How to Keep Your Favorite Writers and Books from Disappearing
by Linda Rodriguez
Since
my third Skeet Bannion novel, Every
Hidden Fear, came out just last week, I’m thinking seriously about book
sales right now. I’ve written and spoken a number of times about what an avid
reader can do to support the authors s/he loves, and so I thought I’d compile
all of those actions into a blog post for today.
my third Skeet Bannion novel, Every
Hidden Fear, came out just last week, I’m thinking seriously about book
sales right now. I’ve written and spoken a number of times about what an avid
reader can do to support the authors s/he loves, and so I thought I’d compile
all of those actions into a blog post for today.
As a
reader of novels, I was often disappointed and horrified when authors that I
loved disappeared or stopped writing series I loved and started writing another
that I might not be as fond of. After I
became a published and got to know many other published novelists, I discovered
how these things happen and what I as a reader can do about them.
reader of novels, I was often disappointed and horrified when authors that I
loved disappeared or stopped writing series I loved and started writing another
that I might not be as fond of. After I
became a published and got to know many other published novelists, I discovered
how these things happen and what I as a reader can do about them.
A couple of
examples—one writer’s books always get rave reviews in the big journals,
usually starred reviews, she always earns out her advances, and every single book
has been a finalist for some of the biggest awards, but her publisher, one of
the Big Five, has dropped her. Why? Her books aren’t increasing in sales enough
from book to book, even though they are increasing and are profitable to the
publisher. She is looking at writing novels in a different genre now. Another
writer had an award-winning series of witty, well-written private-eye novels.
He was dropped because it was determined that private-eye novels wouldn’t be
selling well soon (a prediction that turned out wrong). He couldn’t get a
publisher then. So he had to take a woman’s name and start writing very
successful cozies under that.
examples—one writer’s books always get rave reviews in the big journals,
usually starred reviews, she always earns out her advances, and every single book
has been a finalist for some of the biggest awards, but her publisher, one of
the Big Five, has dropped her. Why? Her books aren’t increasing in sales enough
from book to book, even though they are increasing and are profitable to the
publisher. She is looking at writing novels in a different genre now. Another
writer had an award-winning series of witty, well-written private-eye novels.
He was dropped because it was determined that private-eye novels wouldn’t be
selling well soon (a prediction that turned out wrong). He couldn’t get a
publisher then. So he had to take a woman’s name and start writing very
successful cozies under that.
Often
even famous writers are just a breath or two away from tumbling down the slopes
in the fickle game of publishing, and success is even more volatile for midlist
authors. There are dozens of other stories like these that I could tell. This
is what’s happening to the authors you love who vanish and what may well happen
to the authors you love now. Even selling enough to earn out their advances is
not enough, if they are not increasing their sales drastically with each book.
How can we help the authors we love to do that so we can keep reading the books
we’re addicted to? Here’s a little list.
even famous writers are just a breath or two away from tumbling down the slopes
in the fickle game of publishing, and success is even more volatile for midlist
authors. There are dozens of other stories like these that I could tell. This
is what’s happening to the authors you love who vanish and what may well happen
to the authors you love now. Even selling enough to earn out their advances is
not enough, if they are not increasing their sales drastically with each book.
How can we help the authors we love to do that so we can keep reading the books
we’re addicted to? Here’s a little list.
Pre-orders— pre-orders
have become more and more important to writers. Publishers often decide how big
a print run and how much, if any, promotion they will give a book based on
pre-orders. Bookstores base orders on that, too. So pre-orders can determine
whether your book will be on the shelves in bookstores around the country or
have to be special-ordered.
have become more and more important to writers. Publishers often decide how big
a print run and how much, if any, promotion they will give a book based on
pre-orders. Bookstores base orders on that, too. So pre-orders can determine
whether your book will be on the shelves in bookstores around the country or
have to be special-ordered.
Other things you can do to help are
clicking “likes” and “tags” on Amazon. Reviews on Amazon
and Goodreads count more toward sales than those longer ones on my blog or
elsewhere, and don’t
forget Barnes & Noble and Library Thing. Post your author’s book in your
WantToRead file on Goodreads when you know the book is coming. Publishers tell
us that is important, that other readers look at those and often decide whether
to buy the book based on how many other people have listed it as something they
want. But reviews on your blog or other
review sites do help, as well. I know I’m doing a lot more book recommendations
now and not just waiting for folks to ask me.
clicking “likes” and “tags” on Amazon. Reviews on Amazon
and Goodreads count more toward sales than those longer ones on my blog or
elsewhere, and don’t
forget Barnes & Noble and Library Thing. Post your author’s book in your
WantToRead file on Goodreads when you know the book is coming. Publishers tell
us that is important, that other readers look at those and often decide whether
to buy the book based on how many other people have listed it as something they
want. But reviews on your blog or other
review sites do help, as well. I know I’m doing a lot more book recommendations
now and not just waiting for folks to ask me.
As soon as I know a book is coming
out by one of my favorite writers, I will request my library system order that
book—and my own pre-orders for those books will be through local bookstores
because that helps them decide whether or not to order in that book to have on
the shelves. Ask
your library to order the book, and then check it out. Library sales are
important to most authors, and we love libraries. If you check out our books,
the libraries will keep buying them and won’t sell us off for pennies at the
Friends of the Library book sale. (Many libraries get rid of books that haven’t
been checked out in more than a year, so even if you own a book, checking out
from your local library helps keep your author alive there.)
out by one of my favorite writers, I will request my library system order that
book—and my own pre-orders for those books will be through local bookstores
because that helps them decide whether or not to order in that book to have on
the shelves. Ask
your library to order the book, and then check it out. Library sales are
important to most authors, and we love libraries. If you check out our books,
the libraries will keep buying them and won’t sell us off for pennies at the
Friends of the Library book sale. (Many libraries get rid of books that haven’t
been checked out in more than a year, so even if you own a book, checking out
from your local library helps keep your author alive there.)
When we order books from our local
bookstore, we need to tell them what we like about that author and why s/he
might be a good fit for the store. That not only can convince them to order the
book, but also gives them something to tell people when they ask about it.
bookstore, we need to tell them what we like about that author and why s/he
might be a good fit for the store. That not only can convince them to order the
book, but also gives them something to tell people when they ask about it.
Talk up
your author and book on Facebook and Twitter. I know for a fact that people
have bought my books because of wonderful things some of my fans have posted on
those two platforms about them. Word of mouth is still the best advertising.
your author and book on Facebook and Twitter. I know for a fact that people
have bought my books because of wonderful things some of my fans have posted on
those two platforms about them. Word of mouth is still the best advertising.
If
you’re in a book club or book discussion group or anything like that, suggest
your author’s book for the group to read and discuss.
you’re in a book club or book discussion group or anything like that, suggest
your author’s book for the group to read and discuss.
If you
take one or more of these actions for your author, you have given great support
and taken steps to make sure that s/he will be able to continue writing and
publishing the books you love. Anything we can do to help others learn about
the authors and books we love helps to keep them available to us, too.
take one or more of these actions for your author, you have given great support
and taken steps to make sure that s/he will be able to continue writing and
publishing the books you love. Anything we can do to help others learn about
the authors and books we love helps to keep them available to us, too.
Are there things you do to support your favorite authors that I’ve missed? Please add them in the comments.
REPLY TO COMMENTS (Blogger still won’t let me comment GRR!)
Sue, you’ve got a good point. Many writers who’ve been dropped in recent years have turned to self-publishing. I don’t think it’s a good route for unpublished writers usually, but it can work very well for those who’ve already built a backlist and a cadre of fans.
Kay, you’re right. I always feel it’s not up to my readers and fans to promote my or any writer’s books, but for those who want to be sure to have more of them to read, these are some ways they can help. I have seen too many writers whose work I love stop publishing–or at least stop publishing those books I love so much–because of the lack of escalating sales.
Debra, yes, the publishing world has been changing ever since the multinational corporations took over most of the big old firms and demanded a much higher ROI than publishing can really sustain. They think the bestsellers are the only way to go, but the old pub houses sustained themselves on the many midlist authors. But midlist authors are no longer respected by the big companies who always want the “big kill.”