Tag Archive for: Jeri Westerson

Guest blog Jeri Westerson

Hi, it’s Linda here. Please welcome my friend and gifted writer of historical mysteries, Jeri Westerson. Jeri’s newest “medieval noir” Crispin Guest novel, Blood Lance, has just been published, and Jeri’s going to talk to us about the really extreme research she does in order to write about her disgraced medieval knight.


She’s Armed
By Jeri Westerson
When it comes to research, I’m a hands-on kind of gal. So
when I had an opportunity to put on some fourteenth century-style armor and get
a sword fighting lesson, I was all over it.

I have worn armor before, and have even sat on a
warhorse, a 2,000 pound Percheron while wearing light armor. My latest medieval
mystery BLOOD LANCE features a lot of sword craft and jousting, and in order to
give it the authenticity it needed, I’ve been venturing throughout southern
California eliciting the help of chivalrous knights far and wide. And no one
knows chivalry more than Scott Farrell. 




I met Scott Farrell some years ago when we did a podcast
interview on his site Chivalry Today. But this hot August day, I met him in
person, along with his wife April, and Scott’s fellow instructor Kyle
Lazzarevich at Team Touche, a fencing club in San Diego, where they agreed to
fit me with armor so I can get the feel of it.
Scott is an historical sword fighting coach and an author
and historical interpreter on knights, medieval history, and chivalry.He got
interested in the Middle Ages in high school and later got the re-enactor bug,
and then started doing demonstrations for kids, which led him to think about connecting
the code of chivalry into everyday life and to his podcasts. 

Medieval armor was crafted to fit the particular knight. You
didn’t just buy it off the rack at ye olde Walmart. So Scott had to cheat a bit
to fit it around my middle-aged frame and cheat some more to be able to
position the helm where I could half-way see. All in all, it’s unwieldy as you
can imagine, and heavy what with not being used to it and all. In reality, a
full set of armor or full harness weighs anywhere between 60 and 100 pounds,
but with the weight distributed all over the body it’s not as bad as it sounds.
Knights had to be able to move, fight, mount the horse, dismount. Though
because of the noise of mail and clanking plate, it wasn’t exactly build for
stealth. As a matter of fact, I’m betting that it was pretty intimidating hearing
that clanking sound approach and being confronted with a man in armor with a
sword, mace, flail, war hammer, ax, pole axe…well. You get the picture.
It was wonderful just closing my eyes and feeling the weight
of it, the smell, the sense of it on me, and imagining I am Crispin, my
medieval protagonist and detective, who lost his knighthood years before these
stories began.

Wearing armor is one thing—and a marvelous thing at
that!—but what was it like to fight with a sword?
In college I took fencing and was pretty darned good at it.
But fencing is a completely different style than medieval broad sword fighting.
Fencing is about style. Though it was utilitarian there was more in the way of
competition and style points than fighting and hacking away at an opponent. And
though medieval broad swords were also used in competition in tournaments, the
tournament was more for preparing for actual battle. Technique was important to
keep you alive, but it was more about what worked rather than panache. After
all, a broad sword is essentially a chopping and slashing weapon. It was your
shield in defense as much as it was used as an offensive weapon.
I learned about medieval weapons
through books and research. And I have my own cache of weapons I like to
demonstrate when I make appearances at libraries and bookstores. But there is
nothing like a hands-on approach. It’s not something that you can find readily
just anywhere.
Scott gave me a lesson in some medieval long sword
techniques. Keeping the blade edge toward your opponent and keeping it close to
your body were good tips. The use of the thumb on the leading hand on the hilt
can help balance but it is up to the student to decide to leave it vulnerable
above the cross guard. When using the sword two-handed, the leading hand
controls the vertical tilt of the sword, while the bottom hand controls the
horizontal. Flashy Hollywood-style fighting might look good on the screen, but
it leaves you wide open for a good gash to the torso. And who wants that?

After real training, could I take on an armored opponent?
Well, let’s just say, I’d rather leave the swordplay to experts, like Crispin.

Jeri Westerson wanted to create her
own brand of medieval mystery, and combined the concept of medieval mystery
with hard-boiled detective fiction into what she calls “Medieval Noir.”
Hard-boiled detective Crispin Guest, is a disgraced knight turned PI, solving
crimes on the mean streets of fourteenth century London. The critically
acclaimed series began with VEIL OF LIES, which garnered nominations
from the Mystery Reader’s Journal Macavity Award for Best Historical Mystery
and the Private Eye Writers of America Shamus Award for Best First PI Novel,
the first medieval mystery to be so honored. Each of the next three novels in the series garnered award nominations and critical praise, as well.

 

Publisher’s Weekly said of the fifth
in the series BLOOD LANCE; “Clever twists and convincing period detail make
Westerson’s fifth 14th-century historical featuring disgraced knight Crispin
Guest one of her best.”
Kirkus Review said, “Guest’s fifth adventure
again provides a lively tale of historical interest smoothly combined with a
worthy mystery.”  The
Richmond Times-Dispatch said, “Written with a
keen knowledge of medieval history, ‘Blood Lance’ is another riveting tale of
honor and heroism, grounded in period detail, a wealth of action and the
continued development of her characters.”
Jeri looks forward to the sixth, SHADOW
OF THE ALCHEMIST
in the fall of 2013.

Jeri has done talks around the
country about the Middle Ages, demonstrating her cache of medieval weaponry.
She has been a featured guest on the radio talk show Writers on Writing with
host Barbara DeMarco-Barrett, and a guest lecturer at the Bowers Museum in
Santa Ana. Jeri is vice president for the
southern California chapter of Mystery Writers of America and is also vice
president of the Los Angeles chapter of Sisters in Crime, and co-chair for the
California Crime Writer’s Conference for June 2013. She is also a member of
Private Eye Writers of America and the Historical Novel Society. Jeri is
married to a commercial photographer, has a screenwriter son, and herds two
cats, a tortoise, and the occasional tarantula at her home in southern
California.
Visit Jeri’s blog www.Getting-Medieval.com for
articles on history and mystery as well as author interviews. Or see what
Crispin has to say on his very own blog. She is
also part of the group blog Poe’s Deadly Daughters
and you can follow her on Twitter
and see what Crispin is up to on his Facebook page.

 

 

History Timeline

Noir and hard-boiled fiction seem to be in Jeri Westerson’s blood. She was born and bred on the mean streets of Los Angeles. Reporter, would-be actress, graphic artist; these are the things she spent her time on before creating the newest hardboiled detective, Crispin Guest—ex-knight turned PI, solving crimes on the mean streets of fourteenth century London in her Medieval Noir series. The Boston Globe called her detective, “A medieval Sam Spade, a tough guy who operates according to his own moral compass.” Her 2008 debut from St. Martin’s Press, VEIL OF LIES, garnered nominations for the Macavity Award for historical mystery and the Shamus Award for Best First PI novel. Her second, SERPENT IN THE THORNS, is also a 2010 Macavity finalist and a finalist for the 2010 Bruce Alexander Historical Mystery Award. Her third, THE DEMON’S PARCHMENT, is due for release October 12. Jeri is newsletter editor and on the board of directors for the southern California chapter of Mystery Writers of America and is president of the Orange County chapter of Sisters in Crime. She is also a member of Private Eye Writers of America and the Historical Novel Society.

Now I know it’s not your fault. Somewhere back in grade school you had a lousy history teacher who thought memorizing dates was more important than bringing history alive. But I was one of the lucky ones. Not only was I blessed with interesting history teachers, but I was also surrounded by a love of history at home, and to me, history was always something vibrant and exciting.

Most of us have so many erroneous ideas about certain time periods that we really have no grasp of the big picture of history. We find it hard to even place events on a timeline. For instance, in the 1200’s, the Inca empire in Peru was at its height as was the Aztec empire in Mexico, where they consumed much chocolate. At the same time in Europe—where they never heard of the New World, let alone chocolate–knights were heading off to the Middle East for the fourth crusade. And in China, the empire was ruled by the Sung Dynasty.

Not only were we taught boring history, but Eurocentric history.

There is the old saying by early 20th century philosopher George Santayana: “Those who cannot remember the past are condemned to repeat it.” If one looks back at history, we see that this is true, from something as big as great battles to determine borders to small acts of simple interaction between people that grow into great tragedies.

One of the biggest problems is that our teachers never connected the dots of history that affected other events in other places. For instance, did you know that the Italian Christopher Columbus was sent by the Spanish Queen Isabella and King Ferdinand to find a new route to India? He wasn’t sailing to prove the world was round. Everyone already knew that, but I bet that was what you were taught in school. I bet you also thought that the big bad Church wanted to charge Columbus for heresy for claiming that the earth was round, right? Wrong! We can blame Washington Irving for that. The same fellow who gave us RIP VAN WINKLE and THE LEGEND OF SLEEPY HOLLOW, wrote a biography of Columbus in 1828, and he wrote a fictional scene wherein the Church wants to charge Columbus with heresy when the Church taught that the earth was flat—which, of course, it did no such thing. Teachers picked up on it, though, and for generations, school children believed that Columbus set out to prove the earth was round when everyone already knew this and never believed it was flat (Roger Bacon in the thirteenth century is quoted as saying, the “curvature of the earth explains why we see farther at higher elevations.” And don’t forget those paintings of Jesus holding an orb with a cross on top denoting his dominion over the earth. He’s holding an orb not a plate.)

But in 1492, Columbus was not the only one sailing the ocean blue. This was also the year that Queen Isabella and King Ferdinand were kicking out all the Jews of Spain…who probably funded this miraculous journey of Columbus in the first place. They weren’t the first country to get rid of their Jews, either. England expelled them in 1290. France had many expulsions, welcome-backs, expulsions again. It was either the Middle East for Jews or to Eastern Europe and even then they were relegated into ghettoes, by their own choice at first, then later by force. If we could have looked at this early part of Jewish history, we can see how old prejudices and expulsions led to the culmination of hatred in Germany during World War II.

In my latest novel, THE DEMON’S PARCHMENT, I explore medieval Jews and Crispin’s perfectly medieval attitude toward them, along with a few Jewish legends like the Golem, the Jews’ mythological protector.

The history we learned in school is little connected to events that transpired later. In fact, unless you were a history major, you never really learn how event leads on to event—why Archduke Ferdinand of Austria’s assassination led to World War I, for instance, which was a direct link to World War II, and then, tangentially, the Holocaust. Look at all those veins of events that shaped America today! It’s a shame, really, because some of those happenings make for interesting tales indeed. And they still filter down to events today, lessons we should have learned from history long ago.

Jeri Westerson

THE DEMON’S PARCHMENT–Coming from St. Martin’s October 2010
SERPENT IN THE THORNS–in Bookstores! (2010 Finalist Macavity Award)http://www.jeriwesterson.com/
blogging at http://www.getting-medieval.com/
____________________

Jeri keeps her tales interesting in her Crispin Guest Medieval Noir novels. You can read a first chapter of her latest THE DEMON’S PARCHMENT, at http://www.jeriwesterson.com/.

Fear of Sewing

Jeri Westerson grew up on the mean streets of Los Angeles and so always had a thing for noir. She also always had a thing for the Middle Ages. Her debut novel Veil of Lies; A Medieval Noir combines both loves. Read an excerpt at www.JeriWesterson.com.

It’s not something I generally do. I mean, I’m pretty comfortable playing with my sharps, my daggers and sword. But facing a sewing machine is a bit scary.

Yeah, I’m all wrong as a girl. I always like playing the boys’ games rather than the girlie stuff. I’m glad to see it’s finally paying off with my novels. VEIL OF LIES is my debut medieval mystery with a protagonist who is all man. Crispin Guest is a disgraced knight eking out a living on the mean streets of 14th century London as a private detective. His life on the Shambles, the butcher’s district, is less than desirable, but because he committed treason against the newly enthroned King Richard II, he was hardly in a position to argue. His life was spared but his knighthood, lands, and place in the world were banished. Gone is the courtly life he was used to. And now he must live amongst people he would scarcely have given the time of day let alone live with.
And so I get to use my knowledge of weapons and other manly pursuits while filling out the backstory of Crispin’s life. It’s a lot of fun, as you can imagine.

But as far as promoting the book, I have to get a little more down to earth. Those who like medieval mysteries are very keen on their history. And I thought I might have to make a few appearances at Society of Creative Anachronism events (you know, those re-enactors who do battles and jousts and Renaissance fair-type gatherings?) That’s where the sewing machine comes in.

I’ve made the occasional Halloween costume for my son (though my motto has always been, “If I don’t glue it, I don’t do it.”), but here I was going to create an actual 14th century gown for myself, complete with head piece. Was I nuts? Firstly, I never remember how to wind the bobbin, and no matter how gentle I am with the foot pedal, it always runs away from me. The seams bunch up, I get the wrong thread in the wrong place, and what the heck is “facing” anyway?

But I managed. I found the right pattern and didn’t even have to worry about a hidden zipper (uh, no thanks!) as I made it big enough to slip over my head.

And after all that preparation, I’ve worn it exactly…once. Camping. Doing a medieval feast for my friends. And wore it for a total of ten minutes as it was hotter than blazes were we were. I’m not the type to show up at a book signing wearing a costume. I just don’t. So I imagine that one of these days, I will don the thing again and make a proper appearance. I suppose.

In the meantime, I’d love to show you my collection of medieval weaponry. I have a story or two about my daggers and sword. And yes, you can try on my helm. But don’t swing the flail. You can put an eye out.

Jeri Westerson

If you’d like to see a few of those articles on weapons, slide on over to my blog http://www.getting-medieval.com/ or peek in at my website for the first chapter of VEIL OF LIES by going to http://www.jeriwesterson.com/.