Tag Archive for: Malice Domestic

A little of this, a little of that

It’s my turn to write a post and I really have nothing.

Next week will be a busy one as Malice Domestic convention is upon on. Some will trek to Bethesda, Maryland to attend panels and listen to honored guest and be one with the reading/writing universe. I look forward to attending this convention as it was the first one I ever attended.

I will also be attending the memorial for Sue Grafton on Tuesday. Later that evening I will be at the Mysterious Bookshop for the 2018 Edgar Awards celebrations where I will be hobnobbing with 2018 Edgar Award nominees, authors, and people in the publishing industry.

That’s all I have. Oh wait, did you know that there are five separate areas on my blog? From Monday – Saturday and sometimes Sunday, my “day in the life” feature is showcased. I save the Saturdays for non-cozy titles. Sundays are for cover reveals (although lately I had a couple in the middle of the week), reviews, and releases.

You can check out my blog at drusbookmusing.com.

Travel Plans aka Adventures

by Sparkle Abbey

What’s that saying about the best laid plans? Oh, right…the full quote is “The best laid plans of mice and men often go awry.” From the Scottish poet, Robert Burns.

It seems that particular quote is often true for us. And especially when it involves travel plans. Or as we like to call them travel adventures.

More times than we can count we’ve had flight delays, road construction delays and bad weather (ice, snow, thunderstorm) delays. Heck, we’ve even had a tumbleweed delay on a flight into Denver. Now, there have been a few times when the travel plans gone awry, were out own fault. We may or may not have missed a turn and ended up in Michigan. Twice.

Has anything like that ever happened to you?

We have, more than once, completely missed mystery conferences or apperances because our rebooking couldn’t get us on-site in time. Not good. So you can understand our trepidation as we booked our flight for the Malice Domestic conference at the end of this month. We love attending Malice Domestic. We love meeting readers, reconnecting with friends and fellow authors, and hanging out with book people. So, we’re thinking positive travel thoughts and hoping for smooth sailing…er…flying.

If you’re planning to be at Malice we look forward to seeing you there. In fact, if you see us at Malice we’re happy to share a cocktail or a coffee and hear some of your travel adventures. Or perhaps you’d like to share here?

Sparkle Abbey is the pseudonym of mystery authors Mary Lee Woods and Anita Carter. They’ve chosen to use Sparkle Abbey as their pen name on this series because they liked the idea of combining the names of their two rescue pets – Sparkle (ML’s cat) and Abbey (Anita’s dog).

The authors co-write the best-selling Pampered Pets Mystery Series which focuses on the wacky world of precious pedigrees, pampered pooches, and secrets in posh Laguna Beach, California. The main characters and amateur sleuths are Texas cousins, Caro Lamont, a pet therapist, and Melinda Langston, a pet boutique owner. The two would join forces and work together if they were speaking, but they’re not.  Midwest Book Review calls the series “A sassy and fun mystery!”

At Malice Domestic this year Sparkle Abbey (aka Anita and Mary Lee) will be on the Murderous Wit panel at 3:00 PM on Saturday along with Paula Gail Benson, Ginger Bolton and Lida Sideris.

Meet the Authors of the 2016 Agatha Best First Novel Nominees!


Each
year at Malice Domestic, writing excellence is recognized by the Agatha awards.
This year’s nominees for Best First Novel are (in alphabetical order by first
name):
Best First Novel:
Terror in Taffeta by
Marla Cooper (Minotaur)
Murder in G Major by
Alexia Gordon (Henery Press)
The Semester of Our Discontent
by Cynthia Kuhn (Henery Press)
Decanting a Murder
by Nadine Nettmann (Midnight Ink)
Design for Dying by
Renee Patrick (Forge Books)
Today,
the Stiletto Gang welcomes Marla, Alexia, Cynthia, Nadine, and Renee (
the pseudonym for married authors Rosemarie and Vince
Keenan)
. Thanks for stopping by to share your work and thoughts
with us!—Paula
Gail Benson
What writing habits enabled you to
complete a novel?
MARLA:
I’ve
never been one of those writers who gets up two hours early every day so she
can have dedicated writing time. But I did find a handy way to trick myself
into a consistent writing practice. For me, getting started is the hardest
part. So when I’m writing a novel, I make myself sit down and write 50 words
every day. That’s all. Just fifty little words. They don’t even have to be good
words. Most days, I end up getting into my groove and writing a whole lot more
— but just getting myself past the resistance makes all the difference.

ALEXIA:

Having deadlines helps
me. I hate to disappoint (one of my hang-ups) so being accountable to another
person for turning in pages prompts me to get the pages written.

 


CYNTHIA:
One
thing that’s helped me is to allow the entire first draft to be a kind of a
joyful keyboard pounding, in which I don’t evaluate or second-guess anything; I
just write until I have a complete story. Then comes the deep and intensive
revision phase, in which there is not only second-guessing, but also
third-guessing and fourth-guessing and so on…times infinity (or so it feels).
NADINE:
Besides
the fear of regret, which isn’t really a habit but it feels like one, I would
do writing sprints with a friend. We would text to set a start time and then
write for thirty minutes, checking in with each other when we were done. It was
a great way to hold each other accountable and we both would often keep writing
past the thirty minutes. Currently, I’m trying to do Magic Mornings where I
wake up and write first thing without checking the Internet or my phone. It’s
still an effort but I’m hoping it will become such a habit that I never miss a
morning. I might be hoping for a while as it’s very tempting to look online
when I wake up.
RENEE (Rosemarie and Vince):
We
were both raised Catholic, so we each have two powerful motivational tools on
which we can rely: guilt, and the fear of guilt. They power us through every
endeavor, but when combined they are nigh upon unstoppable. To any and all
aspiring writers out there, we say find yourselves a co-author. Knowing that
you will have to answer to a trusted friend or loved one for missed deadlines,
mixed metaphors and botched jokes will keep you typing until your fingers ache.
  



What shoes would you, your protagonist, or
another character from your novel wear to the Agathas banquet?

MARLA:

So,
about the shoes: As a destination wedding planner, my main character Kelsey has
to sacrifice style for practicality since she sometimes is on her feet for up
to 8 hours at a time. But for the Agathas, she’d have the night off from
playing party planner, so she’d probably break out the Laboutins in the back of
her closet. (She inherited from a bride who bought them in three different
colors “just in case,” but couldn’t be bothered to return them.)

ALEXIA:

Gethsemane would wear some bad-ass high-heeled boots. Because I
can’t wear them and Gethsemane was born out of wish-fulfillment. 

CYNTHIA:

Lila
would be planning to wear her favorite black Doc Martens lace-up boots, but her
cousin Calista would talk her into some still-in-the-box Jimmy Choo pumps, a
gift from Lila’s mother that has been languishing in her closet.

NADINE:

As
for shoes, I’ll choose Tessa for this question as she loves clothes and fashion.
In Decanting a Murder, Tessa wears a pair of navy blue Manolo Blahnik heels but
I think for the Agathas banquet, she would go for a bright red pair that were
several inches high. Katie Stillwell would probably wear very small heels,
unless Tessa talked her into some tall ones again.

RENEE (Rosemarie and Vince):

Lillian
Frost would choose a high-heeled sandal in sparkling silver but Edith Head
would suggest a more practical black kitten-heeled pump. And thank you for the
invitation but Edith couldn’t possibly attend, she’s much too busy.

Celebrating the Short Story: the 2016 Agatha Short Story Nominees

by Paula Gail Benson

Malice Domestic has become a wonderful homecoming for me each
year. Held in late April or early May near Washington, D.C. (for the last
several years in Bethesda, Maryland), it celebrates the best in the “traditional
mystery,” written in the style of Agatha Christie, where the emphasis is on
resolving the puzzle of the crime rather than delving into the more gruesome
aspects of the deed.

Excellence is recognized at Malice Domestic by the annual Agatha
Awards, given to living authors for works published during the previous
calendar year. Short stories are included in the nominated categories and this
year’s group of nominees features a group of outstanding writers. Not only are
the authors well-respected and prolific, but also the publications demonstrate
how short fiction is experiencing a new golden age for mystery readers’
enjoyment.

Following are the nominees and links where you may read the
short stories:

Best Short Story:
“Double Jinx: A Bellissimo Casino Crime Caper Short
Story”
 by Gretchen Archer (Henery Press)
“The Best-Laid Plans” by Barb Goffman
in Malice Domestic 11: Murder Most Conventional (Wildside Press)
“The Mayor and the Midwife” by
Edith Maxwell in Blood on the Bayou: Bouchercon Anthology 2016 (Down & Out
Books)
“The Last Blue Glass” by
B.K. Stevens in Alfred Hitchcock’s Mystery Magazine
“Parallel Play” by Art Taylor in
Chesapeake Crimes: Storm Warning (Wildside Press)

Gretchen Archer, who writes the Davis Way Crime Caper series for Henery Press,
uses the setting for her novels,
the Bellissimo Resort and Casino in
Biloxi, Mississippi, for her short story about a holiday host investigating the
death of a slot machine tournament player. Henery Press issued the story in
electronic format on Amazon. Gretchen is a Tennessee housewife, who lives on
Lookout Mountain with her husband, son, and a Yorkie named Bently. Her first
Davis Way Crime Caper, Double Whammy, was a finalist
for the Daphne du Maurier Award and appeared on the USA TODAY Bestsellers List.

Barb
Goffman has won the Agatha, Macavity, and Silver Falchion awards for her
mystery short stories. She received the Silver
Falchion was for her collection, Don’t Get Mad, Get Even. She also has
been nominated for the Anthony and Derringer.
Her nominated story was
published in  Malice Domestic 11: Murder Most
Conventional
. It’s a great joy to see Malice Domestic resume its
practice of issuing short story anthologies, particularly this volume that
concentrates on mysteries at conventions. Barb’s story reveals how the best
laid plans of two honored guests at Malice Domestic can take a bad turn for the
worse.

Edith Maxwell, an Agatha nominated and Amazon bestselling author,
writes two series under her own name (the Quaker Midwife and Local Foods
Mysteries), two under the name Maddie Day, and previously wrote the Lauren
Rousseau mysteries as Tace Baker. Her nominated short story appeared in the
Bouchercon anthology,
Blood on the Bayou:
Bouchercon Anthology 2016
 edited by Greg Herren (Down
& Out Books), and featured her Quaker midwife protagonist, who must solve
the mystery of a death in a New Orleans’ family that has come to Amesbury in
1888.

B.K.
Stevens has published over fifty short stories, most appearing in Alfred Hitchcock’s Mystery Magazine and eleven of which have been collected in Her Infinite
Variety: Tales of Women and Crime
, published by Wildside Press. In
addition, she has written a novel featuring a deaf interpreter, Interpretation
of Murder
(Black Opal Books), and a young adult martial arts mystery, Fighting
Chance
(Poisoned Pen Press). She has won a Derringer and has been nominated
for Agatha, Anthony, and Macavity awards. Her nominated story, published in
Alfred Hitchcock’s Mystery Magazine, was
described by editor Linda Landrigan as: “A young wife finds her life’s
disappointments measured in broken glass.”

Art Taylor, associate professor of English at George Mason
University and frequent contributor to the Washington Post, the Washington
Independent Review of Books
, and Mystery Scene Magazine, won the
Agatha Award for Best First Novel for On the Road with Del & Louise: A
Novel in Stories
. For his short stories, he has won two Agatha Awards, two
Anthony Awards (one for his own short fiction and the other for editing Murder Under the Oaks: Bouchercon Anthology 2015),
a Macavity Award, and three consecutive Derringer Awards. His nominated story,
about a parent’s efforts to protect her child, was published in Chesapeake
Crimes: Storm Warning
.

If
you haven’t already discovered these extraordinary authors, I hope you’ll take
this opportunity to read their nominated work. And, if you already love their
writing, as I do, enjoy these wonderful nominated selections!

An Interview with Shawn Reilly Simmons by Paula Gail Benson


Shawn Reilly Simmons has an impressive resume. Born in Indiana, she grew up in Florida and graduated from the University of Maryland with a BA in English. She’s worked as a sales executive, bookstore manager, fiction editor, convention organizer, wine consultant, and caterer. Since 2003, she’s served on the Malice Domestic Board of Directors. Those who have attended the annual meeting near Washington, DC, have seen Shawn calmly overseeing the registration desk or confidently moderating terrific panels. In addition, she’s a founding member of the Dames of Detection and an editor at Level Best Books, which publishes the Best New England Crime Stories Anthologies.

Oh, and did I forget to say that she’s the author of the Red Carpet Catering Mysteries (published by Henery Press) that features Penelope Sutherland, a movie set caterer, and has contributed the short story “A Gathering of Great Detectives” to the Malice Domestic 11: Murder Most Conventional Anthology? Not to mention that she’s Mom to an adorable fellow named Russell.

Obviously, Shawn knows how to prioritize so she gets lots of things done and done well. Many thanks to her for taking time to visit with us and tell us how she manages everything so beautifully.  
Have you always loved writing?
 
Yes! I’ve wanted to be a writer, in some capacity, since I was in
elementary school. I won Best Creative Writer when I graduated from high
school, and I was encouraged by my professors in college to pursue writing as a
career, so it was always an aspiration of mine. The trick was making that
aspiration a reality.
Many of us know you as one of the smiling faces of the Malice Domestic convention.
How did you become involved with Malice?

 
I got involved with Malice when I met Anne Murphy, our Volunteer Chair,
at a panel during Malice 14. She was a Reilly before she was a Murphy, and she
was curious if we were somehow related. Next thing I knew, I was invited to
meet with the Board, and I accepted the vacant PR Chair position the following
year. Fifteen years later, I’m still there, which is crazy–not that I’m still
there, but that so much time has passed. It feels like yesterday! 
How has Malice influenced your writing?
I got involved with Malice because traditional mysteries are my favorite
stories to read, and to write, it turns out. I’ve learned more than I can begin
to say from the authors I’ve met, the friendships I’ve made, and the advice
I’ve been given by so many writers and fans I admire. I think I would still be
writing stories if it weren’t for Malice, but I’d probably be flailing around
trying to find my way.

 
You’ve had many diverse work experiences. How did you start catering for
filmmakers?
 
My sister is a chef, and started cooking on movie sets right after
graduating from culinary school. Over the years, I would go and help her in the
kitchen when she needed an extra set of hands. She had transitioned into being
a personal chef and was in between clients when the on-set catering company
she’d previously worked for began filming a movie in the DC area. I was
freelance editing at the time, so we were both available, and were hired to be
part of the crew. Like so many things for me, it was a matter of luck and being
available when different opportunities presented themselves.

Tell us about your protagonist, Penelope. How much of you is in her
character?

 
Penelope Sutherland is chef-owner of Red Carpet Catering, an on-set
movie catering business. She shares a house with her best friend, up-and-coming
actress Arlena Madison, who is one of the many children of acting icon Randall
Madison. Penelope is like me in some ways: she’s loyal, hardworking, and loves
to cook. She’s younger than me, and has a bit more confidence than I did at her
age, which is working out for her so far.
What do you plan for Penelope’s future? 

Penelope is building up her catering business, and she’s going to get
bigger and better opportunities based on her skill and business sense, not just
because she’s along for the ride with the Madison family. She’s going to have
some setbacks too, both personally and professionally, like we all do. Penelope
is also embarking on a romantic relationship with her friend from grade school,
Joseph Baglioni, who also happens to be a Homicide Detective for New Jersey PD.
They both work crazy hours–Penelope is on set sixteen hours a day sometimes,
and is often away on location for months at a time. Penelope and Joey have to
make the time they do have together special, which doesn’t always work out
perfectly, but they’re sticking with it. 
Your novels have been published by two sources. Tell us about your
publication journey.
 

I
wrote my first book after I had my son and decided to stay home with him. I
wasn’t sure if I could even write a mystery, or if it would be any good, but I
had my characters set in my mind, and I had never read anything about on-set
catering before, so I felt I had a fresh take on the movie industry. What I
didn’t have was an idea about how to proceed to publication when my manuscript
was finished. I decided to publish through an offshoot of my mother’s
publishing company, mostly for friends and family, and didn’t do much else with
the book after that. To my surprise, people (other than my family) read it and
liked it, and I was approached by an agent (at Malice, of course). She said she
could definitely sell my book to one of the big five publishers, but I had to
write the second one quickly, so they could see I could carry a series. I did
what she asked, and then heard back from the agent that the publisher loved the
idea of working with me, and that I was a strong writer, but that books about
movies hadn’t worked well for them in the past. They wanted me to think of
another series idea and get writing it quickly. 

 

I had just finished my
second book, and was on the fence about what to do. I went the same route as
the first one with it, and began toying with the idea of conceiving a new
series. I basically had to decide whether to abandon Penelope and the gang, who
I had grown to love, or move on to something the editors at the large
publishing house considered more marketable. A few weeks later, I approached
Henery Press (at Malice, of course), and was thrilled that they were interested
in the Red Carpet Catering books. They signed me and I re-wrote the first two
books under the guidance of my editorial team, and wrote the third book (from
scratch). That book is Murder on a Designer Diet, which was just released on
June 7th. I’m so glad I was able to find a welcoming home for Penelope &
Company.

In addition to your delightful series, your short story appears on the
recent Malice anthology. How is writing a short story different from writing a
novel?
 

You know, I hadn’t written a short story since college, and hadn’t
thought about writing them seriously. A year or so ago some local friends
hosted a short story pot luck dinner where everyone brought a dish and read an
original story they’d written. I had so much fun coming up with something for
my friends, it got the juices flowing again, and I decided to give the blind submission
for the Malice anthology a try. I was happily surprised that my story was
selected, to say the least. Now I’m working on a few different short stories,
for different projects.
Also, you have a new venture with the Dames of Detection and Level Best
Books. Tell us about this experience, particularly what it’s like to be an
editor.
 

Yes! We’re very excited to be the new editors of Level Best Books, which
publishes the annual Best New England Crime Stories anthology. I’d seen a note
on Facebook that the previous editors were planning to release their final
anthology, and that they weren’t continuing the series. The Dames felt the
anthologies are such a great tradition, and so many authors have gotten their
start there, that we decided to approach the previous editors about keeping
them going. Luckily all eight of us agreed to everything, so we transitioned
over this year. Our first anthology, Windward, received 225 submissions, and
we’re just about through our blind evaluation process. We’ll have our final
decisions made by mid-July. Being an editor is very fun, while also a lot of
work. We plan to do at least two anthologies next year, and are all in
agreement to do even more going forward.
How do you balance your many responsibilities and still find time for
writing?
 

Some
days are more successful than others! But I do tend to be a scheduler and a
list maker. I work hard to keep everything organized and on track. I get up
early to write, usually at 5. I’m most productive and creative during that
quiet time. Later in the day I’m either working on Malice, editing for the
anthologies I’m involved with, or performing other tasks related to the books.
Then there’s the regular life stuff: being a good wife & mom, managing the
household, getting dinner on the table. And I always make time for myself: I
read every day and get in a workout of some kind. It’s safe to say I’m never
bored!

Does Russell enjoy having a writer for a Mom?
He
does! He says every morning: “Daddy went to work, I’m going to school, and
Mommy works on the computer.” He’s actually started writing stories of his
own–one of his teachers has really been encouraging him at school. We started
reading together every night when he was six weeks old, and by the time he was
3 1/2 he had learned to read, which was so exciting. We still read every
night–it’s such an ingrained habit now, the main part of our bedtime ritual.
We’ve been sick, we’ve gone to bed really late, but no matter what, we always
end the day with a book. 

Shawn, thank you for taking the time to be with us. Check out Shawn’s website at:
http://www.shawnreillysimmons.com/books.html

Coming out of my comfort zone

I’ve recently attended my sixth Malice Domestic Convention where I had a great time. I came out of one comfort zone when I first attended this conference and stuck like glue to my friend who convinced me to attend. Also, I was traveling all alone to the unknown where I only knew the one person. Six years later, I’m all over the place and I like it.

The following year, I attended my first Bouchercon in St. Louis and once again, I was going into the unknown, traveling to a city I’ve never been to and knowing only a few people. I had a good time and there were moments where it got overwhelming with the crowd that I had to escape to my room. Again, coming out of that comfort zone.

At the Albany Bouchercon, I was asked if I wanted to be on a panel and my immediate answer was “no.” Going forward one year and at the Long Beach Bouchercon, not only was I sitting on a panel, but I was also moderating a panel for the first time. Talk about double anxiety. I was a nervous wreck right up to me sitting on the panel and then moderating one the following day. Again, coming out of that comfort zone.

When I attended Bouchercon Raleigh, there was a comfort zone I was not sure I could do and I’m happy that I didn’t have to address that one.

In February, I headed to Phoenix to attend my first ever Left Coast Crime convention and once again, I was moderating a panel and sitting on a panel and yes I was nervous, but once again, I’m coming out of my comfort zone.

And early in the month, I moderated my first panel at Malice Domestic and yes, I was nervous, but I was better prepared for all that needed to be done and it helped that I had met most of the panelists at other author events. Once again, coming out of that comfort zone.

Next year I tackle another comfort zone, traveling direct (11 hour flight) to Hawaii and I’m thinking I want to wade in the waters in Hawaii. If that is accomplished, that is a BIG coming out of my comfort zone.


So readers, have you come out of your comfort zone and done something you never thought you would?

The Year of the Short Story

by Paula Gail Benson

From right, Art Taylor, Debra Goldstein, Cathy Pickens and husband Bob, and me.

Like
Debra Goldstein, I’m a writing conference junkie. I completely understand the
attraction that compels so many sci fi and graphic novel enthusiasts to flock
to cons. First, you’re surrounded by people who have as great a love of the
subject as you do, and second, you draw inspiration from proximity to the
practitioners.

I’ll
never forget my first visit to Malice Domestic about fifteen years ago. Everything about it seemed to
spell impossible expectation. The time of year. The distance to travel. Getting
leave from work. Arranging for my mother to travel with me. Yet, Mary Higgins
Clark would be there, and I was obsessed with her books. When I imagined my
future, it was writing novels like Mary Higgins Clark’s.

Somehow,
all the pieces came together. Impossibility became reality. I went. Standing in
line to get my picture with Mary Higgins Clark, I met Dana Cameron, who has
become a wonderful, supportive friend. The photo with Mary Higgins Clark and
her daughter Carol Higgins Clark has become a talisman for me, a symbol of what
I can achieve. When one of my relatives asked who those people were (not
recognizing me), I convinced myself I looked enough like an author to be
mistaken for one. I’ve continued that happy delusion ever since.

I
dub this year’s Malice “a celebration of the short story.” Malice revived its
tradition of publishing anthologies with Malice Domestic’s Murder Most
Conventional
, with twenty two original stories and one reprint all set at
conventions. (Another anthology is planned for next year featuring historicals.)
While I missed lunch with the Guppies, I had a wonderful time with Debra Goldstein, Barb
Goffman, and others. Barb won her first Agatha this year for “A Year Without
Santa Claus,” her first publication in Alfred Hitchcock Mystery Magazine.
At
the SinC Breakfast, the announcement of a new initiative, “We Love Short
Stories,” organized by Debra Goldstein, was met with applause and great expectations.
I thoroughly enjoyed being on a short story panel with James Lincoln Warren (a first class moderator who brought his panelists California wine), Teresa Inge, K.B. Inglee, and Jayne Ormerod. We missed being with Eleanor Cawood Jones, a contributor to the new Malice anthology, who had became ill. During our discussion time, we explored the diverse themes, characters, and settings for mystery short stories. Jim kindly read selections from each panelist’s stories to the audience.  
At the banquet, so many attending had backgrounds as both short story writers and novelists. Terrie Farley Moran, who won an Agatha for best first novel last year, was nominated in the short story category this year. B.K. Stevens, who broke her arm and sadly could not be there, had a table full of supporters, cheering her nominations for short story and young adult novel. (Notice in the photo below that B.K.’s daughter Rachel and publisher Carla Coupe are holding up Her Infinite Variety, a new collection of B.K.’s short stories.) I had the pleasure of celebrating with Art Taylor when his novel in short stories, On the Road with Del and Louise, received the teapot as best first novel.
Hurray for another wonderful Malice and double hurray for the recognition of the importance of the mystery short story. It’s going to be a wonderful year for reading! 

Confessions of a Conference Junkie

CONFESSIONS OF A CONFERENCE JUNKIE by Debra H. Goldstein

Writing conferences cost money, take precious time out of one’s schedule, and always seem to have chicken on the banquet menu.  Despite their bustle, loudness, and sense that people are constantly out to sell themselves, I love attending them. I am a confessed “Conference Junkie.” Whether the conference is fan oriented like Malice Domestic or Bouchercon or more devoted to the craft of writing like Sleuthfest or Killer Nashville, I always come home having learned something and, more importantly, having made new friends.

In some ways, networking at conferences is my favorite part.  Although I tend to be an introvert,

there are numerous ways, besides the bar, for me to meet, mingle and make an acquaintance who grows into a friend. One of the best ways to interact with four or five people is being a panelist or a moderator. Not only does one get to know the other panelists through email exchanges before the conference and often a meeting before the actual panel, but the wider audience attending the session has the opportunity to put your

name and face together. Because of my panel participation, I’ve made friends who have invited me to join a group blog, people who as Facebook and Twitter friends reciprocally share the good things happening to us, and writers further up the food chain who have given me golden advice.

I will always remember Malice Domestic 2012 as the place I acquired my first two loyal fans. I was participating in the New Authors breakfast when two women randomly sat at the table with me because the seats at the table they really wanted were filled.  As one of the twenty-four new authors summarizing my book and my life in three minutes, I decided to stress the fact that my book, Maze in Blue, was designed to be a beach or airplane read – fun and fast. I topped my presentation off with an anecdote that left the room laughing and convinced the two women that not only had they not made a mistake sitting at my table, but they wanted to purchase my book.  A year later, as I walked into the Sisters in Crime breakfast, the same two women grabbed me, told me how much they enjoyed Maze, and asked if I would join them for coffee or a drink. In the three years that have followed, we always make time for each other – they’re my fans and I’m indebted to them for being avid readers of my works.

Killer Nashville is one of my favorite writer-centric conferences because I found the publisher for my newest book, Should Have Played Poker: a Carrie Martin and the Mah Jongg Players Mystery, there.  The KN panels, which I have been lucky enough to be on since Maze in Blue was published, are geared toward skill development or specific topics of interest to authors. In addition, usually, Sisters in Crime offers an educational workshop that sells out and is fantastic and Mystery Writers of America offers an equally impressive opportunity to socially network.

Private agent and editor critiques are available at Killer Nashville but rather than pitch sessions, one can sign up for agent and editor roundtables.  The roundtables each have ten to fourteen registered writers and two of the featured guest agent/editors. The first two pages of each roundtable participant’s work is read aloud and orally critiqued by the agent/editors, who also can express whether they would like to see more of the manuscript. In addition, everyone in the room has a paper copy of the pages on which they can dash written comments that are handed back to the authors.  In my case, Deni Dietz gave me some solid comments, but also asked to see the entire book. Within days of receiving my full manuscript, she purchased it for Five Star.

Some of the other well-run conferences I have attended and plan to go back to include Sleuthfest,

New England Crime Bake, Murder in the Magic City, Murder on the Menu and the Alabama Writers Conclave. The latter three tend to draw more regional attendance, but their workshops and execution are just as good as some of the more nationally recognized conferences.  The Alabama Writers Conclave this year will be in Birmingham from July 15-17 while Murder on the Menu and Murder in the Magic City are always held in February.

In the next year or two, I hope to be able to report attending some of the other ones that everyone raves about like Left Coast Crime and Police Writers Academy.  Let me know about some of the other ones I need to add to the list this self-confessed “Conference Junkie” should attend.

When Writers and Readers Get Together

by Sparkle Abbey

We just got back from Malice Domestic, the annual conference for the traditional mystery. Though we’re not sure just how many people were in attendance suffice to say we numbered in the hundreds. Readers, librarians, book bloggers, and authors all in one place. And between the great panels, fun events, and premier Agatha Awards banquet, what do you suppose writers talk about? Books, that’s what. We can’t help ourselves. It’s so much a part of who we are. So over lunch, or over drinks, or during breaks in the sessions, we talk about the books we’re reading, the books we wish we had time to read, and the books that have stayed with us through the years.

The week before leaving for Malice we got to together with a much smaller group of authors, our local PAL (Published Author Liaison) friends, which is a group of traditionally published Iowa authors. We had a wonderful tour of the Perry Carnegie Library, which was built in 1904 with a grant from Andrew Carnegie. The building has been restored to its 1910 appearance and is on the National Register of Historic Places. It serves as both a museum and working library and the current collection includes many of the library’s original 1,000 titles, as well as special collections of Midwest literature, women’s fiction, children’s books, and books on literacy and libraries.

“For centuries, cultures have been measured by their libraries.”
– A. Arthur Davis

As we finished the tour and began catching up, what do you suppose talk turned to? If you guessed books, you’d be exactly right. Books and, in particular, the books we checked out from our public libraries when we were growing up. Interestingly enough, though we all grew up in different places, we had similar stories  of checking out as many books as we were allowed. Mary Kay Shanley, who is not only a talented author, but also teaches writing classes at the Iowa Summer Writing Festival, shared that her librarian always checked the weight of her stack of books to make sure she could carry them the six blocks to her home.

What about you? Have you always been a reader and what part did your local public library play in your early reading experiences?

Our author picture is a shot of us with the real Sparkle and the real Abbey. Don’t you love the stare down? Our real names are Mary Lee Woods and Anita Carter. We write the Pampered Pets mystery series together. We’re also friends and neighbors so you’ll often find us writing at ML’s dining room table or at our local Starbucks.

We chose to use Sparkle Abbey as our pen name on this series because we liked the idea of combining the names of our two rescue pets – Sparkle (ML’s cat) and Abbey (Anita’s dog). We live in the Midwest, but if we could write anywhere, you would find us on the beach with our laptops and depending on the time of day either an iced tea or a margarita.

Our latest installment in the series is RAIDERS OF THE LOST BARK. Like the rest of the books, it’s set in southern California and this book involves “glamping” a term coined to describe glamorous camping. Let’s just say, there are no pop-up tents or sleeping bags to unfurl, the s’mores are gourmet, and the campers’ diamonds sparkle as bright as the stars.

We love hearing from readers so please connect with us via our website: SparkleAbbey.com or via Facebook at www.facebook.com/SparkleAbbey

Meet the Authors of the 2015 Agatha Best Short Story Nominees!



Each year at Malice Domestic,
writing excellence is recognized by the Agatha awards. This year’s nominees for
Best Short Story are:
“A Joy Forever” (PDF)
by B.K. Stevens (Alfred Hitchcock Mystery Magazine, March 2015)
“Suffer the
Poor” (PDF)
by Harriette Sackler, History & Mystery, Oh My (Mystery
& Horror, LLC)
“A Killing at the
Beausoleil” (PDF)
by Terrie Farley Moran (Ellery Queen Mystery Magazine,
Nov. 2015)
“A Questionable Death” (PDF) by Edith Maxwell, History
& Mystery, Oh My
(Mystery & Horror, LLC)
“A Year Without Santa
Claus?” (PDF)
by Barb Goffman (Alfred Hitchcock Mystery Magazine,
Jan./Feb. 2015)



Please enjoy the opportunity to read
these stories, if you haven’t already. We are so fortunate to have with us
today B.K. Stevens, Harriette Sackler, Terrie Farley Moran, Edith Maxwell,
and Barb Goffman.
All are not only fabulous writers, but also delightful people. Thanks, Bonnie,
Harriette, Terrie, Edith, and Barb for stopping by to share your work and
thoughts with us!
Paula Gail Benson
What are your writing habits?
B.K. Stevens
B.K. STEVENS:         Usually,
I spend a lot of time planning, especially if I’m working on a whodunit and
have to make sure all the evidence will come together. I may or may not make some
sort of outline, but I almost always take a lot of notes on the
computer—exploring various plot possibilities, planning clues, writing profiles
of characters and describing their backstories, and so on. Usually, my notes
are much longer than the final story; for the last story I submitted to Alfred Hitchcock’s Mystery Magazine,
they’re over three times as long. I like to have a clear idea of where I’m
headed before I begin to write, even though I usually end up making lots of
changes during drafting and revising. I draft fairly quickly and try (often not
successfully) to resist the temptation to revise while I’m drafting. Once the
first draft is done, I put it aside for at least a week and then spend a long
time revising and editing. For me, revising always involves a lot of cutting—my
first drafts are always much too long. I try to have at least two projects in
progress at all times. That way, if I get stuck on one, I can put it aside for
a while and focus on the other.
HARRIETTE SACKLER:      Since
I’m involved in many different projects, I write when I can. Once I have a
kernel of a story idea in my mind, I put it down on paper. I do seem
to accomplish more when I’m under deadline. I’m a great procrastinator.
Terrie Farley Moran
TERRIE FARLEY MORAN: I write
seven days a week. I get up every morning leave the house and do some kind of
exercise (walking, visit the gym, water aerobics or bike ride) then I come home
and sit at the keyboard. I write until I break to eat lunch and watch a few
minutes of news. Then I go back to the keyboard until about six o’clock when I go
out for a walk or a bike ride. If I am falling behind on a deadline I write
after dinner until bedtime. Under the heading “writing” I include all writing
related chores: editing, research, website, blog posts, etc. And, of course, I
still try to have an actual life!
EDITH MAXWELL:  I am a full-time
fiction writer now and I treat it like a job. I’m always up by six AM and am
working by seven. Whether I’m working on the first draft of a book, a short
story, or revision, I do my creative work before noon. Then I head out for my
brisk long walkoften plotting the next day’s
scene as I go – and reserve the afternoon for admin jobs like writing blog
posts, arranging author events, and other items of author business. So far it’s
workingI have three multi-book contracts, so
I have to write three books a year, plus one or more short stories.
Barb Goffman
BARB
GOFFMAN:    When I come up with a story
idea—be it organically, or more often, in response to a story call—and don’t
have the time to write the story immediately (that’s ninety-nine percent of the
time), I’ll write some notes about the idea: the beginning, the end, maybe a
bit of dialogue or the voice I hear in my head. Then those notes will sit,
sometimes for a long time, until I find the time to write that story. I prefer
to write in large chunks rather than a few minutes a day, so I can go a long
time between writing stretches when my day job keeps me busy.
Once I
start writing, I’ll write a few paragraphs, then read them out loud, revising
them before I go forward. Any time I take a break or get stuck, I’ll re-read
the last few paragraphs out loud, trying to get a feel for what comes next
(and, of course, revising as I go). While I’m writing a story, I may also sleep
on it, take a short drive, or a hot shower, trying to think on it—consider if I
have plot holes, how I could spice up the dialogue, create a plot twist, and
more. Once I finish, I try to let the finished story sit for a few days (or
longer if I have the time) before I read it again and try to spot and fix any
problems. And then I send the story out to a trusted friend or two for feedback
before I revise once more and then send the story out for submission. (Though I
must admit I’m often so eager to see what my friends think that I may send a
story to them before I’ve cleaned it up perfectly. Letting the story sit for a
few days is hard, even though I know that’s the best way to proceed. I keep
trying to reign myself in. It’s a work in progress.)
How long does it take to plan and complete
a short story?
B.K.
STEVENS:         Generally, it takes a
long, long time. Once in a while, I’ll get an idea, do only a little planning,
and sit down and write the story straight through. That doesn’t happen often,
though—maybe four or five times in the last thirty years, usually for flash
fiction stories, and even then I’ll spend days cutting and revising. Most of
the time, depending on the length and complexity of the story, the whole
process takes several weeks or several months. (But remember, I work on more
than one project at a time.) If I’m not satisfied with a story, I may put it
aside for months or even years until I think of a way to fix it. Right now,
I’ve got a half-written story that’s been sitting in a folder for at least
three years, waiting until I come up with a better murder method.
Harriette Sackler
HARRIETTE
SACKLER:      I’m not one to churn out
stories in a short time. It takes me a while from conception to finished story.
But that feels fine to me.
TERRIE FARLEY
MORAN: I am a very slow writer and writing
is a very contrarian occupation. If I think a story is going to take a long
time to write, it usually gets itself down on paper without a problem. If I
expect the story to be a quick slam dunk, it generally turns out to be
torturous to write. Basically when I see a call for submissions that interests
me, or when I get an idea for a potential story, I tend to think about it for a
good long while. Once I think of a direction the story could take, I begin to
research anything that could possibly relate. I do far more research than
necessary because…I love research. Then I think some more. While all this
thinking and research is going on I am generally working on another project or
two. Eventually I write the story. I don’t outline, I just plunge into it. Of
course if there is a deadline that sets the time frame.
Edith Maxwell
EDITH
MAXWELL:  That really varies. Once the
story emerges in my head, sometimes I can talk it through on my hour walk (see
previous question, and yes, I’m the crazy author lady who talks out loud to
herself on the rail trail). Then I take a day or two to write the first draft.
But the finishing, editing down, and making sure it works can take a lot
longer. And with historical stories set in a real location, there’s always more
research to be done, too.
BARB
GOFFMAN:    It varies. If I get a detailed
idea, I might finish the first draft in a few days. (That’s how I prefer to
proceed. I like to know the beginning, a few high points, and the end before I
start writing. It makes the process easier.) But sometimes I’ll hear a voice in
my head—a story’s beginning—and I’ll start writing. I might write a couple of
paragraphs or a page or two, and then I’ll get stuck, really stuck, because I
have no plot to go with the voice. Those stories can become big problems
because I’ve found my writing flows best when I come up with conflict first and
let character react to it, and the plot unfolds from there. When characters
show up first without the conflict—those are my problem children.
That’s
what happened with my nominated story “A Year Without Santa Claus?” I saw a
call for whodunit stories set in New Jersey. I woke up soon thereafter with the
main character’s voice in my head. I wrote the first page, and that was all I
wrote on that story—for years. Whodunits are hard to write (at least for me). I
needed a mystery and suspects and all that good stuff. I needed a plot in which
my character could solve the crime when the police couldn’t. And I had none of
that. Perhaps three years later, one morning out
of the blue, I had an idea in the shower—a plot that worked. I hurried to my
computer (thank goodness I had the time to write that day and week) and banged
out a solid draft within a few days. So sometimes it takes a few days to come
up with an idea and write a story. Sometimes the planning can take a few years
and then the writing a few days. It’s nice when it all comes together fast.
What shoes would you, your protagonist, or another character from
your story wear to the Agathas banquet?
B.K. STEVENS:         I’ll wear boring,
sensible shoes, because I always wear boring, sensible shoes. Gwen seems like
the type to wear boring, sensible shoes, too. Considering the way the story
ends, though, this time she might just wear stilettos.
HARRIETTE SACKLER:      I’m at the age when comfort is my most
important priority. Gone are the days of high heels and pointed toes.
I’ll be at the banquet in a pair of
strappy and low-heeled shoes.
TERRIE FARLEY MORAN: I intend to wear this pair of MUNRO AMERICAN bright
red shoes. I think Sassy and Bridgy would wear similar bright red shoes but with
fewer straps and a higher heel.
EDITH MAXWELL:  I’m SO not a shoe person. And my Quaker
midwife Rose Carroll from “A Questionable Death” would wear something very
modest, as well. But her unconventional friend and co-conspirator, postmistress
Bertie Winslow? She loves fancy hats and colorful clothes. She’ll wear these
satin embroidered evening slippers to the banquet.
BARB GOFFMAN:    Kyle Coyote, my main character’s security chief, would wear
rocket skates from the Acme Company because when something goes wrong, he needs
to reach his destination fast. Plus, he loves Acme’s innovative products (how
many companies are selling rideable rockets?), despite his boss’s concerns
about defects.
I’ll be wearing open-heeled black
shoes with a tiny heel because I believe in comfort.