Tag Archive for: Paula Gail Benson

And the Short Story Nominees Are . . .

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by Paula Gail Benson

It’s awards season and short stories are having a great year! The Leftys (from Left Coast Crime) do not have a short story category, but the nominees for the Edgars (Mystery Writers of America), Agathas (Malice Domestic), and Thrillers (International Thriller Writers) have been announced. In April, we should hear the Short Mystery Fiction Society’s Derringer nominations, then later will come the Anthonys (Bouchercon), Macavities (Mystery Readers International), and Silver Falchions (Killer Nashville).

Meanwhile, here are the current lists. It’s interesting that the Edgars had three nominees from Alfred Hitchcock Mystery Magazine while the Thrillers had three from Ellery Queen’s Mystery Magazine. Barb Goffman, a terrific short story author whose work is always award-worthy, has two different stories nominated. Particularly of note is that Catherine Steadman’s Original Amazon Story was tapped in the Thriller short story category.

Happy reading, everyone!

 

Edgar Nominees:

Best Short Story

“Red Flag,” by Gregory Falls (Alfred Hitchcock’s Mystery Magazine)

“Backstory,” by Charles John Harper (Alfred Hitchcock’s Mystery Magazine)

“Locked-In,” by William Burton McCormick (Alfred Hitchcock’s Mystery Magazine)

“The Amnesty Box,” by Tim McLoughlin, Alcohol, Tobacco, and Firearms (Akashic Books)

“First You Dream, Then You Die,” by Donna Moore, Black is the Night (Titan Books)

 

Agatha Nominees:

Best Short Story

“Beauty and the Beyotch,” by Barb Goffman (Sherlock Holmes Mystery Magazine)

“There Comes a Time,” by Cynthia Kuhn, Malice Domestic Murder Most Diabolical (Wildside Press)

“Fly Me to the Morgue,” by Lisa Q Mathews, Malice Domestic Mystery Most Diabolical (Wildside Press)

“The Minnesota Twins Meet Bigfoot,” by Richie Narvaez, Land of 10,000 Thrills: Bouchercon Anthology (Down & Out Books)

“The Invisible Band,” by Art Taylor, Edgar & Shamus Go Golden (Down & Out Books)

 

Thriller Nominees:

Best Short Story

“Russian for Beginners,” Dominique Bibeau (Ellery Queen’s Mystery Magazine)

“The Gift,” Barb Goffman, Land of 10,000 Thrills: Bouchercon Anthology (Down & Out Books)

“Publish or Perish,” Smita Harish Jain (Ellery Queen’s Mystery Magazine)

“33 Clues into the Disappearance of My Sister,” Joyce Carol Oates (Ellery Queen’s Mystery Magazine)

“Schrödinger, Cat,” Anna Scotti (Ellery Queen’s Mystery Magazine)

“Stockholm,” Catherine Steadman (Amazon Original Stories)

An Interview with Carla Damron

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by Paula Gail Benson

Drawing from her own life and work experience, Carla Damron has crafted intriguing mysteries, diverse characters, and suspenseful stories. Her latest, The Orchid Tattoo, explores the world of human trafficking. Today, she joins us to talk about her writing. Welcome, Carla!

When did you first know you wanted to be a writer?

I wrote as a kid—bad poetry about animals mostly. Then I got sidetracked, focusing on psychology in college and then social work. But a part of me always, always loved the beauty of story. I decided to explore storytelling more seriously once my social work career was well underway.

You have brought many of your experiences as a social worker to your writing. How has your awareness of the human condition, learned as a social worker, helped to develop your writing skills and to select the themes you feel are so important to address in fiction?

I don’t select the themes—I think they select me. I find myself writing about issues that trouble or haunt me. Writing can be therapeutic that way. For example, when I worked with folks struggling with homelessness and mental illness, I felt compelled to write a story that examined what their lives are like. Even writing in the mystery genre, there’s room to shine a light on important issues. In The Orchid Tattoo, I focus on how human trafficking happens right here in our communities, because this is something that has haunted me for several years.

Caleb Knowles, your mystery series protagonist, is surrounded by very strong characters as well as by characters who are very much in need. How does he find balance in a world where so much is uncertain or confused? What is his concept of justice?

Caleb feels things strongly, and sometimes this affects his judgement. He makes mistakes and gets himself in trouble, but usually for a good reason. In terms of “balance”, I don’t think he’s found it yet—he tends to get overly involved with his clients, and when he feels things are unjust, it can make him rash. He wants a world where there is racial equity and justice. Where people who have mental illness aren’t defined by their disease. Where people who are unhoused have worth and are helped, not discriminated against. He’s very naïve this way. I guess I am, too.

You graduated from the MFA creative writing program at Queens College in Charlotte. Which writers do you think benefit most from getting a MFA?

The MFA can be expensive. I’d love to say all writers would benefit, but I think it’s a deeply personal decision. It was the right thing for me, because I was struggling with a writing project that was very complex and needed to expand my skill set. And honestly, I LOVED devoting that kind of time and energy to improving my craft. It felt like a gift. But that doesn’t mean it’s right for everyone.

In The Stone Necklace, you use a style I’ve heard you call “braided” storytelling. How does it work and what do you find most challenging about it?

That’s the book that sent me to graduate school. I wanted each character to have their own arc. I wrote from five POVs—and had to keep each storyline balanced so that one didn’t overwhelm the others. The characters connect, separate, reconnect—like a braid does.

You use a similar “braided” storytelling style in The Orchid Tattoo, in that you tell the story from different viewpoints. Not only are you exploring the world of a human trafficking victim, but also you examine the life of a person co-opted to work for the traffickers. How difficult was it to write from these very different perspectives?

Once the characters crystallize in my imagination, I let them tell me their story. Honestly, that’s what it’s like. Sometimes I have to nudge them a little, but once the characters feel real to me, it becomes a pretty organic process.

Have you heard from trafficking victims about The Orchid Tattoo? What is their reaction?

I haven’t. I’ve had advocates and law enforcement people thank me for telling this story, and that means a lot to me.

Are you planning additional Caleb Knowles novels?

Caleb wasn’t done with me. The fourth in that series, Justice Be Done, is at the publisher right now. I’m hoping it will be out later this year.

In addition to your novels, you’ve also written short stories. Where have they appeared?

Melusine Magazine, Jasper Magazine, Fall Lines, Mystery on the Wind. My latest flash piece, Delilah, was short-listed for the Pulpfictional award (winner to be announced 3/31) and will appear in its anthology.

How important is it for writers to have groups and networks with which they connect?

For me it’s critical. Writing can be a lonely thing. Having a critique partner or a group for support, guidance, and feedback are invaluable. How do you know if your story will gel with readers if you don’t get their input?

*******

Brief Bio: Carla Damron is a social worker, advocate and author whose last novel, The Orchid Tattoo, won the 2023 winter Pencraft Award for Literary Excellence. Her work The Stone Necklace (about grief and addiction) won the 2017 Women’s Fiction Writers Association Star Award for Best Novel and was selected the One Community Read for Columbia SC.

Damron is also the author of the Caleb Knowles mystery novels, including Justice Be Done, the fourth in this series. She holds an MSW and an MFA. Her careers of social worker and writer are intricately intertwined; all of her novels explore social issues like addiction, homelessness, and mental illness.

The Value of Group Writing Projects

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by Paula Gail Benson

From February 1 until February 18 of this year, the Writers Who Kill blogging partners collaborated on a serial novella titled Broken Hearted Killers. I have to thank Martha Reed and Rosalie Spielman for initiating and organizing this project. When we all gathered for a photo at the 2022 Malice Domestic conference, they suggested the idea and those of us attending agreed we would like to try it. After going through the process, made very manageable by Martha and Rosalie’s diligence, I have to commend it as a great way to improve understanding character development and story structure.

We began with a location, small town Granite Falls, and a group of characters, a book club called Page Turners that met at the local independent bookstore A Likely Story. Two of the characters, Helen and Iris, lived at a nearby elder community. Although life-long friends, Helen and Iris had also been life-long nemeses, with Helen as the more thoughtful and less privileged and Iris as the woman people loved to hate. They walked home from the Page Turners meeting and, the next morning, when Iris was discovered dead, Helen became a prime suspect.

Each participating blogger was assigned a chapter of 500 to 1,000 words, with the last chapter being given latitude to exceed that number to tie up all the loose ends. We didn’t have an outline. The chapter author could take the story wherever he or she wished, then the next writer would pick up the thread and go forward.

With Martha’s help, we kept a list of characters and significant events with notations about when they happened. We also tried to point out inconsistencies and correct them as we progressed so they didn’t become major obstacles to revise.

For me, a short story writer, the value of the process was in seeing how an amateur investigator’s process evolved in a longer work. In addition, I found it important to evaluate the tempo from scene to scene. If several had been devoted to questioning book club members, those following needed to provide some action, suspense, or twists. And, if possible, it was nice to end a chapter with a cliffhanger, to keep readers returning.

What surprised me a bit is how well all our different styles blended together. We all worked hard to make it a seamless product.

I don’t know if this may become an annual project, like our holiday stories in late November and December, but I hope it might. For any groups looking to try their hands at a serial work, I recommend that you give yourselves a few months to put it together and review it in advance of publishing it. Also, designating an editor to give the story a final read and check for consistency is just good quality control practice.

The completed Broken Hearted Killers remains available at Writers Who Kill (from February 1 to February 18, 2023). On Sunday, February 19 and Monday, February 20, Sarah Burr and Debra Goldstein are writing about our mutual experience at Writers Who Kill. Martha Reed also has kindly supplied it to the participants so they could include it in a newsletter or other offer to readers. Please stop by and let us know what you think!

 

Sisters in Crime’s Guppy Chapter Releases its Seventh Anthology

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by Paula Gail Benson

The anthologies organized and published by the online Guppy Chapter of Sisters in Crime have had an enduring influence in nurturing both new and established authors and in encouraging more readers and writers of short stories. The recently released Hook, Line, and Sinker (organized by Debra H. Goldstein and Carol L. Wright) is the seventh in the series and features twenty-three stories. Emily P.W. Murphy is the anthology editor and cover designer.

An invaluable part of appearing in a Guppy anthology is working with the organizers and other authors on promotions. Following are the descriptions provided by the contributors for their stories in Hook, Line, and Sinker.

Now available in Kindle and Paperback, why not add Hook, Line, and Sinker to your “to be read” list?

Sandra Benson – “Manual for Success”

Pharoahs were not the only ones buried by pyramid schemes. Krystal Markham plans to make money – or at least replace the money she took—by selling coffin franchises for EverRest. Using the manual for success EverRest provided, will she be able to? Or will her desperation lead her to bury something – or someone – else?

C.N. Buchholz – “Truth Be Told”

There are almost 100,000 psychics working in the US. How many of them would you trust? How many should you trust? This tale of sleight of hand, deception, and death will have you on the edge of your seat.

Lida Bushloper – “Senior Discount”

A remote spot in a parking lot. A vulnerable senior citizen (don’t call her that to her face!) with a broken-down car. A stranger approaches….if you think you know the rest, “Senior Discount” will give you a secret surprise.

Judith Carlough – “Man Up in the Air”

We’ve all heard about – or lived – a midlife crisis. We may think we know what will happen when Macon’s body meets Ashleigh, a beautiful flight attendant. Can he resist the temptation? A story that appears as sweet as carrot cake can have a very spicey bite!

Kait Carson – “Gutted, Filleted, and Fried”

Do you trust your spouse? Should you? Or, across the breakfast table do you think, there are plenty more fish in the sea? This tale of betrayal and surprise is cold enough to store fresh produce at Costco.

Susan Daly – “The Americanization of Jack MacKenzie”

A famous director said, “Film is a battleground.” In “The Americanization of Jack Mackenzie,” the battleground would appear to be Julie’s hometown of November Falls, Ontario, Canada. Yet, in this brilliant, twisting tale, the fight for preserving the town’s Canadian sweetness is mapped with devious strategy.

M.R. Dimond – “Playing It Again”

Detective Marie-Louise “Lou” Delacroix turns her investigative talents to a blackmail case involving a scandal, an inheritance, and some of New Orleans best beignets. Lou is smart, observant, and accustomed to navigating the ins and outs of New Orleans criminal underworld, but will she give up this important case to follow her lover to California? Or will the life and death stakes of the case keep her in the Big Easy?

Mary Dutta – “The Grift of the Magi”

Does the saying “lesser artists borrow, good artists steal” apply to the art of a good fraud? “The Grift of the Magi” takes the reader through a brilliantly twisting con where the reader is never sure who is the true owner of an Old Masters painting of the Adoration of the Magi and who is the master con artist crafting a beautiful portrait of a swindle.

Kate Fellowes – “The Buddy System”

Bennett is always the new kid in school. He tried to fit in, but it all felt pretty fake. He and the school bully Max are thrown together because neither have any friends. Will Bennett fit in with Max and his family? Or will it be another counterfeit experience?

Wrona Gall – “Capone’s Chair”

Nona Ponticelli is looking forward to moving into Labella Active Living but first, she needs to empty her apartment of 50 years of Mikasa dishes and her antique furniture. But Chicago is full of gangsters who might take advantage of her. This story shows us that gray hair does not mean a feeble brain and, as Nona eats her chocolate creams, she’s got a plan in the works worthy of Capone himself.

Vinnie Hansen – “Perfect Partner”

Over 300 million people use dating apps like Perfect Partner. Who could resist new love that is literally in the palm of your hand? That’s what Maya thinks when she starts texting with Adam – a man as handsome as original sin. But is the dating app a clearinghouse where lonely hearts and sweetheart swindlers meet? In “Perfect Partner,” we are not sure – whose heart – or wallet – will be stolen.

Ann Michelle Harris – “Changeling”

Who can resist a needy child? That’s what Shane is counting on when she takes another woman’s toddler out to test the limits of that question. This uncompromising tale of grifting will have the reader spellbound.

Kim Keeline – “Occupied With Death”

Nilda Santos does not like to be called the Death Doula, but that’s what she is. With poise and practice, she helps people prepare to die. But when a missing heir shows up at Eduardo Calvera’s funeral, possibly disinheriting his nephew, Nilda feels compelled to ask questions. As she investigates, Nilda finds secrets hidden in Eduardo’s retirement home that surprise even the Death Doula.

Jane Limprecht – “Net Profit and Loss”

Vacationing retirees Maggie and Ben Springfield encounter two internet entrepreneurs in a beachside Florida bar on a sunny afternoon: one runs an online loan modification company, the other operates an internet publishing business. Later, over tacos on their timeshare balcony, the vacationers contemplate whether their new acquaintances are dodgy scammers bent on fraud. Read this lighthearted tale to discover what Maggie and Ben do next.

Sally Milliken – “Trailblazer”

Brie’s life seems to be a series of Mondays, focused on work and trying to climb the corporate ladder. A friend encourages her to try online dating after Brie realizes that if she feels she’s peaked she needs to find a new mountain. When she meets Flynn, an experienced hiker, she’s ready to track him along a surprising new trail of deceit.

M.A. Monnin – “Just Another Shot in the Dark”

Raymond knows the success of any scam hinges on the savviness of the mark. He learned that from his father. Now Dad wants a brand new walker, which he can get with Seth’s new con, which promises to be more than just a shot in the dark.

A.W. Powers – “Restitution”

Is it nonsense or a sixth sense? That’s what parapsychologist John Thompson is trying to find out when he visits Madame Varna. Can Madame Varna truly channel the spirit of John’s sister? Or will a different ghost from the past make an unexpected appearance at the séance? This story will leave you breathless!

Merrilee Robson – “The Ass-In”

Did you ever just have one of those days? Wally sure is having one. Money goes missing. Police show up. There’s a fall from the second story. Maybe there’s someone smoking something they should not. But everything might have been all right for Wally, if not for the damn dog!

KM Rockwood – “Dear Lathea”

Sweetheart swindling can be a lucrative business, just ask Roderick, dear Lathea Markowitz’s long-time partner. Even though Ginger, Lathea’s cat, does not care for him, Roderick lives in Lathea’s home, and remains lovingly available to take the dear lady to fentanyl-laced doctor’s appointments and will-altering lawyer’s office visits. Is all doomed for Lathea? Will Ginger end up at the pound after Lathea dies? Or, is it “pawsible” that Roderick might have a more “furmidible” enemy than he could ever imagine?

Lisa Anne Rothstein – “Catch and Release”

Amanda Wallingford has cheated death once. Her time in the tropical paradise of St. Hilaire was supposed to restore her spirits before death patiently called again. However, Amanda finds that, for all the island’s beauty, St. Hilaire hides many secrets. Could one of them be that death has followed her? This taut thriller will make you suspicious of your next plate of sushi!

Steve Shrott – “Crime and Convenience”

It’s an ordinary convenience store with some extraordinary characters. “Crime and Convenience” disturbs the surface of your daily coffee run in a way that you will never forget.

Frances Stratford – “Wise Enough to Play the Fool”

July 28, 1540 was a busy day at Henry VIII’s court. That morning he married his fifth wife. Before his midday meal, Henry VIII sent the architect of his fourth marriage, Chancellor Thomas Cromwell, to death in the Tower of London. Yet many voices in the Tudor court worked to save Cromwell from the headsman’s axe, reminding the king that Cromwell was the king’s most faithful servant. So who was the cloaked figure who stole into the palace under cover of darkness and convinced Henry VIII to execute his most capable minister?

Shannon Taft – “Research”

Becca is a psychic and fraud from East Nowheresville. She and her dog Nostradamus have an established rapport that, along with Becca’s ability to research people’s deepest secrets, puts clients at ease. But when Becca unexpectedly finds one of her marks dead, she becomes a murder suspect. Will her skills as a researcher help expose who was the real fraud?

New Year’s Resolution: Read a Short Story a Day

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by Paula Gail Benson

Happy New Year, everyone! I hope it has been healthy, comfortable, and prosperous for all.

Barb Goffman

If you are still considering resolutions and have any interest in short story craft, may I suggest a recommendation by well-known, award winning writer and editor Barb Goffman? Why not read a short story a day? Debra H. Goldstein has already made an excellent suggestion to get started: the Guppy Chapter of Sisters in Crime’s latest anthology, Hook, Line, and Sinker. In addition, there are plenty of online and periodic publications to choose from, all featuring outstanding authors. Many of the Sisters in Crime Chapters have organized and released anthologies to showcase their members and give newer authors a chance not only for a writing credit, but also to learn how to promote their work.

Even if you are not interested in writing the short form, seeing how it is put together can help you strengthen skills for longer efforts. With a short story, characters, setting, and mood must be established quickly, in only a few carefully chosen words. It has to be wrapped up concisely, without leaving loose ends or unsatisfied questions. Those elements are important for novellas and novels, too. Figuring out how to develop a story and keep a reader engaged is a primary focus for shorts.

If you are interested in writing short stories, please consider the Bethlehem Writers Roundtable’s Annual Short Story Contest. This year, submissions must include a holiday element, from Thanksgiving through New Year’s Day. They must be 2000 words or less and submitted as provided in the description of rules. An entry fee of $15 is required for each submission. The top awards are: First Place, $200 and publication in the Bethlehem Writers Group’s anthology Season’s Readings; Second Place, $100 and publication in the Bethlehem Writers Group’s online quarterly, the Bethlehem Writers Roundtable; and Third Place, $50 and publication in the Bethlehem Writers Roundtable.

Maybe the best news about the contest is that this year’s celebrity judge is Barb Goffman. Here’s a link with an interview where Barb talks about the most appealing aspect of writing short stories, how her careers as a journalist and lawyer have influenced her writing, what some of the most frequent mistakes she sees writers make, and what’s her best advice for submitting to an anthology or contest.

Start you New Year right: reading and writing shorts!

Advent Ghosts or Who Can Write the Most Frightening Drabble?

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by Paula Gail Benson

For thirteen years, Loren Eaton has hosted an event called Advent Ghosts to celebrate the tradition made famous by Charles Dickens’ A Christmas Carol, which is to entertain readers and listeners with holiday stories featuring the paranormal. Scary, spooky, or simply speculative fiction is welcome — with one required element — each story must be a “drabble,” or exactly one hundred words.

I joined the fun in 2016 with “Ever Here,” about a spouse lost in a flood who is commemorated by the remaining spouse at Christmas. During 2019, I experimented with a number of fairy tale drabbles. In 2020, I contributed “Tribute,” where an undecorated tombstone is pitied by the living and adorned by the dead. For 2021, I relied upon Icelandic legend with “The Yule Cat’s Fury.” This year, I dealt with family loss and a neglected Advent calendar in “Traditions.”

Moriah Richard’s Writer’s Digest article, “What is a Drabble in Writing?” explains: “The term itself is said to come from Monty Python’s 1971 Big Red Book, which describes a game called Drabble where players compete to write a novel. In the 1980s, the Birmingham University SF society is credited for setting the story’s length at 100 words.”

Richard goes on to note that other short forms have developed from drabble, including the dribble (55 words), the double drabble (200 words), the trabble (300 words), and the pentadrabble (500 words). She also directs readers to 100wordstory.org to read excellent examples of drabbles.

Meanwhile, I recommend that you go straight to Loren Eaton’s ISawLightningFall.blogspot.com to read a series of delightfully sinister holiday drabbles. Contributors may publish their drabbles on their own blogs and Loren will provide connecting links, or they may send their stories for Loren to post.

Reading these terrific shorts is a great way to spend an evening curled up with some hot chocolate and cookies. You can even gift the authors by providing some immediate feedback in the comments!

Better yet why not join the fun by offering your own drabble next year!

Happy holidays!

A New Anthology by the Lowcountry Romance Writers of America: Love in the Lowcountry, Volume Two

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by Paula Gail Benson

When I first became serious about writing, I joined a chapter of the Romance Writers of America, the Lowcountry Romance Writers (LRWA), based in Charleston, S.C. A friend from Columbia and I would travel back and forth on highway I-26E every month (about a 90-minute journey each way) to hear wonderful presentations about craft and marketing as well as to meet other writers and learn about their projects and goals.

My concentration has always been more on mystery and suspense fiction, but for a while the LRWA was the only local active group that provided contacts and insight on the publication industry. I learned a great deal and was very appreciative of the information I received.

A few years ago, I thought about discontinuing my LRWA membership because I had joined several Sisters in Crime chapters and had become involved with the Mystery Writers of America and its regional Southeast chapter (SEMWA). Then, LRWA offered its members the opportunity to have their short stories published in a chapter anthology. I had been writing short stories and felt like I would like to try my hand at romance, so I continued to belong to the chapter. To be accepted for the anthology, each story had to take place during the winter holidays (Thanksgiving to New Years), take place in Charleston, go through two vigorous beta readings, and meet deadlines. In addition, each author had to develop promos to be used in social media. (I have always been impressed that romance writers know how to effectively sell their fiction!) The whole process was like boot camp and it was tremendously successful. Love in the Lowcountry gave both experienced and new writers a chance for publication and the sales made money for the chapter. I felt it a true privilege to be part of the work.

This year, the chapter decided to develop Love in the Lowcountry, Volume Two. Like the first volume, it included established writers along with debut authors. It expanded the holiday season (from Halloween to Valentine’s Day) and the territory (anywhere in South Carolina). The eleven included romances feature contemporary and historical settings; time travel, magical realism, and paranormal elements; sweet to spicy storylines; and LGBTQ+ characters.

Here’s a brief summary of each story:

“A Sunrise Christmas” by Linda Joyce – In others, Lauren “sees” their heart’s desire, but Justice hopes he can open her eyes to love.

“Candlemas” by Paula Gail Benson – Can they find their way through time, and to love?

“Chase” by Suzie Webster – A Lowcountry Liaisons Short Story – He thought love wasn’t in the cards, but a second chance may change his luck.

“Edi-Snow!” by HM Thomas – After the storm, the snow won’t be the only thing melting.

“Let Me Call You Sweetheart” by J. Lynn Rowan – One disappointed in romance. The other hiding from life. A chance encounter makes them wonder – could this be true love?

“Maeve’s Welcome Home” by Addie Bealer – Friends. Lovers. Business rivals. Can they have it all?

“No Regrets” by Robin Hillyer-Miles – Neither planned to be single and sixty but a cute meet and an intense attraction could change all that.

“Second Chances” by Victoria Houseman – Second chances are often the best chances when it comes to love.

“The One That I Want” by Elaine Reed – Charleston welcomed her with open arms, but she longs for a different embrace.

“Watchman’s Remedy” by Victoria Benson – Struggling to understand her reality, Cora falls…for an 18th century pirate.

“When It’s Meant to Be” by Danielle Gadow – Relationships evolve, but how will they know “When It’s Meant to Be”?

By purchasing Love in the Lowcountry, Volume 2, you’ll be helping to support LRWA, which in turn will continue to offer authors programs to improve their craft and marketing skills. Please give it your consideration.

A New Anthology by the Bethlehem Writers Group: An Element of Mystery

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by Paula Gail Benson

The Bethlehem Writers Group holds a special place in my heart. My first short story appeared in its online publication, the Bethlehem Writers Roundtable. At that time, the monthly Roundtable was a nonpaying market, but I remember how thrilled I was to be selected as the February featured story and asked to write a top ten list for the issue. I compiled my favorite romantic musicals, including Sound of Music, 1776 (remember the songs between John and Abigail Adams), La Cage aux Folles, Bye, Bye Birdie, and Hello Dolly!

Since that time (2013) and that story (“Nectar of the Gods”), I had two additional featured stories in the Roundtable, “Long in the Tooth,” which received third place in the 2013 short story contest (that year judged by Hank Phillippi Ryan) and later was reprinted in the Bethlehem Writers Group’s winter anthology, Let it Snow, and “Cosway’s Confidence,” which placed second in the 2020 short story contest. My tale of interspecies mediation, “Apple’s Lure,” appeared in the 2014 July-August issue.

During pandemic times, the Group began meeting by Zoom. I felt privileged when along with Debra H. Goldstein I was asked to join.

This year, Debra’s “Death in the Hand of the Tongue” and my “Sense Memory” appear in the Group’s An Element of Mystery: Sweet, Funny, and Strange Tales of Intrigue. The anthology contains twenty-three stories, all by Group members except for the two by contest winners: “Good Cop/Bad Cop” by Trey Dowell (the 2021 short story winner, judged by Charlaine Harris) and “The Tabac Man” by Eleanor Ingbretson (the 2022 short story winner, judged by Kate Carlisle). Members of the Group whose stories appear in the volume are Courtney Annicchiarico, Jeff Baird, Peter J Barbour, A. E. Decker, Marianne H. Donley, Ralph Hieb, D.T. Krippene, Jerry McFadden, Emily P. W. Murphy, Christopher D. Ochs, Dianna Sinovic, Kidd Wadsworth, Paul Weidknecht, and Carol L. Wright.

While many of the stories involve crimes, the required element was mystery, so some focus on puzzles rather than unsolved offenses. With expert editing and selection of cover design by Marianne H. Donley and Carol L. Wright, the anthology was released in September and is a perfect gift for the holidays. By purchasing An Element of Mystery, you’ll be helping to support a Group that is developing and supporting writers. Please give it your consideration.

The Legacy of Angela Lansbury

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by Paula Gail Benson

Angela Lansbury from Wikipedia

On October 11, 2022, just five days before what would have been her 97th birthday, Angela Lansbury passed away at her home in Los Angeles. She did not appear at the 75th annual Tony Awards ceremony on June 12 to receive a lifetime achievement recognition; but, according to Wikipedia, over her career, she won 5 Tonys for acting and, in the 1960s, the New York Times referred to her as “the First Lady of Musical Theater.” My first appreciation of her work came from listening to her voice on the cast albums for Anyone Can Whistle, Mame, Gypsy, and Sweeney Todd. I also delighted to hear her interpretation of Madame Armfeldt in the 2009 Broadway revival of A Little Night Music with Catherine Zeta-Jones as Desiree and Ramona Mallory (daughter of Victoria Mallory and Mark Lambert, who played Anne and Henrik in the 1973 production) playing the role her mother had originated.

Some will remember Lansbury’s work from Hollywood’s Golden Age, when with her mother and twin brothers, she came to America to escape the Blitz, and was signed by MGM to play the maid in Gaslight, Elizabeth Taylor’s older sister in National Velvet, and a tavern singer and early love of Dorian Gray in The Picture of Dorian Gray. In the 1960s, she played the mothers of men only a few years her junior, Elvis Pressley in Blue Hawaii and Laurence Harvey in The Manchurian Candidate. She received three Oscar nominations for supporting actress and was given an Honorary Academy Award for lifetime achievement.

For American audiences, she may be most recognizable for voicing and singing the role of Mrs. Potts in the animated Beauty and the Beast and for her performance as retired teacher and mystery writer Jessica Fletcher on Murder, She Wrote. I actually learned about her passing from a retired friend who regularly watched Murder, She Wrote reruns each day. He sent me a message that the station had interrupted the program with the breaking news.

The remarkable thing about Murder, She Wrote and Lansbury’s portrayal of Jessica Fletcher was that it started about the same time as Sisters in Crime organized and began focusing attention on women mystery writers, who often had been overlooked by reviewers. Jessica Fletcher became a symbol for several causes: (1) that middle-aged and older women could be protagonists; (2) that women could thrive in second careers; and (3) that women wrote excellent mysteries.

Terrie Farley Moran and me

I contacted my friend Terrie Farley Moran, who now co-writes (with Jessica) the Murder, She Wrote novels (a task previously taken on by Donald Bain, his wife Renee Paley-Bain, and Jon Land). So far, there are 56 books in the series. Terrie began with Book 53, which takes place in Columbia, S.C., where Terrie came to participate in the Mystery in the Midlands conference.

Terrie was a wonderful choice to continue the series due to her devotion to and familiarity with the television program. I hope she will continue for many more years and I’m sure fans do, too.

When I contacted her to offer sympathy, Terrie told me that “the torch had been passed” to a new generation to enjoy mysteries from the Fletcher family. Just this month, Scholastic Press published Stephanie Kuehn’s By the Time You Read This I’ll Be Gone, the first of a new Murder, She Wrote series featuring Beatrice Fletcher, who like her great-aunt Jessica, lives in Cabot Cove and is drawn into solving mysteries. Hopefully, this young adult series will introduce a new group of readers to the Jessica Fletcher legend.

Personally, I’m grateful to Angela Lansbury for crafting such a memorable character in Jessica Fletcher, who continues to be an inspiration to mystery writers.

James M. Jackson Sends Seamus McCree on a New Adventure

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Interview with Paula Gail Benson

James M. Jackson’s suspense/thriller series features protagonist Seamus McCree, a former analyst who specializes in financial crimes. So far, Jim’s work includes seven novels (Ant Farm, Bad Policy, Cabin Fever, Doubtful Relations, Empty Promises, False Bottom, and the recently released Granite Oath), and two novellas (Furthermore and Low Tide at Tybee). In Granite Oath, Seamus’ clients are his eight-year-old granddaughter Megan and her new best friend Valeria, whose mother and Nana are illegal immigrants. When Megan tells Valeria that her grandfather’s name means investigator, he has to explain the difference between “Seamus” and “Shamus.” What Seamus learns while trying to find Valeria’s missing mother is that illegals have to deal with a secretive lifestyle that deprives them of basic necessities and exposes them to danger.

Today, the Stiletto Gang welcomes Jim to talk about Seamus’ latest adventure.

Seamus’ business background is as a financial analyst. How does his perspective influence his methods of investigation?

A hammer initially approaches the world as though everything it meets is a nail. Only when an object clearly cannot be a nail does the hammer consider other alternatives. Seamus is more sophisticated, but if he does not see an obvious explanation for someone’s behavior, his inclination is to try to understand the individual’s financial motivations. He uses his deep knowledge of monetary shenanigans and financial systems to “follow the money” in ways most investigators cannot.

Family is an important aspect of Seamus’ life. How do interactions with the various members of Seamus’ extended family (girlfriends, ex-wife, son, granddaughter, mother, and step-sister) help reveal his character traits?

Granite Oath is told from Seamus’s first-person point of view. This provides the reader direct insight into his thinking and reactions. While this gives a valuable insight into what makes Seamus tick, none of us see ourselves accurately. Seamus would have us believe that he is a hermit-wannabe whose word is his bond. His ex-wife corroborates that Seamus will “turn a pinkie swear into a granite oath that nothing less than a glacier can crush.”

Yet his relationships with his family show a different side to Seamus. He dotes on his granddaughter, and with her we see a more playful side of Seamus. He’s always looking for an opportunity to expand her experiences (even if Megan’s parents would object if they knew). His family and “girlfriend,” as you call Niki, take great joy in pointing out Seamus’s foibles, forcing him to reconsider his perspective. The ending (which I will not spoil) involves another character putting words in Seamus’s mouth about his feelings that he would never speak, but we as readers know to be true.

When Seamus’ mother speaks seriously to him, she uses his full name: Seamus Anslem McCree. I remember you saying your mother called you by your full name when you were in trouble. Did you draw upon some of your mother’s qualities in creating Seamus’ mother?

Good memory, Paula. I think many parents fall into that same behavior of using their kid’s full name to emphasize the gravity of a situation. When my mother confronted a DEFCON 1 (the worst trouble) situation, she’d be so mad, she’d run through the names of my sisters, my father, even our dog before finally landing on my full name as the culprit. That’s when I needed to slide a book down the back of my pants to mitigate the coming corporal punishment!

Now that I think about it, one major strength that my mother and Seamus’s share is both are/were survivors. Life was not always easy for either of them, but after each setback, they picked themselves up and carried on.

Granite Oath is particularly intriguing because Seamus, in seeking to help Valeria and her family, must confront suspicion and resistance as a male caring for young females who are not his own children. His situation seems most precarious when he takes Valeria to see a doctor. Did you research this issue or depend upon your own observations to write these scenes?

When Jan and I traveled with our granddaughters, she had signed permission from the child’s parents, allowing her to act in loco parentis. When we crossed through customs, we made sure Jan was driving to answer the agent’s questions. Agents always asked—often of the child—what my relationship to the girl was.

I attended an informational meeting a few years ago about how to spot human trafficking. An older guy with a young woman or girl, especially one who appears timid or scared, is a huge trigger. Even with my daughter, I’ve had people ask her questions designed to make sure she was not under duress.

In your website biography, you say, “If I can’t be outside enjoying nature, I want to be able to see outside.” Those of us who know you have always appreciated your excellent nature and bird photography. How has seeing the world through a camera’s eye helped your writing?

A good photograph tells a story. Different photographers, when presented with the same scene, will tell different stories beginning with where they focus the lens and what shutter speed and depth of field they choose. Do you focus on the bee, the flower from which the bee is harvesting pollen, or the meadow that includes the flower and the bee?

What I’ve learned is often when I zoom in, I can imply the larger picture with a single aspect. For example, if I focus on the bee’s front, showing pollen on its face and legs, while blurring or cropping everything else, those specific details imply a complete bee, and a flower, and a meadow. I may not have seen that when I took the picture, but through editing, I can crop out the extraneous and highlight what I want the viewer to pay attention to.

Understanding that process helps me turn my early drafts into finished manuscripts. I look for those same opportunities to imply a larger whole through a single detail and crop away anything extraneous—unless I want to hide a clue or create a red herring. Then I widen the lens to hide the telling detail in a cornucopia of extraneous detail, but it will be there if you look/read closely enough.

Your novel titles progress alphabetically. Do you envision 26 Seamus’ books?

No. Sue Grafton only made it to twenty-five, and she started at a much younger age than I. I have a tentative title and core idea for the “H” novel which revolves around Seamus and his nemesis, the Happy Reaper, meeting one final time. But Granite Oath needs to sell sufficiently well to justify the effort.

How did writing the Seamus’ novellas differ from writing the novels?

My novels are four to five times longer than my novellas (and twenty to thirty times longer than a typical short story). I enjoy creating myriad complications and twists and turns between the inciting incident and the story’s conclusion. With novellas, the primary storyline requires most of the words, leaving only a few for a single subplot. I find it helpful with novellas to constrict the elapsed time of the story.

What would be the most important impression you want readers to take away from Granite Oath?

Every reader brings their individual experiences to a novel. Given that, each discovers a different story, none of which is the story I thought I wrote. The best I can hope is that people will enjoy my story and read it to its conclusion. Then it becomes like the flapping of a butterfly’s wings in Africa: we’ll never know how reading Granite Oath affected anything, but we know it will.

Short Biography:

James M. Jackson authors the Seamus McCree series. Full of mystery and suspense, these domestic thrillers explore financial crimes, family relationships, and what happens when they mix. August 2022 saw publication of the 7th novel in the series, Granite Oath. (Click here for information and purchase links.)

Jim splits his time between the wilds of Michigan’s Upper Peninsula and the city life in Madison, WI. You can find more information about Jim and his books at https://jamesmjackson.com or contact him via email.