Tag Archive for: women sleuths

Writing Life and Inspiration: Strangers + “What if?” = Plots and Characters in Fiction

By Lois Winston

Whenever I hear a writer complain that she can’t come up with an idea for a plot or character, I offer this advice: “Get off your phone and keep your eyes and ears open.” No matter where I go—from the supermarket to a doctor’s appointment to the line at the DMV—I see people with their noses buried in their phones. I’m the outlier. As an author, part of my writing life is spent eavesdropping on conversations and observing the behaviors of those around me. That’s where I get much of my writing inspiration. For me, strangers + “what if?” = plots and characters in many of my Anastasia Pollack Crafting Mysteries.

Ideas for plots and characters are all around us if we just take the time to look and listen. Neighbors, friends, relatives, strangers, and the daily news provide constant sources of ideas for plots and characters. All you need to do is channel your inner snoop gene while pretending not to pay attention.

I’ve been privy to the most sensitive of conversations while sitting on a commuter train, in a department store dressing room, and even while doing the necessary in a mall ladies’ room stall. Sometimes, I’ve even heard both ends of the conversation, thanks to the person on the train or in the dressing room or lavatory having placed the call on speaker. Those lavatory experiences became the source of a scene in Assault with a Deadly Glue Gun, the first book in my Anastasia Pollack Crafting Mystery Series.

The world is full of interesting and odd individuals, and I came across some of the oddest back in 1998 when my husband and I moved to a new house. These people and their strange habits have stuck with me over the years. With the encouragement of some of my readers to whom I told about these former neighbors, I incorporated them into my latest Anastasia Pollack Crafting Mystery. To my knowledge, none of the real people were ever murdered or committed murder, but the traits I observed did make their way into Seams Like the Perfect Crime, the fourteenth book in my series, currently up for preorder with a release date of February 2, 2025.

Seams Like the Perfect Crime

An Anastasia Pollack Crafting Mystery, Book 14

When staffing shortages continue to hamper the Union County homicide squad, Detective Sam Spader once again turns to his secret weapon, reluctant amateur sleuth Anastasia Pollack. How can she and husband Zack Barnes refuse when the victim is their new neighbor?

Revolutionary War reenactor Barry Sumner had the odd habit of spending hours mowing a small patch of packed dirt and weeds until his mower ran out of gas. He’d then guzzle beer on his front porch until he passed out. That’s where Anastasia’s son Nick discovers his body three days after the victim and his family moved into the newly built mini-McMansion across the street.

After a melee breaks out at the viewing, Spader zeroes in on the widow as his prime suspect. However, Anastasia has her doubts. There are other possible suspects, including a woman who’d had an affair with the victim, his ex-wife, the man overseeing the widow’s trust fund, a drug dealer, and the reenactors who were blackmailing the widow and victim.

When another reenactor is murdered, Spader suspects they’re dealing with a serial killer, but Anastasia wonders if the killer is attempting to misdirect the investigation. As she narrows down the suspects, will she jeopardize her own life to learn the truth?

Craft projects included.

Preorder now. Available 2/4/25

P.S.: On Monday evening, January 27th at 7pm ET (6pm CT, 5pm MT, and 4pm PT), I’ll be the guest of the Cozy Mystery Party Facebook Group, hosted by Heather Harrisson and Shawn Stevens. If you’d like to join in for a fun hour + of all things murder, mayhem, and cozy mysteries (there will be prizes and surprises!), join the group at https://www.facebook.com/groups/cozymysteryparty

Hope to see you there! 

~*~

USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, and children’s chapter books. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry. Learn more about Lois and her books at her website www.loiswinston.com where you can also sign up for her newsletter and follow her on various social media sites.

WHAT DO YOU WRITE?

My new novel, The Underground Murders, was released yesterday, July 1, 2024. Do you write (or read) political novels? Or novels that contain even a bit of a political message? Or novels that address societal concerns? Or novels that are pure entertainment? I chose the subject of my latest novel with the intent of speaking out against the direction in which our country headed and knowing there would be backlash. I’ve already received a tongue lashing from one of my advance readers. I’m hoping she, at least, gave some thought to the issue, that her mind, which probably wouldn’t be opened, would get a small crack. Since the book only arrived on the scene yesterday, I’m waiting to see who else protests.

In some of my novels in the past, I’ve included (in addition to murder) gambling addiction, false allegations of child abuse, child trafficking, greed, adultery, characters with a sense of entitlement, judicial corruption, mental illness, theft—well, basically, my characters breaking all Ten Commandments!

History is replete with nursery rhymes that have been interpreted as political commentary or as a rendering of historical events. At https://englishhistoryauthors.blogspot.com/ many authors give their interpretations of historical pieces. I particularly liked Author Lucinda Brant’s Part Two about nursery rhymes including “Georgy Porgy” and “Jack and Jill.”

Fairy tales were another way authors expressed themselves. A nice piece that discusses how fairy tales can be used as teaching tools today can be found at  https://www.kidsbookhaven.com/article/exploring-relevance-of-fairy-tales-in-todays-world. There is also discussion about how they form the basis for so many current books and movies.

At https://journals.sagepub.com/doi/abs/10.1177/03061973241241877, there is a book review of Buried Treasures: The Political Power of Fairy Tales by Jack Zipes. Zipes discusses social ills, to put it mildly, and who the authors often were.

I’m a fan of John Sandford and his “Prey” novels. I was pleased to find he addressed environmental problems in his latest novel Toxic Prey, where the protagonists hunt down a mad scientist who believes the violent actions he intends to take will save the planet

It’s 2024 in the U.S. So far we still have the right to free speech. For the most part, we have the right to write what we want, unlike authors in some countries and those in history. I believe it’s my duty to address modern society’s ills. Though there is no guarantee what I write will be read, I fully intend to continue to write as my conscience dictates. If only a few readers will have their eyes opened, I will have accomplished my goal.

Susan P. Baker is a retired family court judge from Texas and the author of 15 published books. You may read more about her at https://www.susanpbaker.com.

 

 

With a Little Help from my Friends

artwork from Pixabay and Depositphotos

By Lois Winston

As authors, we spend much of our days in our writer caves. Sometimes, we rarely leave the house for days as we peck away at the keyboard, increasing our word count. Living life in a vacuum is hard, though. Sometimes we need to bounce ideas off someone, and let’s face it, kids and spouses are rarely helpful when it comes to figuring out the perfect murder or choosing whodunit from several possibly suspects. That’s why critique partners, as well as writing communities, are so important. Often, they’re the only people who truly “get” us.

My latest book, Sorry, Knot Sorry, the thirteenth in my Anastasia Pollack Crafting Mysteries, released earlier this month. In-between a month-long virtual book tour, I’ve been mulling over possible plots for the next book in the series.

I’ve always had a weird fascination with unusual personalities and often put them in my books. Anastasia’s communist mother-in-law is a perfect example. She’s based on my own communist mother-in-law, minus the French bulldog.

Years ago, we had some very strange neighbors living across the street from us. They’ve been parked in a recess of my brain for two-and-a-half decades, waiting to spring forth as characters in a book. I wondered, though, were they too over-the-top?

I decided this was a question, not for my critique partner nor my fellow writers. I needed to hear from my readers. So, in my May newsletter, I introduced them to the couple I had dubbed The Stoop Sitters. After relating the story, I asked if they thought The Stoop Sitters should become characters in my next book.

Everyone who responded loved the idea. I don’t know yet who these characters will be, but based on the overwhelmingly favorable responses I received, they will show up in some way in the next book.

I had already set up the possibility of The Stoop Sitters back in A Stitch to Die For, the fifth book in the series. Circumstances which occurred in that book resulted in the house across the street from Anastasia being torn down and replaced with a McMansion. Since Anastasia has yet to meet her new neighbors, they could be The Stoop Sitters.

Have I piqued your curiosity? Are you dying to know more about The Stoop Sitters?

When my husband and I purchased a home in an upscale New Jersey suburb, the house across the street stood out for all the wrong reasons. It was a dilapidated mess in need of major repairs. We suspected the resident or residents were elderly with a limited income. Much to our surprise, we discovered the owners were a couple in their late thirties or early forties. They had two school-aged kids.

The parents didn’t seem to have jobs. They’d camp out on the top step of their small concrete landing for hours at a time, either together or individually. Just sitting and smoking and often drinking beer, but never conversing with each other. Often the husband would remove his shirt and lie back on the landing, his massive stomach pointing heavenward. He’d remain that way for hours, apparently napping.

When Mr. Stoop Sitter wasn’t sprawled bare-chested on the landing, he’d spend hours mowing his lawn, an extremely small barren patch of packed dirt and weeds. For hours, he’d walk behind his mower, trimming the nonexistent grass, until the mower ran out of gas. The next day, after refilling the mower, the scene would repeat. It continued each day throughout the year, except during rain and snowstorms.

I need to stop here to mention that I’m not a voyeur. My home office was situated at the front of the house with my desk positioned under the front window. It was impossible not to notice The Stoop Sitters.

One day, my concentration was broken by a cat fight between two women. I glanced up from my computer screen to find Mrs. Stoop Sitter standing on the sidewalk, accusing another woman of trying to steal her husband. The scene was right out of Real Housewives of New Jersey, minus the camera crew. Eventually, Mrs. Stoop Sitter hurled one last warning, stormed up the steps, and entered her house, slamming the door behind her. The other woman turned and walked down the street. I never saw her again.

Now, Mr. Stoop Sitter was no one’s idea of a catch, but the scene I’d witnessed proved otherwise. Obviously, there’s someone for everyone. At least in Mrs. Stoop Sitter’s mind.

Eventually, the Stoop Sitters sold their house to a developer who tore it down and built a McMansion. There’s a story to be told about the people who moved into the McMansion, but I’ll save that for another time.

So what do you think? If my readers can suspend their disbelief enough to accept a communist mother-in-law and a Shakespeare-quoting parrot (not to mention a reluctant amateur sleuth who stumbles across more dead bodies than the average big city homicide cop in an entire career,) will they buy into the Stoop Sitters?

Would you? Post a comment for a chance to win a promo code for a free audiobook download of any of the currently available Anastasia Pollack Crafting Mysteries.

~*~

USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry. Learn more about Lois and her books at her website where can also sign up for her newsletter and find links to her other social media: www.loiswinston.com

Echo words anyone?

Echo words anyone? (And other hiccups)

Every time I reach what I hope is the last version of my manuscript before I publish it, I read it aloud to find anything that I’ve missed that needs correction. The little devil on one shoulder says, “Don’t waste time reading it aloud. It’s fine. It’s a pretty cool book.” The little angel on the other shoulder says, “Even though you don’t want to spend the time reading it aloud, you know you’ll find so many things that need to be fixed. Fix it, and then it will actually be really cool, and you’ll be pretty happy.” So, actually, whether or not I want to spend the time, I always read it aloud. And actually, I find so many things that need to be fixed that I’m pretty happy that I’ve read it aloud. Other writers say to let it sit awhile before you do that. I know I should wait awhile, but, actually, I don’t always wait awhile to read it. Whether or not you read your manuscript aloud, or print it out like we did in the old days, let it sit awhile, and then read it, I urge you to do one or the other, so you’ll be pretty happy, too.

 

 

Susan P. Baker’s 6th Mavis Davis mystery, The Underground Murders, will be released in July.

Taste in Reading is like Cherry Garcia vs. Peanut Butter Swirl

images from Pixabay

I’ve been thinking quite a bit lately about how subjective taste is. What makes one person love something that another person has a hard time swallowing, let alone enjoying? The other night my husband and I sat down to watch a movie. After fifteen minutes he left the room to watch a hockey game on another television. I continued to watch the movie. It wasn’t the best movie I’d ever seen, but it wasn’t the worst, either. I found the character studies fascinating, even if the plot left a bit to be desired. And I enjoyed the movie enough to want to sit through it until the end to see how the conflicts were resolved.

Sometimes that happens to me with a book. I’ll continue reading one I don’t particularly love because I either a) find enough enjoyable about it that I want to finish it, b) am hoping it gets better, or c) am hoping that even though I figured out whodunit by chapter three, the author will prove me wrong and give me a totally different ending I didn’t see coming (and man, when that happens, I love it!)

But there are other times when I pick up a book and toss it aside after a chapter or two. Often, it’s a book that has gotten rave reviews. Sometimes it’s even a book by an author I’ve read and enjoyed previously. When this happens, one of two reactions occur. I either a) wonder if there’s something wrong with me that I don’t get what everyone else sees in the book, or b) scratch my head, wondering why everyone else can’t see the flaws in plot and character that jump off the page at me.

Then there are times where I fall in love with a book and recommend it to friends, only to have them question my taste. Or worse yet, my sanity.

For many people Peanut Butter Swirl is the perfect ice cream flavor. For me, anything with peanut butter  sets off my gag reflexes. I’m more a Cherry Garcia kind of girl. Taste. It’s one of the unsolved mysteries of the universe.

Why do you suppose that is? Post a comment for a chance to win a promo code for a free audiobook download of one of the first nine books in the Anastasia Pollack Crafting Mystery Series.

~*~

USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction under her own name and her Emma Carlyle pen name. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery Series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry. Learn more about Lois and her books at her website www.loiswinston.com where you can also sign up for her newsletter and follow her on various social media sites.

BOOK COVERS-Eeeek

BOOK COVERS–WHAT A NIGHTMARE!

 

When I first started out, back in the dark ages (1980s) before the Internet—heck—before home computers, I was as naïve as a newborn baby. I joined Mystery Writers of America, the chapter that met in Houston, and met some lovely, well-published authors.

I didn’t know squat (except what I’d read in magazines and books I’d purchased). I needed all the encouragement I could get, and I did get it. After a while, I was writing and submitting and, of course, receiving rejections, learning craft (we’re always learning craft, right?) and discovering what’s-what in the traditional book publishing business. There was no real self-publishing then (though there were, as now, vanity publishers), or as we call it now, Independent Publishing.

One of the things I found out from some of these published authors was that the author had no say so over her cover no matter how many books she’d written and published. You took what you got. Oh, the stories I heard. One particularly lovely author of over 140 books, Joan Lowery Nixon (1927-2003), https://en.wikipedia.org/wiki/Joan_Lowery_Nixon, who became a pretty good friend, regaled me with stories of her experiences regarding the covers of her books. The story I remember most is when she set a book in pancake-flat Houston, but the cover had mountains in the background. She said she’d had many “discussions” with the publisher before the book came out, to no avail.

My first published book, My First Murder, which St. Martin’s Press, Inc. published, had a colorful cover, which other than there being what one could assume was a dead woman on the cover, had no relation to the story. By that I mean the cover was in the style of Mexican art. (I like Mexican art, don’t get me wrong.) The book was set in Houston and Ft. Worth.

My First Murder, St. Martin’s Press, Inc.

The third cover of My First Murder. I didn’t keep copies of the second.

Some years later, my small press publisher contacted me one day and asked me what I wanted on the cover of the book they were putting out. You know, I had never given it any thought, my experience having been that I had no choice. One of my friends said if I was going to come up with a design for a cover, I should be paid. What did I know? I gave the publisher ideas, but by the time I sent in photographs and more information about what I thought, they had taken my original idea and run with it. The cover wasn’t that good. Years later, I’ve been re-publishing some books myself (of course I have my rights back) and am on my fourth cover for my first one.

The fourth cover of My First Murder and I hope the final.

Anyway, now, years and a number of covers later, as an “Independent” author I have sole control. There are days I wish someone else had the responsibility, so I’d be off the hook. It’s not easy coming up with ideas. I’m a writer, not an artist. I’m about to put out the 6th in my Mavis Davis series and have been racking my brain. The title is The Underground Murders. If any of you have an idea for a cover, without knowing the plot, PLEASE contact me asap.

You may contact the author at Susan@susanpbaker.com.

Susan is the author of fourteen (14) books, mostly mystery/suspense, but not all.

Lucky Number Thirteen?

photo from Pixabay

By Lois Winston

Triskaidekaphobia is defined as the fear or avoidance of the number thirteen. There are some people so paranoid about the number that they won’t live on the thirteenth floor of a building. Many hotels completely skip the thirteenth floor, going from the twelfth to the fourteenth because people will often refuse to stay in a room on the thirteenth floor.

I was born on the thirteenth. Maybe that’s why I’m not a superstitious person. I’d hate to go through life thinking my entire existence has been cursed ever since I couldn’t hold out another twenty minutes before making my way down the birth canal.

Truthfully, I’ve never given much thought to the so-called unlucky number. I also don’t avoid black cats, knock on wood, or toss spilled salt over my shoulder. However, I’ve been thinking a good deal about whether I should worry because my upcoming new release is the thirteenth book in my Anastasia Pollack Crafting Mystery Series. Sorry, Knot Sorry is currently on preorder and will release June 4th. Suddenly, I’m keeping my fingers crossed (LOL!) that none of my readers suffer from Triskaidekaphobia.

The origin of the unlucky thirteen is often traced to both Christianity and Norse mythology. At the Last Supper on Good Friday, Judas Iscariot, the apostle who betrayed Jesus, was the thirteenth guest to arrive. Likewise, the god Loki was the thirteenth guest at the feast of Valhalla. After arriving, he tricked another guest into killing the god Baldur.

However, in some cultures, the number thirteen is considered lucky. Prior to World War I, thirteen was considered a lucky number in France. The numeral was a good luck symbol often found on postcards and charms. Thirteen is also considered lucky in Italy where it’s thought to bring prosperity and good fortune, especially when it comes to gambling. The same is true in Spain. In Egypt, it’s associated with prosperity and blessings.

Although many countries have a negative reaction to the number thirteen, quite a few have mixed feelings about it, and many simply view the number as ordinary and free of any superstition.

What about you? Are you superstitious? Post a comment for a chance to win a promo code for a free audiobook download of any one of the first nine Anastasia Pollack Crafting Mysteries.

 

Sorry, Knot Sorry (preorder now, on sale 6/4)

An Anastasia Pollack Crafting Mystery, Book 13

Magazine crafts editor Anastasia Pollack may finally be able to pay off the remaining debt she found herself saddled with when her duplicitous first husband dropped dead in a Las Vegas casino. But as Anastasia has discovered, nothing in her life is ever straightforward. Strings are attached. Thanks to the success of an unauthorized true crime podcast, a television production company wants to option her life—warts and all—as a reluctant amateur sleuth.

Is such exposure worth a clean financial slate? Anastasia isn’t sure, but at the same time, rumors are flying about layoffs at the office. Whether she wants national exposure or not, Anastasia may be forced to sign on the dotted line to keep from standing in the unemployment line. But the dead bodies keep coming, and they’re not in the script.

Craft tips included.

~*~

USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction under her own name and her Emma Carlyle pen name. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery Series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry. Learn more about Lois and her books at her website www.loiswinston.com where you can also sign up for her newsletter and follow her on various social media sites.

In Praise of Critique Partners

The other day, I had reached a point in my current manuscript, the 13th book in my Anastasia Pollack Crafting Mystery Series, that had me stymied. I was more than two-thirds toward writing “The End.” I knew that I was at the point where I needed to return to one of the red herring threads that I’d left dangling in a much earlier chapter. I also knew what I wanted to have happen and to whom it should happen, but I found I was trying to shove the proverbial square peg into the round hole. No matter what I tried, the scene just wasn’t working.

I pondered the situation for two full days and two sleepless nights of tossing and turning. The solution refused to come to me. I finally texted my critique partner: You have time to brainstorm?

A few minutes later, we were on the phone. I told her my idea, which she thought was fantastic, and the problem I was having executing that idea. She began to offer some suggestions.

That’s what a great critique partner will do. Her suggestions stimulated my brain cells, and we began to bounce ideas back and forth.

“What about….?”

“Yes, but then….”

“Well, what if…?”

“Okay, I can work with that, but then….”

“Hmm…I see where you’re going. So….”

“Hadn’t thought of that. Maybe….”

The conversation went back and forth for about twenty minutes. My brain filled with possibilities, and eventually, the perfect solution began to take shape.

That’s the wonderful thing about a great critique partner. Instead of telling you how she’d fix the problem, she looks at the problem through your eyes and coaxes you into seeing the situation from a different perspective. She doesn’t force her writing style on you but forces you to look outside the box and embrace other possibilities.

In the end, because of that brainstorming session, I stopped trying to shove that square peg into the round hole. Instead, with her help, I discovered the perfect square hole for my peg.

I owe you one, Donnell!

If you’re a reader, do you enjoy learning behind-the-scenes insights about the authors you read? If you’re a writer, do you have a critique partner or group you rely on for honest critiques of your work? Post a comment for a chance to win a promo code for a free audiobook download of A Sew Deadly Cruise, the ninth book in the Anastasia Pollack Crafting Mystery Series.

~*~

USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction under her own name and her Emma Carlyle pen name. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry. Learn more about Lois and her books at her website www.loiswinston.com where you can also sign up for her newsletter and follow her on various social media sites.

NEVER GET DISCOURAGED

Great to be a new member of the Stiletto Gang, the most talented writers I’ve come across in a group, probably ever. As an introduction, I’ll lay out the highlights of my literary journey below.

 

In 1962, my mother registered me for a writing class that was offered in summer school after the eighth grade. Only one other girl signed up, so the class was cancelled.

 

Once in high school, we were assigned a short story. I wasn’t present the day the teacher handed them back—I’d gone to the orthodontist—but when I returned to school, kids congratulated me on my story, saying the teacher read it to the class. The next day when she returned my story, I found she’d give it a B-.

 

My parents told me I couldn’t be a writer because I wouldn’t be able to make a living. I don’t know whether that is what would have happened. You never know what the future holds. But, I was an obedient child, at least for a while, so I said ok.

 

I didn’t know what else I might want to do. Dad wanted my sister and me to be teachers, so if our husbands died or abandoned us, we’d be able to support ourselves. My sister did and ended up as an administrator in a small public school district. Me? I dropped in and out of five colleges/universities until I was finally awarded a B.S. degree in Criminal Justice.

 

I once signed up, as an adult, for a writing class at the community college in our town, excited to finally get something going. When I received my first story back, the instructor had written that I had no talent—give it up.

 

After I began practicing law, I was lying around my living room once night and told my husband that if a writer could make $5,000 a pop for genre romance novels as it stated in the TV Guide article I read, I should try that. I read everything, including romances. I didn’t think it looked that hard. So, I bought some books on writing romances and sent for tip sheets and finally wrote one. I sent it off and waited for a response. The editor said no, she wouldn’t publish my novel, her rejection including some choice insults, and never to send her anything again.

 

I began writing suspense/mysteries in the 80s. My father was a criminal defense lawyer, (and later a judge), so I’d been around the law since I was little. I had been a probation officer and was at that time a criminal and family lawyer. Crime, I knew about. By the way, I heard that not long after the aforementioned editor rejected my novel, she died. Just so you know, I didn’t kill her.

 

When my editor at St. Martin’s Press, Inc. called me about MY FIRST MURDER, (my first published novel) he excitedly asked where I learned to write like that. He loved the book and said my manuscript was one of the best submissions he’d ever seen in terms of preparation, punctuation, etc. He loved it so much, a year later he rejected the sequel.

 

Enough of that. My point is, never give up. I had that first novel sale in 1988. I used the book as a political tool when I was running for office, donating copies across the county. What a great gimmick! I received free publicity and extra attention at every event, in addition to speaking engagements.

 

I was elected to the bench and took office on 1/1/91. My focus turned to being a sitting judge, modernizing practices and procedures in that court, including starting programs to help families and children. I continued to write whenever I could, though I didn’t have any other books published until after I left the bench at the end of 2002. In 2004, Eakin Press (a Texas publisher) released my nonfiction books: Heart of Divorce (which I wrote to help pro se litigants who couldn’t afford lawyers to prosecute their own divorces) and Murdered Judges of the 20th Century, which I researched and wrote over the previous six years, (and which began as evidence for the county commissioners that we needed courthouse security).

 

After that, I started submitting works I’d written while on the bench. I wanted to change my focus from the law to liberal arts. In 2015, I made the decision to self-publish. Though by then I had several mystery/suspense novels under my belt, I had grown tired of the traditional publishing process. I was aging out. The last straw was when an agent told me to cut my manuscript 20,000 words and submit it to her. I did, and never heard from her. That was it.

 

At sixty-five years of age, I was sick of the abuse most authors suffer at the hands of agents and editors. I was writing because I have to, not because I needed to. Or, as I often phrase it, I can’t not write. There was no joy, no pleasure in experiencing what they were dishing out. Where I had hoped for years to have the guidance and support of an agent and/or editor, I realized that would never happen. I have stories to tell. I’m constantly learning craft. I don’t care if I ever have huge sales. I’m having fun doing what I’ve wanted to do since I was a little girl with no pressure, no insults, no rejection. I love it.

 

Now, at 74, I spend a lot of my days writing or reading. I’m having fun living life my way. I never gave up. I suggest if you love to write, don’t let anyone discourage you either.

Susan has published 14 books in the last 30 or so years. Not all of them are mystery/suspense, but all of them have something to do with the law.

The Whack-a-Mole Method of Writing

By Lois Winston

Every author has her own process. What works for one of us doesn’t work for all of us. Some authors are diehard plotters who create extensive outlines before ever committing that first sentence to paper (or in most cases, to keyboard.) Some are known as “pantsers,” authors who write by the seat of their pants, having no more than a vague idea before they place butt in chair and begin pounding out the words.

Some authors set a deadline for each day, whether it’s the amount of time they’ll spend writing or the number of words they’ll write each day. I’ve read about some bestselling, household names who often stop mid-sentence when they reach their day’s word count, or the timer goes off. Other authors will keep writing each day until either their fingers cramp up, their eyes start watering, or their family demands dinner. Often all three.

I’m none of the above. I’m a hybrid—half “pantser” and half whack-a-mole writer. I write in fits and starts. I suppose you could call it the bipolar method of writing. I’m not bipolar, but my writing method certainly is.

The “pantser” part of me comes up with a vague idea for a story. I’ll jot a few sentences or maybe a paragraph or two, which often becomes the basis for back cover copy. But then I give my muse free rein. And that’s where the whack-a-mole writing comes in. Sometimes my muse is extremely cooperative, and my fingers fly across the keyboard for days and days. My word count grows at a frenetic pace. Then, for no apparent reason, the muse deserts me, and I reach a part in the story where I can’t figure out what comes next.

I wrack my brain. I lie awake at night, brainstorming with myself. One night becomes two, then three, then a week. I’m exhausted from lack of sleep, which only makes the situation worse. I spend hours at a time staring at a blinking cursor, waiting for my brain to send a signal to my fingers. I wait and wait and wait.

I check in with my critique partner who offers various suggestions, some with possibilities but none that feel exactly right. I go back and read what I’ve previously written, hoping inspiration will strike, but all I do is wind up tweaking here and there, choosing a more descriptive word, rearranging the sentences in a paragraph. Wasting time.

And then suddenly, my muse returns with a fully formed idea for what happens next. Once again, my fingers fly across the keyboard, my word count soaring.

Until the next time when the pattern repeats itself. Wack-a-mole writing. Love it or hate it, it’s my process, and I’m stuck with it.

~*~

USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction under her own name and her Emma Carlyle pen name. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry. Learn more about Lois and her books at her website www.loiswinston.com where you can also sign up for her newsletter and follow her on various social media sites.