Tag Archive for: writing life

Ridding the World of Word Clutter, One Description at a Time

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By Lois Winston

I’ve recently had several requests from authors and publishers to write blurbs for soon-to-be-published books. In addition, I’m currently judging a writing contest for recently published novels. Although all mysteries, these books run the gamut of various sub-genres within mystery, everything from cozies to suspense. Disturbingly, I’m seeing one issue that crops up in many of them: over-writing.

Many years ago, the agent who owned the agency that represented me gave me the best writing advise I’ve ever received. He said that every scene and all dialog in a book must do one of two things—either advance the plot or tell the reader something she needs to know about the POV character AT THAT MOMENT. If the scene or dialog does neither, it’s filler and doesn’t belong in your book.

Filler usually manifests in dialog as chit-chat. In narrative, the culprit is often description. Excessive description is the downfall of many of the books I’m reading. Description done well enhances a story. It gives the reader a deeper understanding of the character and the world she inhabits. However, when not done well, description pulls the reader from the story and drags down pacing. No one wants to read a mystery, suspense, or thriller with pacing that induces sleep, but that’s what I’m finding in too many of these books.

Some authors are of the misguided notion that they need to describe all characters from head to toe every time they appear in a scene. They also believe they need to describe every aspect of the setting, from the color of the curtains on the windows to the knickknacks on the shelves. A well-written book only describes that which is pertinent to the character and the scene.

Adjusting your thinking to view filler as word clutter, enables you to adopt a Marie Kondo attitude toward your writing. Doing so will not only aid your pacing but will allow the words that remain to have greater impact.

Here’s an example I’ve used when giving writing workshops. The following is a paragraph describing a fictitious character:

Joe wore a threadbare navy blue and forest green plaid flannel shirt. Two of the buttons were missing, and one was hanging from a loose thread. His legs were encased in bleach-stained black jeans, torn in some places, patched in others. I glanced down at his feet. The cuffs of his jeans were frayed, and his big toe peeked out from a hole in the top of his scuffed and dirt-caked tan work boots. A ratty, stained camouflage ball cap sat sideways on a head.

And this is a one-sentence description of that character that says the same thing in only five words:

Joe wore Salvation Army rejects.

There is no reason to use eighty-two words to describe something that can be described in five—not to mention, described better. Unless there is something about Joe’s clothing that will have an impact on the plot or one of the other characters, the reader doesn’t need to be pulled from the story by having to focus on such minute details. Less is more.

Do you have a pet peeve about books you’ve been reading lately? Post a comment for a chance to win a promo code for a free audiobook of Handmade Ho-Ho Homicide, the eighth book in my Anastasia Pollack Crafting Mysteries.

~*~

USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction under her own name and her Emma Carlyle pen name. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry. Learn more about Lois and her books at her website www.loiswinston.com where you can also sign up for her newsletter and follow her on various social media sites.

Writing Workshops for Chicanx by Juliana Aragón Fatula

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Dear Reader,

This month I’m zoom zoom zooming online with Palabras del Pueblo sponsored by Somos en Escrito and am enjoying the experience. It spans two weekends and one weeknight with a panel.

I’ve learned how to avoid signing up for every workshop I am emailed or Facebooked about. I’ve had some terrible Zoom writing workshops and some great ones. This workshop has been educational, and emotional, and it evoked something inside me, the desire to tell my story. There are so many stories inside me I hardly know where to start. At the beginning, stupid! So I’m beginning today. A new path that I’ve never been on before. A path to the truth.

This sounds so dramatic, but honestly, I’ve had a revelation. I need to get busy and write those stories dying to be told because I’m not getting younger. I turned sixty-six this year and lost another tooth, had to buy stronger reading glasses, and need a hearing aid desperately! What did you say? I hear words but not the right words.

I’m sitting in my Love Shack, my office on wheels, taking notes and listening to the icon, Luis J. Rodriguez. If you’ve never read one of his many novels, shame on you. You’re missing a wonderful opportunity to hear from a man who is a legend. I felt impressed after meeting him on Zoom. He’s real. A path to the truth. He encouraged me with just one sentence and I knew he meant what he said because he’s genuine.

He wrote a book that changed the lives of many Chicanos. Always Running. Check it out if you are brave and ready for the truth. He points out that he never graduated from college. He comes from the streets in East L.A. and he’s seen lives destroyed and lives saved.

There are a total of 15 participants in the workshop and they are fascinating. They tell their stories to total strangers and open up about the darkest and brightest times of their lives. It feels like group therapy but also like some vatos and vatas got together, had tea, and chatted and chilled. It felt easy.

The assignment for next weekend was not easy but we had the choice to do the work or read something we’ve written. One page.  After 15 participants read their work, their one page, we will have another writing prompt and we will not judge each other’s writing. This sounds cool to me. I’m not interested in everyone’s opinion of my writing but anxious for Luis J. Rodriguez’s feedback.

Tonight we have a Zoom scheduled to hear from publishers from Chicanx Presses. I’m looking forward to hearing from the panel on what they are looking for in their writers. I have a goal to be published by a Chicanx Press. I’ve published poems and essays in anthologies but never with a specific publisher who shares my heritage.

Wish me luck. I’m off to Zoom and will have more to report next month. Remember to be kind to one another.

Juliana Aragón Fatula, a 2022 Corn Mother, women who have earned accolades for community activism and creative endeavors is the author of Crazy Chicana in Catholic City, Red Canyon Falling on Churches, winner of the High Plains Book Award for Poetry 2016, and a chapbook: The Road I Ride Bleeds, and a member of Colorado Alliance of Latino Mentors and Authors, and Macondo, “a community of accomplished writers…whose bonds reflect the care and generosity of its membership.” She mentors for Bridging Borders, a Teen Leadership Program for girls. No justice no peace.

 

 

A Hobbit House!

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The mountainous terrain of northern New Mexico, where my husband and I spend our summers, makes me aware of J.R.R. Tolkien’s clever way of segmenting Middle Earth into various regions. I’ve let my imagination fly thinking that he set up different regions, and their diverse inhabitants, by using mountain ranges and valleys to map out Middle Earth. With New Mexico’s diverse cultural heritage, I can imagine that Tolkien’s elves, dwarves, men, hobbits, ents, orcs, and trolls might have been created, each group with their unique characteristics, by studying various cultures and then adding a good measure of fantasy.

Of course, Tolkien was British, not New Mexican, and he was probably inspired by the various European cultures and terrain. Middle Earth, the main continent in his fictional fantasy, was set in a period more than six thousand years ago – so adding fantasy to the saga was essential.

Fascinated by Tolkien’s imagination, I let my own inspiration wander through the mountains and the cultures of New Mexico and surmised that a creative mind can entangle extraordinary stories set in the Land of Enchantment. Especially if the stories are set in the ancient past or centuries in the future!

Back to the present: This summer, a good friend invited me to see a ‘unique’ house. I never envisioned I would be dropped into Middle Earth to experience a hobbit house. Little did my friend know that I love Tolkien’s The Hobbit, the prequel to Lord of the Rings, where the hobbit, Bilbo Baggins, is hired by the wizard Gandolf to reclaim the treasure from the dragon Smaug.

The house we visited is known in its neighborhood as The Hobbit House. Even more fascinating is the fact that the owners built their Middle Earth abode using materials taken from the land where they were building.

Their daughter, an architect, prepared the blueprints. She assisted in tree cutting, testing the clay content in the soil, and manufacturing the adobe bricks and puddled adobe used in the construction. As you can see from the exterior and interior photos, they constructed a wonderful home. Imagine building your own and creating such a beauty!

***

Credits: All photos by Kathryn Lane

About Kathryn:

Kathryn Lane writes mystery and suspense novels usually set in foreign countries. In her award-winning Nikki Garcia Mystery Series, her protagonist is a private investigator based in Miami. Her latest publication is a coming-of-age novel, Stolen Diary, about a socially awkward math genius.

For her writing, Kathryn draws inspiration from her travels in over ninety countries as well as her life in Mexico, Australia, Argentina, and the United States.

She also dabbles in poetry, an activity she pursues during snippets of creative renewal. In the summer and fall, Kathryn and her husband, Bob Hurt, escape to the mountains of northern New Mexico where she finds inspiration for her writing.

Personal website kathryn-lane.com

Latest novel: Stolen Diary – a coming-of-age mystery.

Kindle: https://www.amazon.com/dp/B0BSHFRD11

Paperback: https://www.amazon.com/Stolen-Diary-Kathryn-Lane/dp/1735463833/

 

Clicking Our Heels – Killing Our Darlings

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At some time, every writer has to kill his/her darlings. Here’s how different members of The Stiletto Gang deal with this onerous task.

Dru Ann Love – Luckily, I don’t have to deal with that, but as a reader, I’m not a happy camper when a main protagonist or favorite secondary character is killed. I’ve been known to stop reading a series because of that.

Debra H. Goldstein – Moaning, groaning, cursing, and almost crying, I kill my darlings. The only good thing is that the end they meet is swift.

Saralyn Richard – Killing my darlings (as in characters) is one of the biggest challenges I have in writing. Most of the time, my victims are characters I love dearly. (After all, I’ve created them to be exactly the way I want them.) One of my books, written in third person close POV, takes the POV character through some exceptionally rough times. I identified so closely with her that I felt every slap and sting. I kept telling myself that she would get through this–and so would I.

Donnell Ann Bell – I  don’t ever throw anything completely out. Call me a pacifist, but I have a draft file, where I simply imprison unused material. You never know when my muse might say, “Remember a certain passage? It might fit here.”

Robin Hillyer-Miles – Years of working as a civilian graphic designer for the US Navy helped me kill darlings left and right without a care in the world. (Though I do save them in a separate file, just in case.)

Gay Yellen – Sadly, I’ve had to toss two entire subplots in the upcoming book after I realized they weren’t serving the main story.

Barbara Eikmeier – I put them in a document file labeled “cut scenes” so I can visit them whenever I want.

Kathryn Lane – It’s still painful to kill scenes, characters, etc. but I’m getting better about it. I try to think about moving the story forward and that makes me realize (sometimes) when a favorite scene/topic/dialogue/character is not needed.

Anita Carter –

Lois Winston – I’m ruthless. If something isn’t working and can’t be fixed—whether a plot point, a character, dialog, or a scene—I cut it. If I think it might have potential in another book at some point, I’ll save it to a folder of orphaned words. Often, though, I simply hit the DELETE key. I’ve killed many a darling over the years and will probably kill many more in the years to come.

Lynn McPherson – That’s a toughie. I remind myself the goal is to have the best story I can write, so if that means someone has to go, I try to remember they served their purpose and got the story to where it is now.

Linda Rodriguez – I have a file on my computer that’s just called CUTS. I toss any cut paragraphs or scenes or chapters into this file, so they’re saved for later if I need them. I’ve never needed them for that same work, although I have sometimes rescued scenes or characters from the CUTS file to use in a different project.

Mary Lee Ashford – In general, I don’t have a problem with killing my darlings. If it’s not working, it’s got to go. However, there have been scenes that I’ve saved to an “Outtakes” folder on my computer because I knew they needed to be cut, but I really like them and thought they might have a use later on in the story. Or I thought that they could perhaps be reworked and be used in a later book. Over the years, I’ve found that those “darlings” are seldom useable, but it still makes me feel better to set them aside in a folder than kill them off completely.

T.K. Thorne – I deal with it by saving what I have and starting another version. That way, I can always go back to that “darling” and use it or pull from it.  I never do, but it’s there with gives me a sense of security. 🙂  In every case, so far, I have liked the fresh version better.

Anita Carter – I’m brutal. I don’t struggle with the delete button. LOL But when I throw out a scene or a fun sentence, I paste it into a “deleted stuff” Word document.

Bethany Maines – That is so hard!  I do save my deleted scenes in separate documents.  Sometimes I can work them in later, but sometimes that’s just what I tell myself so that I’ll actually delete them. But sometimes, the story changes and I have to pursue what is best for my story.  I do think that the more I write, the more callous I become to this problem. I think partially because I’ve become more of a plotter so that I write fewer scenes that require deletion.

Shari Randall/Meri Allen – Killing my darlings kills me! I work with an excellent editor, and time and again, I’ve seen that her suggestions to kill those darlings have made the story better. I’m philosophical about it now, but still, it hurts.

Chasing an Intruder

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Bob and I spend the summers in northern New Mexico. We enjoy the idyllic mountain scenery, the wildlife, the enriching tricultural experience in art, food, and the wonderful people who live here. Some are full time residents while others, like us, are only part timers.

After we arrived at our cabin, I was surprised we’d had a visitor who had left his calling card.

Ever the investigator, I wanted to identify our intruder. I asked friends, family, and long-time residents to help me out. Most people offered suggestions like a cougar, a mountain lion, a bobcat. One person thought they were coyote tracks, and another, trying to be funny, thought they were left by aliens!

I compared the paw prints left in the dust on the front deck to online research, and to photos a friend sent me from a wood block she keeps for easy reference in her mountain home.

It was easy to rule out deer, elk, turkey, or badger.

Next, I could rule out a fox, coyote, or bear since our prints did not have evidence of claws. That left the cougar!

Long time-residents claimed they had not seen any cougars in the area, yet my research indicated that New Mexico has a cougar population of 3,494 that are eighteen months of age or older as of 2023¹.

Sadly, my research also revealed that cougars are considered recreational game animals in New Mexico, and at the current rate of hunting and trapping, they will soon be at risk. In 2019, the state did prohibit trapping of cougars in certain areas.

I fully understand that cougars and other wildcats can be dangerous to people, pets, other wildlife, and livestock. Yet, these are beautiful animals that need protection to prevent them from going extinct.

A friend asked me if I’d be putting cougars into a novel in the future. The truth is I don’t know if a cougar will ever appear in a Nikki Garcia mystery or not. The question is valid since I have included dogs, crows, and mules in previous mysteries. Whenever I’m writing a novel, if pets or wild animals add to the story, yes, I love incorporating them into the story. In the meantime, my husband and I will enjoy the deer, elk, coyote, turkey, and birds we see in this mountain retreat.

***

¹New Mexico Mountain Lion Foundation

About Kathryn

Kathryn Lane writes mystery and suspense novels usually set in foreign countries. In her award-winning Nikki Garcia Mystery Series, her protagonist is a private investigator based in Miami. Her latest publication is a coming-of-age novel, Stolen Diary, about a socially awkward math genius.

Kathryn’s early work life started out as a painter in oils. To earn a living, she became a certified public accountant and embarked on a career in international finance with Johnson & Johnson.

Two decades later, she left the corporate world to create mystery and suspense thrillers, drawing inspiration from her travels in over ninety countries as well as her life in Mexico, Australia, Argentina, and the United States.

She also dabbles in poetry, an activity she pursues during snippets of creative renewal. In the summer, Kathryn and her husband, Bob Hurt, escape the Texas heat for the mountains of northern New Mexico.

Photo credits:

Paw Prints in the Dust – photo by Kathryn Lane

Wood Block Paw Prints – photo by Sharon Sorensen

Cougar – CA-Jason-Klassi-08

RIP, Mac

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By Lois Winston

Sometimes, there are no warning signs, no odd symptoms that crop up which would make us suspect something is not quite right. Such was not the case with Mac. Nothing made me question his health, nothing that would lead me to seek out the services of an expert. One moment, he was fine; the next he wasn’t. Worse yet, he failed to respond to all my efforts to make him well.

This all happened three weeks ago. Mac and I had been in a deeply committed relationship for ten years. I wasn’t ready to let him go. So I picked up the phone and scheduled an appointment for a full diagnostic workup. Surely, whatever the problem, something would make him better.

After arriving, I was asked about his prior symptoms. When I said he’d had none, the diagnostician showed surprise. She rattled off a series of the usual suspects, to which I answered in the negative for each one. She shook her head in disbelief. I suspect she thought I was too ignorant to recognize obvious signs of impending illness. I ignored her condescension. I needed her expertise to heal Mac.

When I asked what she thought might be the problem, she offered possible afflictions, some with remedies but others that were fatal. I crossed my fingers as she spent the next hour and a half performing a litany of tests to determine why Mac had suddenly become comatose.

The test results confirmed my worst fears. Mac had suffered a catastrophic failure. Both his hard drive and battery were dead.

I think the ratio of computer years to human years must be greater than that of dog years to human years. However, even if it’s the same, that would have made Mac seventy years old. Ancient as far as my millennial diagnostician was concerned, but I’m at the stage of my life where I no longer consider seventy old. Still, I suppose ten years is considered ancient for a computer, even one as stalwart as Mac had been.

Mac had served me well. During our time together, we’d written nine novels, five novellas, several short stories, one nonfiction book, and countless blog posts. We’d edited two multi-author promotional charity cookbooks and two multi-author box sets.

However, it was time to lay Mac to rest, sending him off to the big Apple in the sky. RIP, Mac. But really, after all we’ve been through together, he couldn’t have died a day earlier before the weekend state sales tax holiday ended?

Scrapbook of Murder, the sixth book in my Anastasia Pollack Crafting Mystery Series, is now available as an audiobook. Post a comment for a chance to win a promo code for a free download.

~*~

USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction under her own name and her Emma Carlyle pen name. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry. Learn more about Lois and her books at her website www.loiswinston.com where you can also sign up for her newsletter and follow her on various social media sites.

Ten Stories That Worried My Mother by Winona Kent

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I’m excited to welcome Winona Kent to the blog today. I served on the board of Crime Writers of Canada with Winona. She is a great writer and has a super new anthology out. Read on to hear more about it…

TEN STORIES THAT WORRIED MY MOTHER by Winona Kent

Earlier this year I decided to release an anthology of short stories. I had two reasons: the first was that I had a few personal appearances coming up, and I wanted something new to sell. I was halfway through my next novel and I was pretty certain it wasn’t going to be ready in time. The second was that I realized I’m mostly only known for my long fiction…and that I actually do have a background in short story-writing! But, for various reasons, very few people know about that. And I really did want to share those stories with my current readers.

I chose the title Ten Stories That Worried My Mother largely because, well, she constantly worried about me being a writer. That’s a subject for a whole other blog—how to deal with a parent who brought you up not to attract attention to yourself, not to say anything that might reflect badly on you (or her, or the family), and most definitely not to write stories with interesting characters and situations, in case friends and relations might think it was about them.

Interestingly, I once took part in a creative writing workshop where the assignment was to write a story using only animals as characters, and the characters had to be based on us, ie, everyone in the workshop. None of us were able to recognize ourselves. Or each other, for that matter. Which convinced me that unless you use really specific character traits or situations that readily identify who you’re writing about, you’re probably on safe ground.

A few months before my mum died in 2021 (aged 95), I thought I might read one of my more recent stories to her aloud. Her eyesight was failing, and I really wanted to share it with her, especially because it had made the shortlist for the Crime Writers of Canada’s Awards of Excellence for Best Crime Novella. The story was “Salty Dog Blues.”

She listened patiently, but punctuated my narration with predictable Oh dear!‘s and Ohhhh‘s. I loved her dearly and I knew that would be her reaction, but I was determined to convince her (in my late 60’s!) that I really was a decent writer, after all.

When I finished, she said, “It’s very good.” I waited. I knew what was coming next. “But you can’t say those things about the cruise line your sister worked for! What if they come back and cause problems for her?”

I pointed out that the cruise line was called something else, and it didn’t have a current ship that was even remotely like the one in “Salty Dog Blues”, and that yes, I’d used my experiences sailing with my sister (who’d been a Captain’s Secretary) in the story’s details, but my sister hadn’t actually worked for them in a very long time and what, exactly, did she anticipate the problems might be?

She didn’t have an answer for that, of course. But my mother was, by nature, a worrier. And she wasn’t happy unless her thoughts were fueled by apprehension.

And so, of course, the title Ten Stories That Worried My Mother was strategically chosen to make her happy. And I’m certain she’s out there, somewhere—very proud of me—but fretting unnecessarily, and absolutely convinced someone in our family will think badly of her—or me—for writing it!

Ten Stories That Worried My Mother (four prize-winners, three mysteries, two previously unpublished works and one where the hero manages to spare-change John Lennon at the premiere of A Hard Day’s Night in 1964), with a foreword by A.J. Devlin, is published on August 22, 2023.

Winona Kent
Author of Ticket to Ride (Book 4 in my Jason Davey Mysteries)
Regional representative, BC/YT, Crime Writers of Canada
Active Member, Sisters in Crime-Canada West
www.winonakent.com

 

 

 

Clicking Our Heels – When We Know Our Writing is Good

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Lynn McPherson – If it makes me laugh, I like to think it could make someone else laugh, too.

Gay Yellen – If it makes me laugh, or feel sad, or touches me in the way I want it to touch readers, I’m guessing it will work.

Lois Winston – Having previously spent more than a decade working for a literary agency, I will be the first to admit that not only does it take a lot to impress me, but that I’m my own harshest critic. It’s obvious to me when I’m coasting in my writing, whether it’s a sentence, a scene, or an entire chapter, and I’ll work on it until I consider it fixed. That which can’t be fixed gets ditched.

Kathryn Lane – I write, edit, re-edit. Then I leave it for a month or so and read it again. That’s when I know whether it’s good or not, but the ultimate proof is when readers like my work.

Dru Ann Love – If something I read is good, I shout it out on social media.

Donnell Ann Bell – If it moves me and propels me further in the story. If I keep tweaking it, the words probably aren’t the best fit.

Anita Carter – If I still find it interesting after setting it aside for a few weeks and rereading it with fresh eyes.

T.K. Thorne – I don’t like the word “good.” I focus on whether it “works.” That is happening if it moves me in some way, makes me laugh, cry, reveals character, moves the plot ahead, etc.,  and if the writing itself enhances these things or at least doesn’t get in the way

Shari Randall/Meri Allen – I ask myself, does it elicit emotion? Laughter? Surprise?  If it does, even after several readings, then I’m satisfied.

Mary Lee Ashford –  don’t think I’m a very good judge of whether something I write is good. It’s so difficult to have perspective on your own work. If it’s making sense to me and I think it’s moving along, I’ll keep going. Then if it still makes sense or the scene/chapter seems to work when reread a day or two later, I decide that it’s good enough for my critique group and beta readers to read. After that it’s ready for the editor and off on its journey on to readers. Then when I hear from readers: that they enjoyed the book, that it made them laugh (or cry), or that something in the story resonated with them. I guess, it’s then that I decide maybe that the writing was okay.

Debra H. Goldstein – If the text writes smoothly from the zone rather than me struggling for a concept, I know the piece should be good, but I won’t know for sure until I get reader feedback.

Linda Rodriguez – Every once in a while, I’ll be immersed in writing something, and when I emerge, I’ll read it over and feel this little zing inside that tells me I’ve struck pay dirt. Doesn’t mean I won’t wind up doing a good bit of editing and polishing, but I know the heart of it is good. Usually, however, I don’t know until I’ve set it aside for a little while and come back to it with that cold editor’s eye.

Bethany Maines – I think there are two different kinds of good.  Is the writing itself—sentence structure, word choice, etc—of a high quality? For that, I can usually tell by how many junk words I have or haven’t used (very, really, just) and whether or not it makes me have an emotional reaction every time I read it. The second kind of good is whether or not the story itself is good. I have had ideas that are wonderful, but I don’t always have the skill to execute them to their fullest. Sometimes I have to wait until I feel confident to tackle those. I usually feel like those ideas are the ones that make me excited. But at the end of the day, I always feel like my writing probably could have been better, so maybe this isn’t my best question.

Barbara Eikmeier – My husband is often my first reader. He’s a tough critic so if he tells me he thinks it’s good I feel like it must be good.

Saralyn Richard – I need to have a vague sense that I have accomplished what I set out to do in each chapter that I write, but I don’t really know that it’s good until a reader tells me so.

Robin Hillyer-Miles – I think something is good if, after having it rest a bit and reading it, I feel emotional.

Summertime…and the TBR pile is calling!

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By Lois Winston

A Crafty Collage of Crime, the 12th book in my Anastasia Pollack Crafting Mystery Series, released six weeks ago. After a multi-week blog tour to promote the book, I’ve now officially entered the period I call “me” time, a mini-vacation I permit myself after each new book leaves the security of the laptop womb and before I begin seriously thinking about the next book. Much of that “me” time is spent binge-reading (especially since it’s too hot to leave the house!) I’m trying to make a sizable dent in my virtual TBR pile before I add another book to my Kindle library. Here are the books I’ve read so far (in the order I read them) and what I thought.

 

Murder at the Pontchartrain by Kathleen Kaska

Kathleen Kaska always delivers, and once again she doesn’t disappoint in Murder at the Pontchartrain, the sixth book in her delightful 1950s era Sidney Lockhart Mystery Series. This time Sidney and Dixon are in New Orleans, having decided to elope, but it doesn’t take long for a dead body to show up in their hotel room, delaying the nuptials and plunging them into yet another murder investigation as the bodies begin to pile up and Dixon finds himself locked up. Kaska had me guessing whodunit until the very end, and those are the best murder mysteries.

 

The Tiffany Girls by Shelley Noble

A brilliant blending of fact and fiction. When a Parisian woman artist is forced to immigrate to New York, she secures a position at the Tiffany Glass Works, working beside the real women responsible for many of the designs and much of the work attributed to Louis Comfort Tiffany. Noble has woven a well-researched historical novel that will draw you in and keep you turning pages.

 

The Princess Spy by Larry Loftis

A fascinating look at an American woman who worked as an OSS operative in Spain during WWII. I just wish the author had delved more into her life in this biography and spent less time celebrity name-dropping. I also wanted more narrative action and less dry summarization of events.

 

Hamnet by Maggie O’Farrell

For such a prolific playwright, so little is known of William Shakespeare’s life and family, including the circumstances of his young son’s death. In Hamnet, the author weaves an engaging tale of what might have occurred and how it may have become the catalyst for one of Shakespeare’s greatest works.

 

Dead Men Need No Reservations by Terry Ambrose

The latest edition to Terry Ambrose’s Seaside Cove Bed & Breakfast Mysteries doesn’t disappoint. I always love spending a few hours with these characters, especially Alex, the precocious thirteen-year-old wannabe sleuth. If you’re in the mood for a light mystery and a few chuckles along the way, this book will give you both.

 

Going Rogue by Janet Evanovich

No matter the lemons in your life, spend a few hours with Stephanie Plum, and you’ll be sipping lemonade. Going Rogue is just as entertaining as all the other books in the series and will certainly make you forget your cares–at least for a little while–as you slip into Stephanie’s world.

 

The Murder of Roger Ackroyd by Agatha Christie

I had never gotten around to reading this acclaimed Christie mystery, but I did figure out whodunit before the denouement, so for me that was a bit of a disappointment. However, what’s not to love about Monsieur Poirot?

 

Moonflower Murders by Anthony Horowitz

Unfortunately, I didn’t feel this book lived up to the first in the series. I really enjoyed Magpie Murders, but this sequel seemed forced, contrived, and often plodding. I’m someone who enjoys the “book-within-a-book” format when it’s done well, but that wasn’t the case here. The style works best when the two stories alternate, not when the entirety of the second book is dropped into the middle of the other. However, he did keep my guessing whodunit until the end.

 

In addition, I’ve read several mysteries for a contest I was judging and one where I was asked to write a blurb, but since the contest winners have yet to be announced, and the blurb book is not yet published, I can’t mention anything about them.

Now I’m off to tackle the next book on my list…but before I go, If you’re planning a road trip and looking for an audiobook to pass the drive time, I still have a few promo codes available for a free download of A Stitch to Die For, the fifth book in my Anastasia Pollack Crafting Mystery Series. Post a comment about your summer reading for a chance to win one.

~*~

USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction under her own name and her Emma Carlyle pen name. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry. Learn more about Lois and her books at her website www.loiswinston.com where you can also sign up for her newsletter and follow her on various social media sites.

Clicking Our Heels – Distractions!

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Are you easily distracted? Is so, by what? Here’s what distracts us:

Robin Hillyer-Miles – Social media.

Saralyn Richard – Social media can take me off of a plot line faster and longer than anything else.

T.K. Thorne – Questions like this. Lol, just kidding. Other stuff on my computer—email, FB, trying to stay up with news, but really I think it is the desire to get those things “out of the way” before concentrating on writing.  Then somehow, it is nighttime. I need to work on that.

Shari Randall/Meri Allen – Everything! I usually write in a room with lots of windows, and I am the Gladys Kravitz of my neighborhood. Every dog walker, delivery truck, or bicyclist catches my eye. But when deadlines approach, I have to put myself in “writer jail.” Writer Jail means a carrel in the library. No distraction = deadlines met.

Bethany Maines – Social media! Sometimes I’ll put my phone on Do Not Disturb and then move it further away from me. I also got logged out of Facebook on my laptop (my primary writing device) and have consciously never logged back in, which has saved me on multiple occasions. And yes, I could log back on, but I would have to go look up my password and it’s so much easier to not to do that. So laziness is working for me in this instance.

Kathryn Lane – My biggest distraction from writing is the research I do for my novels. Although it’s part of my writing process, I enjoy it so much that I over-research. And I know it, but it also motivates me to write.

Mary Lee Ashford – Hands down, social media and mostly Facebook. I so enjoy hearing what everyone else is up to and chatting with friends near and far. I love seeing people’s dogs and cats, hearing about their travels, or celebration. And then pretty soon an hour has passed. What I have to do is log on first thing in the morning with my coffee in hand and let myself be “social” for a bit. Then I have to move to a different device and get busy with writing. With a break for lunch or a water or coffee refill, I check in on what’s going on but I really have to limit my social media time to before or after writing.

Anita Carter – streaming a British mystery show.

Lois Winston – Life in general and a retired husband, not necessarily in that order!

Barbara Eikmeier – Sewing. I sew every day because I have a lot of sewing deadlines for my day job. If I wrote as much as I sewed I’d be a very prolific writer!

Debra H. Goldstein – Life. There’s always something unexpected!

Linda Rodriguez – At this stage of my life, physical illness and pain. It’s been different at other stages.

Donnell Ann Bell – At this point I can honestly say my 89-year-old mother. She’s in transition from her home into assisted living. I’m doing a lot of travel back and forth.

Dru Ann Love – Since I’m not a writer, my biggest distraction from working on my blog is being sick or having something more important to do.

Gay Yellen – My very patient husband and our life together.

Lynn McPherson – My big fluffy dog doesn’t like to be ignored.