Tag Archive for: #amwriting

Clicking Our Heels – Killing Our Darlings

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At some time, every writer has to kill his/her darlings. Here’s how different members of The Stiletto Gang deal with this onerous task.

Dru Ann Love – Luckily, I don’t have to deal with that, but as a reader, I’m not a happy camper when a main protagonist or favorite secondary character is killed. I’ve been known to stop reading a series because of that.

Debra H. Goldstein – Moaning, groaning, cursing, and almost crying, I kill my darlings. The only good thing is that the end they meet is swift.

Saralyn Richard – Killing my darlings (as in characters) is one of the biggest challenges I have in writing. Most of the time, my victims are characters I love dearly. (After all, I’ve created them to be exactly the way I want them.) One of my books, written in third person close POV, takes the POV character through some exceptionally rough times. I identified so closely with her that I felt every slap and sting. I kept telling myself that she would get through this–and so would I.

Donnell Ann Bell – I  don’t ever throw anything completely out. Call me a pacifist, but I have a draft file, where I simply imprison unused material. You never know when my muse might say, “Remember a certain passage? It might fit here.”

Robin Hillyer-Miles – Years of working as a civilian graphic designer for the US Navy helped me kill darlings left and right without a care in the world. (Though I do save them in a separate file, just in case.)

Gay Yellen – Sadly, I’ve had to toss two entire subplots in the upcoming book after I realized they weren’t serving the main story.

Barbara Eikmeier – I put them in a document file labeled “cut scenes” so I can visit them whenever I want.

Kathryn Lane – It’s still painful to kill scenes, characters, etc. but I’m getting better about it. I try to think about moving the story forward and that makes me realize (sometimes) when a favorite scene/topic/dialogue/character is not needed.

Anita Carter –

Lois Winston – I’m ruthless. If something isn’t working and can’t be fixed—whether a plot point, a character, dialog, or a scene—I cut it. If I think it might have potential in another book at some point, I’ll save it to a folder of orphaned words. Often, though, I simply hit the DELETE key. I’ve killed many a darling over the years and will probably kill many more in the years to come.

Lynn McPherson – That’s a toughie. I remind myself the goal is to have the best story I can write, so if that means someone has to go, I try to remember they served their purpose and got the story to where it is now.

Linda Rodriguez – I have a file on my computer that’s just called CUTS. I toss any cut paragraphs or scenes or chapters into this file, so they’re saved for later if I need them. I’ve never needed them for that same work, although I have sometimes rescued scenes or characters from the CUTS file to use in a different project.

Mary Lee Ashford – In general, I don’t have a problem with killing my darlings. If it’s not working, it’s got to go. However, there have been scenes that I’ve saved to an “Outtakes” folder on my computer because I knew they needed to be cut, but I really like them and thought they might have a use later on in the story. Or I thought that they could perhaps be reworked and be used in a later book. Over the years, I’ve found that those “darlings” are seldom useable, but it still makes me feel better to set them aside in a folder than kill them off completely.

T.K. Thorne – I deal with it by saving what I have and starting another version. That way, I can always go back to that “darling” and use it or pull from it.  I never do, but it’s there with gives me a sense of security. 🙂  In every case, so far, I have liked the fresh version better.

Anita Carter – I’m brutal. I don’t struggle with the delete button. LOL But when I throw out a scene or a fun sentence, I paste it into a “deleted stuff” Word document.

Bethany Maines – That is so hard!  I do save my deleted scenes in separate documents.  Sometimes I can work them in later, but sometimes that’s just what I tell myself so that I’ll actually delete them. But sometimes, the story changes and I have to pursue what is best for my story.  I do think that the more I write, the more callous I become to this problem. I think partially because I’ve become more of a plotter so that I write fewer scenes that require deletion.

Shari Randall/Meri Allen – Killing my darlings kills me! I work with an excellent editor, and time and again, I’ve seen that her suggestions to kill those darlings have made the story better. I’m philosophical about it now, but still, it hurts.

Chasing an Intruder

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Bob and I spend the summers in northern New Mexico. We enjoy the idyllic mountain scenery, the wildlife, the enriching tricultural experience in art, food, and the wonderful people who live here. Some are full time residents while others, like us, are only part timers.

After we arrived at our cabin, I was surprised we’d had a visitor who had left his calling card.

Ever the investigator, I wanted to identify our intruder. I asked friends, family, and long-time residents to help me out. Most people offered suggestions like a cougar, a mountain lion, a bobcat. One person thought they were coyote tracks, and another, trying to be funny, thought they were left by aliens!

I compared the paw prints left in the dust on the front deck to online research, and to photos a friend sent me from a wood block she keeps for easy reference in her mountain home.

It was easy to rule out deer, elk, turkey, or badger.

Next, I could rule out a fox, coyote, or bear since our prints did not have evidence of claws. That left the cougar!

Long time-residents claimed they had not seen any cougars in the area, yet my research indicated that New Mexico has a cougar population of 3,494 that are eighteen months of age or older as of 2023¹.

Sadly, my research also revealed that cougars are considered recreational game animals in New Mexico, and at the current rate of hunting and trapping, they will soon be at risk. In 2019, the state did prohibit trapping of cougars in certain areas.

I fully understand that cougars and other wildcats can be dangerous to people, pets, other wildlife, and livestock. Yet, these are beautiful animals that need protection to prevent them from going extinct.

A friend asked me if I’d be putting cougars into a novel in the future. The truth is I don’t know if a cougar will ever appear in a Nikki Garcia mystery or not. The question is valid since I have included dogs, crows, and mules in previous mysteries. Whenever I’m writing a novel, if pets or wild animals add to the story, yes, I love incorporating them into the story. In the meantime, my husband and I will enjoy the deer, elk, coyote, turkey, and birds we see in this mountain retreat.

***

¹New Mexico Mountain Lion Foundation

About Kathryn

Kathryn Lane writes mystery and suspense novels usually set in foreign countries. In her award-winning Nikki Garcia Mystery Series, her protagonist is a private investigator based in Miami. Her latest publication is a coming-of-age novel, Stolen Diary, about a socially awkward math genius.

Kathryn’s early work life started out as a painter in oils. To earn a living, she became a certified public accountant and embarked on a career in international finance with Johnson & Johnson.

Two decades later, she left the corporate world to create mystery and suspense thrillers, drawing inspiration from her travels in over ninety countries as well as her life in Mexico, Australia, Argentina, and the United States.

She also dabbles in poetry, an activity she pursues during snippets of creative renewal. In the summer, Kathryn and her husband, Bob Hurt, escape the Texas heat for the mountains of northern New Mexico.

Photo credits:

Paw Prints in the Dust – photo by Kathryn Lane

Wood Block Paw Prints – photo by Sharon Sorensen

Cougar – CA-Jason-Klassi-08

Ten Stories That Worried My Mother by Winona Kent

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I’m excited to welcome Winona Kent to the blog today. I served on the board of Crime Writers of Canada with Winona. She is a great writer and has a super new anthology out. Read on to hear more about it…

TEN STORIES THAT WORRIED MY MOTHER by Winona Kent

Earlier this year I decided to release an anthology of short stories. I had two reasons: the first was that I had a few personal appearances coming up, and I wanted something new to sell. I was halfway through my next novel and I was pretty certain it wasn’t going to be ready in time. The second was that I realized I’m mostly only known for my long fiction…and that I actually do have a background in short story-writing! But, for various reasons, very few people know about that. And I really did want to share those stories with my current readers.

I chose the title Ten Stories That Worried My Mother largely because, well, she constantly worried about me being a writer. That’s a subject for a whole other blog—how to deal with a parent who brought you up not to attract attention to yourself, not to say anything that might reflect badly on you (or her, or the family), and most definitely not to write stories with interesting characters and situations, in case friends and relations might think it was about them.

Interestingly, I once took part in a creative writing workshop where the assignment was to write a story using only animals as characters, and the characters had to be based on us, ie, everyone in the workshop. None of us were able to recognize ourselves. Or each other, for that matter. Which convinced me that unless you use really specific character traits or situations that readily identify who you’re writing about, you’re probably on safe ground.

A few months before my mum died in 2021 (aged 95), I thought I might read one of my more recent stories to her aloud. Her eyesight was failing, and I really wanted to share it with her, especially because it had made the shortlist for the Crime Writers of Canada’s Awards of Excellence for Best Crime Novella. The story was “Salty Dog Blues.”

She listened patiently, but punctuated my narration with predictable Oh dear!‘s and Ohhhh‘s. I loved her dearly and I knew that would be her reaction, but I was determined to convince her (in my late 60’s!) that I really was a decent writer, after all.

When I finished, she said, “It’s very good.” I waited. I knew what was coming next. “But you can’t say those things about the cruise line your sister worked for! What if they come back and cause problems for her?”

I pointed out that the cruise line was called something else, and it didn’t have a current ship that was even remotely like the one in “Salty Dog Blues”, and that yes, I’d used my experiences sailing with my sister (who’d been a Captain’s Secretary) in the story’s details, but my sister hadn’t actually worked for them in a very long time and what, exactly, did she anticipate the problems might be?

She didn’t have an answer for that, of course. But my mother was, by nature, a worrier. And she wasn’t happy unless her thoughts were fueled by apprehension.

And so, of course, the title Ten Stories That Worried My Mother was strategically chosen to make her happy. And I’m certain she’s out there, somewhere—very proud of me—but fretting unnecessarily, and absolutely convinced someone in our family will think badly of her—or me—for writing it!

Ten Stories That Worried My Mother (four prize-winners, three mysteries, two previously unpublished works and one where the hero manages to spare-change John Lennon at the premiere of A Hard Day’s Night in 1964), with a foreword by A.J. Devlin, is published on August 22, 2023.

Winona Kent
Author of Ticket to Ride (Book 4 in my Jason Davey Mysteries)
Regional representative, BC/YT, Crime Writers of Canada
Active Member, Sisters in Crime-Canada West
www.winonakent.com

 

 

 

Clicking Our Heels – When We Know Our Writing is Good

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Lynn McPherson – If it makes me laugh, I like to think it could make someone else laugh, too.

Gay Yellen – If it makes me laugh, or feel sad, or touches me in the way I want it to touch readers, I’m guessing it will work.

Lois Winston – Having previously spent more than a decade working for a literary agency, I will be the first to admit that not only does it take a lot to impress me, but that I’m my own harshest critic. It’s obvious to me when I’m coasting in my writing, whether it’s a sentence, a scene, or an entire chapter, and I’ll work on it until I consider it fixed. That which can’t be fixed gets ditched.

Kathryn Lane – I write, edit, re-edit. Then I leave it for a month or so and read it again. That’s when I know whether it’s good or not, but the ultimate proof is when readers like my work.

Dru Ann Love – If something I read is good, I shout it out on social media.

Donnell Ann Bell – If it moves me and propels me further in the story. If I keep tweaking it, the words probably aren’t the best fit.

Anita Carter – If I still find it interesting after setting it aside for a few weeks and rereading it with fresh eyes.

T.K. Thorne – I don’t like the word “good.” I focus on whether it “works.” That is happening if it moves me in some way, makes me laugh, cry, reveals character, moves the plot ahead, etc.,  and if the writing itself enhances these things or at least doesn’t get in the way

Shari Randall/Meri Allen – I ask myself, does it elicit emotion? Laughter? Surprise?  If it does, even after several readings, then I’m satisfied.

Mary Lee Ashford –  don’t think I’m a very good judge of whether something I write is good. It’s so difficult to have perspective on your own work. If it’s making sense to me and I think it’s moving along, I’ll keep going. Then if it still makes sense or the scene/chapter seems to work when reread a day or two later, I decide that it’s good enough for my critique group and beta readers to read. After that it’s ready for the editor and off on its journey on to readers. Then when I hear from readers: that they enjoyed the book, that it made them laugh (or cry), or that something in the story resonated with them. I guess, it’s then that I decide maybe that the writing was okay.

Debra H. Goldstein – If the text writes smoothly from the zone rather than me struggling for a concept, I know the piece should be good, but I won’t know for sure until I get reader feedback.

Linda Rodriguez – Every once in a while, I’ll be immersed in writing something, and when I emerge, I’ll read it over and feel this little zing inside that tells me I’ve struck pay dirt. Doesn’t mean I won’t wind up doing a good bit of editing and polishing, but I know the heart of it is good. Usually, however, I don’t know until I’ve set it aside for a little while and come back to it with that cold editor’s eye.

Bethany Maines – I think there are two different kinds of good.  Is the writing itself—sentence structure, word choice, etc—of a high quality? For that, I can usually tell by how many junk words I have or haven’t used (very, really, just) and whether or not it makes me have an emotional reaction every time I read it. The second kind of good is whether or not the story itself is good. I have had ideas that are wonderful, but I don’t always have the skill to execute them to their fullest. Sometimes I have to wait until I feel confident to tackle those. I usually feel like those ideas are the ones that make me excited. But at the end of the day, I always feel like my writing probably could have been better, so maybe this isn’t my best question.

Barbara Eikmeier – My husband is often my first reader. He’s a tough critic so if he tells me he thinks it’s good I feel like it must be good.

Saralyn Richard – I need to have a vague sense that I have accomplished what I set out to do in each chapter that I write, but I don’t really know that it’s good until a reader tells me so.

Robin Hillyer-Miles – I think something is good if, after having it rest a bit and reading it, I feel emotional.

Guilty About Reading Genre?

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Have you ever felt guilty for reading a cozy, a mystery, or a romantic novel instead of delving into one of the great books, like Homer’s Iliad or Proust’s Swan Way or a classic like Virginia Wolf’s A Room of One’s Own?

I grew up in northern Mexico and I attended a fantastic high school that was accredited in both Mexico and the US, giving students the opportunity to attend the university in either country.

The school offered a two-semester English literature class. The teacher was a dynamic, talented woman who instilled in her students the love for the classics and the great books. She also encouraged us to shun genre and to avoid soap operas, quite popular at the time.

I moved to the US in my mid-twenties and soon discovered romance novels. After devouring a romantic story with a happy ending, I’d run to the library to borrow books by Tolstoy or Dostoyevsky to balance my reading guilt. Compare the fun of reading genre to the lessons of the great books. It’s very different reading! The great books represent the foundations of Western Culture’s ethics, social norms, values, and ideas that stem from the Greco-Roman tradition. Genre, on the other hand, is pure entertainment.

Fast forward a few years when I was working in international finance and traveling the world for my corporate job.

On a flight between New York and Buenos Aires, Argentina, I missed my connection in Miami. I window-shopped airport stores in search of something to do until the next flight. A bookstore, displaying mountains of books set on tables that stretched down the hall, caught my eye.

The year was 2001 – the year I discovered the mystery novel. I purchased Tell No One by Harlan Coben and I was immediately hooked on mysteries. My new-found love in reading would disappoint my wonderful literature teacher back in Mexico, yet for the rest of my international finance career, I carried a mystery or two to read on long flights.

Mysteries became an important part of my life. So important, in fact, that I left the corporate world to write the Nikki Garcia mystery series, setting my stories in a few of those international locations where I traveled. Do I still feel guilty? Not at all!

At a book signing four years ago, I met Harlan Coben. I told him his novels influenced me to write mysteries.

And my former teacher says she loves my novels and she’s thrilled that one of her pupils became a writer. Instead of feeling like a wayward former student, I’ve converted her to reading genre.

***

About Kathryn

Kathryn Lane writes mystery and suspense novels usually set in foreign countries. In her award-winning Nikki Garcia Mystery Series, her protagonist is a private investigator based in Miami. Her latest publication is a coming-of-age novel, Stolen Diary, about a socially awkward math genius.

Kathryn’s early work life started out as a painter in oils. To earn a living, she became a certified public accountant and embarked on a career in international finance with Johnson & Johnson.

Two decades later, she left the corporate world to create mystery and suspense thrillers, drawing inspiration from her travels in over ninety countries as well as her life in Mexico, Australia, Argentina, and the United States.

She also dabbles in poetry, an activity she pursues during snippets of creative renewal. In the summer, Kathryn and her husband, Bob Hurt, escape the Texas heat for the mountains of northern New Mexico.

Stolen Diary

Kindle: https://www.amazon.com/dp/B0BSHFRD11

Paperback: https://www.amazon.com/Stolen-Diary-Kathryn-Lane/dp/1735463833/

Photo credits:

Girl Reading by Camille Corot, Metropolitan Museum of Art

Harlan Coben and Kathryn Lane by Bob Hurt

The 5-Letter Word that Sends a Shudder of Anxiety Through Most Authors

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By Lois Winston

By nature, many authors are loners. We spend a good deal of our lives sitting in our writing caves, pecking at our keyboards. Survey any group of authors, and most will tell you the worst part of being an author is having to do promo. That’s the infamous 5-letter word of the title in this post.

It doesn’t matter if you’re an indie author, published by a small press, or with a major publishing house. Unless you’re one of the very elite (think Janet Evanovich, Nora Roberts, or James Patterson), you have to do most or all of your own promotion. Even the big names need to promote their books, but they do it through book tours with PR reps managing all the details and doing the heavy lifting.

I’m someone who has vowed to be the last person on the planet not sucked in by most social media. You’ll never find me on Facebook, Instagram, or TikTok. I do have a Twitter account, only because my former publisher insisted, but I rarely remember to tweet anything. When I do remember, it’s never anything controversial, political, or personal, so chances of one of my tweets going viral and resulting in new fans and increased books sales is as unlikely as a rose bush growing at the North Pole.

However, back when I was traditionally published, I used to enjoy giving talks to library groups, book clubs, and other organizations. Covid put an end to that but ushered in the age of Zoom talks.

I’ve participated in several of these Zoom events, and I’m participating in another at the end of the month. On Tuesday, May 30th at 7:30-9:30pm EDT, grab your favorite beverage, settle into your comfiest chair, and hop online for a fun evening of laughs, Q&A, games, prizes, and more with some of your favorite mystery and suspense authors. All are welcome. And best of all? It’s FREE! All you have to do is register.

During this fun event, you’ll be able to Zoom around the various “rooms” where you’ll find dozens of authors happy to chat with you. I’m pairing up in one room with my fellow Booklover’s Bench blogger Maggie Toussaint (appearing under her new Valona Jones pen name for this event.) You can find a list of other attending authors here. Scroll down the page for the registration form. Hope to see you there!

Post a comment for a chance to win one of several promo codes I’m giving away for a free download of the audiobook version of Decoupage Can Be Deadly, the fourth book in my Anastasia Pollack Crafting Mystery Series.

A Crafty Collage of Crime, the 12th book in my Anastasia Pollack Crafting Mystery Series, will release on June 16th. Learn about Anastasia’s new adventure, read the first chapter, and find pre-order links here.

~*~

USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction under her own name and her Emma Carlyle pen name. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry. Learn more about Lois and her books at her website www.loiswinston.com where you can also sign up for her newsletter and follow her on various social media sites.

My Days as a Poet

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Like so many people before me, I wanted to write. I’d left my corporate job in international finance and moved to Texas, enrolled in a creative writing course at a local college, and on the first day of class, I sat on the front row, anxious to discover the art of writing.

Much to my surprise, the class would cover poetry for the first six weeks. The first assignment was to create a poem. That night I stressed so much I could not sleep. About three in the morning, rhyming lines about a young horse and an old stallion flowed through my mind. I got out of bed and wrote the entire poem. I later earned $25.00 when I sold that poem, despite its rhyming scheme, to a nature magazine. I became a regular contributor to that magazine.

The professor had reasons to start with poetry. Poems often have a strong narrative voice; they are filled with expressive power and do so with a few carefully chosen words. By the end of the six weeks, I loved writing them and I continue to do so on occasion.

It took my friend Ann McKennis’s inquiry about my poems on the Rothko Chapel to prompt me to look back at poetry I’d written. The Rothko Chapel in Houston is non-denominational, and it also serves as a lecture hall, a meditative space, and a major work of modern art by Mark Rothko who also influenced the architecture of the building. His paintings, in various hues of black, inspired me to write several poems, such as this one:

Red and Black

Painting is about thinking,

not merely spreading paint on a canvass—

not until the idea germinates, sprouts,

spreads like lips, hot lips covered in red lipstick,

fondling every thread of primed cloth,

like a woman arousing her lover,

her tongue licking nectar from his body.

Apply paint with controlled strokes,

drawing out emotions,

pulling passion with color.

 

Allow wet paint to slosh

from surface to edge, leave it

fuzzy so the eye adjusts before

the brain sees the artist’s inspiration.

Take red, like rage, then black,

which contains it all, and white,

as Melville said, the most fearful color—

for it is the abyss, the infinity of

death. But it is black that

swallows the red.

***

The Rothko Chapel was placed on the National Register of Historic Places in September 2000.

Kathryn Lane writes mystery and suspense novels set in foreign countries. In her award-winning Nikki Garcia Mystery Series, her protagonist is a private investigator currently based in Miami. Her latest publication is Stolen Diary, a story about a socially awkward math genius.

Kathryn’s own early work life started out as a painter in oils. To earn a living, she became a certified public accountant and embarked on a career in international finance with Johnson & Johnson.

Two decades later, she left the corporate world to create mystery and suspense thrillers, drawing inspiration from her Mexican background as well as her travels in over ninety countries.

She also dabbles in poetry, an activity she pursues during snippets of creative renewal. During the summer months, Kathryn and her husband, Bob Hurt, escape to the mountains of northern New Mexico to avoid the Texas heat.

Rothko Chapel Pictures: Public domain

Permission Not to Write

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What do you do when you’re suffering from the literary equivalent of a bad day on the mound? You’re all set to hurl a fast ball that should nip the corner of the strike zone and send the batter swinging at air when you wind up tossing a lob that he hits out of the park. In other words, you’ve got writer’s block.

Some people insist that there’s no such thing as writer’s block. Try telling that to someone who spent the last three hours staring at a blank computer screen. There are many reasons why the words don’t always come, but for me, often it’s because I’m just too tired to write. When I’m tired, my brain shuts down.

And when this happens, I’ve learned to listen to my body. I give myself permission to take a few hours off to rejuvenate. I’ll take a walk. Or watch a movie I’ve been meaning to see. Or curl up with a book by a favorite author or a new one I’ve wanted to read. Whatever I decide to do, I give myself permission not to feel guilty about doing it.

And that’s key.

Most writers can’t afford to quit their day jobs. We juggle our schedules to accommodate work, writing, and family responsibilities. Thus, when we have our writing time, we feel compelled to write and feel guilty when we don’t. We’re wasting that precious writing time. What we forget, though, is that we’re not perpetual motion machines. Writers, like everyone else, need down time. Time to relax. To play. To do nothing but daydream.

I’ve found that when I give myself permission not to write, I’m able to return to my writing with fresh energy and a brain no longer blocked.

I know this is counter to the conventional wisdom which states you should write through the block. Just stick your butt in the chair, place your fingers on the keyboard, and start typing – that bad writing is better than no writing, and you can always go back to fix what needs fixing. To me, that’s just as huge a waste of time as staring for hours at a blinking cursor.

Don’t let the purveyors of conventional wisdom bully you. Listen to your body. If you give yourself permission not to write, you might find that when you next sit down at the computer, you’ll be far happier with the words you produce. It works for me. You have nothing to lose by giving it a try.

What do you do when you hit a wall? Post a comment for a chance to win an audiobook of Revenge of the Crafty Corpse, the third book in my Anastasia Pollack Crafting Mystery Series.

Also, through the end of the month, the Anastasia Pollack Crafting Mysteries, Books 3-4, featuring Revenge of the Crafty Corpse and Decoupage Can Be Deadly, is on sale for only .99 cents. Find buy links here.

 

 

 

~*~

USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction under her own name and her Emma Carlyle pen name. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry. Learn more about Lois and her books at her website www.loiswinston.com where you can also sign up for her newsletter and follow her on various social media sites.

No Fur or Feather Babies

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By Lois Winston

When I was asked to write a cozy mystery series, I knew I should include a pet. Cozy readers love books with pets, especially dogs or cats. Sometimes the pet is even an integral part of helping to solve the mystery. I also have many friends who write cozy mysteries, and most of them are pet owners.

I’m the outlier. I don’t have a fur baby. Instead, I have allergies. Allergies to just about all pets. At least the kind you can pet, cuddle, and play with. Tropical fish would probably be safe, but I consider those pretty things to watch swimming around rather than pets. If it has fur or feathers, I need to steer clear, and chances are, I’d probably also have issues with amphibians and reptiles. I’m even allergic to certain people—or at least to some of the grooming products they use.

I used to have pets. When I was a teenager, we had a dog. I walked around sneezing and coughing and suffering with horrible sinus headaches for several years until I left for college. Once I had my own apartment, I tried kittens. What was I thinking? The headaches, sneezing, and coughing returned with a vengeance.

When my kids were young, we got them a pair of gerbils. Even though I stayed far away from the cage, I still suffered.

So, unfortunately, I remain petless. My protagonist in the Anastasia Pollack Crafting Mysteries is far from petless, though. Not only does Anastasia’s household include her mother-in-law’s French bulldog Mephisto and occasionally Catherine the Great, her mother’s Persian cat, but Anastasia has also inherited her great-aunt Penelope Periwinkle’s African Grey parrot.

However, Ralph is no ordinary parrot. Having spent most of his life in Great-aunt Penelope’s classroom, listening to lectures on the works of William Shakespeare, Ralph possesses a unique talent. He has the uncanny ability to squawk situation-appropriate quotes from the Bard of Avon.

Is this even possible? Some African Greys do have huge vocabularies, but even though I’ve read up on the species, I’m no parrot expert. It doesn’t matter, though. I write fiction, humorous fiction. If readers can suspend their disbelief enough to accept a protagonist who stumbles across more murders than the average cop in an entire law enforcement career, why not a Shakespeare-quoting parrot?

Ralph is also very protective of his adoptive family. I hope you’ll check out how he proves his worth in Guilty as Framed, the 11th book in my humorous Anastasia Pollack Crafting Mystery Series.

~*~

USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction under her own name and her Emma Carlyle pen name. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry. Learn more about Lois and her books at her website www.loiswinston.com where you can also sign up for her newsletter and follow her on various social media sites.

The Art of Defense

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In addition to being a writer, I am a few other things, at least one of which sometimes surprises people.

When I was a rookie at the Birmingham Police Academy (many years ago) my Physical Training instructor was a short, 71 year-old man. Despite his age and stature, Mr. Alex Marshall was more than a match for any police officer on the force, often to their chagrin. He took a liking to me and suggested that I study Aikido outside of the police academy to counter the disadvantage of my gender and stature (or lack thereof).

I loved the training . . . for reasons I never thought to articulate and even married my Aikido instructor (husband #2)! But when that divorce happened, I stepped away from the martial arts for a long time. The year after I retired, I found a new dojo (school) that was founded by Mr. Marshall and started learning a system that was familiar (as Mr. Marshall incorporated a great deal of Aikido in addition to Judo and Ju-jitsu).

Mr. Alex Marshal with my current Akayama Ryu teachers—Mark Barlow and Richard Worthington

Why did I go back after thirty years? Why do I still train in my late sixties? Of course, as a writer it is helpful to pull on what I know about fighting to make action scenes realistic. And its really fun to let a character do techniques that I will probably never have an opportunity to do. But there are deeper things that draw me to the mat for two hours twice a week.

Focus: When I attend class, the world and whatever thoughts or worries I might have fade away. There is only room in my head for what I am doing. This is a form of meditation, even though it is active, resulting in a refresh and reset. I always have more energy when I leave class than when I entered.

Learning: Like all art, learning is ongoing. Learning evokes joy and wonder. Learning is play. It is what we do as children as naturally as breathing.

Teaching: Helping others achieve gives me deep satisfaction.

Self-confidence: Rose—the police-witch in my urban fantasy trilogy (HOUSE OF ROSE, HOUSE OF STONE, and HOUSE OF IRON) also studies martial arts. She observes: “It’s not about being a badass or thinking I can handle every situation that might arise, but the training has somehow restored some of the confidence I took for granted before . . . . I think it’s rewiring my brain to overwrite the role of victim.”

Studying martial arts instills a certain kind of confidence—a trust in the body and subconscious that allows one to enter a state where the conscious mind stills, and training takes over. In the movie, The Last Samurai, Tom Cruise played an American who studies Japanese sword fighting. He has studied hard but keeps losing to his trainer until instructed to have “no mind.” When he gives up trying to figure out what to do to counter the sword moves and just allows his body and instincts to react, he is able to match his teacher. (Of course, in a movie where the director only has at best a couple of hours, this happens quickly; in reality it takes a “bit” more time. 🙂

The mind (consciousness) is not separate from the body. It is an organ whose importance rises or falls depending on what is required. There are times when it is important to engage mind, and there are times when it is best to let go of mind, as we do for critical functions like breathing and heart rate and the thousands of other tasks done without our conscious oversight.

Create: A musician strives for a place where the notes are so ingrained, the fingers do without direction and the player is free to devote energy to the emotional interpretation of the music.

For a visual artist, the paint can seem to act on its own to express the painter’s deep intent.

When I am writing in the “flow,” the words come from a deeper place than conscious mind. Once they are written, I engage critical thinking to edit, but even then, a better phrase often emerges from the deep mind or subconscious. I don’t know “where” it came from, any more than I know how my body regulates my heartbeat. A skilled writer knows when to let the conscious mind still and when to engage it.

Like a ballet dancer’s perfectly executed pirouette, reacting with “no mind” to engage and redirect the energy of an attacker can create a moment of beauty and harmony that reflects something universal and profound. I will be on the mat, I think, until I can no longer stand . . . and then maybe I’ll get a chair and watch.

T.K.Thorne is a retired police captain who writes Books, which, like this blog, go wherever her curiosity and imagination take her.