Tag Archive for: humor

The Top 11 Reasons I Love Telling Stories

By Kimberly Jayne

I am writer. The writer aptitude kicked in only a short five years after birth. Whether by nature or nurture through my father’s colorful storytelling, writing is part of my DNA. And now that I’ve been a writer for many decades, here are my top 11 reasons for loving it.
  1. I get
    to make up stories about people in quirky situations and conversations that
    make me laugh. And, like Elizabeth Bennett, “I dearly love to laugh.”
  2. I get
    to say things through my characters about people’s wrongdoings that I wish I
    had the presence and quickness of mind to say in real life at the very moment
    the wrongdoing occurs.
  3. I get
    to immerse myself in new adventures and misadventures I might never get the
    chance to in real life. Who doesn’t getting themselves into hot water from time
    to time? We can’t always be good girls, can we? Especially when we can so
    easily control the outcome.
  4. I can
    go anywhere. The world is my jalapeno popper. With a little research, some
    great camera shots, or a practiced imagination, I can hop a trundling train to
    Hungary during World War I or sail the stormy South Pacific with a swashbuckler
    on a pirate ship. All I need is a story in which to fit my sojourns, and I’m on
    vacation.
  5. I get
    to form tight bonds of friendships and relationships, and out of that sometimes
    I even get to fantasize sex scenes. Of course, it’s much more clinical when
    you’re writing it—the right arm goes here, the left leg goes there… But the end
    result is fun.
  6. I get
    the chance to work out life’s little complexities, uncovering the right words
    with the right nuances that give me those revealing “ah-has!” And for
    some time afterward, I’m happy to tell everyone that I’m quite the smarty-pants.
  7. I get
    to figure out what motivates people to behave in ways others might not
    understand, and then dole out the reasons bit by bit through my characters’ actions,
    personalities, and deep, dark, haunting secrets.
  8. I get
    to fool people into thinking the story is going one direction and surprise
    them when I lead them through a door they weren’t expecting.
    BOO!
  9. I get
    to experience every range of my characters’ emotions, from titillation to pain,
    joy to sorrow, excitement to dread. Not surprisingly, I always loved the
    teeter-totter when I was a kid.
  10. I get to be immersed in a new romance: first
    flirts, first dates, first kisses, and first sex. It’s actually my job to kiss
    and tell.
  11. I am in charge. Whether my characters live or die
    is entirely dependent on me. From a character’s appearance to his words and
    actions, I am the unequivocal Queen of the Universe. This is why you always want to be kind to a writer. You never know when you will end up in her story, dead.

And, I get to leave my desk
after a productive writing session with a huge sense of accomplishment, especially
after I’ve been “in flow” and the words pour out of my fingers. I
like it so well, I’m going to do it again tomorrow.
__________________________________________
Take My Husband, Please! By
Kimberly Jayne
Sophie Camden is trying to impress an exciting new dating
prospect when the two of them fall in a lusty embrace on top of her husband
who’s asleep on the couch. That’s the springboard for this hilarious romantic
comedy Take My Husband, Please! by
author Kimberly Jayne.
Also by Kimberly
Jayne:

Change

by Sparkle Abbey

Change. This past
Sunday we had a book signing for our latest release. It was during the question
and answer session we realized it was four years ago to the exact day we had
our very first book signing, November 1, 2011. From book one, Desperate Housedogs to book eight, Downton Tabby.

Boy,
have things changed in four years.

Not
in a bad way – things are just different. Publishing has changed in a big way,
our families have changed, our day jobs have morphed. Our lives are richer but
certainly busier. Things we stressed about four years ago aren’t even a blip on
our radar now. Of course, there are other things to worry about that we were
too new then to even see on the horizon.

One
thing that hasn’t changed is the joy we feel when we reflect on our publishing
journey so far. A bookstore talk like we were able to do this week, reminds us.
We’ve crammed a lot of fun into the past four years. Traveling, conferences,
workshops, panels, making new friends, meeting readers, plotting stories and
brainstorming new titles.

Each
season has its own beauty. Change is good. It helps you to grow.


What
changes have you been through in the past year? 


To stay up on the latest news, new releases or upcoming appearances, sign up for the Sparkle Abbey newsletter at www.sparkleabbey.com 

True Crime

Jeff Markowitz has written two mysteries for Five Star, A Minor Case of Murder (released in 2006) and It’s Beginning to Look a Lot like Murder (coming from Five Star in 2009). He will join Evelyn David, Jack Getze and David Handler on the panel, Laugh or I’ll Kill You: Humorous Mysteries at the New York City Public Library on July 15. Jeff’s website can be found at www.publishedauthors.net/jeffmarkowitz. Jeff blogs at www.xanga.com/doahsdeer.

When my mother read my first book I could tell that something was troubling her. Finally, she just had to ask. “Did you intend it,” she asked, “to be funny?” You see, it troubled my mom that I had written a funny mystery. Mysteries aren’t supposed to be funny, she told me.

I didn’t set out to write a “humorous mystery” in the sense of identifying “humorous mysteries” as the subgenre I intended to inhabit. But I did set out to write a mystery that reflected my own worldview, and apparently, some of you find that worldview funny. (Of course, to put this gently, some of you are deeply disturbed).

So now I write humorous mysteries. And people expect me to be funny when I talk about writing. I have until July 15 to figure out what’s so funny. Or to lower people’s expectations.

Sometimes, when I’m having trouble coming up with a plot for my next mystery, I think I’d like to write true crime. And I know just the story. Long before I ever considered becoming a writer of murder mysteries, my wife and I would make a trip every winter to the White Mountains of New Hampshire. It was an annual pilgrimage, a week of cross-country skiing in and around the Jackson Ski Touring Foundation. Every trip was memorable, but only one trip was memorable for murder.

It was the winter of 1985. Driving north, we caught the tail-end of a news item on the car radio, nothing unusual, something about an open murder investigation. And then we arrived at this very small inn, one that we had not stayed in before, just outside of Jackson. The place had perhaps a dozen guest rooms, so, even at capacity it wouldn’t be busy, and yet, when we checked into the inn, things seemed especially subdued. But the snow was outstanding.

It was the kind of place where you would step outside, wax your skis and ski right from the door of the lodge. We spent the first day deep in the back-country. But when we returned to the inn, we noticed a news crew finishing up at the front. And that night, the inn was nearly deserted. If I hadn’t known better, I would have said we were the only guests.

But the conditions were outstanding. The next day, we took a long ski tour on the East Pasture Loop, and, returning to the inn from a different direction, we were confronted by yellow crime scene tape.

It took a few hours to piece together the story, but, apparently, several days before we arrived, someone had murdered the innkeeper and his wife, setting the bodies ablaze. My own wife was understandably anxious.

But the ski conditions were outstanding. I didn’t want to leave. “They’re not killing guests,” I told my wife, as I pushed furniture up against the door.
But we did leave, cutting short our vacation in the White Mountains and heading for Cape Cod, the beach beautiful in the dead of winter, ice floating on the water.

And that was really all I knew about the story until I stumbled upon a website recently. Apparently, in January of 1985, several days after the murders in New Hampshire, the remains of two charred bodies were found in a burned-out barn in Alachua County, Florida. Although there was evidence connecting the dead bodies in Florida to the dead bodies in New Hampshire, it took eighteen months to make a positive identification. The bodies in Florida were eventually identified as the daughter of the innkeepers and her ne’er-do-well boyfriend. A lengthy suicide note explained that they had killed the young woman’s parents because they didn’t approve of her boyfriend. Then they took their own lives so that they “could be together forever in death.”

I was right. They weren’t killing guests. This was no random act of violence. It was a crime of passion committed by a disturbed family member. I am tempted, even now, to tell my wife I told you so. But she is a passionate woman. I worry about disturbing her. It’s probably safer just to use it in a story.

Jeff Markowitz