Tag Archive for: Rachel Brenner

Saying Goodbye Gracefully

by Evelyn David

I’ve always been intrigued by the paranormal (see our Brianna Sullivan series), so when Medium, a television series about a psychic who assists the Phoenix, Arizona police department debuted in 2005, I was quickly hooked. I followed the series from NBC, who cancelled it after five years, to CBS, who cancelled it last month. I looked forward to the series finale with a combination of sadness and anticipation of how they would wrap it all up. Sigh. What I got last Friday night was an unholy mess. *Spoilers Ahead*

Multiple time jumps, fake dreams, an airplane crash, a Mexican drug cartel, cars exploding, eight years of amnesia, seriously there wasn’t a cliché they missed. There were moments when I expected Bobby Ewing to come out of the shower and tell Alison that all her dreams were just that – dreams and not psychic revelations. Even the last few seconds in the episode where Alison joined Joe in the hereafter after forty-some odd years apart didn’t work for me – instead of satisfaction that the couple would be together forever, it just felt like the writers were pouring salt on a wound. I didn’t want to learn Joe died and missed his kids growing up. I didn’t want to know Alison had to spend more years without him than she’d had with him. I didn’t particularly want to know about the kids’ grandchildren. I’d much rather have seen another episode that showed the characters doing the things they’ve done for the last seven years – Alison dreaming her dreams and waking up Joe in the middle of the night, Joe struggling to earn a living, and the kids fighting around the breakfast table. I wanted more of the same. Even if the series was cancelled, I wanted to be able to keep the family alive – well and happy – in my imagination.

Which got me to thinking about how authors treat the last book in a series. Lesson learned: You need to put the same amount of energy and creativity into ending a series that you put into that first book – the book where you were trying to engage readers into wanting to see more. Finales need to be respectful of both the characters and the audience. Do it well, and readers are anxious to read new books and new series you present. Do it poorly, and the bitter taste can wipe out all your earlier hard work.

J.K. Rowling understood the Herculean task she faced in ending the Harry Potter saga. While some readers might quibble with the length and events of the seventh book, most were extremely satisfied that she not only gave a powerful climactic battle between the forces of good and evil (the recurrent theme in all seven books), but she also provided an epilogue that gave a glimpse into the future of the main characters that her audience had grown to love. She didn’t ignore the harsh realities of the world she had created, and in fact, killed off several beloved characters. But to her credit, she was respectful in her treatment of their deaths and their demises made sense in the context of the storyline.

Ending a series is never easy for authors or fans. Fans will always expect more than the writers can give. They don’t want the series to end so any ending is often less than satisfactory. Most authors love the characters they’ve created and the line between fiction and a place at the kitchen table is mighty thin. Both halves of Evelyn David talk about Mac, Rachel, Brianna, and even Whiskey the Irish wolfhound, as if they were extended members of the Dossett and Borden families. So when we decide, if we ever decide, that it’s time to bring a series to a close, we know what we need to do and what we absolutely shouldn’t do. In the meantime, we’re still enjoying their adventures and plan to continue plotting murder and mayhem with them.

Stiletto Faithful: what finales, in books or television series, did you think were handled well? Which sucked?

http://www.evelyndavid.com
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Brianna Sullivan Mysteries – e-book series
I Try Not to Drive Past CemeteriesKindleNookSmashwords
The Dog Days of Summer in LottawatahKindleNookSmashwords
The Holiday Spirit(s) of LottawatahKindleNookSmashwords

The Sullivan Investigation Series
Murder Drops the Ball (Spring 2011)
Murder Takes the CakePaperbackKindle
Murder Off the BooksPaperbackKindle
Riley Come Home (short story)KindleNookSmashwords

I Love Old Movies

I’m a sucker for old movies. I don’t need Technicolor or over-the-top special effects to produce a four-hanky sob-fest. Thank goodness for Turner Classic Movies. Their movie vault is filled with black-and-white, sudsy films that make me turn to goo.

Recently I watched Journey for Margaret, a heart-warming World War II flick with Robert Young and Margaret O’Brien in her motion picture debut. Released in 1942, it was the early days of America’s involvement in the War, and the story centers on a hardened newspaper reporter’s efforts to bring two orphans to the States. When he is forced to choose only one, your heart breaks for the little boy he must leave behind.

I also watched an absolutely silly, inane , but ultimately very sweet movie, A Date with Judy, released in 1948 with Jane Powell and a very young, waist-no-bigger-than-a-wasp, Elizabeth Taylor. This was the post-war equivalent of Beverly Hills 90210, but with actors with actual talent. Amazing to think that Liz Taylor and Robert Stack get secondary billing because they’re not the “stars” of the film. But as ridiculous as the plot in this film is – and trust me, any film with Xavier Cugat, a Chihuahua, and Carmen Miranda as the B-storyline is dumb – nonetheless, I actually cared whether Judy and Oogie (Jane Powell and Scotty Beckett) reunite and whether Carol and Stephen (Taylor and Stack) can overcome his prejudice against family wealth.

It’s funny that I can wax rhapsodic about these two movies, which is in stark contrast to the movie reviews I’ve been hearing from Rhonda, the Southern half of Evelyn David. She recently spent hard-earned bucks on two new blockbusters, and walked away disappointed in both. It wasn’t the acting. Rhonda assures me that George Clooney is still wonderful eye candy and Angelina Jolie has all the right stuff to be a convincing double (triple?) agent.

But at the end of both movies, she didn’t care what happened to George or Angelina’s characters. Without offering too much of a spoiler for either film, let’s just say that there was no Disney happy ending for anybody – and Rhonda wasn’t invested enough to be concerned.

Whether it’s a 1940s teen movie, a 2010 blockbuster, or the dog-eared copies of old favorite mysteries and books we’ve read and re-read, it always comes down to character. Does the audience identify with the fictitious people of screen or page? If not, then whether or not the protagonist lives to see another day or dies a noble death is quickly discarded into the “who cares” pile. All the fantastic car crashes and outrageous stunts can’t save a movie where you barely remember the main character’s name after the first fifteen minutes.

Watching these films, re-reading old favorite mysteries where I remember whodunnit on the first page and it doesn’t minimize the pleasure one iota, makes me take my own writing apart, sentence-by-sentence. I want my readers to care about Mac Sullivan, Rachel Brenner, most especially about Whiskey the Dog. I want readers to wonder if Mac can overcome 50+ years of commitment-phobia; I want to make sure that readers empathize with newly-divorced Rachel as she awkwardly re-enters the social scene; while at the same time, I want to baffle and surprise the reader with a mystery that is sophisticated and smart. Tall order, indeed.

But isn’t that what I signed up for when I listed mystery writer on my resume?

Stiletto Faithful, please share with me your favorite movie and why it has such lasting appeal.

Marian aka the Northern half of Evelyn David

Meet Rachel Brenner

Thanks to Evelyn David, for not only letting me guest blog today, but for creating me in the first place. My name is Rachel Brenner. I do hair, makeup, and a few more substantial restorations for the clients of O’Herlihy Funeral Home. I believe it’s never too late to look your best.

I’m single. Wow, that sounds strange after 18 years of marriage. My ex has moved on to younger pastures – actually he moved on long before the marriage ended. I just pretended not to notice until my pride finally said no more.

My son Sam is a freshman in college. I see him every couple of months – more often if he’s between girlfriends or needs money. I love it when Sam comes home. He and his friends bring my old house to life. I don’t even mind the piles of dirty laundry and empty glasses and tomato-stained pizza cartons scattered around.

In between visits from Sam, I spend my time worrying about how to pay for his education, the maintenance on the old house my great aunt left me here in Washington D.C., and cat food. I have one four-footed dependent, Snickers. She’s happiest when it’s just her and me in the house.

Last fall, I’d just been settling into a new job and my single, empty nest, life when someone broke into my house, stole half of a ham, and had me hiding in a closet until I located my backbone and a hockey stick.

The purloined pork was only the beginning chapter in a “bigger than my life” tale of murder, mystery, Irish wolfhounds, and one very interesting private detective, Mac Sullivan. Tell me the truth; don’t you think a detective should own his own car? I mean, who does stakeouts in a hearse with a giant dog riding shotgun?

Mac may just be the man I’ve always wanted. Or he might be the one my grandmother always warned me about. Either way, I’m ready for a change.

You can stop in and find out more by picking up a copy of Murder Off the Books!

Murder Off the Books is available in trade paperback and Kindle editions at Amazon. Also the trade paperback is on the shelves at The Digital Bookshop. Other e-book formats can be found at the Apple iPad store and The Digital Bookshop.

If you already know how my story started, you can catch up on my latest adventures in the sequel, Murder Takes the Cake. ebook versions are available now at Amazon, Apple iPad store, and The Digital Bookshop. A second edition trade paperback will be available this fall. (Note: I have issues with turkeys not pigs in that book.)

All my best,

Oh, wait, don’t go yet. I meant to leave you with a tip – Ladies, if you are going to carry a cell phone, keep it close and charged, especially at night. I can’t tell you how many times I’ve had to resort to just throwing the darn things in self-defense. Would have been so much easier to just punch in 911 on the keypad. For instance, if I’d had a working cell phone I wouldn’t have had to steal that garden gnome … uh wait.

Can I take that back? I meant to say that I don’t know anything about my neighbor’s missing garden gnome. Nothing. I know noth…ing.

Rachel

Keeping Faith

I once watched a wonderful British mini-series, full of galloping horses, lush landscapes, and inevitably, class wars. Poor orphan girl comes to the home of her rich, foul-humored uncle, and must decide if she loves her sensitive boy cousin, his swashbuckling wastrel brother, or the stable hand who is poor but sincere. Leaving aside the issue of whether marrying your first cousin is a good idea, I, of course, was rooting for the poor stable hand. To my delight, after much bosom heaving and weeping, she ends up with the guy with no money – which is okay because she has enough for them both.

I promptly went out and read the books on which this mini-series was based – and they were absolutely wonderful. A few years later I was delighted to discover a sequel to this saga. But to my horror, the author had decided that class will out. She broke up the marriage of rich girl, poor boy, so that the society b**ch could marry within her own class – her newly-reformed rich cousin. Ugh.

As defined in the dictionary, a sequel is “a literary work, film, etc. complete in itself but continuing a story begun in an earlier work.” So while I’m the first to agree that an author has the right to do whatever she wants, for me, this particular writer betrayed the basic premise of the first books. We had a deal: true love trumps fancy schmancy class distinctions. She broke faith with her readers (or at least this one). It’s as if Margaret Mitchell wrote a sequel to Gone with the Wind and had Scarlett subdivide Tara into a housing development of McMansions. Or Thomas Harris penned a sequel where Hannibal Lecter became a vegetarian.

I love reading mystery series. It’s like meeting up with old friends. I want to know what has happened since the last time we were together. While I want a complete story that can stand on its own, I want to recognize the characters I’ve grown to love. I have no problem with personal growth in the characters, but they have to retain the essence of who they are. I promise when you read Murder Takes the Cake (due in May 2009), that the delightful Mac Sullivan, Rachel Brenner, and Whiskey are all back in prime form.

What’s the best – and the worst – sequel you’ve ever read (or saw if it was a movie)?

Evelyn David