Tag Archive for: Paula Gail Benson

Unremarkable Me

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by Paula Gail Benson

This week, I received a report from a sinus CT. It contained the line: “The skull is unremarkable.”

I had to think about that, rather like Hamlet contemplating Yorick’s skull in the graveyard scene in Shakespeare’s play.

Sir Laurence Olivier playing Hamlet
phrases.org.uk

To put in context, in Hamlet, Act V, Scene 1, Hamlet and Horatio come upon two gravediggers unearthing bones. When Hamlet learns a particular skull belonged to his father’s jester, Yorick [the famous quote: “Alas, poor Yorick! I knew him, Horatio”], Hamlet asks the skull, “Where be your gibes now? Your gambols? your songs? your flashes of merriment, that were wont to set the table on a roar?”

So, I sat, wondering if the words in the report were good or bad.

The Merriam-Webster Dictionary defines “unremarkable” as “unworthy or unlikely to be noticed.” Synonyms would be common, ordinary, average, typical, or routine. Something encountered in the normal course of events.

Unfortunately, the “un” or “not” context makes the word unremarkable seem unfavorable. There’s nothing wrong with being average or typical, but when you see yourself described on paper, you want to be considered distinguished, unique, and definitely remarkable or at the least memorable.

I researched further and found a guide to Radiology in Plain English, which indicated that “unremarkable” could be found in all types of radiology reports and was a “good thing” meaning “no structural abnormality.” This guide emphasized the words in radiology reports indicated what the radiologists saw. In fact, it pointed out that sometimes “grossly unremarkable” appeared and meant while nothing obvious was seen, the test might be limited for assessing the organ or structure.

So, I decided to be content with my unremarkable skull, maybe even use that as the title for a short story. Except, if I have a character addressing my skull, I plan to have him talking to a CT photo and not the actual cranium.

What do you think? Is “The Unremarkable Skull” a story you might read?

PS—all is going well for me on the sinus front. My doctor will soon do another CT, in which I hope my skull remains unremarkable.

The Five Languages of Love

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by Paula Gail Benson

On Valentine’s Day, I learned something. I was reading Cynthia Ruchti’s message in the Guideposts devotional book Mornings with Jesus 2025. Ruchti wrote about caring for her husband when he was debilitated during an illness. She found that some of the more difficult tasks required all her strength. At times, she had to tell her husband she “could not speak to him in all 5 languages of love” that day.

Ruchti challenged her readers to look up the 5 languages, so I did. They have been identified by Gary Chapman in his book, The Five Languages of Love: the Secret to Love that Lasts.

According to Wikipedia, Gary D. Chapman is an author, radio host, and counselor on the staff of Calvary Baptist Church in Winston Salem, North Carolina (since 1971). Amazon lists him having 11 books on the subject, including ones focused on children, teenagers, men, singles, work relationships, apologies, and how God shows love to people.

Chapman identified the 5 languages as:

Touch—physical connection, caress, kiss, intimacy

Words of Affirmation—praise, kindness, recognition

Acts of Service—providing aid, taking on another’s obligation, relieving a burden

Receiving Gifts—presents, items the other person needs or wants, unexpected and delightful surprises

Quality Time—focus on someone through attention, eye contact, listening, and seeking to understand

Gary D. Chapman–Photo from Wikipedia

I began to wonder about stories that might spring from the ability or inability to communicate with these languages. I could imagine humorous situations that could arise from trying, but failing to offer the needed words, acts, gifts, or quality time. Just as an example, consider O. Henry’s “The Gift of the Magi.” But, I wondered, how could you miss on touch?

Then, it occurred to me. Medical conditions affect the ability to express and enjoy touch. What are conditions when we lose our sense of touch? Neuropathy? Loss of arms or legs, which would generally be used to embrace or caress? Perhaps a person would have to figure out how to touch another using a feather, cloth, or brush? The importance would be more to the person receiving the touch rather than the person giving it.

As I considered it, I realized the focus in all these languages is upon the pleasure they offer the recipient. Seeing the receiver’s satisfaction is what should lead to the giver’s happiness.

Which of the 5 languages did you give or receive on Valentine’s Day? How might you write about them in a story?

Benefits of Contributing to an Anthology

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by Paula Gail Benson

Robin Hillyer-Miles and I, two blogging partners here at The Stiletto Gang, also are members of the Lowcountry Romance Writers (LRWA), a chapter of Romance Writers of America based in Charleston, South Carolina. Since 2019, LRWA has organized and published two anthologies, titled Love in the Lowcountry: A Winter Holiday Collection and Love in the Lowcountry, Volume Two: A Winter Holiday Collection Book 2. Both are available through Amazon.

LRWA is now in the process of creating its third anthology, which again requires that stories take place in South Carolina. For this anthology, they also must involve a vacation. Contributors must participate in two rounds of beta reading, work with a professional editor, and develop and circulate promotional materials. Learning and using these skills is invaluable experience for both debut and seasoned authors. We continue to have a lot of fun putting these anthologies together.

Robin and I have both written several messages about how these anthologies benefited us as writers: from Robin, “Musings on a Tuesday” and “No Regrets,” and from me “Love in the Air,” “A New Anthology,” and “The Meet Cute.”

These anthologies also provide some virtual vacations and insightful information for readers who visit in person and/or virtually. Bookstores in Charleston, South Carolina, often have customers seeking fiction about the city. Most of our anthologies’ romances describe historical or cultural backgrounds in a very engaging format, meeting the bookstores’ customers’ requests. Robin Hillyer-Miles, a certified tourism professional, has assisted all the participating writers in confirming the accuracy of the details in their work.

In addition to giving authors a writing credit, contributing to the anthology allows the opportunity for learning new writing skills, trying out new genres, and developing different characters. Not all writers enjoy crafting short stories, but the attempts demonstrate how to be more economical with word usage and narrative. Except for hints at relationships, I had not written romances prior to my stories in the anthologies. They also represent my first efforts at exploring time travel, which allow me to involve modern day characters with historical figures and events, something I find fascinating.

One author in the first anthology used her story as part of a trilogy. She offered the prequel in her newsletter to entice readers to try her work. That gave me the idea to consider how two characters I developed for my story in the first anthology (the two rejected by the main love interests) might appear subsequently. (Note: it continues to be a challenge to find those two less desirable characters’ more likable qualities.)

In the second anthology, my story had three potential romantic couples, one that became predominant. Determining how to resolve the characters’ interacting plotlines became a fascinating puzzle that led me to contemplate writing a more expansive account, featuring each couple independently.

Even if you don’t ordinarily read or write short stories, try dipping into an anthology or two. They offer some great examples of craft and compiling material by theme, not to mention some excellent reading.

The Meet Cute

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by Paula Gail Benson

Cover from First LRWA Anthology

Currently, I’m working on an up-to-10,000 word short story for the third Lowcountry Romance Writers’ (LRWA) anthology. The story must somehow involve South Carolina and a vacation.

I’m basing mine on characters I developed in my story that appeared in the first LRWA anthology. It’s been fun to give this couple its own romance since they were the antagonists in the original story. Figuring out how two basically disagreeable folks become likable and get together has been both challenging and delightful!

During a brainstorming session with some of the other anthology contributors, I described the female protagonist’s situation, background, and desires. She was focused on finding a way to connect with her 10-year-old daughter, who seemed more in sync with the ex-husband and his fiancée. I was interrupted from describing my character’s angst with the question: what’s her love interest and where’s the “meet cute”?

I’d heard the term “meet cute” and recognized the concept. Wikipedia, referencing Merriam-Webster, describes it as: “a scene in media, in which two people meet for the first time, typically under unusual, humorous, or cute circumstances, and go on to form a future romantic couple.” Wikipedia illustrated the entry with a depiction of Romeo and Juliet’s first meeting.

Image that appears in Wikipedia

Romeo and Juliet opens with a “meet cute”? I had to reread the play.

So, Romeo is pining after Rosalind, who is a Capulet niece. The Capulets are trying to fix Juliet up with Paris. Then, Romeo sneaks into the Capulets’ banquet at their home. Tybalt protests his presence, but Mr. Capulet says, don’t call attention to him. Meanwhile, Romeo sees and zeroes in on Juliet. After some fancy talk about pilgrims’ hands meeting in prayer resembling kissing, they trade a few smooches.

Okay. I understand the setup as a “meet cute.” Romeo goes to romance the girl he’s fascinated by and instead falls in love with the daughter of his family’s worst enemy. It’s the story’s tragic overtones (not to mention all the pilgrims’ hands speeches) that obscure the humor of that scene.

I thought about some of my favorite Rom-Coms: Legally Blonde, where Elle meets Emmett at Harvard, or Shakespeare in Love, where the bard first sees his muse dressed in male attire and auditioning for a role. One of my favorite romances is Lisa Kleypas’ The Devil in Winter, one of her wallflower series. The couple are acquainted but have their actual first face-to-face meeting after the male has kidnapped the female’s friend in a previous book. Evangeline Jenner is the shy, stuttering daughter of a wealthy gambling house owner who approaches Sebastian, Lord Vincent, one of London’s best-known rakes to save her from her relatives’ manipulations. That initial scene sizzles with sexual tension.

Could I do that with my characters? I’ve tried by having them reconnect at a restaurant where the female does not at first recognize the male, who is her server. I asked for some feedback from another writing group and was fascinated to hear their reactions to this couple. The group had a lot of good suggestions and questions. I always find questions encouraging because it means readers want to know more.

What’s your favorite “meet cute” scene and has it ever involved unlikable characters?

Cover of LRWA Anthology Volume 2

What Kind of Writer Am I?

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by Paula Gail Benson

I’ve heard about plotters and pantsers. In Bird by Bird, Anne Lamott commends E.L. Doctorow’s advice that writing is like driving a car and only being able to see as far as your headlights, yet having the ability to complete the trip with that view.

Plotters create a road map. Pantsers have an idea of where they are going and find the path as they take it.

I’m trying to figure out what to call my writing style.

For my latest short story, I started with an idea: what if (I’m a big advocate of “what if” questions—I heard Mary Higgins Clark liked to start that way)—so, what if a former step-father gets a visit from his adult former step-daughter on Father’s Day? She’s terrified because she thinks she might have killed her husband. She goes to her former step-father because he’s the only man she truly trusts.

To help her, the former step-father goes to see if the husband needs medical help. He finds the husband bruised, but alert and with the step-daughter’s biological father. The husband and biological father are concerned the step-daughter has resumed company with those who supported her addiction. Previously, while the step-daughter received treatment for addiction, her mother served as conservator for the step-daughter’s funds. The biological father suggests he’s ready to establish a new conservatorship, with him in charge of the money.

Who should the step-father believe—his step-daughter or her husband and biological father? What should he do?

At this point, I’m not sure where the story is going, only that the step-daughter has confessed to hitting her husband with a candlestick her mother gave her as a wedding gift and that the husband and biological father are determined to control the step-daughter.

The step-father takes a long route home, figuring the biological father might have him tailed. He sees evidence of someone following him. The step-daughter doesn’t answer the phone and when he gets home, he finds she’s gone. With reluctance, he calls his ex-wife and learns she did not support her daughter’s marriage. He goes to visit the ex-wife, who gives him some potential leads for locating the daughter. Notice, the ex-wife is depending upon him to do the legwork, just as she did during the marriage.

As I’ve followed this meandering trail, I’ve figured out more about the characters I’ve met and made myself hone-in on why the husband and biological father are intent on finding the step-daughter. I’ve made myself focus on the premise of the story and the theme it will convey.

Each day, I’ve written my way forward in a notebook, setting out the steps and leaving room to fill in the details as I type up my notes. I see places to make connections and endeavor to add seamlessly to the story.

When I started, I wasn’t sure about the end. Now I have an inkling of what that might be, but it’s still subject to change.

Am I a combination, plotter and pantser—plantser? The hand-written notes seem like a form of plotting, but in fact, I’m just following where the characters lead me. What happens next? Set up the scene and I’ll sketch it out as you (the characters) live it.

Recently, listening to a talk by best-selling romantic comedy author Katherine Center (her latest novel is The Rom-Commers), a member of the audience asked if the characters spoke to her. Center replied no, but the characters let her watch as they took their journey.

I think I may resemble that remark. What do you think? Am I depending upon the headlights in a vehicle driven by my characters?

Summer Reading List

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by Paula Gail Benson

Mary Lee Ashford has already visited this subject in her excellent post from June 6 (‘Tis the Season … for Summer Reading). I particularly like her tips for choosing a summer read. She also has a list of guides with current reading lists.

I’ve always enjoyed reading, but I admit that summer allows for greater leisure and flexibility in choice. Every year, in May or June as school recesses for the summer, libraries offer reading programs to keep young minds occupied during the warmer months. When I was growing up, I remember trying to be diligent in meeting the requirements (dependent upon age and comprehension level) so I could qualify for the certificate or award being given.

During high school, I found a list of great books that a person should read to be considered, ah—well-read. I tried to follow it. While I didn’t succeed getting through the list, I did find some different authors to enjoy.

I’ve seen several online lists this summer, many of them with the same or similar recommendations. Here are three you may wish to consider:

17 Books Everyone Should Read Before They Die (msn.com)

18 must-read classic books that have remained popular years after their original publication (msn.com)

Read or Regret – 21 Books You Absolutely Must Tackle Before Your Time’s Up (msn.com)

On June 9, 2024, the online Readers’ Digest featured an article by Leandra Beabout entitled 100 Best Books of All Time. I found the selections she recommended to be inclusive of classics, favorites, fiction and nonfiction, children’s and young adult books, and plays, as well as representative of diverse cultures and literary forms (short stories by Alice Munro and David Sedaris and even a graphic novel published in 2000, Persepolis: the Story of a Childhood by Marjane Satrapi). Among the authors included are Steven King, Agatha Christie, Raymond Chandler, J.R.R. Tolkien, and Zora Neale Hurston. There also is what I considered a surprise inclusion: Jacqueline Susann’s Valley of the Dolls (1966).

Please take time to peruse Ms. Beabout’s list. Here are a few of her suggestions:

Classics:

Anna Karenina by Leo Tolstoy (1878)

Pride and Prejudice by Jane Austen (1813)

Great Expectations by Charles Dickens (1861)

1984 by George Orwell (1949)

Beloved by Toni Morrison (1987)

Fahrenheit 451 by Ray Bradbury (1953)

Alice’s Adventures in Wonderland and Through the Looking-Glass by Lewis Carroll (1865)

Catch 22 by Joseph Heller (1962)

East of Eden by John Steinbeck (1952)

Of Human Bondage by W. Somerset Maugham (1915)

The Age of Innocence by Edith Warton (1920)

Catcher in the Rye by J.D. Salinger (1951)

The Great Gatsby by F. Scott Fitzgerald (1925)

The Sun Also Rises by Ernest Hemingway (1926)

Hamlet by William Shakespeare (1603)

Wuthering Heights by Emily Bronte (1847)

 

My Favorites:

To Kill a Mockingbird by Harper Lee (1960)

Harry Potter and the Sorcerer’s Stone by J.K. Rowling (1997)

Charlotte’s Web by E.B. White (1952)

The Diary of a Young Girl by Anne Frank (1947)

The Joy Luck Club by Amy Tan (1989)

The Golden Compass by Philip Pullman (1995)

Little Women by Louisa May Alcott (1868)

Short Story Provides Met Gala Theme

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by Paula Gail Benson

This year’s Met Gala, the annual event held as a fund raiser for the Metropolitan Museum of Art’s Costume Institute drew its theme, “The Garden of Time,” from the name of a short story by J.G. Ballard. Here’s a link, if you want to read the story:

Read the 1962 Short Story That Inspired This Year’s Met Gala Theme ‹ Literary Hub (lithub.com)

In LitHub, the story is described as: “Count Axel and his wife live and listen to Mozart in a magnificent villa, surrounded by a garden of crystal flowers, as an angry and unruly army advances upon them. To keep the ‘approaching rabble’ at bay, Axel must turn back time by plucking the flowers, one by one, until they are all gone, and there is no time left.”

True to the theme, the gowns and suits worn to the Gala featured images of flowers, aristocracy, and time.

1st Edition Hardcover (Wikipedia)

Ballard (whose name was James Gordon) was born in Shanghai International Settlement in the Republic of China where his father, a chemist, became the chairman and managing director of the China Printing and Finishing Company. During World War II, the Imperial Japanese Army occupied the settlement and imprisoned the Allied civilian families. From his experiences during this time, Ballard wrote the semi-autobiographical novel Empire of the Sun, which became a film written by Tom Stoppard and directed by Steven Spielberg.

Today, as we celebrate Memorial Day, let us remember those who gave their lives while serving in the United States Armed Forces. We acknowledge with gratitude their sacrifice and wish comfort and peace for their families.

Mesmerized by the Met Gala

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by Paula Gail Benson

Until I watched Ocean’s 8, a female heist film featuring Sandra Bullock, Cate Blanchette, Anne Hathaway, Mindy Kaling, Sarah Paulson, Awkwafina, Rihanna, and Helena Bonham Carter, in 2018, I wasn’t very familiar with the Met Gala. Now, after having seen that movie numerous times, I’ve become intrigued by the event and wanted to know more about it.

Wikipedia tells us it was initially organized in 1948 by Eleanor Lambert as the Costume Institute Benefit, a fundraiser for the Metropolitan Museum’s Costume Institute’s annual exhibit. Tickets for the first event were $50 each. According to cbsnews.com, a ticket this year cost $75,000 (up 50% from last year’s price of $50,000), with a table for ten started at $350,000.

Except for 1996, since 1995 Anna Wintour, Vogue’s editor in chief, has organized the event. Held on the first Monday in May, it showcases influencing figures from drama, sports, fashion, and other cultural pursuits, who are asked to dress conforming to a theme.

This year’s theme was “The Garden of Time,” based on a short story of that title by J.G. Ballard. In the story, two aristocrats wait in their villa as an angry mob approaches. The protagonist keeps the rebels away by picking a flower that turns back time briefly. In the end, all the flowers are gone and the villa is overtaken.

Interpretations of the theme featured many variations on floral arrangements, time, and aristocratic uniforms. Harpers Bazaar characterized the exhibit that invitees had the opportunity to view, entitled “Sleeping Beauty: Reawakening Fashion,” as spotlighting 250 historically significant designs that are “too fragile to ever be worn again.”

On the red carpet, those attending wore both regal and elegant garments (like Anna Wintour’s black embellished with colorful flowers) and structurally intricate (like Mindy Kaling’s beige, textured “Melting Flower of Time,” by Indian designer Gaurav Gupta; Demi Moore’s black column made of wallpaper and accessorized by a stunning Cartier necklace; and Tyla’s form fitting sand outfit that required she be carried up the steps and cut out).

To respect photo copyrights, please let me refer you to Vogue’s coverage of the event. Once you start looking at the designs, I think you’ll be a fan, too.

Check Out The Agatha Nominations

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by Paula Gail Benson

Whether or not you can attend the fabulous gathering of Malice Domestic at the end of this month, be sure to check out the marvelous novels, books, and stories that have received prestigious Agatha nominations. You’ll have some delightful reading. (NOTE: click on the short story for a link to the text.) Here’s a list:

Best Contemporary Novel

WINED AND DIED IN NEW ORLEANS, Ellen Byron

HELPLESS, Annette Dashofy

THE WEEKEND RETREAT, Tara Laskowski

A CASE OF THE BLEUS, Korina Moss

THE RAVEN THIEF, Gigi Pandian

​Best Historical Novel

DEATH AMONG THE RUINS, Susanna Caulkins

ACT LIKE A LADY, THINK LIKE A LORD, Celeste Connally

I HEARD A FLY BUZZ WHEN I DIED, Amanda Flower

TIME’S UNDOING, Cheryl Head

THE MISTRESS OF BHATIA HOUSE, Sujata Massey

Best First Novel

GLORY BE, Danielle Arceneaux

THE HINT OF LIGHT, Kristin Kisska
DUTCH THREAT, Josh Pachter

CRIME AND PARCHMENT, Daphne Silver

MOTHER-DAUGHTER MURDER NIGHT, Nina Simon

​Best Short Story

“THE KNIFE SHARPENER”, Shelley Costa, Alfred Hitchcock Mystery Magazine, Jul/Aug 2023

“A GOOD JUDGE OF CHARACTER”, Tina de Bellegarde, Malice Domestic 17, Murder Most Traditional

“REAL COURAGE”, Barb Goffman, Black Cat Mystery Magazine #14

“TICKET TO RIDE”, Dru Ann Love and Kristopher Zgorski, Happiness is a Warm Gun

“SHAMU, WORLD’S GREATEST DETECTIVE”, Richie Narvaez, Time in San Diego, Bouchercon 2023

Best Non-Fiction

FINDERS: JUSTICE, FAITH AND IDENTITY IN IRISH CRIME FICTION, Anjili Babbar

PERPLEXING PLOTS: POPULAR STORYTELLING AND THE POETICS OF MURDER, David Bordwell

A MYSTERY OF MYSTERIES: THE DEATH AND LIFE OF EDGAR ALLAN POE, Mark Dawidziak

FALLEN ANGEL: THE LIFE OF EDGAR ALLAN POE, Robert Morgan

​Best Children’s/YA Mystery

MYRTLE, MEANS AND OPPORTUNITY, Elizabeth C. Bunce

THE SASQUATCH OF HAWTHOURNE ELEMENTARY, K. B. Jackson
ARANA AND SPIDERMAN, Alex Segura
THE MYSTERY OF THE RADCLIFFE RIDDLE, Taryn Souders

ENOLA HOLMES AND THE MARK OF THE MONGOOSE, Nancy Springer

 

New Short Story Anthologies

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by Paula Gail Benson

Three great new anthologies are on the horizon. Please add the following to your “to be read” lists:

Dark of the Day: Eclipse Stories, will be released on April 1 (in time for the April 8 total solar eclipse). The anthology is edited by Kaye George and published by Down and Out Books. Stories are by Eric Beckstrom, Paula Gail Benson, Michael Bracken, John Rogers Clark, IV, Bridges DelPonte, Cari Dublei, John M. Floyd, Kaye George, Debra H. Goldstein, Toni Goodyear, James A. Hearn, Laura Oles, Katherine Tomlinson, Joseph S. Walker, M.K. Waller, Carol L. Wright. (I’m very proud to be included with these terrific authors!)

Donna Andrews, Marcia Talley, and Barb Goffman edited Three Strikes—You’re Dead!, an anthology of sports mysteries coming out April 23 from Wildside Press. Every author in it is a member of the Chesapeake Chapter of Sisters in Crime. The authors are: William Ade, Kathryn Prater Bomey, Maddi Davidson (the pen name of authors Diane Davidson and Mary Ann Davidson), Lynne Ewing, Barb Goffman, Sherry Harris, Smita Harish Jain, Adam Meyer, Alan Orloff, Rosalie Spielman, Shannon Taft, F. J. Talley, Robin Templeton, and Joseph S. Walker.

Malice Domestic announces its 18th Malice Domestic anthology titled Mystery Most Devious, edited by John Betancourt, Michael Bracken, and Carla Coupe Malice Domestic and published by Wildside Press. The anthology will include stories by Mary Adler, Sue Anger, Ashley-Ruth M. Bernier, Susan Love Brown, Joslyn Chase, Leone Ciporin, P.A. De Voe, Christine Eskilson, Roberta Gibson, Hope Hodgkins, Smita Harish Jain, Jackie McMahon, Linda Norlander, Josh Pachter, Jill K. Quinn, Jennifer Slee, and Sarah Stephens. It’s due to be released with a book signing at Malice Domestic in April.

Happy reading!