Tag Archive for: mystery

Gay Yellen: Motorcycle Diaries

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Back when we worked nearly 24/7 to make a living, my husband and I managed to make a few getaways on his motorcycle, a sparkling red Honda Goldwing. For a two-wheeler, it was a stout and sturdy machine, weighing in, fully packed, at around nine hundred pounds. Once, at a gas station, when we pulled up beside an old Honda Civic, the man at the other pump noticed the 1500CC logo on the side of our bike. He shook his head and laughed. “That thing’s more powerful than my car!”

Indeed it was, and comfy, most of the time. We had no worries on a trip from Texas to Yellowstone National Park, until we ran into an unexpected hail storm.

As we all know, hail is made of ice. Depending on the density and size—from a small, sleety pea to a rock-hard grapefruit—it can be a pain to ride through, especially on a bike.

Our bright, sunny day suddenly turned dark and cold and wet. The nearest town was a tiny hamlet, thirty miles away. With no shelter in sight, and no better option, we sped to it.

By the time we found a fast food place, I was so chilled that I’d lost control of important muscles. I wobbled inside (with help) and ordered hot coffee, but I was spazzing too violently to hold the cup and drink it. I hunched over it for warmth until the spasms eased.

On another ride, we were heading home from Colorado on a perfect, blue bird day. Cruising over backroads through the Rockies, we came to a lovely valley with acres and acres of golden flowers that blanketed the fields around us. The air smelled like warm honey. A gorgeous afternoon, until I heard my husband scream, and the bike swerved sharply underneath us, pitching us toward the ditch. Somehow, before disaster struck, he managed to slow us down and guide the bike to the shoulder. We jumped off just before it landed on its side, halfway into the ditch.

Meanwhile, my husband kept shrieking and running in circles in the middle of the road like a barnyard chicken. He ripped off his helmet and began swatting at his head.

Turned out that the luscious honey aroma wafting from the golden fields had attracted thousands upon thousands of bees that were dipping and diving as they hovered over the flowers. One wayward bee had flown into his helmet and crawled inside his ear. Thank goodness the little buzzer soon recognized the error of its ways, turned itself around and flew away.

We were lucky that our near disaster ended happily. After many more road adventures (like the deer that came out of nowhere and leaped over us, barely avoiding a deadly collision), we sold that Goldwing. I hope the new owners had as much fun with it as we did.

Have you had a near-disaster that became a happy memory?

Gay Yellen is the award-winning author of the Samantha Newman Mystery Series , including The Body Business, The Body Next Door, and the upcoming Body in the News.

Interview with Cozy Author, Rose Kerr

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By Lynn McPherson

I met Rose Kerr earlier this year at Malice Domestic. We had a few good chats over some delicious cake and I’m delighted to have her here today to talk about her great new book, Death on the Set. It’s the first book in the Brenna Flynn Mystery Series, recently published by Touchpoint Press.

Rose, can you tell us about your debut novel, Death on the Set?

Brenna Flynn is my protagonist in Death on the Set. Brenna’s had some bad luck. Her husband was killed in a highway accident, and then she loses her job as a high school guidance counselor due to budget cuts.

She returns home to Bayview City and works with a temp agency to find work until she can get work as a high school guidance counselor. 

Brenna interviews for the job of a production assistant for a cooking reality show and aces the interview. On the second day at work, she finds a body. The police think she may have something to do with the murder and she’s their prime suspect.

Determined to prove her innocence, Brenna uses the skills she’s honed as a high school guidance counselor to learn about the victim and members of the cast and crew. The stakes are raised with threatening notes, poisonings, and blackmail.

Can Brenna uncover who the killer is before someone else dies?

The story is so much fun. Where do you get your book ideas?

I had a lot of fun writing this book! For Death on the Set, my son and I were watching a cooking reality show and the head chef (who shall remain nameless) was especially nasty to the contestants. I looked at my son and said, one day someone is going to kill him. My son said, Mom, there’s your story. It took a while to get that story out, but it was fun writing it. The other two books in the series came from ideas that had been in my mind for some time.

Why did you choose a former guidance counselor as your protagonist?

I’ve worked with guidance counselors in the past. Some skills they have seemed natural for my amateur sleuth to have. The skills Brenna uses include research, understanding how people think, observant, active listening, drawing people out, critical thinking, problem solving, gathering information, making informed decisions, Brenna genuinely likes people and wants to help them where possible.

How important is setting in your books?

Bayview City is a fictional town on the shores of Lake Superior. My husband and I raised our family in a small town in Northern Ontario on the shores of Lake Superior. We had beautiful parks close to our town and took advantage of Lake Superior’s coastline. The lake was a factor in our lives because of how often the weather changed. We had some storms that came up quickly. The lake is vast, majestic, and constantly changing. I’ve used some parts of the town we lived in and parts of larger towns and cities in my books. It’s a setting I’m familiar and very comfortable with.

What’s your writing process? Do you have an extensive outline? Are you a pantser?

I do a lot of preparation for my books; I outline thoroughly. In my series, my main character, Brenna Flynn, takes on temp jobs. It’s important for me to understand the responsibilities  she has for each position. The recurring characters each support Brenna differently. New to the series characters need to be developed. I like to know who is the victim, who the killer is, and why they’re the victim and the killer. I’ve tried pantsing and it just didn’t work for me. I admire anyone who is a pantser! One thing I’ve started doing with book three is ending my writing session with a brief note reminding me of the next scene. It’s been helpful to keep me on track.

Did you always want to be a writer? Why crime?

I wanted to write, but wasn’t sure what to write. I tried my hand at writing romance, but it didn’t stick. I found writing murder mysteries much more fun!

Who are your favorite cozy authors?

I have several authors that I reach for frequently: Connie Berry, Lynn Cahoon, Kate Carlisle, and Vicki Delany. I’m always looking for new cozy authors to read.

What’s next for Brenna Flynn?

Book two, tentatively title Death in Academia, is with my editor. I’m writing book three, working title, Death at the Festival. I don’t think Brenna is going to find work as a guidance counselor for some time!

Rose Kerr lived most of her adult life in small towns. She and her husband raised their family in a small town in Northern Ontario, on the shores of Lake Superior. Rose is a member of Sisters in Crime, the Guppy Online Chapter of Sisters in Crime, and Crime Writers of Canada. For more info visit www.rosekerr.com

Facebook: https://https://www.facebook.com/RoseKerrAuthor

Instagram: @r.m.kerr

Twitter: @rkerrwriter

Pinterest: @rosekerrauthor

Goodreads:https://www.goodreads.com/rosekerr

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Settings

by Saralyn Richard

 

The five books I’ve written have three distinct
settings, all different, all places that I know and love. The two books in the
Detective Parrott mystery series take place in Brandywine Valley, Pennsylvania.
I have family members who live there, and I’ve been privileged to visit many
times. A paradise for equestrians, artists, and nature-lovers, this is a landscape
filled with wide, beautiful, and peaceful vistas. Country mansions,
old-fashioned bank barns, horse stables, and wildlife abound, and many of the
people who live and work there are healthy, wealthy, resilient, and
independent. Brandywine is the last place you’d expect a crime to take place,
so when outsider, Detective Oliver Parrott, shows up to investigate deaths or
thefts or other crimes, he has an uphill battle.

            Along
the way, the books take readers to many of the unique attractions of Brandywine
Valley, including Longwood Gardens, The Brandywine River Museum of Fine Arts,
Kennett Square, incomparable horse trails, and outstanding restaurants. Many
readers have enjoyed these glimpses so much that they have traveled to the area
to experience it for themselves.



            By
contrast, the stand-alone mystery, A MURDER OF PRINCIPAL, is set in a far
different universe—the urban high school. Aside from the differences of
outdoor-indoor, wealthy-disadvantaged milieus, the worlds depicted in these
novels contain similar types of tension and drama. The urban high school is a
familiar and much beloved setting for me, since I spent many years as a
teacher, administrator, and school improvement consultant there. In this book,
readers are treated to an administrator’s view of the principal’s office, the
teacher’s lounge, the cafeteria, the football field, and the auditorium—a million
stories beyond the flagpole.


            A
third beloved setting is a coastal island, where the closeness of the community
and the intensity of the summer temperature can be sometimes comforting and
sometimes oppressive. My children’s book, NAUGHTY NANA, and my newest adult
mystery novel, BAD BLOOD SISTERS, are situated there. Having been born and
raised on such an island, I’ve enjoyed sharing the various sights, sounds, and
smells of this setting, and placing my protagonists there.

            Much
has been written about the importance of setting in a work of fiction.
Sometimes the setting is mere wallpaper, and other times setting is as
important as a character in telling the story. When I read novels, I learn from
and enjoy the settings. It’s hard to imagine GONE WITH THE WIND apart from the
South during the Civil War, THE POISONWOOD BIBLE without the African Congo, or
TO KILL A MOCKINGBIRD in any other location besides the fictional Maycomb,
Alabama.

            As I
write, I cannot separate the setting from the plot or characters, and I hope my
readers sense how integral the setting is to the story.

            How
about you? When you read a wonderful book, how important is the setting?

 

Saralyn
Richard’s award-winning humor- and romance-tinged mysteries and children’s book
pull back the curtain on people in settings as diverse as elite country manor
houses and disadvantaged urban high schools. Saralyn’s most recent release is Bad Blood Sisters. A
member of International Thriller Writers and Mystery Writers of America,
Saralyn teaches creative writing and literature at the Osher Lifelong Learning
Institute, and continues to write mysteries. Her favorite thing about being an
author is interacting with readers like you. Visit
Saralyn here, on her Amazon page here, or on Facebook here.

 

           

Close-up on Gay Yellen

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By Kathryn Lane

Texas author Gay Yellen came to writing with an extraordinary
background. She began working life as a stage and TV actor, then moved behind
the camera at The American Film Institute (AFI) as Assistant to the Director of
Production. She moved on to become a magazine editor and national journalism
award winner. As contributing book editor for Five Minutes to Midnight
(Delacorte), an international thriller, she was convinced writing was in her
blood. Her award-winning Samantha Newman Series of romantic mystery novels
includes The Body Business and The Body Next Door.
Book 3 in the series arrives this summer.   

1.   KL: Early in your career, Gay, you traded your Screen Actors
Guild membership in Hollywood to work on the other side of the camera at The
American Film Institute (AFI). Part
of the AFI mission is to ‘celebrate
excellence in the art form’. Your simple yet elegant book cover designs reflect
the beauty of simplicity you must have learned at AFI. Is this assumption correct?

GY: I’m
glad you like the covers, Kathryn! As Assistant to the Director of Production at
AFI, I was involved in almost every facet of filmmaking, from casting to
location scouting, to procuring costumes and props from the major studios, acquiring
locations for the shoot, organizing transportation to the set, arranging
catering services, scheduling, and post-production services, too. That said, it
was my magazine career that taught me the importance of a cover. As a managing
editor, one of my most critical responsibilities was to oversee the cover
design, which can make or break the success of newsstand sales. The same could
be said of a book cover, too.

2.   KL: Did AFI influence you as a writer? One of
their stated values is ‘A Belief in the Power of Storytelling to Change the
World’.

GY: Such
a good question, Kathryn! While story can be important in filmmaking, it was my
theater background that helped me understand what a good story is made of. Plot
structure is important, and character motivation is paramount. As an actor, I learned
that our everyday human struggles are universal. Reading stories with
characters who are both very different and very much like us can put us in
touch with that universality and make us more empathetic. I suppose in that
way, storytelling in any form does have the power to change the world.   

3.   KL: In the Samantha Newman Series, set in Houston
and the Texas Hill Country, you cleverly use a few Spanish phrases. What
prompted you to do this?

GY: Wow,
I didn’t realize I had any Spanish words in my books! I may have used a Spanish
word or two because in Texas, where I live, people of Spanish heritage are a
large segment of the population, and their diverse cultures are integral to the
fabric of life here. A Texan saying adios instead of goodbye can
be quite natural, even for an English speaker like me.

 4.   KL: In The Body Next Door, the
widow of a murdered neighbor is hiding in Samantha’s apartment. I love that
plot, but I’d also like to see Sam and Carter stay together. Any chance of that
in book three?

GY: I
love this question, because it speaks to one of my favorite things about being
an author. When Samantha and Carter meet in The Body Business, I wasn’t
planning to write a series, and thus, had no plan for their future. While the publisher
wanted me to extend that book into a series, it was my readers’ interest and
enthusiasm that encouraged me to continue their relationship. Carter is a man
of mystery in more ways than one, so he is definitely in Book 3. And Samantha
is as headstrong as ever.

5.   KL: You’re launching your third Samantha Newman
novel this summer. Can you give us a preview?

GY: As
readers may remember, Samantha has trouble staying employed, due to
circumstances beyond her control.  As
Book 3 opens, she’s starting a new career at a local TV station. But things are
not going well with the man who is supposed to be teaching her the ins and outs
of investigative journalism. And because Sam’s life never runs in a straight
line, complications ensue, with humor and suspense in equal measure. Here are
the working titles: The Body in the News, The News Body, The Body Reports, The
Body Breaks the News… I’m still taking suggestions, so to anyone who offers a
better one, a free copy of the book is yours if I use it.

6.     KL: Besides an historical novel you’ve done
research for, have you thought of doing a memoir of your days as an actress? Or
autofiction based on your Hollywood experiences?

GY: Actually,
the first novel I ever attempted to write was on that subject. Two chapters in,
it felt like I was telling the same tired Hollywood show biz tale that had been
told too many times already. While I did reach the upper membership echelon in
the Screen Actors Guild before I quit, the high points were outstripped by too
many frustrating disappointments. However, a few memories have become hilarious
in retrospect. Perhaps one will inspire a short story someday.

Thanks, Gay, for sharing your fascinating life with us! I can’t wait to read Samantha #3!

***

Places to find Gay Yellen and her Samantha Newman Series:

WEBSITE: https://gayyellen.com/

 AMAZON: https://www.amazon.com/dp/B08Q8P1RNP?binding=kindle_edition&ref=dbs_dp_rwt_sb_pc_tukn

BOOKBUB: https://www.bookbub.com/profile/gay-yellen

Interview with Saralyn Richard

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 By Lynn McPherson

Saralyn Richard is a best-selling, award-winning mystery author. Her newest release, Bad Blood Sisters, may be the best yet. With its twists and turns, it will keep you reading all night long. Read on to find out more about Saralyn and her fabulous books!

Lynn: In Bad Blood Sisters, you incorporate one of my all-time favorite themes: secrets. Why do we all love to read about secrets? When is the right time to unravel the truth?

Saralyn: What a great question, Lynn. Secrets are juicy and exciting. They are never boring. They imply cloak-and-dagger intrigue, forbidden fruit, and mysterious happenings. They set up puzzles for readers to solve, and who doesn’t like a good puzzle? In BAD BLOOD SISTERS, Quinn and her BFF Ana have pledged a blood oath never to tell something that happened many years ago. But when Ana dies a violent death, Quinn is thrust into a dangerous position, and she must decide whether to violate her pledge. 

When and how much to tell the reader about this secret is a very delicate matter. Divulge too soon, and the plot’s tension will be lost. Divulge too late, and the reader might end up frustrated with waiting. The key to deciding, for me, is answering the question:  how important is this secret to the character motivation and action of the story? Once I figure that out, I can determine the “sweet spot,” where the secret needs to be revealed. Of course, that secret is only one of the driving forces in the book–once it’s revealed, there is still plenty of mystery to puzzle over.

Lynn: Your characters have so much depth. How well did you know your protagonist, Quinn McFarland, before you started writing? In general, what comes first, the characters or the story?

Saralyn:  My books always start and end with characters. Who they are, what they want, what stands in their way–these are central to the story and come to me long before I start writing. In this book, there is a single person’s close point of view, and that’s Quinn’s. We get to know her struggles, past and present, and sometimes they are quite intense. I’ve found myself identifying with Quinn, and I hope the reader does, too.

Lynn: You’ve written a diverse collection of books, and they’re all great. Bad Blood Sisters is a mixture of suspense, mystery, and romance. Do you have a favorite genre to write?

Saralyn Thanks for the compliment. Coming from you, it means a lot. I’ve published five books now, including two Detective Parrott mysteries, two standalone mysteries, and a children’s book. While the settings and characters are quite diverse, there are common threads that run through them all:  mystery, humor, suspense, and romance. These basic ingredients make for a fun read.

Lynn: Quinn McFarland is a mortician. How did you research her job and what was the most surprising thing you found out?

Saralyn: In researching my mystery novels, I’ve interviewed people who work in death services. While many prefer not to think about what that profession entails, morticians provide necessary services, and, because they deal with death every day, they often have a matter-of-fact attitude about it. It’s not unusual, in fact, for people in the industry to joke about death–never in the presence of the bereaved, of course. The opening line of BAD BLOOD SISTERS is, “Quinn’s family often joked about death, but that summer, death stopped being funny.”

Lynn: Bad Blood Sisters takes place in a small town on the coast of Texas. It really adds to the mood of the story. Why did you set it there? How important is setting in a mystery?

Saralyn: I was born and raised in a small town, an island on the coast of Texas. I’ve always wanted to set a book there, because the small town can be familiar and comforting, or it can be intrusive and oppressive. In this book, it is both. The steamy tropical setting adds atmosphere and tension to the story, always  crucial to a mystery. 

Lynn: I think we’re ready to read the blurb. Thanks Saralyn!

Read more

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Happy Valentine’s Day

by Saralyn Richard

 


Today is Valentine’s Day, and I hope you are spending
the holiday enjoying the people, places, and things you love most. As for me, I can’t help thinking of my most
cherished Valentine’s Day gifts over the years–you guessed it–books.


Unlike the more
traditional Valentine’s Day gifts, books don’t die in five days. They don’t
increase the numbers when you step on the scale. They don’t break or go out of
style.

Instead, they provide
hours of entertainment, improve the mind and spirit, offer topics for
discussion, and connect readers. Also, purchasing books stimulates the economy,
because so many different industries are involved in the creation, production,
and selling of books.

Romances aren’t the
only appropriate Valentine’s Day books. Most mysteries also include love in
their plots, sometimes as motives. Whatever your genre, take yourself on a love-ly
journey of the heart, and snuggle up with a great book!



Not ready to commit to
a deep relationship? How about having a blind date with a good book? You might
just fall in love!

 

Saralyn Richard is the award-winning author of the
Detective Parrott Mystery Series, as well as the standalone mystery, A
Murder of Principal, and the children’s picture book, Naughty Nana.
Her new mystery, Bad Blood Sisters, is up for pre-order and releases on
March 9. Check out Saralyn’s book events and subscribe to her monthly
newsletter for fun content at http://saralynrichard.com.

TECHNOLOGIES THAT WILL CHANGE THE WAY STORIES ARE TOLD

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By Kathryn Lane

Houston hosted Van Gogh: The Immersive Experience.
Not to miss an important event, Bob and I attended with friends from Angel
Fire. So many exhibits are hyped up that we did not know what to expect. Then we
left talking about what an amazing show we’d witnessed.

First, you glimpse blowups of Vincent’s paintings that come
together though electronic enhancement as you watch. Another room provides
photo ops were you can sit in Vincent’s
bedroom in Arles and have your picture taken. 

Watch as Starry Night comes together electronically

Then comes the exceptional
“Immersion” room where you witness, feel, and become part of Vincent’s
paintings as 90,000,000 pixels are projected in a 360° space, while you relax in a beach
chair.

Immersion Room with waiting beach chairs.

.

In the Immersion room, don’t sit where the train will roar through.

The show’s real clencher is the interactive historical journey that virtual
reality takes you on as you travel through Vincent’s fields, towns, and cafés.
This visually fabulous trip takes ten minutes. At times I had to remind myself
I was not flying. I was merely sitting on a sturdy chair as we swooped past
cafés and buildings, fields, country roads, and chapels. It’s a combination of
cinematography, art, music, and history where you are the observer.

The author, her husband, and friends with virtual reality headsets.

Now that I’ve exuberantly told you about the Immersive experience,
I must also tell you I’m not getting a commission for tickets sales. But you
should definitely attend if it’s showing anywhere near you.

The real reason that I’m recounting the visit is that this show
gives you an incredible ride, but where it might fail is to engage your brain
actively, where your own imagination, intellect, and creativity work together
to connect the dots.

Maybe by experiencing projections of virtual reality in the future, the
human brain will be liberated to create even more sensational innovations. At
least that is my hope.

At times, it’s easy for negative thoughts to surface. Thoughts that younger
generations are not reading much and that the coming metaverse will create a
world where people will not have to solve issues; instead they might only
passively partake the virtual world placed before them.

Shows like Van Gogh’s Immersive, social media, and virtual
meetings using avatars are the beginnings of the metaverse. These phenomena will
change the world.

AVATAR

We are on the cusp of changing how people learn, communicate, and
interact. These innovations had been on the horizon yet the isolation and
social distancing caused by the pandemic sped up the introduction and use of
these tools. Similar to the (almost instant) popularity of the world wide web
and the massive adaptation of mobile phones a little more than two decades ago,
we will soon grapple with metaverse technologies in everyday life.

Harry Potter Book

As a writer, I think the coming technologies are both exciting and
scary. The creative opportunities promised by the metaverse seem exciting. On the
other hand, the metaverse will deliver powerful tools that will change how
stories are told. Will children in the future want to read Harry
Potter when they can experience it through virtual reality? Will people know
what their co-workers look like when all they see at virtual meetings are avatars?
And what about nature lovers? Will they don a headset to enjoy virtual nature
or will they commune with nature the old-fashioned way?

***

What do you think about the metaverse?

***

Kathryn’s mysteries – The Nikki
Garcia Mystery series:

https://www.amazon.com/gp/bookseries/B08C7V2675/ref=dp_st_1942428944

Kathryn’s short story collection – Backyard
Volcano and Other Mysteries of the Heart

https://www.amazon.com/Backyard-Volcano-Other-Mysteries-Heart/dp/1943306044

 All available on Amazon

About Kathryn

Kathryn Lane started out as a starving
artist. To earn a living, she became a certified public accountant and embarked
on a career in international finance with a major multinational corporation.
After two decades, she left the corporate world to plunge into writing mystery
and suspense thrillers. In her stories, Kathryn draws deeply from her Mexican background as well as her travels
in over ninety countries.

Visit
my website at https://www.Kathryn-Lane.com

Photo
credits:

All
photographs are used in an editorial or educational manner

Starry Night by Van Gogh – public domain

Two Immersion Room photos – taken by the author

Four people with virtual reality headsets – taken with an iPhone

Avatar and Harry Potter book – public domain

 

Grateful for Audiobooks!

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By Lynn McPherson

My first audiobook is finally out in the world! I’m so excited to share with readers that they can now listen to the first Izzy Walsh Mystery, The Girls’ Weekend Murder. As an author, it is an absolute delight to hear your words read aloud by a professional narrator–even more exciting than I’d imagined.

The timing couldn’t be better either with Thanksgiving two days away. I have so much to be grateful for, my audiobook is only adding to the lengthy list.

I hope everyone is able to spend time with loved ones, enjoy a wonderful meal, and have a relaxing holiday weekend.

Here is a little about my first audiobook, described as a mixture of  Murder, She Wrote and I Love Lucy…

An oceanfront estate in the beautiful New England town of Twin Oaks is the ideal setting for Isabelle Walsh and her close-knit group of friends to celebrate their annual girls’ weekend in 1953.

While off to a promising start, the weekend quickly goes awry as murder interrupts the fun and the hostess is accused of the shocking crime. Izzy quickly realizes it is up to her to save her innocent friend and bring the murderer to light.

Keen intuition and quick wit are Izzy’s only tools. She must use them to find the dark truth before the killer brings her investigation to a dead stop…


Happy Thanksgiving Readers!!!

Lynn McPherson has worked for the Royal Canadian Mounted Police, ran a small business, and taught English across the globe. She has travelled the world solo where her daring spirit has led her to jump out of airplanes, dive with sharks, and learn she would never master a surfboard. She now channels her lifelong love of adventure and history into her writing, where she is free to go anywhere, anytime. Her cozy series has three books out: The Girls’ Weekend Murder and The Girls Whispered Murder, and The Girls Dressed For Murder.  


A Fun Interview with Bethany Maines

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Interview by Kathryn Lane

(Bethany
Maines is such a dynamic interviewee that I’ve kept the interview pretty much
as it happened. To edit would lose the spontaneity of her responses.)

Bethany, I’m amazed by your dexterity as
an author. You write in various genres, from crime fiction to mystery, to action adventure
to sci-fi. Do you move from one to the other to keep your stories flowing?

Growing up I
read mostly sci-fi/fantasy and mystery. I always assumed that if I wrote it
would be sci-fi/fantasy based, but as with most half-baked childhood notions, it
hasn’t turned out that way. Mystery/Adventure/Romance seems to be where I sit
most easily, and my occasional visits into sci-fi are usually with co-writers.

By the
time this interview is published on November 2, you will have launched your
mystery, Hardest Hit, the third book from your Deveraux Legacy series. Congratulations!

Share
with us what worked for the launch and what you’d do differently next time.

I can tell
you what doesn’t work. Accidentally scheduling the launch for nearly the same
time as a work conference is… not the best thing I’ve done lately. I work with
a marketing company; they give me lots of support, and I don’t think I could do
it another way considering my scheduling conflict. But other than that, my
number one tip, is plan ahead.

Moving to
your mystery/action adventure books, you have taken an innovative approach to
undercover work. Your protagonist, Nikki Lanier in the Carrie Mae series, is a
no-nonsense investigator who takes on drug smugglers and arms dealers.

How did
you get the idea for the Carrie Mae series?  

OK, true
story, I once received a cease-and-desist letter from Mary Kay corporate to not
mention Carrie Mae in the same breath as Mary Kay. Meanwhile, Mary Kay Ladies
love every book in that series. And they should because they gave me the idea. I
once had to pick up lipstick from my MK lady. She was at a meeting and invited
me to stop by. When I stepped into the Red Lion Inn… it was a packed ballroom!  They were recruiting new Mary Kay Ladies. On
stage, an imposing woman was laying down the MK rules like she was Patton in
pumps. And I thought… these ladies could take over the world and they’re
kind of scary. It’s probably a good thing there isn’t a militant wing of Mary
Kay. (Lightbulb!) Later I went out for drinks and told my girlfriends I had
a great idea for a book. They laughed, saying they loved the idea of Nikki and
her team.

Nikki and
her team set out to save the world from gangs, smugglers, and arms dealers, all
the while looking fabulous. You do mention, though, they try to remember clean
underwear! Is humor in your genes or do you work at it?

Surprise! It’s
nature AND nurture. My Dad is an excellent and humorous storyteller. In
childhood I watched him hone a story from one telling to the next. That method
of refining the funny until it’s the funniest is something that takes years to
perfect, but I feel that I got a leg up through proper parenting.

You write
several novels and novellas every year. Do you program your writing for the year
ahead and decide which series will get the bulk of your time? Or are you a
complete pantser that gets up in the morning and decides what you’ll work on
that day?

I used to
pants it. I loved the discovery and joy of finding out what happened. But
sadly, I don’t have the time anymore. Pantsing is joyful but inefficient, and
if I want to tell ALL THE STORIES… well, I need to plot. However, I do employ a
strategy of “cheat stories”. If one isn’t cooperating I go cheat on it with a
different story. That will teach it! 

I’m
intrigued by your sci-fi novellas, The Beast of Arsu being the latest. For the Galactic Dreams series, you write with two
other authors, Karen Harris Tully and J.M. Phillippe. Do the three of you get
together to discuss and plan the next collection of Galactic Dreams? 

Karen and
J.M. and I came up with a simple proposition (such innocent, foolish, past
selves): we would create a shared universe and spread the hard parts of world-building
around. Then we would each write stories within that universe. And, just to keep
it interesting, we would base our stories on fairy tales. Clearly none of us
had read fairy tales recently – they’re insane. None of us counted on the fact
that each of us would want to break the rules of the universe at some point, or
that we would have to keep track of all the weird words and technology we
invented. At this point, we have a massive spreadsheet and a five-page single-space
word doc on our universe. Fortunately, our friendship has survived the great
battle over whether or not to include the word OK in space. Surprisingly,
we were all 100% fine with bringing in Octopus aliens. We touch base multiple
times while writing our individual stories and use each other for research, as
sounding boards, and as spare memories. Then, at the end, we all read
everything for universe cohesion.

Bethany, let me tell you, I’d
be lost in space if I could not use the word OK. One last question. If
you were not writing, what would you be doing?

I actually love
my day job of graphic design. If I weren’t writing I’d be getting to all of the
art projects that are languishing in my office that I swear I’m TOTALLY getting
to. Stop judging my art supply purchases!!

That was a fantastic interview, Bethany. Thank you!

Biography

Bethany Maines is the award-winning author of
mystery, crime and romantic suspense novels, as well as many short stories.
When she’s not traveling to exotic lands, or kicking some serious butt with her
black belt in karate, she can be found chasing her daughter or glued to the
computer working on her next novel. bethanymaines.com

Untitled Post

/in /by

 

What I’ve Learned about
Death Services

by Saralyn Richard

When I was a senior in high school, I had an English teacher who moonlighted as a mortician. I don’t remember much about the course curriculum, but I have vivid memories of his stories about dead bodies, sitting up while he worked on them. Mr. M., as I’ll call him, thrived on telling grotesque tales and watching our reactions.

            Aside from those stories, I can’t remember the topic of funerals coming up much. No one likes to talk about caskets or embalming fluid over lunch or on a date. In the few instances where I’ve been responsible for arranging funerals, I’ve worked with experienced people whose calm, tact, and caring attitude helped block out the grief, and I’ve never asked too many questions.

            Fast forward to the past several years, when I’ve been writing mysteries. Mysteries often have dead bodies. Dead bodies require death services. To get the details right, I began interviewing morticians, and I learned a lot.


                                                                           One of my sources, Jay Carnes of Carnes Funeral Home, Texas City, Texas

Here
are a few salient facts:

1.          People who work in death services are
people just like you and me. They have the same hopes and fears and dreads, the
same olfactory sensibilities, the same tastes and distastes. They generally
don’t engage in discussions about them, though. If you complain about a bad day
at the office, they might sympathize, but they won’t tell you about theirs.
 
     When death is your business, and you’re
around dead bodies every day, you become immune to the drama and/or horror that
others may associate with corpses. You might even share inside jokes with
colleagues, like, “Want to have a couple of cool ones from the fridge?” This
kind of levity is never expressed in front of outsiders, though.
 
    There’s a tiny bit of guilt when business
is good, like when we have a pandemic. Some of the joy of a robust end-of-year
bottom line is mitigated by the fact that the income was derived from people’s
hardships, sorrows, or tragedies.

 

                                        James J. Terry Funeral Home in Downington, PA, where Lee Walasavage has graciously answered my questions.

My
upcoming release, BAD BLOOD SISTERS, centers around a woman who’s grown up in
this business.

Quinn McFarland has grown up around dead bodies…

Quinn’s
always joked about death, but this summer, death stops being funny. For one
thing, her brother finally undergoes transplant surgery. For another, Quinn’s
estranged BFF, her “blood” sister, is brought into the family mortuary,
bludgeoned to death.

            Quinn’s haunted by the past, her friendship gone awry,
and the blood oath she’s sworn to keep secret. The police consider her a person
of interest, and someone threatens her not to talk. Quinn is the only one who
knows enough to bring the killer to justice, but what she’s buried puts her in
extreme danger.



Bad Blood Sisters will be released March 9, 2022. My other mysteries, Murder in the One Percent, A Palette for Love and Murder, and A Murder of Principal can be found here. Sign up for my monthly newsletter with special offers, news, surveys, and more at http://saralynrichard.com.