How Mad Men in the Not-so-good-ole Days Made Women Mad Too
The
advent of Mad Men on television marked
the return of the 60s to the popular consciousness. Before that, the tumultuous
decade of the 1960s had a bad rep. It was a divisive time, and people were sick
of it. The go-go economy of the 1980s buried “radical chic” in piles of money, and
even some famous 60s activists switched to making a buck, big time.
Mad Men on TV was soon followed by fashion trends. Today retro-hippie
clothes and accessories are back with a vengeance. I’ve purchased three items
with long suede fringe—stockpiling against the day when fringe falls out of
style again.
Yet
it’s not just 60s fashion that lures me in. I am a fan of that benighted
decade. Even before Mad Men hit TV in
2007, I was writing my first mystery set in the 60s. I was following that old
maxim, “Write what you know.” As a child of the 60s I had stories to tell.
believe that an author should write what she loves—and my favorite books are
historical mysteries. I chose my time period guided by the many authors who
locate their sleuths and spymasters during the wars of the 20th century. The
two world wars and the Cold War are overrun with novels. The war in Vietnam,
however, was such a debacle that few want to see it on the big or little screen
or read about it in books. Still, it was a comparatively empty niche that I
thought needed filling with mysteries. My books show the life of a young woman
named Austin Starr—not the radical type who made headlines, the Hanoi Janes or
Angela Davises—but a moderate swept along by history’s tides. All that turmoil
lends itself to drama, intrigue, and murder.
Charles Manson killings in Los Angeles and the big rock festival in Woodstock—one
she had hoped to attend. Instead, Austin flies to the West Coast, where she pursues
her knack for solving mysteries, built on her CIA training and inspired by countless
Nancy Drew books she read as a child. Austin tries to absolve a dear friend
accused of killing a feminist leader and is drawn into the movement. As she
learns about it, she learns more about herself.
feminism is the backdrop for the story, and Rainy
Day Women is set against the historical details of the period. Though that
time is long gone, I “bring it all back home” again.* Some details are technological—the
endless searching for a much-needed payphone, the need to solve a crime without
using CSI-style techniques—and establish how much change our everyday lives
have witnessed. Other details are astonishing yet real—notably the casual but
overbearing sexist attitudes of way too many men in the book. But that
particular kind of madness led to rising anger among women. And then to a whole
movement.
 |
| Joan Baez and Bob Dylan, ca. 1965 |
NOTE:
Bringing It All Back Home is a Bob
Dylan album from 1965, including such masterpieces as “Subterranean Homesick Blues,”
“Mr. Tambourine Man,” and “It’s All Over Now, Baby Blue.” Some literary critics
compare Dylan to Shakespeare. I don’t go quite so far but am a staunch fan.
That’s why I name my mysteries after his song titles. His work is so vast
in scope that his song titles cover every eventuality in fiction
that I could ever dream up. His attitudes toward women as portrayed in his
lyrics are sexist—true—but he was a man of his times. That’s the best excuse I
can make for him, and he certainly fits my material.
Kay
Kendall lives in Texas with her Canadian husband, three house rabbits, and spaniel
Wills. In her former life as a PR executive, Kay’s projects won international
awards. And she studied lots and lots of history in school, and loves it still!