Tag Archive for: Catriona McPherson

Photo of author Catriona McPherson

Special Guest – Catriona McPherson

by Sparkle Abbey

Today we welcome a very special guest back to the blog and she’s chatting about the latest in her Dandy Gilver series – The Witching Hour. Plus let’s talk about in-laws…

Catriona take it away!

“Two houses both alike in dignity” says Shakespeare of the Montagues and the Capulets at the start of Romeo and Juliet. (Off topic, but “Juliet Capulet” has always bugged me; I’d have swapped their names in the edit.)

And I suppose two houses can easily be alike in dignity but not in much else. When you’re wee, you think your family is normal and quite possibly all families are similar to it. But when you grow up and especially when you join families in a marriage . . . Well, I can’t be the only one who reads Carolyn Hax in the Washington Post. Second only to destination weddings – a pox on all of them, right? – her column is full of in-laws as far as the eye can see.

As THE WITCHING HOUR (Dandy Gilver No.16)  opens, Dandy and Hugh are gearing up to meet a prospective daughter-in-law. They’ve weathered one dynastic alliance (and survived the awkwardness of a corpse at the engagement-do) but now in the spring of 1939 their younger son is bringing a girl home and his track record is  . . . not unblemished.

Cover of book - The Witiching Hour

I love this jacket!

‘Cartaright?’ Hugh said. ‘Not Cartwright?’

‘Nor Carter-Wright,’ I assured him. ‘Teddy wrote it down for me to address the envelope.’

‘What address?’

‘London,’ I told him. ‘A 3F, I’m afraid. A flat. But north of the river. It’s so hard to tell these days. She could be anyone.’

‘Dolly Cartaright,’ said Hugh. ‘She sounds like a barmaid.’

‘I don’t care if she is a barmaid,’ I said. ‘Or a chorus girl, or even a . . .’ My imagination ran out.

‘An artist’s model,’ said Hugh. ‘Like What’s-her-name.’

‘I think she was a muse,’ I reminded him. ‘Although that might be the same thing, now I consider it at a distance. She was very . . . limber.’

Hugh rewarded me with a snort of laugher.

‘And I mean it. I don’t care. If she marries our son-’

‘If marriage isn’t too old-fashioned for her,’ Hugh chipped in.

‘And the call goes up for single men first-’

‘It won’t or only very briefly.’

‘-then she could pull pints of beer in the Atholl Arms for all our friends and I’d drive down to pick her up at closing time and offer a lift home.’

‘What friends of yours drink pints of beer in the Atholl Arms?’ Hugh asked me.

I rewarded him with a little snort of my own.

I remember meeting my in-laws. I was dressed all in black with a crew-cut and an attitude. They can’t have been thrilled, but Neil and I were only nineteen so they no doubt thought I’d soon be gone. Ha! How’d that work out?

Young Catriona and Neil

We were infants!

I do remember a formal meeting of in-laws in advance of one of my sisters’ weddings. My mum prepared an elegant meal then my dad came home with a punctured tyre, brought his bike into the kitchen and turned it upside down in the middle of the floor. A lively debate ensued.

I also remember sitting awkwardly in the living room at home with a set of in-laws-to-be in advance of a different wedding when a knocking noise came out of nowhere and all four of us girls stood up and left the room. There used to be a door there, see, and the wall is hollow so, when dinner was ready, my dad would knock on the hollow bit instead of shouting through the house. Seemed perfectly normal to us; looked like The Village of the Damned to strangers.

Then there was the fact that my dad didn’t drink either coffee (normal for Brits born in the 1930s) or tea (outlandish for Brits born anytime) so when visitors, including prospective in-laws, came and orders for hot drinks were taken, he was missed out and passed over. It wasn’t until someone said “Your mum looks so innocent but she rules with a rod of iron, doesn’t she?” that any of us realised the impression being given of a downtrodden and thirsty husband.

Library Offering

This was offered to me at a library once.

But that’s nothing, when it comes to food and drink and new alliances. I’ve got an American pal, Jewish, from Boston (these details are because I have no idea where her norms come from!), who married a Turkish bloke and, upon meeting her prospective family-in-law, politely cleaned her plate making yummy noises. Her mother-in-law-to-be replenished her plate. She cleared it. It was replenished. It was cleared. It was replenished. It was cleared. Only when the bloke started paying attention, which was thankfully before his mother had to send out for more food or his fiancée burst, did he say, “Oh yeah, babe? She’s gonna keep filling your plate till you leave something on it. And, anne, she’s trying to show she likes the food by eating it up.” Relief all round.

My sister’s mother-in-law is no longer with us so I can tell tales of her legendary and misguided culinary confidence without causing upset. You’ve heard the expression “a plain cook”? Well, this lady took it to soaring heights. She once opened a storage jar in my sister’s kitchen, saw muesli, pondered a while, recognised the rolled oats in the mix and made porridge with it. (I realise that this story is very British. The US equivalent would be making grits with granola.) Another time, she looked in my sister’s crisper drawer and found a head of broccoli. She thought Well that can’t be right and put it straight in the bin.

Photo of broccoli

It wasn’t even Romanescu!

All the weird and even annoying clashes of family norms become funny stories in the end, eh? I’d love to hear yours, Stiletto Gang. Can you remember meeting your in-laws? When did you realise you were in-laws? What’s the equivalent for single people? I know there’ll be one.

Here’s a little bit about The Witching Hour

It’s the spring of 1939 and Dandy Gilver, the mother of two grown-up sons, can’t think of anything except the deteriorating state of Europe and the threat of war. Detective work is the furthest thing from her mind. It takes a desperate cri de coeur from an old friend to persuade her to take on a case.

Daisy Esslemont’s husband Silas has vanished. It’s not the first time, but he has never embarrassed her with his absences before. It doesn’t take Dandy and her side-kick, Alec Osborne, long to find the wandering Silas, but when they track him down to the quaint East Lothian village of Dirleton, he is dead, lying on the village green with his head bashed in, in full view of a row of alms houses, two pubs, a manse, a school and even the watchtowers of Dirleton Castle. And yet not a single one of the villagers admits to seeing a thing.

As Dandy and Alec begin to chip away at the determined silence of the Dirletonites, they cannot imagine what unites such a motley crew: schoolmistress, minister, landlord, postmaster, park-keeper, farmworkers, schoolchildren . . . Only one person – Mither Golane, the oldest resident of the village – is loose-lipped enough to let something slip, but her quiet aside must surely be the rambling of a woman in her second childhood. Dandy and Alec know that Silas was no angel but “He’s the devil” is too outlandish a claim to help them find his killer. The detecting pair despair of ever finding answers, but are they asking the right questions?

Thanks so much, Catriona, for stopping by. We love stories set in Scotland and we love Catriona! So needless to say, we already have our copy of The Witching Hour. How about the rest of you?

Photo of author Catriona McPherson

Serial awards-botherer, Catriona McPherson (she/her) was born in Scotland and immigrated to the US in 2010. She writes: preposterous 1930s private-detective stories, including September 2024’s THE WITCHING HOUR; realistic 1940s amateur-sleuth stories about a medical social worker; and contemporary psychological standalones. These are all set in Scotland with a lot of Scottish weather. She also writes modern comedies about a Scot out of water in a “fictional” college town in Northern California. She is a proud lifetime member and former national president of Sisters in Crime.  www.catrionamcpherson.com

 

 

‘Tis the Season with Catriona McPherson

With Sparkle Abbey‘s Special Guest Catriona McPherson

Is HOP SCOT a seasonal romance? I’m going to say yes. Okay Lexy and Taylor are already engaged when they go to Scotland to let him meet the parents, the rest of the regular cast are all coupled up already, and there’s a mouldering semi-skeleton bricked up in the basement.

BUT –

A. after writing about a Scot out of water in California for five books, this time I get to write a Christmas love letter to Scotland.

And B. there’s an actual romance. Honest. You just need to keep reading. I don’t think I meant it to happen but who doesn’t love a Christmas love story? I know I do and I even love some of my favourites the way you love an elderly flatulent cat, or your beloved aunt’s terrible cooking. Tell me what you think of my list and let me know what’s on yours.

 

White Christmas Movie photo with characters from the movie.

5. WHITE CHRISTMAS

No bad cooking or feline flatulence here. In my opinion, this is the best Christmas film of any type and the best musical too. I watch it every year. When I was a wee girl, my sister Wendy and I thought Judy (Vera Ellen) was perfection, Betty (Rosemary Clooney) didn’t belong in a film because she looked like our mum, Phil (Danny Kaye) was weird, and Bob (Bing Crosby) was an old man. Now I think Judy needs a good meal, Betty is impossibly gorgeous because she looks like our mum, Phil is a poppet and Bob . . . yeah, he’s still an old man. And the plot is bonkers and Betty’s gloves in the nightclub scene look like she stole them from a welder. But it’s joyous for all that and I wouldn’t change a thing. Even the titles are beautiful.

 

Book cover for The Christmas Bookshop

4. THE CHRISTMAS BOOKSHOP

Jenny Colgan’s romance about a misfit girl who goes to stay with her annoyingly perfect sister in Edinburgh and transforms the fortunes of a struggling bookshop in the Old Town might have been written especially for me. I adore Edinburgh and bookshop settings (Quiet Neighbors was mine) and, in case you haven’t guessed yet, I’m partial to Christmas too. The follow-up is just out. I’ve told Santa. Incidentally, the one-star reviews of this on Amazon.com are hilarious – mostly concerned with the shocking bad language. I really hope none of these disappointed readers ever goes to Scotland! They’re in for a rude (literally) awakening.

 

The Holiday movie with photos of Jude Law, Cameron Diaz, Kate Winslet, Jack Black.

3. THE HOLIDAY

This the first of my love it or hate it favourites. My mum and dad watch this film (in which KateWinslet (Iris) and Cameron Diaz (Amanda) house-swap between England and LA) like I watch White Christmas. When they persuaded me to join them one summer – that’s significant, I sat stony-faced throughout its run-time. Then I watched it again at the right time of year and found it absolutely charming. Jack Black is a riot, the London office is convincing even if the commute to the Cotswolds is nonsense so the LA film-industry stuff might be accurate too, Eli Wallach steals the whole film (from Jack Black!), the two little kids are among the least sickening screen moppets ever, and the rest of it is pretty people doing silly things. What’s wrong with that? At Christmas-time, nothing at all.

 

A Castle for Christmas photo of Cary Elwes and Brooke Shields

2.  A CASTLE FOR CHRISTMAS

Now, if you can take THE HOLIDAY and not throw stuff at the telly, it’s time to move on to this instant classic, from 2021. Sophie (Brooke Shields) is a novelist, who has found success in a publishing world that bears not the slightest, glancing similarity to the real one. So she goes to Scotland to stay in a castle. Of course. The castle is owned by a duke (Cary Elwes) who is broke, grumpy and not interested in a new woman. Guess. What. Happens. But the thing is it doesn’t matter! It doesn’t matter, either, that the Christmas decorations at the castle would have bankrupted even a rich duke. It almost doesn’t matter that Cary Elwes’s Scottish accent is worse than Star Trek and his own, real accent is exactly what a Scottish duke would sound like. The village is cute. The knitting club that meets (every day, apparently) in the pub is adorable, and Sophie’s tartan Vivienne Westwood ballgown is every bit as gorgeous as Betty’s fur-trimmed dress at the end of White Christmas.

 

Single All the Way

1. SINGLE ALL THE WAY

And finally we find ourselves at the most-advanced level of seasonal disbelief suspension with this Hallmark-adjacent hokum squarely in the Guess. What. Happens. sub-genre. I am glad I put in the training and can love it without trying. Here’s the deal. Peter (Michael Urie (him off Ugly Betty)) and Nick (Philemon Chambers) are just friends, who share a flat in LA. Got that? They’re just friends. But Nick is tired of his loving family, back in New England (flannel alert), nagging him about being single, so they decide to pretend that they’ve got together as a couple and go east for Christmas. Guess. What. Happens. Ah, it’s lovely. Jennifer Coolidge and Kathy Najimy play the mum and aunt, the mayor’s wife from Schitt’s Creek is a sister and, speaking of Schitt’s Creek, the whole story takes place in a small town that’s homophobia-free. Nick’s a children’s writer in a publishing world that bears not the slightest . . . And so we have to think that being a florist/plant nursery specialist is probably tougher than it looks here too, but come on!

 

 

Photo of author Catriona McPherson with a Santa hat on.

Merry Christmas and, like I say, let me know what you’ve got on your list that I need to add to mine.

~ Catriona

Catriona McPherson (she/her) was born in Scotland and immigrated to the US in 2010. She writes preposterous 1930s private detective stories, realistic 1940s amateur sleuth stories, and contemporary psychological standalones. These are all set in Scotland with a lot of Scottish weather. She also writes  modern comedies about the Last Ditch Motel in a “fictional” college town in Northern California. HOP SCOT is number six in the series. Catriona’s books have won or been shortlisted for the Edgar, the Anthony, the Agatha, the Lefty, the Macavity, the Mary Higgins Clark award and the UK Ellery Queen Dagger. She is a proud lifetime member and former national president of Sisters in Crime.

 

We’d like to thank Catriona for visiting today. What a fun look at Christmas and some seasonal favorites! We love the Last Ditch series and have already ordered our copy of Hop Scot, but just in case you haven’t, stop by her website for more info: Catriona McPherson

And we’d like to add our own Happy Holidays to you all.

Wishing you and yours a wonderful holiday season with peace and good cheer as we head into the new year!

~ Mary Lee & Anita aka Sparkle Abbey

A Good Use for a Dead Darling – Catriona McPherson

Sparkle Abbey’s guest – Catriona McPherson

 

I was at a two-and-a-half hour Zoom meeting earlier today (the UK Society of Authors’ AGM) and in the montage of the year’s highlights there was a wee tiny clip of another Scottish writer, Damien Barr, talking about how he no longer minds cutting stuff out of his drafts, now he’s published, because he can always return to the cut subject in blogs.

How, how, did that never occur to me in the course of writing thirty novels and mourning the stuff that ended up in the bin?

So, Stiletto Gang, here goes: you are the captive audience for my first resurrected-darlings blog post. Hope that’s okay.

SCOT IN A TRAP (Last Ditch Motel Book 5) is set in the present day but it concerns a time almost twenty years ago when Lexy Campbell was a school and then a university student, falling in (and out) of love for the first time. I wrote her first date, her first [billowing curtains] and the party at which her romance hit the skids. Inevitably, in the over-written first draft, I catalogued everything she wore. (I say “inevitably” because, if anyone can write about twenty years ago and not get there by visualising the fashion,  I never want to go shopping with them.)

In the first draft, however, I made a rookie mistake. I cast my mind back. When I was at school, we were in the height of  New-Romanticism. We crimped our hair, sewed brocade on shoulders and tied scarves round our legs. (Why did we tie scarves round our legs? We had necks.) By  the time I got to university, I was dressing like Bruce Springsteen: sawn-off checked shirt, tight jeans, work boots. I stole my dad’s old cardigans. He didn’t mind: he had moved on to fleeces because it was modern times.

The trouble with mining these memories for Lexy’s look is that she’s twenty years younger than me. Oops.

So, in the second draft, she had ironed hair and wore low-rise boot-cut jeans, hanky tops, and rocked many a barely-there sandal – remember those bloody things? Like a slice of toast with a single piece of string glued to it?

She also wore the ubiquitous gap-year chic of a dress and trousers. I still remember the first time I ever saw someone in a dress and trousers. It was one of my students at the University of Leeds – literally just back from her gap year. Note, I don’t mean a salwar kameez; lots of Pakistani diaspora women wore them throughout my childhood in Edinburgh and, in Leeds, men wore them too. But a western dress over wide-leg jeans? Mind blowing. That was the first time I ever felt old. I genuinely thought she’d been in a rush that morning and got mixed up about what she meant to wear. Like the time I put my skirt on the ironing board, left the iron to heat up, grabbed some toast, brushed my teeth, put my coat on and went to work.

Once I’d got used to the idea, I embraced the dress and trousers trend enthusiastically. And Lexy looked fantastic in the second draft, wearing hers. She was slightly under-dressed in the third draft and, by the time I’d got to page-proof stage, I wasn’t relying on clothes to ground the story in its time at all, which freed up her fashion choices to play a role in the plot. (No spoilers.) It was fun while it lasted, though.

Have you got happy memories of the fashions of yore? Anything you swore you’d never wear and ended up loving? Anything you still swear you won’t be caught dead in if it comes back? I’m not sure I could go round by flares for a third time, but you never know . . .

 

SCOT IN A TRAP

A mysterious object the size of a suitcase, all wrapped in bacon and smelling of syrup, can mean only one thing: Thanksgiving at the Last Ditch Motel. This year the motel residents are in extra-celebratory mood as the holiday brings a new arrival to the group – a bouncing baby girl.

But as one life enters the Ditch, another leaves it. Menzies Lassiter has only just checked in. When resident counsellor Lexy Campbell tries to deliver his breakfast the next day, she finds him checked out. Permanently.  Shocking enough if he were stranger, but Lexy recognises that face. Menzies was her first love until he broke her heart many years ago.

What’s he doing at the Last Ditch? What’s he doing dead? And how can Lexy escape the fact that she alone had the means, the opportunity – and certainly the motive – to kill him?

 

Catriona McPherson (she/her) was born in Scotland and immigrated to the US in 2010. She writes: preposterous 1930s detective stories, set in the old country and featuring an aristocratic sleuth; modern comedies set in the Last Ditch Motel in fictional (yeah, sure) California; and, darker than both of those (which is not difficult), a strand of contemporary psychological thrillers.

Her books have won or been shortlisted for the Edgar, the Anthony, the Agatha, the Lefty, the Macavity, the Mary Higgins Clark award and the UK Ellery Queen Dagger. She has just introduced a fresh character in IN PLACE OF FEAR, which finally marries her love of historicals with her own working-class roots, but right now, she’s writing the sixth book in what was supposed to be the Last Ditch trilogy.

Catriona is a proud lifetime member and former national president of Sisters in Crime.  www.catrionamcpherson.com