Tag Archive for: pet mysteries

No Fur or Feather Babies

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By Lois Winston

When I was asked to write a cozy mystery series, I knew I should include a pet. Cozy readers love books with pets, especially dogs or cats. Sometimes the pet is even an integral part of helping to solve the mystery. I also have many friends who write cozy mysteries, and most of them are pet owners.

I’m the outlier. I don’t have a fur baby. Instead, I have allergies. Allergies to just about all pets. At least the kind you can pet, cuddle, and play with. Tropical fish would probably be safe, but I consider those pretty things to watch swimming around rather than pets. If it has fur or feathers, I need to steer clear, and chances are, I’d probably also have issues with amphibians and reptiles. I’m even allergic to certain people—or at least to some of the grooming products they use.

I used to have pets. When I was a teenager, we had a dog. I walked around sneezing and coughing and suffering with horrible sinus headaches for several years until I left for college. Once I had my own apartment, I tried kittens. What was I thinking? The headaches, sneezing, and coughing returned with a vengeance.

When my kids were young, we got them a pair of gerbils. Even though I stayed far away from the cage, I still suffered.

So, unfortunately, I remain petless. My protagonist in the Anastasia Pollack Crafting Mysteries is far from petless, though. Not only does Anastasia’s household include her mother-in-law’s French bulldog Mephisto and occasionally Catherine the Great, her mother’s Persian cat, but Anastasia has also inherited her great-aunt Penelope Periwinkle’s African Grey parrot.

However, Ralph is no ordinary parrot. Having spent most of his life in Great-aunt Penelope’s classroom, listening to lectures on the works of William Shakespeare, Ralph possesses a unique talent. He has the uncanny ability to squawk situation-appropriate quotes from the Bard of Avon.

Is this even possible? Some African Greys do have huge vocabularies, but even though I’ve read up on the species, I’m no parrot expert. It doesn’t matter, though. I write fiction, humorous fiction. If readers can suspend their disbelief enough to accept a protagonist who stumbles across more murders than the average cop in an entire law enforcement career, why not a Shakespeare-quoting parrot?

Ralph is also very protective of his adoptive family. I hope you’ll check out how he proves his worth in Guilty as Framed, the 11th book in my humorous Anastasia Pollack Crafting Mystery Series.

~*~

USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction under her own name and her Emma Carlyle pen name. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry. Learn more about Lois and her books at her website www.loiswinston.com where you can also sign up for her newsletter and follow her on various social media sites.

Pacing A Page Turner

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by Sparkle Abbey

Over the years, one of the questions we get asked frequently is how to do we keep our pacing so tight? We jokingly like to reply, “We leave out the boring stuff.”

Some people think pace just happens organically. Honestly, we work pretty darn hard on

pacing. For us, pacing is a combination of structure, word choice, tension, action and reaction, cliffhangers, and knowing when to “show” versus “tell.” We work on pace at the very beginning. Although at times, to find the right pace for a scene or chapter, it takes rewriting many times to get it right. We thought we’d share a few techniques we use to control pacing.

STRUCTURE
When we refer to structure, we’re talking about chapters, scenes and sentence length.

Shorter chapters and scenes are quickly read and make the reader feel that the story is moving along quickly. Fragmented sentences, punchy verbs, and snappy dialogue also speed up the pace. But if you have a story of only 800-word scenes, it’s not going to have the urgency you’ve intended, just a story with short chapters. Knowing when to move between longer scenes, where the story builds with important details and descriptions creating the anticipation of what’s going to happen next, allows for the shorter scenes to stand out and move the story along.

WORD CHOICE
Active verbs create action and suspense while painting a clearer picture in the reader’s mind. Harsh consonant sounds such as “crash” or “kill” create more urgency than “bump” or “murder.” By selecting the right words not only will the pace change, but it’s a subtle way for mystery writers misdirect the reader by planting clues toward a suspect.

CLIFFHANGERS
We love cliffhangers! When the end of a scene or chapter is left unresolved or with a greater

disaster than when the scene began, the pace automatically picks up, and the reader has to turn the page to find out what happens next. Just remember, don’t leave your reader hanging for too long!

SHOWING VS. TELLING
Writers hear it all the time, “show don’t tell.” Most of the time it’s true, but there are times when it’s better to tell than to show. “Showing” is a play-by-play, making your readers connect with characters and to become invested in their story. There are some instances where it’s better to condense the details to move the story along.

Each scene requires a different pace. Some need to be quick and urgent while others need to slowly build and give readers a chance to catch their breath. As writers, we strive to write a story with those types of peaks and valleys, and when we do that our readers tell us the book was a page-turner. 


One of the best compliments a writer can receive.




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Sparkle Abbey is the pseudonym of mystery authors Mary Lee Woods and Anita Carter. They’ve chosen to use Sparkle Abbey as their pen name on this series because they liked the idea of combining the names of their two rescue pets – Sparkle (ML’s cat) and Abbey (Anita’s dog).