Tag Archive for: #readingcommunity

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Hurray for In-Person Events

by Saralyn Richard


 

When the pandemic hit hard in March, 2020, I had just
released A Palette for Love and Murder, and I had a full calendar of
events for promoting it. Launch parties, bookstore talks, organization meetings,
book clubs—all had been carefully lined up, taking many hours of contact,
follow-up, baking, and swag-shopping.

Then, one by one, in an exorable, painful march
through the calendar pages, each event was canceled. The book came out with a
sigh instead of a bang, and it had to find its readers through different,
mostly virtual, channels.

I’m not complaining. As Bogey says in Casablanca, “It
doesn’t take much to see that the problems of [one little book doesn’t] amount
to a hill of beans in this crazy world.” Like everyone else, I learned to
pivot. I jumped on Zooms, Skypes, and FaceTimes to beat the band.

                           


A Palette for Love and Murder
found its audience, and so did A Murder of Principal, which came out the
following year. Again, Zoom was my best friend, and by then I’d learned a lot
of hacks for having a successful virtual book launch.

Fast forward another year, and I’ve been vaccinated
three times. I have a stylish array of masks for every occasion. Taking baby
steps, I’ve graduated from small, masked gatherings held outdoors to larger,
masked gatherings held indoors. This week, I actually went to my first indoor
gathering where no one was wearing masks.

I thought I might freak out, because I’ve become
somewhat of a germophobe, and the threat of the omicron variant is raising
those same old fears. But when I arrived at the Bay Oaks Country Club and saw
the elaborate table settings, the skirted book-table where I was to autograph
books, and especially the fifty-one smiling ladies welcoming me as a guest
speaker, a particular joy bubbled up inside me, and I wanted the afternoon to
keep going on forever.



Virtual meetings are great. I wrote a post about them several
months ago. They break down barriers of time and space and allow for valuable
human interaction. I taught and enrolled in classes, attended book clubs, and
went to conferences virtually. I enjoyed these so much that I truly repressed
the fact that they are a pale substitute for the real thing.

I’m grateful to Sheryl Lane of the Bay Oaks Country
Club Women’s Group for inviting me to speak at their December luncheon meeting.
We had this engagement booked for more than a year before we could actually
make it happen. Sharing book stories with people who love books is something
akin to heaven.

Of course, we all need to be mindful of and practice
healthy habits and mitigate risks wherever we go, but right now, I’m clinging
to the thought that more joyful reunions like this one will be in my future.

Wishing everyone a happy, healthy, and safe holiday
season and new year.

 

Award-winning and
best-selling author, Saralyn Richard was born with a pen in her hand and ink in
her veins. Her humor- and romance-tinged mysteries and children’s book pull
back the curtain on people in settings as diverse as elite country manor houses
and disadvantaged urban high schools.

A member of International Thriller Writers and Mystery
Writers of America, Saralyn teaches creative writing and literature at the
Osher Lifelong Learning Institute, and continues to write mysteries. Her
favorite thing about being an author is interacting with readers like you.

Visit Saralyn here, on her Amazon page here, or on Facebook here.

What Makes Excellent Writing?

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What
Makes Excellent Writing?
by
Saralyn Richard

I’ve taught creative
writing off and on for years. It was an elective for upper class students in a
large suburban Chicago high school. Part of our curriculum was to produce a
literary magazine each year, and we entered our work in a National Council of
Teachers of English contest. Oftentimes we won awards for our content or
layout, and quite a few of my students went on to become successful writers.
Now I teach creative
writing to adults aged 55 or older at the Osher Lifelong Learning Institute.
I’m finding the learners to be extremely motivated. The problem for them is not
choosing what to write about, but choosing which of many ideas and experiences
to write about first. My learners are serious, thoughtful, observant,
experienced, and well-read. Their responses to assignments are creative and
clever, worthy of being submitted for contests or publication.
I’m often asked what
makes excellent creative writing, and when I consider possible replies, I find
the same things apply to both high school writers and adult writers.




The first element of fine
writing, in my opinion, is the ability to imagine and bring to life one or more
relatable characters. These characters do not have to be alter-egos of the
author who creates them. They don’t even need to be the same gender, race,
creed, or age. They don’t need to be perfect; in fact, perfection would be a
detriment to being relatable for readers.
How do authors come out
of themselves enough to paint a realistic word-portrait of characters who are
unlike them? The process for me is similar to what an actor does in assuming a
role for a play. When I’m writing about a character, I immerse myself into the
body and mind of that person. I lose my own identity as I write the scenes
where my character speaks and thinks and acts.


Another fine point of
excellent writing is awareness of theme. I use the term “theme” to mean the
overall purpose for the story. When the author consciously crafts the writing
based on a specific purpose, all of the narration, exposition, description, and
dialogue fall into place, unifying the readers’ experience. I’ve read many sagas
that took me across generations and geographical locations without tying the
chapters and sections together, and they’ve left me wondering about the
author’s intent. My favorite tales lead me to some truth, some higher awareness
about life or people.
Of course there are many
other important strategies and methods in a writer’s toolkit. As a creative
writing teacher, I encourage my students to practice them all. As a writer,
myself, I strive to do the same. The two books in the Detective Oliver Parrott Mystery
series, Murder in the One Percent and
A Palette for Love and Murder, have
thoroughly imagined characters and (hopefully) articulated themes.

I’m excited to discuss
these and other topics with the Stiletto Gang readers. Whatever questions you
have about creative writing, I’m interested. 



 


Award-winning mystery and children’s book author, Saralyn Richard, is a
writer who teaches on the side. Her books, Naughty
Nana, Murder in the One Percent,
and A Palette for Love and Murder,
have delighted children and adults, alike. A member of International Thriller
Writers and Mystery Writers of America, Saralyn teaches creative writing at the
Osher Lifelong Learning Institute, and continues to write mysteries. Reviews,
media, and tour schedule may be found at http://saralynrichard.com.

Follow Saralyn at:


 “A compelling story of worlds in collision, A Palette for Love and Murder plumbs the depths of love and the
human heart.”

                                                         —William
Kent Krueger, author
of This Tender Land

“Delightful! Saralyn Richard weaves a deeply twisty mystery around
vibrant characters that will leave readers looking forward to more.” —LynDee
Walker, Agatha Award-nominated author of Front
Page Fatality

“Smart, stylish and sexy, this art world caper
delights with its verve and wit. The character studies are wonderful, and
Oliver and Tonya Parrott are an irresistible pair.”                                           – Ausma Zehanat Khan,
author of A Deadly Divide