with asterisks replacing two of the letters in the last syllable. I then built on this concept. Future books would have similar fun but profane titles: Numb Nuts, Dick Wad…. You get the idea.

It was not meant to be. As I was starting to shop around my book, I realized the title might lead agents and publishers to conclude the book would be darker, edgier, grittier than it is. Indeed, it’s actually funny. I also didn’t want to turn off publishers before they even read the book. I went with a working title instead: So, A psychopath walked into a bar. In my mind, the book would still be called Chunderf**k, an issue I would raise with my publisher as soon as I had one. Which I did. My publisher – BWL – was more than open to changing the title. But not Chunder, and not for the reason you might think. Search engines don’t pick up asterisks.

Dammit.

So the book is called Hung Out to Die. It’s a play on words, drying plants is linked to cannabis, and the victim dies by hanging. It’s short, it’s got some oomph, but let’s face it. It’s no Chunderf**k.

I’d love to hear your thoughts on titles. And asterisks.

What Kind of Writer Am I?

by Paula Gail Benson

I’ve heard about plotters and pantsers. In Bird by Bird, Anne Lamott commends E.L. Doctorow’s advice that writing is like driving a car and only being able to see as far as your headlights, yet having the ability to complete the trip with that view.

Plotters create a road map. Pantsers have an idea of where they are going and find the path as they take it.

I’m trying to figure out what to call my writing style.

For my latest short story, I started with an idea: what if (I’m a big advocate of “what if” questions—I heard Mary Higgins Clark liked to start that way)—so, what if a former step-father gets a visit from his adult former step-daughter on Father’s Day? She’s terrified because she thinks she might have killed her husband. She goes to her former step-father because he’s the only man she truly trusts.

To help her, the former step-father goes to see if the husband needs medical help. He finds the husband bruised, but alert and with the step-daughter’s biological father. The husband and biological father are concerned the step-daughter has resumed company with those who supported her addiction. Previously, while the step-daughter received treatment for addiction, her mother served as conservator for the step-daughter’s funds. The biological father suggests he’s ready to establish a new conservatorship, with him in charge of the money.

Who should the step-father believe—his step-daughter or her husband and biological father? What should he do?

At this point, I’m not sure where the story is going, only that the step-daughter has confessed to hitting her husband with a candlestick her mother gave her as a wedding gift and that the husband and biological father are determined to control the step-daughter.

The step-father takes a long route home, figuring the biological father might have him tailed. He sees evidence of someone following him. The step-daughter doesn’t answer the phone and when he gets home, he finds she’s gone. With reluctance, he calls his ex-wife and learns she did not support her daughter’s marriage. He goes to visit the ex-wife, who gives him some potential leads for locating the daughter. Notice, the ex-wife is depending upon him to do the legwork, just as she did during the marriage.

As I’ve followed this meandering trail, I’ve figured out more about the characters I’ve met and made myself hone-in on why the husband and biological father are intent on finding the step-daughter. I’ve made myself focus on the premise of the story and the theme it will convey.

Each day, I’ve written my way forward in a notebook, setting out the steps and leaving room to fill in the details as I type up my notes. I see places to make connections and endeavor to add seamlessly to the story.

When I started, I wasn’t sure about the end. Now I have an inkling of what that might be, but it’s still subject to change.

Am I a combination, plotter and pantser—plantser? The hand-written notes seem like a form of plotting, but in fact, I’m just following where the characters lead me. What happens next? Set up the scene and I’ll sketch it out as you (the characters) live it.

Recently, listening to a talk by best-selling romantic comedy author Katherine Center (her latest novel is The Rom-Commers), a member of the audience asked if the characters spoke to her. Center replied no, but the characters let her watch as they took their journey.

I think I may resemble that remark. What do you think? Am I depending upon the headlights in a vehicle driven by my characters?